Far From Home
Travelers zipping through Rhode Island’s T.F. Green Airport this summer may want to slow down on their way to baggage claim and take in new work by recent alumna Nayoung Jeong MFA 14 CR. Her thought-provoking ceramic objects are part of Personal Space, a three-artist exhibition on view through September 1.
“The work began in a Wintersession alumni residency I completed at RISD in January,” says Jeong. “That experience led to the exhibition at the airport.”
Jeong was born and raised in Korea and uses her ceramics, sculpture, painting and performance works to explore issues of cultural isolation and displacement. “My safe, healing spaces are created by hand,” she explains in her artist’s statement. “They arrive cloaked in the dust of my memories, steeped in Korean ritual and history.”
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Exclusive Diary
This sculpture functions as both a diary and a home for the artist. Shaped like a tepee, it encloses the artist. The inside is black with chalkboard paint. A single piece of chalk sits before the opening, so I may write my diary inside. My diary entries are also sprawled on the floor behind the opening, with my own language acting as a shadow. I audio recorded the sound of my chalk hitting the inside of the piece; the recording of my diary transcription always accompanied the exhibition. Viewers had only the sound of my writing to deduce my inner feelings.
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Column
Column challenges the need for protection and creates a phobia of shelter, forcing one to look outward, rather than inward. A frightening environment exists inside the piece, resembling the human digestive tract. The uncomfortable atmosphere provides new ways to explore pushing myself beyond the protective spaces created throughout the scope of my work. There are five windows at various points of the column for me to look and exit out of. When viewers look in at me through the windows, I appear that I am being digested, further establishing my need to escape shelter.
이중성의 고찰
안과 밖의 다른 색의 표현, 보호의 필요성과 방어벽의 공포를 동시에 발생시켜 다른 느낌의 속과 겉을 보게 만든다. 인간의 소화 기관을 닮은 조각들이 내부에 존재해 무서운 환경을 자아내며, 그 불편한 분위기가 내 작업의 범위에 걸쳐 생성 된 보호 공간과 내 자신을 넘어 탐구하는 새로운 방법을 제공한다. 다섯 개의 창은 내가 밖을 내다보고 벗어나려는 다양한 지점을 제시하며, 관람객이 창문을 통해 볼 때, 나는 그 안에서 소화되어 가고 있고 더욱 더 그 피난처를 탈출하려는 필요성을 느낀다
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Cocoon. #ceramics #clay #art #cocoon #metal wire #sculpture #hand-building #performance
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RISD MFA show 2014 #Rhode Island School of Design#Master of Fine Arts#2014#shelter#hands#ceramics#porcelain
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