polluxii - Tumblr blog

[polluxii]

gortash but workaholic

戈塔什但是社畜版

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Come here! Come here boy! Who's a good boy?? I have tea for you~~~

(feel free to use it, if you need to ^^)

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Karsus' legacy

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hello gortashnation

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that one dialogue when you meet astarion

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Gorty Worty

I love the little Tyrant <3

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I like how Gortash is kind of a hidden foil to the theme of "breaking free from those who abuse you" and "perpetuating the cycle of abuse" that runs throughout all of BG3.

He was hurt very badly. What did he learn from it? That you're ultimately alone, nobody is going to come save you, the only person on your side is yourself. He didn't have a Tav/anyone else to come help him, or if he did, he refused to let their words get through to him. He dragged himself out of literal hell -- from there decided he was going to make the entire world pay for what was done to him. From there never grew up from the kind of simple fantasy a child would come up with, I'll be better than you, nyah nyah. From there did an Ascended Astarion and did live his own worst life.

His parents had power over him but decided they'd rather have money than another mouth to feed? Fuck them, Enver could earn more money than they ever had. Raphael had power over him and lived a life of luxury while treating his slaves to all the horrors of life amongst devils? Fuck him, Enver could accumulate more luxury than even a devil would ever have, even steal his coveted toy. He was smart, he could outwit them, he could be worse than them if needed and leave them all crying in the dust at his success.

And then he did whatever was necessary, the way his own family had done what was necessary, no matter how dirty. Went on to beg, borrow, and steal his way to the good life with no sleazy stone unturned. Seducing people to steal from them? Who cares, if they don't notice he's doing it then they're idiots and deserve to be taken for a ride. Weapons dealing? Barely a crime at all, if he wasn't doing it someone else would. Selling slaves? Who cares, it was done to him and he got out, anybody who can't is just a weakling. Selling Karlach in specific? Betraying those who trust you to make a quick buck is just good business, he had it done to him and he's fine. Playing with people's souls and lives in the most horrific fashion possible? Whatever, it's not his soul and they're not worth that much anyway, devils literally spend them as currency.

Hitch your wagon to somebody more powerful than you, use their influence to gain more power over others, then step on them to climb your way up the ladder -- that's the way you get what you want out of life. It's no surprise that he threw in his lot with Bane. Sure, he's technically got a new master holding authority over his head (though with as arrogant and self-aggrandizing as he is, I can picture him even thinking "I already outfoxed two powerful devils, I'm about to rule the world, so...what's a single god really?"), but all these stupid mortals underneath him? Now they have to do whatever he wants. It's childish petty revenge taken to the utmost logical extreme possible. Everybody he ever hated, everybody who ever wronged him, everybody who might want to wrong him, they have no choice but to bow and scrape forever and it's the best kind of vengeance against the world to be able to hold that over them. Just consider what he does to his parents. He could've just killed them. Instead his wrath comes in the form of making them watch his success while trapping them in an unending hell they can never escape for as long as they live. The same fate they would have abandoned him to if things had gone differently.

So much of this is told through text notes and little side details that it's easy to miss, but I love that one of our main villains is somebody who suffered in a very similar way to some of the main cast members and his response to that wasn't trying to become better than what was done to him, it was to aim himself straight toward way, way worse.

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this is their dynamic. in my heart

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netherese

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so one of my friends is really obsessed with Gortash from BG3. like, really obsessed with Gortash. So, her and her friends decided to absolutely torment him with his portraits and well...

its the dedication for me........

but the photo that really gets me......

IS THIS SHIT LYING ON THE FLOOR WITH HIS PORTRAITS AROUND HIM?

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Haven't seen anybody post this here yet. But enjoy Gale's VA reciting the first part of Hozier's First Light. It is truly magnificent.

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LOOK AT THIS FUCKING DEVNOTE IM DYING

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Water painted by Ivan Aivazovsky (1817 - 1900)

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reblog if you have a gale-sized hole

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Every day I see your art and I am literally breathless. I can't even begin to describe how much I admire you. Where did you learn to color the way you do? And the proportions? It's all so amazing.

Thank you so much!! It's a bit tricky to answer that question, because almost everything I know is/was trial and error. A large part of figuring out how to draw/paint, for me, was learning to identify aspects of artwork that I found appealing. I'd further break down said appealing aspects into stuff I wanted to incorporate into my style (or, generally speaking, the way I made art) vs. stuff that I didn't.

It *really* helped me to start collecting art that I admired and to return to it when I needed inspiration/references/palettes/composition ideas/pose ideas/detail ideas—recently, I bit the bullet and dumped basically all the art I've ever saved (which includes illustrations, concept art, fine art, woodblock prints, architecture, photography, fashion, historical artifacts, interior design, yada yada) in a giant Google Photos folder. As of today, it has a hair over 16,000 pictures in it.

I will say that learning proportions (I'm assuming you're referring to bodily proportions) was a bit more straightforward; it came from excessively studying anatomy and doing a lot of figure drawings. I filled up 5 or more sketchbooks with mostly drawings of the human body from reference (some animals too)—this was back in 2015-2017 or so. There are a lot of patterns that repeat themselves in the human body, and through studying you're often able to get to the point where even if you don't have a reference, you can intuit what "looks about right." And if you're able to break down the body into 3D volumes + you know approximately what lighting should look like on a given body part? You can get away with a lot.

Here's some recent figure drawings as a reward for reading all of that:

[polluxii]

do you have an idea of a checklist for learning how to create digital art? like i know practice is essential, but i don't really know where to start or where to go from there. thanks so much xox

I think I can toss some stuff out here that might be of use.  Assuming an artist learning digital art starts from the beginning–owning a tablet & drawing program but not knowing how to use them–here’s an inconveniently long list of stuff that could help them.

TL;DR: 1, mess around till you’re used to drawing digitally. 2, study and create ad infinitum. 3, a bunch of tips that are pretty hard to TLDR so you should probably just go over em.  Step 2 is basically what you asked me NOT to tell you (“practice”!), but unfortunately it’s all I know how to do :,(

1) If you own a tablet that you plug into your computer (i.e., you don’t draw directly on the screen), feel free to spend a few weeks or even a month+ just getting used to it.  When you first start out, it’s really freaky drawing in one place and seeing things appear somewhere else, but trust me in that you won’t even notice the disconnect after a few months of consistent digital drawing.  I’ve been painting digitally for about 2 years now, and it’s actually slightly easier for me to draw digitally than traditionally.  [If you have a cintiq, or you use an iPad with Procreate, or something similar, then you probably don’t have to spend as much time in step 1.]

Keep in mind that it doesn’t matter how good you were with traditional drawing when you start digital; the mental disconnect you have will make it very difficult to think about proportions, values, edges, colors, etc.  You’ll probably notice yourself making mistakes that you wouldn’t normally make on paper.  Don’t worry about them, just keep drawing as you usually would.  Digital you will catch up to traditional you in time.  

For now, get used to blending colors, drawing somewhat steady lines that go in the correct direction, and fooling around with brushes and brush settings.  If you come across a brush that you like (easy to work with + pleasing results), it may help to stick with it as you continue to learn.  Digital doodles and sketches are good for this stage; though try to keep doing traditional work so your base art skills don’t atrophy.  

If you’re just starting out with Photoshop or Sai or Krita or whatever software you’re using, you’re gonna be intimidated by all the funky buttons and settings that you first see.  If it makes you feel any better, I use maybe 0.1% of the tools that Photoshop offers me.  When you start, all you need to worry about is the brush tool and control-z, maybe the eraser too.

2) Do studies as well as pieces from imagination.  You can move into step 2 as early as you please; you don’t have to wait until you think you’ve become “skillful” at digital drawing (in fact, this step is what will probably help you become the most comfortable with digital).  It’s alright if your colors are icky looking and your values are off (tip, occasionally turn the saturation of your drawing to 0 to check the values), because as long as you keep studying reality and appealing art & continually learn from your mistakes, you’ll get better. 

Always remember to study or at least appreciate the qualities of art you enjoy.  It’s the same thing that people always tell writers–you have to read a lot to write well.  You probably shouldn’t shield yourself from the influence of other artists; while you may think that this action would help you develop artistically in the manner most true to yourself, in reality the vast majority of the process of learning art will be honing in on what you find visually pleasant so that you may, in turn, express your artistic taste in your work.  If you look at other people’s art, you can pick out tiny aspects of it that you like and incorporate that into your style.  It’s a bit trickier to build a style without the “help” of other artists, though you can always turn to nature for help. On that note, I also recommend referencing nature as much as you can, because we as human beings are sort of wired to find natural designs, colors, and structures beautiful.  Look at nature for the universally beautiful, and look at art for the subjectively beautiful (i.e., enjoyed uniquely by you).

If you find yourself getting burnt out pretty quickly, then just paint/draw simple and small things for period of half an hour to 1 ½ hours a day (and switch back to traditional).  You can spend this time mapping out proportions, creating thumbnails of values/colors, drawing linework, or whatever.  Add complexity to your pieces as the months go by, and if you already have a decent foundation in drawing aim to create somewhat finished pieces after maybe four months to a year.  Please note that the second part of that sentence was something I completely made up out of my head, because I’m trying to quantify pretty unquantifiable concepts such as a “decent foundation in drawing” and a “somewhat finished” piece of art.  If you find it unrealistic, or just too easy of a goal, disregard it entirely.  It can take you half a decade to learn to make finished digital art, or you can get it down in a couple months.

3) Fun fact, there’s not really a step 3 as you stay in 2 forever, always studying and creating.  But there’s a few other things about digital art that you ought to know, so here they are:

• If your computer doesn’t make a fuss about it, I’d recommend working on a decently large canvas (at least 3000 by 3000; I personally prefer 6000 by 6000). You’ll get less defined edges and colors if you go below 1000 by 1000, from my experience.

• If you have a tablet with pressure sensitivity (you probably should otherwise digital painting is kinda hellish), go to your brush settings and set ‘transfer’ to ‘pen pressure.’  This is what makes it possible to blend.  

• If you’re having trouble matching colors while studying, you can always color pick the ref (in photoshop: bring the pic into PS and use the eye dropper tool) and compare its colors to your colors.  Some people add too much red to their skin tones, some people draw their highlights with overly desaturated colors, some people make trees and grass in their landscapes too green; whatever the case, take note of and correct errors that you consistently make.  

• Get used to using the transform/warp/liquify tools (liquify is technically a filter but you get what I mean).  They’re lifesavers for fixing proportion mistakes that you’ve only noticed 8 hours into a piece. 

• Give layers a shot.  I only work on one layer, but I’ve heard from people who divide their piece up into multiple layers that they’re damn useful (until you draw on the wrong one). 

• Flip your canvas horizontally every once in a while to make sure stuff hasn’t gone awry. 

• Screw around with color modes; they can do some really fancy things that are difficult to duplicate with normal digital painting, let alone traditional.  On the topic of colors, don’t be afraid to use somewhat desaturated colors (near the center of the color picker square in PS). There are some very aesthetically pleasing color combinations that you can make out of somewhat dulled colors.

• If you’re using PS, bind ‘step backward’ to control Z, not ‘undo.’  This is under keyboard shortcuts.  Set up a bunch of shortcuts that are the most convenient for you–personally, I only keep my left hand near the lower left region of my keyboard (my right hand is away from the keyboard and off to the right, drawing on the tablet), so I have all of my necessary shortcuts in that area.

This was a bit longer than I expected, but I figure that someone out there can get something out of it.  Cheers to you, if you do.