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in her case it seems like more of a thematic inspiration, since the real horse's career was ended early by an injury (carried over into umamusume tachyon realizing her legs are fragile) but went on to sire a lot of accomplished horses (likely the inspiration for her plan to pass on her dream to the next generation). they probably just went "tachyon is a science-y word, let's make her carry out her plan using science"
I know a lot of the quirks and personalities of the horse girls are based on things the real life horses did. So was there anything that Agnes Tachyon (real horse) did that made them decide to make her a mad scientist?
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when it’s really bad again and it’s still way better than it used to be but it’s still really bad. and you do all the right stuff and you try and try and it still really hurts but it’s working but it still hurts and you go see the beautiful majesty of nature and your soul is so close to being at peace but your mind is still in pain. and it’s better but it’s still bad. and the sun is setting.
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★ 【CherryMaru🍒】 「 The Devourer 」 ✔ republished w/permission ☆ follow btt’s fanart twitch stream!
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fan art,Ran Yakumo(八雲藍) put on glasses in midsummer.
Be careful of heat and mineral deficiencies.
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knight who is constantly searching for a good and noble king to serve but cannot fucking find one for the life of him so he has to become the good and noble king himself.
and now all these other knights are coming around like "please let me serve you" and like obviously hes going to let them serve him thats the point of being a good and noble king but its also. very annoying. one of you become the good and noble king for once lets trade
#i feel like this was probably artoria's experience (from fate)#could also use this as a metaphor for existentialism. we desperately want some sort of stable truth or authority to serve#but we can't find one that survives the uncertainty of life without conflicting with our experiences or conscience#so ultimately we have to accept that we are constantly creating our own meaning and bear responsibility for it
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Worst part of popular left wing AI discourse online is that there's absolutely a need for a robust leftist opposition to use of cognitive automation without social dispensation to displaced human workers. The lack of any prior measures to facilitate a transition to having fewer humans in the workplace (UBI, more public control over industrial infrastructure, etc) is a disaster we are sleepwalking into - one that could lock the majority of our society's wealth further into the hands of authoritarian oligarchs who retain control of industry through last century private ownership models, while no longer needing to rely on us to operate their property.
But now we're seemingly not going to have the opposition we so desperately need, because everyone involved in the anti-AI conversation has pretty thoroughly discredited themselves and their movement by harbouring unconstrained reactionary nonsense, blatant falsehoods and woo. Instead of talking about who owns and benefits from cognitive automation, people are:
Demanding impossibilities like uninventing a now readily accessible technology
Trying to ascribe implicit moral value to said technology instead of the who is using it and how
Siding with corporations on copyright law in the name of "defending small artists"
Repeating obvious and embarrassing technical misconceptions and erroneous pop-sci about machine learning in order to justify their preferred philosophy
Invoking neo-spiritual conservative woo about the specialness of the human soul to try to incoherently discredit a machine that can quite obviously perform certain tasks just as well if not better than they can
Misrepresent numbers about energy use and environmental cost in an absurd double standard (all modern infrastructure is reliant on data centers to a similar level of impact, including your favourite fandom social media and online video games!) to build a narrative AI is some sort of malevolent spirit that damages our reality when it is called upon
It's a level of reactionary ignorance that has completely discredited any popular opposition to industrial AI rollout because it falls apart as soon as you dig deeper than a snappy social media post, or a misguided pro-copyright screed from an insecure web artist (who decries a machine laying eyes on their freely posted work while simultaneously charging commission for fan-art of corporate IPs... I'm sure that will absolutely resolve in their favour).
It would be funny how much people are fucking themselves over with all this, except I'm being fucked over to, and as a result am really quite mad about the situation. We need UBI, we need to liberate abundance from corporate greed, what we don't need is viral posts about putting distortion filters on anime fan-art to ward off the evil mechanical eye, pointless boycotts of platforms because they are perceived to have let the evil machines taint them, or petitions to further criminalize the creation of derivative works.
#ironically this reminds me of the situation socialist thought was in when marx & engels were writing#where all the theorists were unabashed reactionaries or mystical humanists that constantly gave marx anyeurisms
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religious artist: thank you god for guiding my pen to create art
atheist artist: i worked really hard and created art
agnostic artist: no one knows where art comes from
#my favorite artists are the ones who are atheist/agnostic but nevertheless resemble the religious artist#i.e. 'i dont know what the hell possesses me when i make art but i just let myself be a conduit for it'
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zun: *sprites two shitty little creatures for his silly videogame*
everyone: These Are Beloved Characters Big Fairy And Little Devil
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The butterflies
#touhou projmoon crossover... so peak. its perfect for these two#i should play library of ruina again
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We are heartbroken to share the tragic news of the death of Jonathan Joss—beloved actor, artist, and gay icon—who was fatally shot on June 1, 2025, in San Antonio, Texas. He was 59 years old. Authorities are investigating the possibility of a hate crime.
Jonathan, of Comanche and White Mountain Apache heritage, rose to fame as the voice of John Redcorn on King of the Hill and appeared in acclaimed films such as The Magnificent Seven and True Grit. Beyond his screen work, he was a tireless advocate for Native sovereignty, queer visibility, and authentic representation.
In recent years, Jonathan came out publicly as a gay man and remained fiercely proud of both his Indigenous and queer identities. He is survived by his husband, Tristan Kern de Gonzales, with whom he shared a life rooted in love, art, and community.
Jonathan’s legacy is one of courage, truth, and unapologetic presence. His impact on two-spirit and LGBTQ+ Indigenous youth—and on all of us who saw ourselves in his work—cannot be overstated.
We mourn his loss. We honor his voice. We demand justice. Rest in power, Jonathan Joss. You are remembered. You are loved.
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