Robert Fowler (1853-1926)
"Women of Phoenicia" (1879)
Oil on canvas
Located in the Walker Art Gallery, Liverpool, England
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Lucretia by Rembrandt van Rijn
Dutch, 1664
oil on canvas
National Gallery of Art, Washington, D.C.
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Jan Griffier, The Great Fire of London, 1666
Unknown British artist, The Great Fire of London, with Ludgate and Old St. Paul's Cathedral, c. 1670
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Commission on Twitter for anon
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Bernard Meninsky (British/Ukrainian,1891–1950) • Victoria Station, District Railway IWM • 1918 • Imperial War Museums, UK
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Title: Passagem de Humaitá
Artist: Victor Meirelles
Year: 1886
Medium: gouache on paper
Image source: https://artsandculture.google.com/asset/estudo-para-passagem-de-humaitá-victor-meirelles/OQFEZMiH3O4dZg
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"Lonely I came, and I depart alone..." - The Suicide by Edna St. Vincent
"Persecuted and tortured as I am and have been, can death be any evil to me?" - Victor (Frankenstein by Mary Shelley)
Painting: The Death of Seneca by Manuel Domínguez Sánchez, 1871
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Hans Makart, The Death of Cleopatra, 1875.
Liechtenstein, The Princely Collection
Hans Makart was a 19th-century Austrian academic history painter, designer, and decorator. He is best known for his influence on Gustav Klimt and other Austrian artists, but in his own era he was considered an important artist himself and a celebrity figure in the high culture of Vienna and attended with almost cult-like adulation.
Makart was the son of a chamberlain at the Mirabell Palace in Salzburg, Austria, born in the former residence of the prince-archbishops of Salzburg, the city in which Mozart had been born. Initially, he received his training in painting at the Vienna Academy between 1850 and 1851 from Johann Fischbach. While in the Academy, German art was under the rule of a classicism, which was entirely intellectual and academic—clear and precise drawing, sculpturesque modelling, and pictorial erudition were esteemed above all. Makart, who was a poor draughtsman, but who had a passionate and sensual love of color, was impatient to escape the routine of art school drawing. For his fortune, he was found by his instructors to be devoid of all talent and forced to leave the Vienna Academy.
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Frédéric Soulacroix (1858-1933)
"The Cavalier's Kiss"
Oil on canvas
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The Triumph of Rome: The Youthful Emperor Constantine Honoring Rome by Peter Paul Rubens, unused design for a series of tapestries about Constantine commissioned by King Louis XIII of France
Flemish, c. 1622-1623
oil on panel
Mauritshuis, The Hague
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Edgar Degas (French, 1834-1917) • The Star • 1879/81 • Art Institute of Chicago
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Monica Bellucci
The Suicide of Cleopatra, 1660. Guido Gagnacci (Italian, 1601-1663). Museum of Art History, Vienna.
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Hans Makart, "The Hunting Castle", 1869–70
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