A - The American Dream Is Killing Me by Green Day (or just pick american idiot if you don't like me removing the 'the' in the song title lol, either way works)
T - The Great Chinggis Khaan by The HU
H - Hoist up the Thing by The Longest Johns
U - Uma Thurman by Fall Out Boy
R - Ritual Noise - Covenant
M - Mayonaka no Door / Stay With Me by Miki Matsubara
A - All I Have to Do Is Dream by The Everly Brothers
N - Never There by Cake
Originally I planned to do only fall out boy songs and then i changed my mind. Anyways! No pressure tagging... @valleyofthemachinegods @firecatwashere @x-w1ng @eorzeashan aaannndddd @offbrandvegas !!
Not sure who needs to see this, but if a Service Dog starts backing into you, pushing you away from their handler, or they sit down at a leash distance from their handler
You Should Move Away.
They are performing a task known as "spacing" or "blocking" that helps reduce or prevent anxiety in their handler.
They are NOT "asking for pets" or being disobedient or asking to be spoken to. All you have to do is stay back from the dog and handler.
This is not a capslock PSA because I'm not sure how many people that don't have a SD actually know this is a trained task.
it's especially inspired by the art deco posters/graphics from the 1920s, or late taisho to early showa era in japan. quite different from what i'd usually draw.
btw the small three-column text means "he is always surrounded by bizarre things".
the others, minus the title, are just names of the live-action's director, screenwriter, lead actors, and the original author.
i like aloy x tilda as a way of aloy getting to be a little selfish and induldge, being wanted from her very bones, even if it hasnt got enough legs to last in that state.
The cisgender, heterosexual cross-dressers of the Victorian era.
Victorians absolutely loved cross-dressing as a gag. Couples posed for photographs in each other's clothes.
Community celebrations gave prizes for best opposite-sex impersonation
and drag parties were frequent occurrences, often hosted by college fraternities:
But none of it was considered queer. Because it was considered fun and not subversive or perverse, it was carried on in public by heterosexuals without any fear or hatred.
More than anything else, drag flourished as a comedy act on the vaudeville circuit. Many of the biggest names in entertainment were opposite-sex impersonators.
Julian Eltinge (who I will get back to later)
Vesta Tilley
John Lind
Bessie Bonehill
Bothwell Browne
Ella Wesner
Bert Errol
Pepi Littman (left)
At this point in time, drag was more closely associated with comedy than it was with queerness. It was generally considered a somewhat low art, but it was nonetheless immensely popular with the entertainment-seeking masses. Acts usually poked fun at the gender roles and stereotypes of the day, and could even be quite bawdy.
While undoubtedly many queer people engaged in this popular act, drag was not seen as inherently queer. In fact, the term "drag queen/king" wasn't popularly used outside of the theater world until the 1970s. Until then, the act, and people we'd call "trans" today, were referred to as "female/male impersonators."
Even though drag wasn't yet associated with queerness, a few notable queer people did manage to express themselves through the art of drag.
i wish there wasn’t such a stigmatized view on platonically loving people.
I can’t call people nicknames and pet names like hun and honey without them immediately assuming i have romantic interest in them.
i can’t tell my friends i love them without adding on “platonically” or shortening the phrase “ily” “love you” “love u”
i love a lot of people. i love my sister, i love my boyfriend, and i love my best friend. All different versions of love.
let us love people openly and honestly without it being seen as “making a move” or being romantically interested.
please please please stop assuming that love is strictly romantic, i promise you life becomes so much brighter and bigger when you stop keeping love strictly romantic.