minryll - Tumblr blog

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I bring you… my silly little comics. Saw a tik tok this morning about British Museum recognizing emperor Elagabalus as a trans woman 🏳️‍⚧️, and I just had to draw this.

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I know you said no pets but would it be ok if i brought a flaming skull

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Tonglu Mountain (铜炉山, Tónglú Shān)

commissioned work

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passages that make you whisper "oh my god"

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yall better be just as outraged about this as you were about notre dame

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Source

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“Drawing techniques for the structure and appearance of the fingers when the hand is extended”

Source: Twitter

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On of the best moments in TGCF is when Xian Lian is lying stabbed in the road in Lang-Er Bay, seriously thinking about committing genocide, and the merchant bumps into him, drops his rice, cusses and yells at him, and then a bit later comes back and apologizes for being angry and gives Xian Lian his bamboo hat. The reason it is the best is that we expect one moment of kindness. This is what happens in a book like this. We know that Xie Lian has to have an epiphany about humanity to draw him back from the brink of utter and complete darkness. We know he has to have a catalyst that makes it so he does not commit genocide and decides to save everyone instead. This is how these stories go. But in these stories, that moment is usually given to us by an innocent child. Or it's given to us by someone who is just a purer soul than all the rest. In the set-up for this scene, you fully expect the one who will give Xie Lian the will to save humanity will be the water merchant who has been wanting to help Xie Lian the whole time he was lying in the road with a sword through him. That water merchant has been shown to be more compassionate than the rest and has been held back by his wife, who fears the God of Misfortune.

And yet, in TGCF, that moment is not given to us by a pure, innocent child. It is not given to us by one person who just happens to be kinder than most. It's not. It's not. It's given to us by just your every day guy having a shitty day who is just as cruel and nasty to Xian Lian as everyone else, but who takes a moment to calm down and sees this pathetic loser in the rain and is like "hey, I lost my temper, sorry, don't be a pathetic loser, here's my hat, stopped getting rained on and looking so sad, go home."

It's not this pure shining moment about the inherent goodness of humanity. It's this pure shining moment about people doing shitty things and people doing kind things and how that's all mixed up within us and we're always both. It's that that gives Xie Lian the will to survive and sacrifice everything to save all humanity. It's not because there is good alongside the bad but because we're always both, and Xie Lian knows that he is both, and he thinks that's worth saving. He thinks it's worth being obliterated for.

When he's not obliterated for it, he lives for it instead.

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modern medieval fantasies don't have enough weasel-based necromancy

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🦋🩸

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In the 1980s in France, musicologists and archaeologists Iégor Reznikoff and Michel Dauvois used their voices to explore caves with notable Paleolithic wall paintings. By singing simple notes and whistling, they mapped their perceptions of the caves’ acoustics. They found that paintings were often located in places that were particularly resonant. Animal paintings were common in resonant chambers and in places along the walls that produced strong reverberation. As they crawled through narrow tunnels, they discovered painted red dots exactly located in the most resonant places. The entrances to these tunnels were also marked with paintings. Resonant recesses in walls were especially heavily ornamented.

In a 2017 study, a dozen acousticians, archaeologists, and musicians measured the sonic qualities of cave interiors in northern Spain. The team, led by acoustic scientist Bruno Fazenda, used speakers, computers, and microphone arrays to measure the behavior of precisely calibrated tones within the cave. The caves they studied contain wall art spanning much of the Paleolithic, dating from about forty thousand years to fifteen thousand years ago. The art includes handprints, abstract points and lines, and a bestiary of Paleolithic animals including birds, fish, horses, bovids, reindeer, bear, ibex, cetaceans, and humanlike figures. From hundreds of standardized measurements, the team found that painted red dots and lines, the oldest wall markings, are associated with parts of the cave where low frequencies resonate and sonic clarity is high due to modest reverberation. These would have been excellent places for speech and more complex forms of music, not muddied by excessive reverberation. Animal paintings and handprints were also likely to be in places where clarity is high and overall reverberation is low but with a good low-frequency response. These are the qualities that we seek now in modern performance spaces.

Sounds Wild and Broken, David George Haskell

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4:35 Blaze it sorry traffic was crazy

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i painted my darling son