revelisms

[revelisms]

Aspiring occult scientist discovers a new god

[Mycosis]

In the aftermath of the breach, Howard realizes the sheer scale of the power he has unleashed.

[revelisms]

I’m a freak in the classical sense. I am not interested in the sex y’all are having I’m busy being chased by the townspeople with their pitchforks and torches into a windmill where I will ultimately perish as a symbol of the hubris of man

[revelisms]

Dale Bissland (Scottish, b. 1985, based Glasgow, Scotland) - Red Moon Rising, 2021, Paintings: Oil on Panel, Private Collection FB

[revelisms]

Unknown Photographer. London, 1930s

[revelisms]

fearmongers

2025

24x30”

oil on canvas

[revelisms]

Ney Matogrosso for Vogue Brasil | ph. Guilherme Nabhan (2025)

[revelisms]

Jesuíta Barbosa as Ney Matogrosso and Jullio Reis as Cazuza Homem com H (2025) dir. Esmir Filho

[revelisms]

Open Fields, Gueillaume Amat

[revelisms]

wobbled trespassing

[revelisms]

“I’m just, you know, kind of happy in the doing of things. Even just having a great cup of coffee is happiness. Getting an idea, or realizing an idea. Working on a painting…working on a piece of sculpture, working on a film. One thing I noticed is that many of us, we do what we call work for a goal. For a result. And in the doing, it’s not that much happiness. And yet that’s our life going by. If you’re transcending every day, building up that happiness, it eventually comes to: it doesn’t matter what your work is. You just get happy in the work. You get happy in the little things and the big things. And if the result isn’t what you dreamed of, it doesn’t kill you, if you enjoyed the doing of it. It’s important that we enjoy the doing of our life.”

— David Lynch

[revelisms]

St. Stephen’s Cathedral (Stephansdom) Vienna 2025 Aleksandra Alba   IG: tanzdreamer 🜍 ⟡ ⟢

[revelisms]

necromancer [oc - he/him]

[revelisms]

HOMEM COM H / LATIN BLOOD — THE BALLAD OF NEY MATOGROSSO (2025) – dir. Esmir Filho Ney Matogrosso is a legendary Brazilian artist known for his bold blend of music, dance, and theatrical performance. Rising to fame in the 1970s, he challenged gender norms and censorship during Brazil’s military dictatorship through his androgynous image and provocative art. Closely linked to the Tropicália movement, his work became a symbol of resistance and freedom. Ney Matogrosso has always refused to be confined by labels, maintaining relationships throughout his life with both men and women. In the 1980s, he witnessed firsthand the devastating effects of the AIDS crisis, personally caring for friends and partners who succumbed to the disease, including fellow singer Cazuza and the Dr. Marco de Maria, who was his partner for thirteem years. Now (2025), at 83, he continues to perform, solidifying his legacy as an icon of queer culture, gender expression, and artistic freedom in Latin America.

HAPPY PRIDE! 🌈

[revelisms]

my babe, can’t believe i’ve become someone else / someone more like myself

[revelisms]

Andreas Feininger. Signal Hill oil field, Long Beach, California. c1950.

[revelisms]

Stilton Manor in 1852 DISHONORED 2 2016・dev. Arkane Studios

[revelisms]

Atelier d’Ora – Benda

Anita Berber in “Cocaine. Dances of Vice, Horror, and Ecstasy”, Vienna, 1922

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