mi4012nihinduyasmith

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ASSESSMENT 9 - Blocking Composition from Kung Fu Panda

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storyboard

Final storyboard after polishing

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SETMODEL

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MOODBOARD

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CONCEPTART

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storyboard

The feedback we received for the nearly perfect storyboard was as follows: the text needs to be improved, the light and dark changes need to be deepened, the depth and space can be improved, and the structure of the storyboard needs to correspond one-to-one with other texts and patterns.

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Projects to be completed:

1. Make a complete storyboard with shadows.

2. Make a painted atmosphere map of the scene in the story.

3. Make eight horizontal vertical pictures of the main character of the story, and make a horizontally rotating video.

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Storyboard 7~12

Compared to the previous more organized storyboards, the feedback received was that the text needed to be improved and the photos and frames could be removed to prevent the audience from finding out that this was a dream.

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Storyboard 7~11

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Compared to the more regular storyboards before, the feedback we received was that the structure of the storyboards could be improved, without spatial depth, light and dark changes, and with corresponding scene descriptions.

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Storyboard

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Digital Storyboard

The initial very crude storyboards received the following feedback: unclear expressions, no storyboard structure, no spatial depth, meaningless red marks, no corresponding scene descriptions…

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The Storyboard

First picture: It starts with David Mills just waking up, opening his eyes and slowly raising his head. There is the sound of rain Second picture: A bird's-eye view is used to show where he just woke up and sat. He looks around and it is dark outside the window. Third picture: The view turns to an over-the-shoulder view, showing the room and the view that the other person can see. He hears a knock on the door and looks at the door. Fourth picture: The view turns to the door, his wife Tracy arrives and stands at the door, calling him "darling." He is surprised by her presence and asks, "Darling, what brings you here?" Fifth picture: The view shows Tracy walks in from the door, saying, "It's your first day at work, I had to come and see." Sixth picture: The view turns to the angle from the door to the table. Tracy will enter the picture from the right side of the picture, go to the table, and walk around the table to David Mills. The 7th picture: The perspective changes to the picture of looking at two people from the table. Tracy comes over and hugs David Mills from behind, and says to him: "The real reason I came here is because of you", and then leaves the picture. David Mills said while looking down at the documents: "Honey, I am very grateful that you came to see me, but I have to work now." The 8th picture: The perspective changes to David Mills' first-person perspective, showing the table and the room, showing the view that the other party can see, and he is focused on looking at the document file. The 8th picture: The perspective changes to the perspective of the document that David Mills is looking at, and the picture shows what the document file is. And the picture follows the perspective of David Mills when he is distracted, and then the perspective in the picture will slowly move to the perspective of the next picture The 9th picture: Switch to the view that David Mills can see, and the picture shows two key things. David Mills seems to be curious about the photo. During this period, he did not notice that the door was closed, nor did he hear the sound of the door closing, and the picture follows David Mills to focus on the person in the frame The 10th picture: The photo in the frame is Tracy, but she looks a little weird in the photo, and the door is closed. Shot 11: The view turns back to David Mills's view. David Mills comes to his senses and continues to look at some documents. He hears a knock on the door. David Mills says, "Come in," but hears another knock. He gets angry and repeats, "Come in!" There's another knock on the door. This time he says, "Honey, can you open the door?" The knock stops, and David Mills looks up and says in confusion, "Tracy?" Shot 12: The screen switches to a view farther away from David Mills, showing him and the table, as he looks around.