"Safe Abortion for All.
No Compromise - No Apology"
Print by Bum Lung Press
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We’re never gonna get to this ball, are we?
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Immaculate (2024) dir. Michael Mohan
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The stack - Joseba Sánchez Zabaleta , 2016.
Spanish, b. 1970 -
Oil on panel , 38 x 46 cm.
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regardless of a myriad of other AI discourse talking points i'm not touching with a 10 ft pole, i think it should always be disclosed when i'm looking at something AI generated. like that's a basic level of societal courtesy, right. AI images more than any new technology that has changed the course of humanity seem to be inseparable from a purposeful obfuscation of their origin. the gimmick is to deceive human perception, their entire purpose is to make you believe you are looking at something created by sentience. AI is at its core a tool for deception and i mean that as a neutral statement. it's a mimic, a pantomime. impersonation. and that is, ethics aside, annoying as all fuck
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“April is the cruelest month, breeding lilacs out of the dead land, mixing memory and desire, stirring dull roots with spring rain.”
— T.S. Eliot, The Waste Land
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Thierry Mugler by Helmut Newton (1998)
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Takahito Yamanoue: A Timeless Life (1994)
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Carnebollente
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And I hope I'm not just a judgy cunt to you, but also a real downer, a killjoy and a ruiner of vibes.
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Roy Rimmer: Owl Overhead (2015)
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Sandra Kantanen (Finnish, b. 1974, Helsinki, Finland) - Forest series, 2019, Photography
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Down the Rabbit Hole, painting by Zack Dunn
This artist’s Instagram // Print Shop
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