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if I knew I'd tell you
We've been stumbling through the woods,
shins scraped and arms scratched,
sweat and small streams of blood running together,
and now some tears, too, as
fatigue washes over our minds
as well as our bodies.
It's been years now,
years and years.
My mouth is dry and
my thoughts are sparse,
which doesn't matter because I am
too exhausted to speak.
Finally my legs give out and
I sit down on a tree root,
and you join me.
After a long silence spent
breathing heavily and
staring into the endless thicket,
you ask,
Where do we go from here?
And all I can say is,
If I knew I'd tell you.
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untitled (the sun)
The sun touches everything but me
the wildflowers speckling the grass
on the side of the road
the trees on the hills ahead, making the
contours of the horizon lush, dense, verdant
the power lines sewn into the land and
woven through the forest
the sky, blue like an untouched lagoon
clouds that drift contentedly
with the breeze
all that meets the eye is an
idyllic saturation of colors.
inside, I am grey, wilting, empty.
The sun touches everything but me
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weeds
So many grow, so often and so quickly that
I can barely recognize my garden
Without them
There isn’t much use in trying to,
Though,
They always reappear.
I could accept them if they
Didn’t divert resources from the
Flowers I do tend to
But they dominate, they proliferate, and
The flowers I love and care for
Wilt, and die.
All I can do sometimes
Is sit in my garden, resigned, with
Hands full of weeds that I have pulled,
Trying to catch my breath
As new weeds grow, and
Grow, and grow.
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the picture of contentment
The couple sat in plush seats with their feet close together by the fire, both staring into the gently dancing flames with contented smiles resting lightly on their faces, minds wandering. It was frigid outside, and the window panes had frost and ice that made the windows slightly translucent. It was almost as if they existed in a snow globe. The man’s mind had been wandering around long enough that it had idly found its way back to the person he thought of when he saw fire crackle, or bubbles float away and pop, or lightning soundlessly flash in the clouds. He knew her years ago, before he knew his wife. She reminded him of those moments in nature because she was one of them, here and gone simultaneously, instant and imposing to those who chose to watch and hope to see it happen. He always wondered what became of her, if she ever struck again in his vicinity and he just didn’t notice. But he doubted it. It was a thought he hesitated to explore entirely, and instead he shuffled under his blanket, slouching a little bit, and nodded off. His wife looked up and smiled at him, the picture of contentment.
Not two miles away, visible through the window on a day unobstructed by ice, was a graveyard. She had died four years before the couple moved in, and her family had all gradually migrated from the area. A headstone not even visible under the snow and sleet, her memory had, over time, become reduced to briefly flickering with the fire in the house of a man she considered her great love, who had kept on living his life.
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out to sea
I’ve been drifting out to sea
for a little while now
All I had to do to stay near land
was hold onto this rope
But even that was too much
Oh well
Now I think I’m okay
as long as I can see land
But looking around now
I can’t even really see anything
except water and sky
Oh well
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the statue
On a busy street in a bustling city is a statue of a girl sitting with her head in her knees, curled into a position that obscures her face and shelters her from the outside world. The statue has been there for as long as most people can remember, although it arrived rather unceremoniously, as nobody can remember the likeness of the girl being announced. Still, the statue became a tourist attraction, especially when moss and vines started to grow around the girl, further emphasizing the “tragic beauty,” as many called it, of an eternally small girl burying her head in her knees. Several times in the years since the statue arrived, it made local headlines for “crying,” temporarily attracting throngs of religious fundamentalists and curious observers. It was inexplicable; not even local priests or scientists could explain why the statue seemed to weep at random moments, for random durations of time.
What nobody knew–or at least, remembered–is that one night, at around 3:30 AM, years and years ago, a little girl, exhausted from crying and unable to justify to herself stumbling another step forward, leaned against a brick wall. Her legs quickly gave out, and as she crumpled to the ground she put her head in between her knees. I’ll get up soon, she thought, I just need to regather my strength. And so her rest began and never ended, with any attempts to motivate herself to rise and resume her journey thwarted by the passive gestures of nature; the ivy and moss and weeds were reassuring her that she was safer, happier in her spot on the sidewalk. She could think, and cry, and think, and cry, all in peace.
One day, though, it seemed as if the sun was brighter, the birds were chirping in melodies, and the breeze carried the smells of clean laundry and coffee from the nearby neighborhood. The girl declared to herself that the day had finally come to resume her travels. So, she pushed against the blanket of ivy that had formed on her, and felt pain shoot through her atrophied muscles and stiffened joints as the ivy barely budged. Again, she pushed, again, she felt so much pain that she let out a hoarse yelp. However, the strength was gone from her voice, too. She was noiseless and powerless, and nobody cared, because nobody knew, she realized, as a new puddle began to form around her feet.
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