[image credit: t-a-1] mæg ic be me sylfum soðgied wrecan K. | 20s | UK | Writer | Translator
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i really like fallout because, unlike a lot of media that uses retrofuturism as just a cool aesthetic, fallout’s obsession with 1950s americana actually means something. it’s not just chrome fins and googie diners, it’s weaponized optimism. it’s that sickly-sweet propaganda sheen slathered over nuclear terror, where smiling mascots tell you to duck and cover while the government quietly preps for the end of the world. it’s about a country that believed so hard in its own greatness it signed its death warrant in cursive.
fallout takes that warped, post-war idealism, the “gee whiz!” charm of suburbia on lithium. and drags it through the dirt, showing us what happens after all the white picket fences melt into radioactive slag. in a world shaped by that specific brand of McCarthyist exceptionalism, the future isn’t flying cars and robot butlers, it’s a dinky holotape of your last moments before the bombs hit, looping forever. like vault 11, the one where the final recording plays after everyone’s already dead, revealing the whole “sacrifice one person every year or everyone dies” mandate was a lie. a loyalty test. a sick joke. and the vault passed, right before it failed, because paranoia and desperation had already eaten them alive.
that’s fallout. not just the end of the world, but the punchline that comes after the moral.
and honestly? that hits way harder than any sleek utopia. because fallout remembers: beneath all that pastel patriotism and canned laughter, something was always rotting.
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I appreciate The Empire Strikes Back for being the only time I can think of when a character just shot their enemy as soon as they saw them without pausing or having a dramatic moment beforehand.
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A GREEK GOLD AND GLASS FINGER RING WITH APHRODITE HELLENISTIC PERIOD, CIRCA 3RD CENTURY B.C.
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from the introductory slideshow of a carmelite monastery’s website
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WARHAMMER 40,000: MECHANICUS (2018) | Grand Architect Neftusk
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getting big 45 minute vibes from this 15 minute recipe
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who was the guy who said every indie game is named either "empoisoned" or "swumbles big jumble" . i swear this is a real thing someone said
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Not to be a bitch but sometimes people engage with fiction in the most boring way possible, and nowhere is this clearer than in videogames. Like what you mean you hate a character just because they were kind of abrasive when speaking to the player character? "They were mean to me" and it didn't occur to you to wonder why? Like, what might their attitude toward you reveal about the world? About the social dynamics within it? About their own perspectives and backgrounds and personalities? Does it even occur you to ask? Would you only have liked them if they bowed to your presence and talked about how great you are? Like I'm sorry but you're so boring. How boring fiction would be if it cathered to you
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Well, you know what they say; Rome was built in a day, and if you're going any slower than that, you're basically fucked with no hope at all
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