the sadness will last forever.
richard siken, boot theory / little women (2019), dir. greta gerwig / lily king, writers & lovers / kate baer, and yet: poems / gracie abrams, block me out / tim kavanagh (x) / anne boyer, what resembles the grave but isn’t / molly brodak, a little middle of the night / phoebe bridgers, funeral / 9-1-1, 5x13 / ingmar bergman / james baldwin, giovanni’s room / the national, sorrow / house, 5x24 / fortesa latifi
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Marina Tsvetaeva, from Epitaph, Selected Poems (trans. Elaine Feinstein, with Angela Livingstone) [ID'd]
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MOTHER'S FOOTSTEPS
like her i can break
my soul and inhabit
different spaces
certain stretches of road,
particular convenience stores
can make you think of me
a house? definitely
and you won't drive past
that tree-lined street again
my mother has taught me
how to haunt
before i've even died
isn't it funny
going through your phone and feeling
a sense of loss
you loved that coffee shop
i grew up in that house
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“Love with the Hands Wide Open” by Lisa Suhair Majaj from We Call to the Eye & the Night: Love Poems by Writers of Arab Heritage
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a hill by Frank O'Hara
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to begin with, the sweet grass by mary oliver, from “devotions”
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[i want to go back] by Gregory Orr
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Mary Oliver, from “Lead.” [ID in alt text]
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go here
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— MARIE HOWE.
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february by Alex Dimitrov
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preoccupied poet, maude phelps hutchins
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because the color is half the taste by Paige Lewis
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Mahmoud Darwish, from "Mural", trans. John Berger and Rema Hammami [ID'd]
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