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phoxphyre · 21 hours
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bisexual confusion vs bisexual clarity
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phoxphyre · 2 months
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has anyone read project hail mary??? I loved it sooo much
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phoxphyre · 4 months
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Are all the themes in “in other lands” supposed to be a commentary on something? Or do you just like writing sex scenes between minors, age gaps, and reverse misogyny?
Genuine question.
Ohhh, my dear anon, I don't believe this is a genuine question.
But it does bring up something I've been meaning to talk about. So I'll take the bait.
Firstly. Yes, my work contains a commentary on the world around us. I wonder what I could be doing with the child soldiers being sexually active in their teens (people hook up right after battles), and the age gap relationship ending in the younger one being too mature for the elder. What could I possibly have been attempting when I said 'how absurd gender roles are, when projected onto people we haven't been accustomed by our own society to see that way'? I wasn't being subtle, that's for sure.
Secondly. Yes I do enjoy writing! I think I should, it's my life's work. Am I titillated by my own writing, no - though I think it's fine to be. The sex scenes of In Other Lands aren't especially titillating, to be honest. It is interesting to me how often people sneer at women for writing romance and sex scenes, having 'book boyfriends,' insinuating women writers fancy their own characters. Women having too much immoral fun! Whereas men clearly write about sex for high literary purposes.
… I have to say from my experience of women and men's writing, I haven't found that to be true.
I’m not in this to have an internet argument. I prefer to leave my anons open since not everyone has a tumblr, as @neil-gaiman says it’s an internet backwater, but a lovely one for those like myself who enjoy an essay about fictional characters! Still I will close my inbox to anons if I must. Mostly people use bad faith takes to poke at others from the other side of a screen for kicks. But I do know some truly internalise the attitude that writing certain things is wrong, that anyone who makes mistakes must be shunned as impure, and that is a deeply Victorian and restrictive attitude that guarantees unhappiness.
I've become increasingly troubled by the very binary and extreme ways of thinking I see arising on the internet. They come naturally from people being in echo chambers, becoming hostile to differing opinions, and the age-old conundrum of wanting to be good, fearing you aren't, and making the futile effort to be free of sin. It makes me think of Tennyson, who when travelling through Ireland at the time of the Great Famine, said nobody should talk about the 'Irish distress' to him and insisted the window shades of his carriage be shut as he went from castle to castle. So he wouldn't see the bodies. But that didn't make the bodies cease to be.
In Les Mis, Victor Hugo explores why someone might steal, what that means about them and their circumstances, and who they might be - and explores why someone else is made terribly unhappy, and endangers others, through their own too rigid adherence to judgement and condemnation without pity. The story understands both Jean Valjean the thief and Javert the policeman. Javert’s way of thinking is the one that inevitably leads to tragedy.
Depiction isn't endorsement. Depiction is discussion.
Many of my loved ones have had widely varying relationships to and experience of sex (including 'none'). They've felt all different types of ways about it. If writing about them is not permissible, I close them out. I'd much rather a dialogue be open than closed.
I do understand the urge to write what seems right to others. I've been brain-poisoned that way myself. I used to worry so much about my female characters doing the wrong things, because then they'd be justly hated! Then I noted which of my writer friends had people love their female characters the most - and it was the one who wrote their female characters as screwing up massively, making rash and sometimes wrong decisions. Who wrote them as people. Because that's what people do. That's what feels true to readers.
I want my characters to feel true to readers. I want my characters to react in messy ways to imperfect situations. I love fantasy, I love wild action and I love deep thought, and I want to engage. That's what In Other Lands is about. That's even more what Long Live Evil is about. That sexy lady who sashays in to have sexy sex with the hero - what is her deal? Someone who tricks and lies to others - why are they doing that, how did they get so skilled at it? What makes one person cruelly judgemental, and another ignore all boundaries? What makes Carmen Maria Machado describe ‘fictional queer villains’ as ‘by far the most interesting characters’? What irritates people about women having a great time? What attracts us to power, to fiction, and to transgression?
I don’t know the answers to all those questions, but I know I want to explore them. And I know one more thing.
If the moral thing to do is shut people out and shut people up? Count me among the villains.
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phoxphyre · 5 months
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OUR FLAG MEANS DEATH SEASON 2
I know we're not through. A love like ours can't disappear in an instant. We're joined to one another. Intertwined. We wrote our names on each other in permanent ink.
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phoxphyre · 5 months
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youtube
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phoxphyre · 5 months
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A glorious fuck-ton of perspective angle references (per request).
[From various sources.]
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phoxphyre · 8 months
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🚨 SCAM JOB ALERT🚨
Watch out for any job listings that claim you’ll cruise the seas for American gold, fire no guns, and shed no tears. These are all scams and the job is NOT as advertised. Source: I fell for it and am now a broken man on a Halifax pier
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phoxphyre · 8 months
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Chapter 8 now posted
Stede’s hands gather up Ed’s hair, lift it up. His breath ghosts across the bare skin there. When he lets it fall, the long strands whisper across Ed’s skin until he shivers. 
“Gorgeous,” Stede murmurs. 
“You can’t even see me.” 
“I don’t need to.” His fingers trace up Ed’s neck again and push into his hair. The pads of his fingers are soft against Ed’s scalp. 
“You can do that fucking all night if you want,” Ed says, and Stede gives a quiet laugh. 
“That could be arranged.” 
Read on Ao3
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Terra Incognita
An OFMD Gentlebeard Fic
Summary: Stede and Ed have finally fought their way back to each other, and now they’re setting sail into their new life with the crew of the Revenge. 
But the past doesn’t go away just because they’ve declared their love. The crew is still unhappy about that whole “attempted murder” thing, and neither of the co-captains really has any idea of how to be together. 
When the Revenge finds a cursed necklace, things begin to go wrong. The co-captains must lay the curse to rest, come to terms with the things they’ve done—and maybe, just maybe, work their way towards true intimacy. 
Along the way there’ll be storms, handsome rival pirate captains, naval battles, seagull goddesses, and lots of talking it through, as a crew. 
Rating: Explicit Words: ~110K
This is completely written, posting a new chapter every week or two (or as fast as I can edit the later chapters).
Read Chapter 1 on Ao3 Now
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phoxphyre · 8 months
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what happened on the drive home from tadfield after the paintball arena...?
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phoxphyre · 8 months
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@Fanfic writers:
My friend send me this link, is a series on a profile on Ao3 (tumblr) that has different tutorials to insert things to fanfics via html code, I thought I would share bc it’s really cool
Lists of tutorials:
How to make images fit in mobile browsers
This is a tutorial/live example on how to make large images fit on mobile browsers but remain normal size on desktop browsers.
How to mimic letters, fliers, and stationery without using images
This is a tutorial/live example on how to mimic the look of letters, fliers, and stationery (as well as other forms of written media) without using images. For all your epistolary fic needs.
How to make a “choose your own adventure” Fic
This is a tutorial/live example on how to create a "Choose Your Own Adventure" fic. While this has been explained before (see here), this particular tutorial shows you how to use a work skin to hide the next parts from the reader until they click through to get to them.
How to make linked footnotes on Ao3
This is a live example of how an author can create linked footnotes in their work with only a little bit of HTML and no workskins required. This is best viewed by clicking "Entire Work". While I've included the actual coding in bold and italic once you click "Hide Creator's Style", there's a more detailed explanation here.
How to change text on Ao3 when the cursor is hovering over it (or clicked on mobile)
This a tutorial/live example on how to have text change or appear once a cursor is hovering over it. Helpful for pop-up spoilers, language translations, quick author's notes, etc.
How to mimic author’s notes and Kudos/Comment buttons
Anonymous on tumblr: do you have a skin that would mimic the author’s notes and review/kudos buttons section from the end of a fic? the desired effect being that the fic could go on after the “end” of the fic, so after the author’s notes and review/kudos buttons
Here's a tutorial/live example to do just that, with some of the buttons actually functioning. I'll explain more inside!
How to wrap text around images
This is a tutorial/live example on how to align images to the left or right of the screen and have text wrap around them.
How to mimic email windows
This is a tutorial/live example on how to mimic email windows on AO3 without the need to use images.
How to make ios text messages on Ao3
This is a tutorial/live example on how to mimic iOS text messages on AO3 without the need to use images. There's also a chapter on how to have emojis displayed on AO3 as well.
How to make Customized page deviders
Bored with the default page dividers? This is a tutorial/live example on how customize your page dividers with no images needed (though I do show you how you could use images if you wanted to do such a thing).
How to make invisible text (That can be highlighted)
This is a live example how to make invisible text that can only be seen by highlighting the text. Tutorial is included in text, and you can always leave comments about questions you may have.
MOBILE USERS: Sadly, this probably won't work for you, since highlighting in a mobile browser is different than web. I've tried correcting this, but have yet to find a solution.
How to make a rounded playlist
Original coding and design is from layouttest. I make no claims for it, just tweaked it so it will work on AO3.
How to create notebook lined paper on Ao3
This is a live example of my AO3 skin that allows the author to recreate the look of lined notebook paper in their work. To learn more about it, you can find the tutorial here.
Sticky notes on Ao3 without using images
This is a live example of my AO3 skin that allows the author to recreate the look of sticky notes (aka Post-Its) in their fic. To learn more about it, you can find the tutorial here.
How to make deadpool’s thinking thinking boxes on Ao3
This is a live example of my AO3 skin that allows the author to recreate the look of Deadpool's thinking boxes in their fic. To learn more about it, you can find the tutorial here.
How to make newspaper articles on Ao3
This is a live example of my AO3 skin that allows the author to recreate the look of a newspaper article in their work. To learn more about it, you can find the tutorial here.
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phoxphyre · 9 months
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Chapters 2 & 3 are now posted
The crew's luck begins to turn ~ Ed wrestles with his ghosts ~ Oluwande relays some concerns from the crew ~ The co-captains plan their next move ~ Ed & Stede discover they have very different past experiences of intimacy ~ Ed finds a gift
Read on Ao3
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Terra Incognita
An OFMD Gentlebeard Fic
Summary: Stede and Ed have finally fought their way back to each other, and now they’re setting sail into their new life with the crew of the Revenge. 
But the past doesn’t go away just because they’ve declared their love. The crew is still unhappy about that whole “attempted murder” thing, and neither of the co-captains really has any idea of how to be together. 
When the Revenge finds a cursed necklace, things begin to go wrong. The co-captains must lay the curse to rest, come to terms with the things they’ve done—and maybe, just maybe, work their way towards true intimacy. 
Along the way there’ll be storms, handsome rival pirate captains, naval battles, seagull goddesses, and lots of talking it through, as a crew. 
Rating: Explicit Words: ~110K
This is completely written, posting a new chapter every week or two (or as fast as I can edit the later chapters).
Read Chapter 1 on Ao3 Now
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phoxphyre · 10 months
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I don’t know where we are in the grand scheme of things, but I just wanna be hugging you tonight. 💔
(A painting I made inspired by Romantic Encounter by Mihaly von Zichy)
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phoxphyre · 10 months
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Terra Incognita
An OFMD Gentlebeard Fic
Summary: Stede and Ed have finally fought their way back to each other, and now they’re setting sail into their new life with the crew of the Revenge. 
But the past doesn’t go away just because they’ve declared their love. The crew is still unhappy about that whole “attempted murder” thing, and neither of the co-captains really has any idea of how to be together. 
When the Revenge finds a cursed necklace, things begin to go wrong. The co-captains must lay the curse to rest, come to terms with the things they’ve done—and maybe, just maybe, work their way towards true intimacy. 
Along the way there’ll be storms, handsome rival pirate captains, naval battles, seagull goddesses, and lots of talking it through, as a crew. 
Rating: Explicit Words: ~110K
This is completely written, posting a new chapter every week or two (or as fast as I can edit the later chapters).
Read Chapter 1 on Ao3 Now
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phoxphyre · 11 months
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Fancied a little stylisation study 🏴‍☠️
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phoxphyre · 11 months
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FALLING IN LOVE 101 with Aziraphale and Crowley
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phoxphyre · 11 months
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Today in niche genres of joke that I can never get enough of and will probably still be secretly thinking about four years later
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phoxphyre · 11 months
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Up until the almost-end-of-the-world, the way Aziraphale and Crowley maintained their relationship was through a collection of well-established and repeated patterns (dances, you might say). These little rituals were what they used to communicate affection, intimacy and trust when they couldn’t say the things they wanted to say out loud. I like spending time with you. You make me happy, and I like making you happy. We’re in this together. I’ll always be there for you, even when your own side is not.
In season 1, as the stress of the impending apocalypse puts more and more pressure on their relationship, we see their patterns start to break down, and it’s very distressing for them. They’ve been communicating like this for so long that they don’t know what to do when one of them doesn’t follow the dance steps.
When we first see them in season 2, they seem in some ways to be closer than ever. They touch each other more easily, Aziraphale in particular. Crowley is comfortable enough in the bookshop that he has a Spot for putting his sunglasses when he takes them off by the door. They’re more open about acknowledging how much time they spend together and how many things in their lives are shared.
And I think, also, we expect them to be happy. They won, didn’t they? So it takes a while for the cracks to start to show.
It wasn’t until this post pointed out that the whole season, we never see them sit down and share a meal together in the present day (no, Crowley doesn’t eat; yes, it still counts) that it started coming together for me. The closer you look, the more you realize the old patterns they’re used to relying on are broken.
Three times, we see them sit down to their usual table for two (at the coffee shop, the bar, and the French restaurant) and then almost immediately get up again. This post also points out that we don’t see Aziraphale eat anything on screen, other than one of the little candies in the Bentley. This in the same season we learn that Crowley is the one who introduced him to food! It’s one of their oldest rituals!
Even one of their most visually recognizable patterns starts to go wonky this season. In season 1, when the blocking allows it, Crowley’s always on Aziraphale’s left. When they’re standing or walking side by side, and most of the time when they’re sitting side by side together (there are some exceptions due to camera angles)…Crowley’s always on Aziraphale’s left (screen right if they’re facing us, screen left if we’re behind them). It’s one of the clues about the body swap that is easy to see when you know what to look for—in Berkeley Square they are each initially sitting on the “wrong” side of the bench. It’s so reliable that Aziraphale hears a little miracle bling in the sushi restaurant in s1 ep1 and turns to his left—because that’s where Crowley would appear—only to be startled by Gabriel on his right.
Go look at the scene where we find out Gabriel and Beez are a couple. You know the one.
And of course, many people have noted that in the end credits, we’d expect their positions on screen to be switched. They’re on the wrong sides. And it’s such a long shot that I think it has to be intentional.
Some people have speculated that this means they swapped bodies again. I don’t really buy that. Rather I think it is supposed to indicate what becomes extremely clear on a second viewing, that things are Off and Wrong. They are not okay.
And the more you watch them you see that Aziraphale’s excitement during his little adventures is manic and brittle, and that he misses having a place and a purpose and a mission to do good. And Crowley is depressed, unhealthily codependent, even more hypervigilant and cagey and angry than he was before. They both have layers and layers of trauma, and no way to talk about it. They have the time and freedom now to talk about what they want to be to each other, now that they don’t have to hide and encode and maintain plausible deniability. But they have no way to talk about that either, because that’s never been an option before. They don’t know how, and they are both so, so afraid.
And in the fights they have in episode 1 and episode 6, you realize they haven’t resolved anything from season 1. They’re having the same fight they had at the bandstand. Crowley wants to run, keep the two of them safe and damn the rest, and Aziraphale wants to stay and help, believing he can make a difference even in an imperfect system, and neither of them really understands the other’s position. It’s the same damn fight. They haven’t been able to move past this impasse, and it’s the exact thing that breaks them in the end.
And it’s just. Fuck. It’s such a human thing to have happened to them. To make it through the fire (metaphorical and literal) and then have everything go to shit afterward because of unaddressed traumas and insecurities and things left unsaid until they fester.
I know this is not at all how I expected the season to go, and I think it took a little while for me to parse what was going with their relationship, because we are predisposed to want them to be happy and to want things to be easy for them now. But it makes so much sense that this is where they ended up at this point in the story.
I know they’ll make it back to each other. They both love each other too much to give up. They’ll fight their way back together, and I know they’ll figure it out in the end.
But goddamn.
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