Ley | writeblr | fantasy, sci-fi, horror(ish stuff) | she/they | young doctor in disguise | current obsessions: the old guard, the magnus archives, the witcher, good omens, mcu | I appear to write many "humans are weird" ficlets |
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“The fact is, I don’t know where my ideas come from. Nor does any writer. The only real answer is to drink way too much coffee and buy yourself a desk that doesn’t collapse when you beat your head against it.” ― Douglas Adams
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You’re a demon. One day, you’re summoned into a living room, and an exhausted woman quickly rambles about needing to get to work and being unable to find a sitter before flying out the door. Now, you stand in your summoning circle, a toddler staring wide eyed at you.
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Being Villagers
Based off this story prompt/fill (X) where you are born with a designation like Hero, Demon King, Blacksmith, etc.
Your name is Dolly. You are a Villager. You, as well as anyone, know what that means.
——————-.
You are sixteen and it is your first day at school.
Your first lesson is that Villagers are the only ones who start so late.
“Because there’s not much to be taught,” a boy says. His clothes are made of finer cloth than your mother’s wedding dress and his hair is as shiny as the brass buckles on his shoes. He grins at you, as proud as a peacock in front of half the class. “Don’t need to ask what your Destiny is, do I?”
You don’t know why he’s singling you out. A quick glance back into the classroom shows the rest of the students sitting at their desks with their heads low. They’re Villagers too. Most of you are. That’s why there isn’t anything special enough about any of you. You look back at the boy. “…are you going to ask me something else?”
“What?”
“If you don’t need to ask me my Destiny,” you say slowly, “do you need to ask me something else?”
“I don’t need to ask anything from a Villager!” the boy cries. He jabs a finger at his own bicep where his mark lies under cloth. “I’m a Lord!”
“Okay,” you say. The other kids behind him are frowning at you. Some of them are Villagers too, but different from you. They’re the children of merchants which is a different sort of destiny altogether. “I need to run some errands for my mother. Will you let me pass?”
Keep reading
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“The stone corrupts all those who wield it, it is fueled by their ambitions and dreams. So we need someone with no ambitions, no dreams, someone who doesn’t care about what the future holds for themselves. That’s why we found you.”
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You were once the demon king. “Defeated” by the hero, you went into hiding to pursue a simpler life. Today the “hero” has appeared, threatening you family to pay tribute, not realizing who you actually are. Today you show them what happens when you have something worth fighting to protect.
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Humanity has finally reached the stars and found out why no one had contacted us. The universe is in a sad state. As such, Doctors without Borders, Red Cross, and many othe charities go intergalactic.
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how to write creepy stories
over describe things
under describe things
short sentences in rapid succession build tension
single sentence paragraphs build dread
uncanny valley = things that aren't normal almost getting it right
third person limited view
limited expressions
rot, mold, damage, age, static, flickering, espsecially in places it shouldn't be
limited sights for your mc - blindness, darkness, fog
being alone - the more people there are, the less scary it is
intimate knowledge, but only on one side
your reader's imagination will scare them more than anything you could ever write. you don't have to offer a perfectly concrete explanation for everything at the end. in fact, doing so may detract from your story.
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I was reading my writing today, and let me tell you, it may not be good, plot is not the best, and characters are a bit stereotypical, but boy do I have fun writing it
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i want to coin a phrase that's the opposite of writer's block. call it the muse's fire hydrant. thirty thousand story ideas are being beamed directly into your brain and if you don't write them all at once you will die.
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Writing advice from my uni teachers:
If your dialog feels flat, rewrite the scene pretending the characters cannot at any cost say exactly what they mean. No one says “I’m mad” but they can say it in 100 other ways.
Wrote a chapter but you dislike it? Rewrite it again from memory. That way you’re only remembering the main parts and can fill in extra details. My teacher who was a playwright literally writes every single script twice because of this.
Don’t overuse metaphors, or they lose their potency. Limit yourself.
Before you write your novel, write a page of anything from your characters POV so you can get their voice right. Do this for every main character introduced.
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You know what I want more of? Variety in aliens. No, I don’t mean more designs for alien species. I mean variety within a species. They always seem to have the same government, the same culture, the same religion, the same language. Come on, humans don’t work that way!
“Say, there’s a Qualar over there. What are they saying?”
“No idea.”
“What?”
“That’s a Kinzian Qualar. I’m a Surolian Qualar. You’d have just as much luck understanding them as I would. You’re lucky I even speak Human.”
“Human isn’t a language.”
“What?”
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The number of Time to Orbit: Unknown readers who are over 60 years old is astounding to me. Not the audience I was expecting.
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the angel staying over at my house asked for a nightlight in their room and i told them buddy, don't you produce your own light? what're you gonna do with more? and they said they wanted to see why people like it so much. and also that the nightlight i own is blue and they're been trying to understand color. anyways i think they've stared at it for an hour now
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oh so when the reader knows something i don’t it’s “dramatic irony” but when i know something the reader doesn’t suddenly i’m an “unreliable narrator” 🙄
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bat opens up their little bat wallet to find they are all out of moths. A worthless $100 bill flies out for emphasis
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