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Crossing-over

Nathalie Boutté September 7 - October 21, 2017 Artist's Reception: Thursday, September 7, 6:00 - 8:00pm

Yossi Milo Gallery, 245 Tenth Avenue, New York, NY 10001

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Diptyque collage : Valérie & Joseph, 2015, format 108 x 83 cm (x2), papier japonais, encre

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“Medecin cloud”, 2015, Format 109 x 77 cm, papier japonais, encre

collage by Nathalie Boutté

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Nathalie Boutté es una artista autodidacta basada en Montreuil, cerca de París, Francia. Su trabajo se ha hecho conocido por sus originales collages que mezclan la pintura, la escultura y la fotografía. Trabaja con tiras de papel que ensambla una a una, creando un efecto de plumas. Sus juegos de texturas y toques de colores dan como resultado increíbles composiciones que sorprenden por su nivel de detalle y precisión.

Te invitamos a visitar su sitio web para ver más,

Nathalie Boutté is a self-taught artist based in Montreuil, near Paris, France. Her work has became known for her originals collages that mix painting, sculpture and photography. She works with paper strips, which she assembles one by one, creating a feather effect. Her mix of textures and touches of color give as a result incredible compositions that surprise for their level of detail and precision.

We invite you to visit her website to see more. 

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Nathalie Boutté

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Cut paper art by French artist Nathalie Boutté

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Collage de Nathalie Boutté

Seachart 2013

Billets de banque, carte marine 89,5 x 66,5 cm Avec la participation de la Banque de France

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Nathalie Boutté, ’Couturier Ballo (1)’, 2012. Japanese paper, ink

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paper strip pictures by nathalie boutté

Nathalie is neither a photographer, sculptor, nor a painter, her collages are a combination of all of these elements. the french artist’s body of work is derived from both her knowledge of paper and the volume of this particular medium.

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Nathalie Boutté.

Based in Montreuil, France, Nathalie Boutté takes what others may see as paper garbage—tissue paper, old pages from a novel, tracing paper—and transforms it into remarkable artwork by carefully layering paper strips. From up close the images appear pixilated. But if you take a few steps back, similar to some pointillism paintings, the image becomes clear.

Her process is as significant as the final result, a constant evolution of color and texture until her experimentation evolves into a delicate and brilliant image. She is self-taught and “her creations are always a beginning of something new, her technique is forever being enriched and improved. There is no certainty with her, no one truth, but there is always another experience, another achievement.” (by Katie Hosmer)

http://www.nathalieboutte.com/

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Nathalie Boutté for 150th Printemps celebrating @printempsofficial #printempsParis #printemps150ans #printempswindows #printempswindows @nathalieboutte #windowdisplay