asoiaf has terrible fashion worldbuilding and I will fix that if it kills me. grace, she/her, this is a tv show hate blog as well
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myrcella and margaery hanging out :) (marg had a dress made for myrc bc I really wanted an excuse to draw her in reach fashion lol)
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the most common party line regarding cersei's bad decisions in affc is "lol she made aurane waters master of ships bc he looked like rhaegar." maybe true. but look into your heart and name a single decision tyrion made in acok that wasn't motivated by wanting to trap a teenage sex worker in a relationship with him
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so, one aspect of catelyn which i think is underrated (certainly the biggest adaptation loss which nobody talks about) is her, let's say superstitiousness, or better yet, let's call it genre-savviness, being one of the few adult characters open to magic and the supernatural in this fantasy world. we first meet her in the godswood, home of gods which are not truly hers, yet she is still very aware of their power. when she and ned talk of the deserter he killed, he hopes he won't have to go with the nw to deal with mance rayder, but she has even more fear of that idea bc there are worse things beyond the wall than just wildlings. ned scoffs and says she's been listening to old nan too much, but she's right. we already know from the prologue that she's right! and here she is, understanding the genre of their world better than her husband, who was actually born and spent his earliest years in this northern land of deep magic, listening to old nan's stories. same with the direwolves, where she was uncomfortable with them at first, but later believed in them as guardians from the old gods even after robb had lost his own faith. and once again, we know she's right even if she doesn't know the evidence to back up her instincts, bc summer and shaggydog did not fail bran and rickon and robb was almost certainly a warg like his brothers. (perhaps making it more fitting that she's the one brought back as a fantasy vengeance monster, not ned and robb, the most unbelieving dead starks.) and in her 2nd agot chapter, everyone focuses on her ambition in wanting ned to agree to the hand job (pun intended) and sansa's betrothal, and while she does recognize the value of their daughter being a future queen more than ned does, that's only her stated argument bc she thinks it's rational enough for ned to listen to. (if ambitious matchmaking were as important to her as to her father she never would have made those frey betrothals fandom loves to blame her for.) in her own head there's a deeper urge driving her. she keeps thinking of the dead direwolf with antlers in its throat, an omen which filled her with dread from the first she heard of it, before robert's arrival, and thinking of it again is what makes her desperate to convince ned not to refuse robert. she had to make him see. and really, she's not wrong, as jon snow would say. the dead direwolf was an omen of ned and robert getting each other killed. it's just one of those misread portents, with no way of knowing the danger to ned was in his loyalty to robert, not conflict with him. BUT the next time she's dealing with baratheons, she knows exactly what she's talking about. it's catelyn, not brienne, who sees the shadow slaying renly, and explains that it was stannis who did that through some dark magic. with no way of knowing how it was achieved and no prior expectation that such a thing were ever possible, she realizes with no hestitation that stannis was guilty and that his red witch was capable of pulling this off somehow. really, the only instinct of the supernatural she's wholly wrong about is her insistence that varys gathered his knowledge through some dark enchantment. however, though that might offend varys, given his own personal experience with a sorcerer, i'd say it's a reasonable assumption without knowing the dude had children moving through walls everywhere like oversized rodents. and imo it just shows she had a healthy respect and awe for varys's power which most other characters lack.
oh, oh, and let's not forget that she also believed in the curse of harrenhal, from her own childhood and the stories old nan told her kids. "and every house that held Harrenhal since had come to misfortune. Strong it might be, but it was a dark place, and cursed. 'I would not have Robb fight a battle in the shadow of that keep,' Catelyn admitted." sure, that wasn't enough to save robb, but he did not die from the curse of harrenhal. that doom was meant for his enemies from tywin lannister to roose bolton.
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This Victorian era fancy dress costume fashion plate is so Cersei Lannister to me…
#a song of ice and fire#asoiaf#asoiaf hair and clothing#asoiaf headcanons#cersei lannister#hello surprise i am not dead! just attempting to write a very difficult dissertation that makes me wish i was
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why do we bash "kingslayer" jaime lannister for the regicide but we never question if the mad king had bad vibes? Or if he was just unpleasant to be around
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kind of insane how like the only two female characters who have sex with women in asoiaf are daenerys targaryen and cersei lannister but nobody talks about it because one of those instances serves primarily as ironclad evidence to lock grrm up in orientalism jail forever and the second one is. well cersei lannister has a lot going on in her mind
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that anon literally wants ilyn dead?? And for what??
Peladophobia 😔
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one thing that's great about the song of ice and fire books is the way nobody ever knows what the fuck is going on. like somebody in a bar will be like "long live good king renly!" and somebody else will be like "oh he died. like a month ago. yeah lady catelyn stark stabbed him" and somebody else will be like "actually I heard he was stabbed by a shadow his brother fathered on a priestess" and a fourth person will be like "wait didn't renly literally just win the battle of king's landing last week" and then they're all like "well, whatever. long live good king whoever it is now. next round's on me"
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the fundamental thing that gets me about asoiaf. like the special sauce that makes me weak over this embarrassing fucking story. is that. well. those books have gender in them.
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February 2024 Romance Drawing Challenge
Day 17: Selyse Baratheon and Melisandre
#i ship them. they could make each other worse. toxic wives ftw#melisandre#selyse baratheon#selyse florent
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Sorry we put your autistic boyfriend in the fandom and they completely infantilised him. Sorry yeah he's an innocent baby who's never even heard of a sex and doesn't know a single swearword now. Yeah they're treating him like the team kid and calling his friends his parents I'm so sorry about this. Yeah I know he's committed felonies in canon but it doesn't matter it's too late now I'm sorry
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Can I speak my truth. I don’t think Brienne is even a little gay. I think she’s a kinsey zero who false positives on everyone’s radar. I think if you dropped brienne into new age 2024 she would get treated as a lesbian in her day to day life but whenever a woman liked her she’d be like. Ummmmmmm I’m really sorry but I don’t. Feel like that. I think she’d give lesbianism the good old college try bc of the direness of her male love life and come down firmly on the side of not attracted to women. I think she is quintessential pnw woman who you think is a slam dunk homerun lesbian based on everything about her who drops the word husband on you. I think she gets clocked on sight and mentions a partner named Jaime which makes people go. Okay. Partner i know that game. Jamie easily the name of a lesbian. Easily. And then she drops the he pronouns and you go. Well. Could still be a weird lesbian. And then Jaime is a business major in a frat with generational wealth. And HE is the kinsey five in the relationship.
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i also have to say that AGoT’s last line being “…and for the first time in hundreds of years, the night came alive with the music of dragons.” really sold the series for me. first because i just think it’s a beautiful line. also, it’s a huge Oh Shit moment. like this is clearly a big thing that is going to change the world. also ofc the Parallels with the prologue, where the Others have returned…ice and fire, always….
but more importantly it’s such a strong statement on the themes of hope and rebirth. dany walked into drogo’s pyre thinking she had lost everything—she has no brother, no husband, no son. and she rises out of it with dragons. her new children. and a new purpose in life…she goes through a lot of character growth throughout all of AGoT, but walking into the pyre and emerging unscathed changes her…she no longer views her destiny as being the sister/wife/mother of a man who will restore the throne or whatever. she’s going to do that herself now….lots of thoughts and feelings
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i'm so normal about this (crying screaming shaking throwing up pulling out my hair)
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Historical Fashion: Encased or Bound Hair (Medieval Era)
In the Middle Ages women wore their hair long and typically washed once a week with soap and water. Braiding hair was an easy way for women to keep their hair out of the way from their daily tasks, hair looked kempt, and it kept their hair cleaner longer. Women encased their braids with metal casings which served multiple purposes: it helped to keep the braid together and it showcased the metals that they were able to obtain through wealth. Other styles had women bind their hair in ribbons. These styles were popular until around the 15th century when more elaborate hairstyles and headdresses dominated hair trends [x].
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