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Portrait of the Most Serene Princess Elizaveta Saltykova
Artist: Karl Bryullov (Russian, 1799-1852)
Date: 1841
Medium: Oil on canvas
Collection: The State Russian Museum, The Mikhailovsky Palace, Saint Petersburg, Russia
Princess Elizaveta Saltykova
Most Serene Princess Elizaveta Pavlovna Saltykova (1802–1863): Born Countess Elizaveta Stroganova. Daughter of adjutant-general Pavel Stroganov (1774–1817) and his wife Sofia Golitsyna (1775–1845). Married the Most Serene Prince Ivan Saltykov (1797–1832).
#portrait#full length#artwork#most serene princess elizaveta saltykova#oil on canvas#seated#leopard skin#red chair#foliage#urn#garden#costume#drapery#russian nobility#russian history#painting#fine art#oil painting#russian culture#russian art#karl bryullov#russian painter#european art#the state russian museum
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Prince Otto of Bavaria, King of Greece (1833)
Artist: Joseph Karl Stieler (German, 1781–1858)
Date: 1833
Medium: Oil on canvas
Location: Munich, Bavarian Administration of State Palaces, Gardens and Lake
Otto of Greece
Otto (1 June 1815 – 26 July 1867) was King of Greece from the establishment of the Kingdom of Greece on 27 May 1832, under the Convention of London, until he was deposed in October 1862.
The second son of King Ludwig I of Bavaria, Otto ascended the newly created throne of Greece at age 17. His government was initially run by a three-man regency council made up of Bavarian court officials. Upon reaching his majority, Otto removed the regents when they proved unpopular with the people, and he ruled as an absolute monarch. Eventually, his subjects' demands for a constitution proved overwhelming, and in the face of an armed (but bloodless) insurrection, Otto granted a constitution in 1843.
Throughout his reign, Otto tried to make significant reforms to modernize Greece, seeing himself as Enlightened absolutist. He established educational institutions and several state services but was unable to resolve Greece's major part of poverty and prevent economic meddling from outside. Greek politics in this era were based on affiliations with the three Great Powers that had guaranteed Greece's independence, Britain, France and Russia, and Otto's ability to maintain the support of the powers was key to his remaining in power. To remain strong, Otto had to play the interests of each of the Great Powers' Greek adherents against the others, while not irritating the Great Powers. When Greece was blockaded by the British Royal Navy in 1850 and again in 1854, to stop Greece from attacking the Ottoman Empire during the Crimean War, Otto's standing amongst Greeks suffered. As a result, there was an assassination attempt on Queen Amalia, and finally, in October 1862, Otto was deposed while in the countryside. He died in exile in Bavaria in 1867.
Otto is depicted in the uniform of the Royal Bavarian Life Regiment. He wears the grand ribbon of the Order of St. Hubertus and the star of the Order of St. George. This portrays him as a member of the Bavarian royal family. The Acropolis in the background, however, indicates Otto's designated kingship in Greece.
#portrait#prince otto of bavaria#king of greece#uniform#grand ribbon#bavarian royal family#german history#greek history#greek monarch#half length#house of wittelsbach#artwork#german-born prince#painting#oil on canvas#fine art#oil painting#german culture#german art#joseph karl stieler#german painter#european art#19th century painting
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Queen Amalia of Greece
Artist: Joseph Karl Stieler German, (1781–1858)
Date: 1836-1837
Medium: Oil on canvas
Location: Neue Residenz Bamberg, Germany
Amalia of Oldenburg
Amalia of Oldenburg (Greek: Αμαλία; 21 December 1818 – 20 May 1875) was a Oldenburg princess who became Queen of Greece from 1836 to 1862 as the wife of King Otto Friedrich Ludwig. She was loved widely by the Greeks due to her patriotic love for the country and her beauty. During her tenure as queen, she was dedicated to social improvement and the founding of many gardens in Athens, and she was the first to introduce the worldwide Christmas tree to Greece.
When she arrived in Greece in 1837, she at first won the hearts of the Greeks with her refreshing beauty. After, she became more politically involved. She then became the target of harsh attacks—and her image suffered further as she proved unable to provide an heir to the throne, She and her husband were expelled from Greece in 1862, after an uprising. She spent the rest of her years in exile in Bavaria.
She acted as Regent of Greece in 1850–1851, and a second time in 1861-1862 during the absence of Otto.
#portrait#half length#amalia of odenburg#queen amalia of greece#queen consort of greece#oldenburg dynasty#costume#lace veil#tiara#jewels#greek history#greek monarchy#painting#oil on canvas#fine art#oil painting#artwork#german culture#german art#joseph karl stieler#german painter#european art#19th century painting
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The Impress Josephine De Beauharnais Received The Tsar Alexandre I, 1864
Artist: Jean Louis Victor Viger du Vigneau (French, 1819-1879)
Date: 19th century
Medium: Oil on canvas
Collection: Musée Napoléonien des Châteaux de Malmaison et de Bois-Préau, Malmaison, France
#historical portrait#group portrait#full length#french history#impress josephine de beauharmais#tsar alexandre i#russian empire#french empire#family#father#mother#young woman#boy#narrative art#conversation piece#table#chairs#fireplace#female costume#male costume#hat#sash#young boy#painting#oil on canvas#fine art#oil painting#artwork#french culture#french art
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Cosimo II de’ Medici with his Wife, Maria Maddalena of Austria and their Son, Ferdinando II
Artist: Justus Suttermans (Flemish, 1597-1681)
Date: c. 1640
Medium: Oil on canvas
Collection: Uffizi Gallery, Florence, Italy
The canvas seems to be a dynastic commemoration in honour of Cosimo II, a cultured, balanced ruler, with the allegory for Justice on his armour - perhaps in reference to the symbolic role of exemplum virtutis, which inspired both Maria Maddalena in her capacity as regent and Ferdinando, his legitimate successor.
The portrait also stands out for its extraordinary display of clothing and jewels, which are also extremely interesting in terms of costume history. The grand duchess is wearing a black dress with a petticoat in silver and gold, topped with a wide lace collar. Ferdinando wears a cloak with the cross of the Knights of St Stephen, an order created and supported by his great-grandfather, Cosimo I. The most interesting piece is the tiara in pearls and precious stones worn by Maria Maddalena, set with the Fiorentino, a 138-carat diamond purchased by Ferdinando I in 1601 and preserved among the Medici treasures until the end of the dynasty. It was taken to Vienna, where it remained in the imperial collection until the early 19th century, before disappearing into nothing, perhaps to make other gems or just sold and since then, nothing more is known about it.
#group portrait#three quarter length#family#cosimo ii de'medici#maria magdalena of austria#mother#father#son#ferdinando i#armour#high lace collar#pearl jewelry#headdress#sash#brocade#woman#men#painting#oil on canvas#fine art#oil painting#italian history#italian nobility#house of medici#grand duke of tuscany#flemish culture#flemish art#justus sutermans#flemish painter#european art
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Cosimo II de' Medici (1590–1621), Grand Duke of Tuscany
Artist: Workshop of Justus Sustermans (Flemish, 1597–1681)
Date: 1597–1681
Medium: Oil on canvas, transferred from wood
Collection: Metropolitan Museum of Art, New York City, NY, United States
Cosimo II de' Medici
Cosimo II de' Medici (12 May 1590 – 28 February 1621) was Grand Duke of Tuscany from 1609 until his death. He was the elder son of Ferdinando I de' Medici, Grand Duke of Tuscany, and Christina of Lorraine.
For the majority of his 12-year reign, he delegated the administration of Tuscany to his ministers. He is best remembered as the patron of Galileo Galilei, his childhood tutor.
#portrait#full length#cosimo ii de medici#costume#helmet#high lace collar#grand duke of tuscany#house of medici#italian history#italian nobility#italian royal family#painting#oil on canvas#fine art#oil painting#flemish culture#flemish art#justus sustermans#flemish painter#european art#17th century painting#metropolitan museum of art
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Archduchess Maria Magdalena of Austria-Styria
Artist: Christofano Allori (Italian, 1577-1621
Date: 1609 - 1610
Medium: Oil on canvas
Collection: Museo Nacional del Prado, Madrid, Spain
Archduchess Maria Maddalena of Austria
Maria Maddalena of Austria (German: Maria Magdalena von Österreich, Italian: Maria Maddalena d'Austria; 7 October 1589 – 1 November 1631) was Grand Duchess of Tuscany by her marriage to Cosimo II in 1609 until his death in 1621. With him, she had eight children, including a duchess of Parma, a grand duke of Tuscany, and an archduchess of Further Austria. Born in Graz, Maria Magdalena was the youngest daughter of Charles II, Archduke of Inner Austria, and his wife Maria Anna of Bavaria. During the minority of her son, Grand Duke Ferdinando, she and her mother-in-law acted as regents from 1621 to 1628. She died on 1 November 1631 in Passau.
#portrait#full length#costume#interior#curtain#high lace collar#table#cloth#lace#grand duchess consort of tuscany#artwork#arch duchess maria magdalena of austria#austrian-born#house of habsburg#italian history#italian nobility#painting#oil on canvas#fine art#oil painting#italian culture#italian art#christofano allori#italian painter#european art#17th century painting#museo nacional del prado
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Equestrian Portrait of Prince Emanuel of Liechtenstein (1700–1771)
Artist: Anton Peter van Roy (Flemish, active in Austria, c. 1660-after 1738)
Date: 1706-1738
Medium: Oil on canvas
Collection: Liechtenstein. The Princely Collections, Vaduz–Vienna, Austria
Prince Emanuel of Liechtenstein (1700–1771)
Prince Emanuel Joseph Johann of Liechtenstein (2/3 February 1700 – 15 January 1771) was the father and brother to two of Liechtenstein's monarchs.
Prince Emanuel was born in Vienna on 2/3 February 1700. the second son of Prince Philipp Erasmus of Liechtenstein (1664–1704) and Countess Christina Theresa von Löwenstein-Wertheim-Rochefort (1665–1730). His elder brother was Josef Wenzel, Prince of Liechtenstein.
#portrait#equestrian#house of liechtenstein#prince emanuel of liechtenstein#landscape#hills#body of water#men#riding#riding costume#wig#hat#boots#horse#oriental costume#drapery#sword#austrian history#austrian empire#painting#oil on canvas#fine art#oil painting#artwork#flemish culture#flemish art#anton peter van roy#flemish painter#european art#19th century painting
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Marie, Duchess of Edinburgh, Grand Duchess of Russia (1853-1920)
Artist: Gustav Karl Ludwig Richter (German, 1823-1884)
Date: 1873
Medium: Oil on canvas
Collection: Royal Trust Collection, London, United Kingdom
Grand Duchess Maria Alexandrovna of Russia
Grand Duchess Maria Alexandrovna of Russia (17 October [O.S. 5 October] 1853 – 22 October 1920) was the sixth child and only surviving daughter of Alexander II of Russia and Marie of Hesse and by Rhine; she was Duchess of Edinburgh and later Duchess of Saxe-Coburg and Gotha as the wife of Alfred, Duke of Saxe-Coburg and Gotha. She was the younger sister of Alexander III of Russia and the paternal aunt of Russia's last emperor, Nicholas II.
#portrait#garden#russian empire#grand duchess maria alexandrovna of russia#costume#drapery#rose#fan#lush foliage#russian history#russian monarchy#painting#oil on canvas#fine art#oil painting#artwork#german culture#german art#gustav karl ludwig richter#german painter#european art#19th century painting#royal collection trust
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The Marriage of Nicholas II, Tsar of Russia, 26th November 1894
Artist: Laurits Regner Tuxen (Danish, 1853-1927)
Dated 1895-1896
Medium: Oil on canvas
Collection: Royal Collection Trust, London, United Kingdom
Description
The wedding between Nicholas II and Princess Alix of Hesse took place in the Imperial Chapel of the Winter Palace on 26 November 1894, just over twenty years after the marriage of the Tsar's aunt in the same chapel. The wedding was announced in April that year and was to take place on the Empress Marie Feodorovna's birthday. Tragically, Emperor Alexander III died of kidney disease on 1 November, and the court was thrown into mourning with the exception of the day of the marriage.
#history painting#historical portrait#artwork#wedding#nicholas ii of russia#lighted candles#princess alix of hesse#mgr palladius#imperial chapel#winter palace#men#women#embroidered silver cloth russian court dress#tiara#diamond crown#orange blossom#embroidered mantle#ermine#uniform of a hussar#greorge i king of greece#european royalty#russian history#russian empire#marriage ceremony#painting#oil on canvas#fine art#oil painting#danish culture#danish art
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Portrait of Nicholas II
Artist: Ilya Repin (Ukranian-Russian, 1844-1930)
Date: 1895
Medium: Oil on canvas
Collection: The State Russian Museum, Saint Petersburg, Russia
Alexander II of Russia
Alexander II (29 April 1818 – 13 March 1881) was Emperor of Russia, King of Poland and Grand Duke of Finland from 2 March 1855 until his assassination in 1881. Alexander's most significant reform as emperor was the emancipation of Russia's serfs in 1861, for which he is known as Alexander the Liberator.
#portrait#full length#alexander ii of russia#interior#emperor of russia#king of poland#grand duke of finland#russian history#costume#hat#table#chair#books#table lamp#russian empire#painting#oil on canvas#fine art#oil painting#artwork#russian culture#russian art#ilya repin#russian painter#european art#19th century painting#state russian museum
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Portrait of Empress Alexandra Fyodorovna and her Daughter, Grand Duchess Maria Nikolaevna, Horse Riding in the Peterhof Park
Artist: Karl Bryullov (Russian, 1799-1852)
Date: 1837
Medium: Oil on canvas
Collection: The State Russian Museum, Saint Petersburg, Russia
Alexandra Feodorovna (Alix of Hesse)
Alexandra Feodorovna (Russian: Александра Фёдоровна, born Princess Alix of Hesse and by Rhine; 6 June 1872 – 17 July 1918) was the last Empress of Russia as the consort of Nicholas II from their marriage on 26 November [O.S. 14 November] 1894 until his forced abdication on 15 March [O.S. 2 March] 1917. A granddaughter of Queen Victoria, Alexandra was one of the most famous royal carriers of hemophilia and passed the condition to her son, Alexei Nikolaevich, Tsarevich of Russia.
Alexandra was deeply involved in the personal and political life of her husband, Tsar Nicholas II. Her reputation suffered due to her influence over Nicholas, particularly in her insistence on maintaining autocratic rule in the face of growing revolutionary pressures in Russia. Her relationship with the Russian mystic Grigori Rasputin became a subject of controversy. Rasputin's alleged ability to alleviate Alexei's suffering from hemophilia increased Alexandra's reliance on him, damaging the public perception of the Romanovs and fueling rumors about Rasputin's power within the royal family. These associations with Rasputin and her opposition to political reform were seen as contributing factors to the collapse of the Romanov dynasty.
Following Nicholas II's abdication, the royal family were placed under house arrest by the Bolsheviks during the Russian Revolution. On 17 July 1918, they were murdered by Bolshevik forces in Yekaterinburg, marking the violent end of over three centuries of Romanov rule. Despite her unpopularity during her reign, Alexandra was canonized as Saint Alexandra the Passion Bearer by the Russian Orthodox Church in 2000.
#portrait#equestrian#history portrait#landscape#empress alexandra feodorovna#russian empire#russian history#mother and daughter#women#group portrait#empress consort of russia#horses#trees#riding costume#hat#painting#oil on canvas#fine art#oil painting#artwork#russian culture#russian art#karl bryullov#russian painter#european art#19th century painting#state russian museum
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Portrait of Grand Duchess Alexandra Pavlovna
Artist: Unknown, Russian
Date: 1790s
Medium: Oil on canvas
Collection: State Russian Museum, Saint Petersburg, Russia
Alexandra Pavlovna, Grand Duchess (1783-1801) - daughter of Emperor Paul I and his wife Maria Feodorovna. A favorite of her father, educated and talented, she inherited artistic inclinations from her mother — she drew, sculpted from wax, and was engaged in translations from French. In 1799 she married Archduke Joseph of Austria, Palatine of Hungary.
The girl is shown in a festive brocade dushegreya and a silk blouse with lace. Catherine the Great, writing to her long-time correspondent Baron von Grimm in February 1796, raptly described a court masquerade ball where her granddaughters “danced a Russian dance to Russian music, which aroused everybody's delight… All of them … were dressed in splendid costumes”.
#portrait#half length#russian-born princess#brocade dushegreya#silk blouse with lace#russian costume#alexandra pavlovna#grand duchess alexandra pavlona of russia#head dress#flower#jewelry#russian culture#russian art#russian history#russian empire#painting#oil on canvas#fine art#oil painting#artwork#18th century painting#european art#state russian museum
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Archduke Joseph of Austria
Artist: Anton Einsle (Austrian, 1801–1871)
Date: 1846
Medium: Oil on canvas
Collection: Hungarian National Museum, Budapest, Hungary
Archduke Joseph of Austria (Palatine of Hungary)
Archduke Joseph Anton of Austria (German: Erzherzog Joseph Anton Johann Baptist von Österreich; Hungarian: Habsburg József Antal János Baptista főherceg, József nádor; 9 March 1776 – 13 January 1847) was the 103rd and penultimate palatine of Hungary who served for over fifty years from 1796 to 1847, after a period as governor in 1795.
The latter half of his service coincided with the Hungarian Reform Era, and he mediated between the government of Francis I, King of Hungary and Holy Roman Emperor and the Hungarian nobility, representing the country's interests in Vienna. He played a prominent role in the development of Pest as a cultural and economic centre; the neoclassical buildings constructed on his initiative define the city's modern appearance. The landscaping of the City Park of Budapest and Margaret Island happened under his supervision. He supported public education, technical higher education, the arts, the construction of railroads, and various progressive-thinking societies and associations. He donated substantially towards the establishment of the Hungarian National Museum, the Hungarian Academy of Sciences, and the National Széchényi Library.
He was an archduke of Austria and a prince of Bohemia, Hungary, and Tuscany as the son of Leopold II, Holy Roman Emperor. The Hungarian or Palatinal branch of the House of Habsburg-Lorraine descends from him. In the Imperial Army, and later in the Austrian Army, he bore the rank of Feldmarschall.
#portrait#half length#archduke joseph of austria#black coat#whire shirt#archduke of austria#prince of bohemia#prince of tuscany#house of habsburg-lorraine#austrian history#austrian royal family#austrian empire#palatine of the kingdom of hungary#hungarian history#painting#oil on canvas#fine art#oil painting#austrian culture#austrian art#anton einsle#austrian painter#european art#hungarian national museum
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Anastasia Ivanovna, Countess of Hesse-Homburg, Princess Trubetskaya
Artist: Alexander Roslin (Swedish, 1718–1793)
Date: 1757
Medium: Oil on canvas
Collection: National Gallery of Victoria, Melbourne, Australia
Anastasiya Trubetskaya
Anastasiya Ivanovna, Hereditary Princess of Hesse-Homburg and Princess Trubetskaya (also Princess Anastasia of Hesse-Homburg)(1700-1755 CE), was a Russian Imperial noblewoman, courtier, Princess of Moldavia and Landgravine of Hesse-Homburg. She was a favourite of Empress Elizabeth, for whom she was a lady-in-waiting, and was seen as an honorary member of the Imperial Russian family.
#portrait#full length#princess trubetskaya#anastasiya trubetskaya#anastasia ivanovna#countess of hesse-homburg#russian empire#russian imperial noblewoman#russian history#sitting#light pink gown#open window#curtains#chair#desk#dog#globe#open book#embroidery#lace#bows#decor items#sculpture#painting#oil on canvas#fine art#oil painting#artwork#swedish culture#swedish art
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William V (1748-1806), Prince of Orange (after Hoppner)
Artist: Henry Bone (British, 1755–1834)
Date: 1801
Medium: Enamel on copper
Collection: Royal Collection Trust, London, United Kingdom
William V, Prince of Orange
William V (Willem Batavus; 8 March 1748 – 9 April 1806) was Prince of Orange and the last Stadtholder of the Dutch Republic. He went into exile to London in 1795. He was furthermore ruler of the Principality of Orange-Nassau until his death in 1806. In that capacity, he was succeeded by his son William.
#portrait#half length#windsor uniform#william v prince of orange#dutch republic#ribbon of the order of the garter#dutch history#red curtain#white collar#wig#painting#enamel on copper#fine art#british culture#british art#henry bone#artwork#british painter#european art#19th century painting#royal collection trust
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Frederika Sophia Wilhelmina of Prussia (1751-1820). Wife of Prince William V, on Horseback
Artist: Tethart Philip Christian Haag (Dutch, 1737 – 1812)
Date: 1789
Medium: Oil painting
Collection: Rijksmuseum, Amsterdam, Netherlands
Wilhelmina of Prussia, Princess of Orange
Princess Wilhelmina of Prussia (Frederika Sophia Wilhelmina; 7 August 1751 – 9 June 1820) was the consort of William V of Orange and the de facto leader of the dynastic party and counter-revolution in the Netherlands. She was the daughter of Prince Augustus William of Prussia and Duchess Luise of Brunswick-Wolfenbüttel. Wilhelmina was the longest-serving princess consort of Orange.
Princess Wilhelmina of Prussia (Frederika Sophia Wilhelmina; 7 August 1751 – 9 June 1820) was the consort of William V of Orange and the de facto leader of the dynastic party and counter-revolution in the Netherlands. She was the daughter of Prince Augustus William of Prussia and Duchess Luise of Brunswick-Wolfenbüttel. Wilhelmina was the longest-serving princess consort of Orange.
#equetrian portrait#full length#artwork#wilhelmina of prussia#princess of orange#princess consort of orange#houe of hohenzollem#german born princess#landscape#foliage#brown horse#castle#riding costume#riding#hat with plume#netherlands#dutch history#dutch royalty#painting#oil on canvs#fine art#oil painting#dutch culture#dutch art#thethart philip christian haag#dutch painter#european art#18th century painting#rijksmuseum
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