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simpler times :’)

Refs! cow and Matthew

And I used the watercolor brushes from this lovely pack for the first time

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man this guy is my favourite character (throws rocks at him) (throws rocks at him) (throws rocks at him) (throws rocks at him (thr

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Richard Siken, “The List”

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the insane experience of missing a fictional character . like you can always go back and reread the book , replay the game , rewatch the show or movie , you can always go back & see them , but you can never experience them & their story for the first time again . its absurd to miss them because they'll always be there , but you'll miss when there were still new things for them to say .

for a small time they were real & growing and changing and you hung onto every new word, but now all they can do is repeat the same story forever&ever & they're not real anymore because you know everything they're going to do. & you miss them. its fucked man...

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guys. i really like you. it's nice to be on this dashboard together

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Hiii, I was just wandering if you wouldn’t mind blabbing about the symbolism and stuff behind some of your design choices with the horse men that you might not have mentioned. Like with pestilence and death specifically I feel like there’s a lot of symbolism I’m picking up on without fully understanding. Like with Death’s sickle, both a homage to the classic scythe and a nod to the “reaping/harvesting” of souls. And with pestilence I feel like there’s something that I’m skirting around without grasping. The multiple legs strike me as a deliberate similarity to insects, and if I’m right I think that the rider is bound in a body bag type deal, similar to how disease and pestilence is so often both spread through the improper disposal of body’s, and how wide spread pestilence leads to mass graves filled with disease and the horrible anonymity that comes with being just one face in a pit of hundreds etc? All of this is, ofc, to say that I’ve adored your series of the horsemen so far and would go absolutely rabid for some insight on some of your design choices<3

My horsemen of the apocalypse! I will add the original commentary and some extras, less about the symbolism and more about what brought me to design them the way I did.

The symbolism is for you to chose, there is no wrong answer.

WAR

I can't bring myself to represent war with a cool knight. It's horror. War is a bound child crowned with shrapnel, tied to a wounded horse that is being pulled forward by unseen people.

I've read a handful of books regarding war. A lost quote said that it should be shown as horror, it should make generals vomit, it should make you sick. I haven't seen war but my family has.

It was the first horseman I've designed, and it was in my sketchbook for months (maybe over a year, maybe even more) before I had the courage to draw it. I was really scared about how people would react to a mutilated child.

Recommended reading: The Red Crown - Mikhail Bulgakov, a short story about a man coping with the loss of his brother in the war

FAMINE

Someone who lived thro a famine shared that their head was only occupied with thoughts of food. Famine consumes your mind. All animals were eaten. Neighbors gave their pets away cuz they couldn't do it themselves. People walked around town as if in a dazed dream, slowly

Recommended reading: The Last Witnesses - Svetlana Alexievitch, a collection of testimonials of people who were children when WW2 began. Some quotes below;

'''A cat! A cat!' Other children saw it and started chasing it. The educators were local habitants, looked at us as if we were insane. In Leningrad there were no living cats left...A living cat was a dream. Food for one month...We talked about it, but they didn't believe us.''

''During the first year of evacuation, we didn't notice nature, everything that was nature provoked in us only one desire - taste to see if it's edible. Only a year later I noticed the beauty of the Urals''

''I dreamt of catching a sparrow and eating it...''

''A candle burns and the shopgirl cuts the bread pieces. People follow her with their gaze. Her every movement...with burning eyes...crazed...and all that in silence.''

''People walked slowly through the city like shadows. Like in a dream...a deep dream...As in, you see it, but you think you're seeing a dream. Those sluggish movements...floating...As if a person walked on water and not on land.''

''In Leningrad there are a lot of monuments, but one is missing that should exist. They forgot about it. The monument to the dogs of the seige. Dear doggy, forgive me...''

I don't like talking about it. It made no sense to draw Famine with a horse.

PESTILENCE

Based on the notes of a doctor who said the most frightening thing about viral disease was how it didn’t frighten. People didn’t know or didn't care. They lived and spread until it was too late and they became another name on the record

The clothing being made out of shredding plastic is no coincidence; pollution is a form of pestilence too

Recommended reading: Notes from a Countryside Doctor - Mikhail Bulgakov. Roughly translated quote below;

''Ah, I verified that here syphilis was frightening precisely because it did not frighten. That was why I evoked that women.* I remembered her with a kind of affectionate respect: because she had been afraid. But she was the only one!''

*Early in the chapter, doctor mentions a woman that appeared in the clinic with a letter from her soldier husband, where he wrote that he had syphilis and told her she should go to the doctor too.

DEATH

Recommended reading: Voices of Chernobyl - Svetlana Alexievitch. The Death of Ivan Ilitch - Lev Tolstoi

“Death is the fairest thing in the world. No one's ever gotten out of it. The earth takes everyone - the kind, the cruel, the sinners. Aside from that, there's no fairness on earth.”

Death is the only horseman that doesn’t need to mount their horse; they will reach everyone eventually. Who is the saddle for then? Open ended question because this one you have to figure out personally

Many people pointed out how the horse is a Clydesdale. Good eyes! I purposefully asked a friend to guide me towards what type of horses are the sturdiest and most-friendly looking. I drew the horse grazing. It's not injured, it doesn't gallop. It's grazing peacefully because life moves on.

This is the only design that had a painting serve as a base - The Reaper, by Alexey Venetsianov. Not much or nothing at all is written about, I saw it in a book. It is a literal reaper but it haunted me, as if it's portraying more than a person.

The choice to make it a woman was due to a book about a crematory (Smoke Gets in Your Eyes - Caitlin Doughty) that connected women to death because everyone born is bound to die.

Ahhh, I don't want to give it all away. It's fun to figure things out. About them all. From the enviroment, to the movement, to the horses themselves. Many people even mentioned details that I did not notice and didn't add purposefully that were so inspired and amazing. I truly mean that the interpretations of the public enrich the works even more than my own words. And it's an honor to share that work with everyone.

Thank you anon!

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omegaverse themed heavy metal band called slickknot

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This part-

They ruined me forever

I still haven't finished the third book but I needed to draw that scene

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Man with female hysteria x woman with male loneliness or something

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i think the biggest example of neil's rigid worldview is his belief that retaliation for his actions will fall on him and only him. that's how his father operated, if you did something he would go after you, not your family or your friends, you. this is why neil says what he says to riko on kathy's show, he thinks riko will retaliate against him and he is prepared to deal with that. but that's not how the moriyamas work, and it takes neil a long time to understand that, even when he's told and shown repeatedly that they will punish the people around him for his actions. in his mind, they should be going after him whenever he mouths off, and it's bizarre that they don't.

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added to absent father inspo board, all credit to kayleigh day x

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"I feel so normal about him" well I dont. move

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persephone and adam🔮

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(trying to give relationship advice) from a narrative perspective i think both of you dying together would be the most emotionally satisfying resolution but i’m guessing that’s not what you want to hear

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