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Still, like a stone, like a hill, like home
Still, what I find is you are always on my mind
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Dalibor Chatrný, n.d. [Galerie Zavodny, Mikulov]
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Anastasia Samoylova Beaches, 2014 Archival pigment print 30 x 30 in.
Autumn Roads, 2013 Archival pigment print 30 x 40 in.
Mountain Peaks 2.0, 2013 Archival pigment print 30 x 30 in.
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Farhad Moshiri
B. 1963, Iranian.
Untitled (From the Jar Series), late 1990s.
Acrylic and glue on canvas 148 x 166 cm. | 58¼ x 65½ in.
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Michael Buthe (German, 1944-1994), Papagei, 1994. Acrylic on canvas, 55 x 70.75 in.
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Mohamed Melehi (Moroccan, 1936–2020)
Untitled, 2017
Acrylic on canvas
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Bukowskis
Roy Lichtenstein, “Seascape II” from Édition MAT 65
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Sherie’ Franssen
That it will never come again, 2018
Oil on canvas
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Sean Newport’s “The Garden” at Hashimoto Contemporary SF.
Opening on Saturday, May 8th, 2021 at Hashimoto Contemporary in San Francisco, California and on view by appointment is artist Sean Newport’s excellent new solo exhibition, “The Garden.”
Inspired by the sense of sanctuary and community within garden spaces, Newport’s works reflect the bold colors and design found within nature. Newport’s newest works, titled Flower Puzzles, are formed from individually cut and painted wood shapes that unfold into undulating patterns like petals. Accumulated together, the works create a field of kaleidoscopic blossoms. Each component shape is a microcosm within the larger sphere of the composition as individual pieces of beauty to create the whole.
Bursting from their frames, the sculptural work shift with its environment. Adapting to the movement of the viewer, orientation of the work and the play of light and shadow across the surface, the pieces play with color theory and optical effects. Newport’s meticulous craftsmanship invites us to stop and examine the arrangements growing within The Garden.
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