ohmovie

[ohmovie]

SAMARA WEAVING as Sofia in Borderline 2025, dir. Jimmy Warden

[ohmovie]

ALI LARTER as CLEAR RIVERS FINAL DESTINATION (2000) dir. James Wong

[ohmovie]

DAILYWORLDCINEMA’S 5TH ANNIVERSARY EVENT day 5: favourite costume design

Donkey Skin / Peau d'âne (1970) dir. Jacques Demy 🇫🇷 costume design by Gitt Magrini

[ohmovie]

You can help me. Please. Daniel, I'm begging you.

Samara Weaving & Adam Brody as Grace & Daniel Le Domas in READY OR NOT (2019)

[ohmovie]

Strange Days (1995) dir. Kathryn Bigelow

[ohmovie]

Have you ever been in love with someone who didn't return that love? - Yeah, Lenny… I have. - Didn't stop you from loving them, right? Or being able to understand them or forgive them? - I guess. - Didn't stop you from wanting to protect them… did it?

LENNY NERO & LORNETTE "MACE" MASON Strange Days │1995

[ohmovie]

Ralph Fiennes as Lenny Nero Strange Days (1995) dir. Kathryn Bigelow

[ohmovie]

JYN ERSO & CASSIAN ANDOR in ROGUE ONE: A STAR WARS STORY (2016)

[ohmovie]

WUTHERING HEIGHTS (2011) dir. Andrea Arnold

[ohmovie]

ATONEMENT 2007 ― Dir. Joe Wright

[ohmovie]

THE MENU (2022) dir. Mark Mylod

[ohmovie]

THE OFFICE — 2.22 "Casino Night"

[ohmovie]

"Emma and Godwin were acting in unison. Henry of Huntingdon notes that the Oxford meeting acknowledged that Emma and the former king’s household should have care of Wessex, and Godwin would be their leader in military affairs. For at least several months after Cnut’s death, Godwin remained dutiful to his Anglo-Norman widow and the Anglo-Danish succession of her son." — THE HOUSE OF GODWIN: THE RISE AND FALL OF AN ANGLO-SAXON DYNASTY (Michael John Key)

[ohmovie]

Academy Award Winners for Best Cinematography: 1997 — John Seale, ACS, ASC The English Patient (1996) Directed by Anthony Minghella Aspect Ratio: 1.85 : 1

"We mulled it for a long time and finally the edict we came out with was 1 : 85 because it’s a movie about people in the desert, not a desert with people in it. A lot of people have argued because the desert is a flat format, which anamorphic [2.39 : 1] fits perfectly and we knew that, but we also argued against David Lean’s Lawrence of Arabia. It’s fantastic, unbelievable, but we didn’t want to do that. Anthony said, I will never want to start on a beautiful mountain range and come down and find the movie; we’ll always cut to the movie, and I had to remind him a few times about that when he’d ask, ‘could we start there and come down?’ … ‘No, we can’t, Anthony, the camera is not programmed to do that,’ I’d say. Because you end up cutting those shots out in the end anyway, so we worked very hard to set up a shot that had the desert in the background so then the cars or whatever would bring you right into the movie. I think it helps to keep the pace up, but the majesty of it is still there. I like that because it’s making the movie first and the cinematography comes second." — John Seale for Student Filmmakers Magazine, April 2008

[ohmovie]

KATIE DOUGLAS as QUINN MAYBROOK CLOWN IN A CORNFIELD (2025) dir. Eli Craig

[ohmovie]

DAILYWORLDCINEMA’S 5TH ANNIVERSARY EVENT day 4: cinematography

City of God / Cidade de Deus (2002) dir. Fernando Meirelles 🇧🇷 cinematographer: César Charlone aspect ratio: 1.85 : 1 negative format: 16mm, 35mm

[ohmovie]

LEONARDO DICAPRIO as Romeo Montague ROMEO + JULIET│1996