sasa | she/they | a blog of fandom and pretty things | current obsessions: guardian 镇魂, murderbot diaries, everything everywhere all at once | fic writer & occasional podficcer | icon by @yuwuelii on twt
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Darcy and Elizabeth in manhwa style owo
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in case you needed more awful incredibly specific metaphors: jmart is like a depressed person having a continually rotating horde of houseplants where only one actually stays alive, and the rest keep slowly inevitably wilting away, until that person just quietly gives up on keeping anything except for that single plant alive like their life depends on it. there is a kind of love to be had there, but it's so deeply built on the loss of everything that came before, that sometimes that love can blur so finely into a deep seated desperation for something alive to hold on to
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Zhou Ye for CCTV’s New Year’s Eve Gala
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Jan 3 Weibo: Zhu Yilong Studio shares snaps of Zhu Yilong at L’Oréal Paris Guangzhou event
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I feel like modern au zuko can drive, is very good at it, has his license, and will get you where you need to go but like. with very dangerous efficiency. he drives like Evel Knievel. he drives like a bat out of hell. he whips the wheel hard as fuck and you will see Jesus even if the drive is from your house to the corner store. his car is used and like 10 years old but she is strong and loyal just like her master and wont break down for anything. she'll tear over anything in her path. zuko has given iroh so many mini heart attacks while driving him around (<- because iroh does NOT have his license). worst of all is that zuko does NOT talk or road rage ever when he drives he's DEAD SILENT and simply blasts the radio. and its always either terrifying Chinese opera or crazy shit like Free Bird by Lynyrd Skynyrd
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I want to write a movie that is sort of the flip side of a Hallmark holiday movie. Not an anti-Hallmark movie, just like the other side of the same coin.
It starts with a well-dressed professional woman driving a convertible along a country road, autumn foliage in the background, terribly scenic. She turns onto a dirt road/long driveway, and stops next to a field of Christmas trees, all growing in neat, ordered rows, perfectly trimmed and pruned to form. She steps out of the car--no, she's not wearing high-heels, give her some sense!--and knocks on the door of a worn but nice-looking farmhouse. An older woman, late fifties maybe, answers the door, looking a bit puzzled. The younger woman asks if she can buy a Christmas tree now, today. The older woman says they don't do retail sales--and the younger woman breaks down crying.
Cut to the two women sitting at the kitchen table with cups of tea. The young woman (Michelle), no longer actively crying, explains that her mother loves Christmas more than anything, but is in the hospital with end-stage cancer. Her doctors don't think she'll live to see December, let alone Christmas. Nobody is selling Christmas trees in September, so could the older woman please make an exception, just this once? The older woman (Helen) regretfully explains that they have a contract to sell their trees that forbids outside sales. The younger woman nods, starts to stand up, but the older woman stops her with a hand and asks her what hospital her mother is in. After she answers the older woman says that "my Joe" will deliver a tree the next day. "Contract says I can't sell you a tree, but nothing says I can't give you one."
Next day "Joe" shows up at the hospital in flannel and jeans, with a smallish tree over her shoulder. Oh, whoops, that's Jo, Helen's daughter, short for Joanna, not Joe. Jo sets up the tree and even pulls out a box of lights and ornaments. Mother watches from hospital bed with a big smile as Jo and Michelle decorate the tree. Cue "end of movie" type sappiness as nurses and other patients gather in the doorway, smiling at the tree.
Cut to Michelle sitting in her dark apartment, clutching a mug of tea, staring out at the falling snow and the Christmas lights outside. Her apartment has no tree, no decorations, nothing. She starts at a knock on the door, goes to open it. Jo is standing there, again holding a tree over her shoulder.
Plot develops: the second tree is a gift, because Michelle might as well get it as the bank. The contract for the tree sales was an /option/ contract, which prevents them from selling to anyone else, but doesn't guarantee the sale. The corporation with the option isn't going to buy the trees, but Helen and Jo can't sell them anywhere else, and basically they get nothing. They'll lose the farm without the year's income. Michelle asks to see the contract and Jo promises to email it to her.
Next day at a very upscale law firm, Michelle asks at the end of a staff meeting if anyone in contract law still needs pro bono hours for the year. No one does, but a senior partner (Abe) takes her to his office and asks about it. She says the contract looks hinky to her ("Is that a legal term?" "Yes.") but contract law's not her thing. He raises an eyebrow and she grins and pulls a sheaf of paper out of her bag and hands it over. He reads it over, then looks up at her. "They signed this?"
More plot develops. Abe calls in underlings--interns, paralegals, whatever--and the contract is examined, dissected, and ultimately shredded (metaphorically). It's worse even than it looks--on January 1st Helen and Jo will have to repay the advanced they received at signing. The corporation has bought up a suspicious number of Christmas tree farms in previous years after foreclosure, etc.
Cut to Abe explaining all this to Helen and Jo while sitting with them and Michelle in a very swanky conference room. The firm is willing to take on the case pro bono, hopefully as a class's action suit for other farmers trapped by the contract--but there's no way it can go to court before January. Which will be too late to save the farm's income for the year. They might get enough in damages to tide them over, but….
After Michelle sees Helen and Jo out, she comes back and asks Abe if there's anything they can do immediately. Abe looks thoughtful for a long moment, then gets a really shark-like grin on his face. "Maybe…."
Cut to Helen wearing a bathrobe, coming into her kitchen in the morning. She looks out the window…and there's a food truck stopped in her driveway. She pulls a coat on over her robe and goes out--two more trucks have pulled up while she does this. Driver of the first truck asks her where they park. Another truck pulls up behind the others. Behind that is a black BMW--Abe rolls down the window and waves. Helen directs the trucks to the empty field/yard next to the house. Abe pulls up next to Helen's car and Jo's truck and parks. He and Michelle get out--Abe wearing a total power suit, Michelle in weekend casual.
The case will be easier if the corporation initially sues them for violating the (uninforcible!) contract, rather than them suing to corporation (damn if I know, but it's movie logic). So they're going to sell the trees now, and rounded up some food trucks and whatnot to draw people in.
Cue montage of Jo and Michelle running around helping people set up while Abe and Helen watch from the kitchen table. The table starts out covered in file folders…and slowly gains coffee cups and plates of cinnamon rolls. It becomes increasingly clear here that Abe and Helen are becoming as close as Jo and Michelle.
Everything gets set up and a very urban, very motley crowd appears--tats and studs and multiracial couples and LGBTQ parents and everything--and everyone is having a wonderful time eating funnel cake and choosing their tree so Jo and a bunch of rainbow-haired elves can cut it for them. At which point someone shows up from the corporation (maybe with a sheriff's deputy?) and starts yelling at Helen, who's running checkout. And suddenly Abe appears from the house and you realize why he's wearing that suit on a Saturday….
Cue confrontation and corporate flunky running off with their tail between their legs, blustering about suing. Cue Jo kissing Michelle. Cue Helen walking over and putting a hand on Abe's shoulder and smiling at her.
I want the lawyers to be the heroes because they are lawyers and know the law. I want a lesbian who lives in the country with her mother. I want urbanites to turn out as a community to help someone who isn't even part of their community. I want Michelle to keep working at her high-power job, loving Christmas and grieving her mother.
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Jan 3 Weibo: Zhu Yilong X Marie Claire Jan 2025 Issue photospread Part 1
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So one of the things that can apparently contribute to kidney issues in cats is if they eat too much dry food and don't drink enough water; cats are adapted to get a lot of their water from their food since they're originally desert animals, and might not get enough water if they don't eat wet food. Unfortunately, Dozy won't eat wet food no matter what; she categorically refuses to touch the stuff. So a few months ago, we were looking for ways to get Dozy more fluids, and my wife noticed at the pet store a cat drink--basically meat broth with some floaty bits in--that was low-protein and meant for cats with kidney issues. So we figured, worth a try, right?
Great news: she loved it. Super tasty apparently. Great success. Along with the kidney-sensitive treats we found, it was a nice way to supplement her diet. Unforseen long-term consequence though: she loved it so much she began demanding it throughout the day. Like, would come up to us and meow, and meow, and meow, and not stop, until we got up, went to the kitchen, and got her some cat drink.
And by doing so on demand, we have unfortunately created a monster: no matter what we are doing at home, Dozy knows that if she sits next to you and meows, 1) you know what she wants, and 2) you know that she will not stop until you get it for her now. And when you do get it, she gets extremely excited. She will bum rush the kitchen door as you enter. She will run around your feet as you open the can. She will let out the creakiest, crunchiest, most nails-on-the-chalkboard meow you've ever heard if she thinks you're not going fast enough.
I do not begrudge her this. It is gratifying to care for a creature whose most ardent desires are so simple that it is this easy to fulfill them. But I am a little sad, because I know in my heart that I have never loved any comestible as much as she loves this cat drink. She has a pleasure of a purity and intensity that I will never know.

[the creacher in question]
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Jan 1 Zhu Yilong Weibo: “2024, grateful for everything! Moving towards 2025, wishing everyone happiness, freedom and health. Happy New Year.”
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Hi Murderbot fandom,
Murderbot has a fucking message for you.
#murderbot#fanart#i mean im sure MB would be happy with no nut nov too#no annoying humans doing sex things around it
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when you're super mad at your stupid bf but you still wanna care for him vs. when your bf is rightfully super pissed at you and you find it kinda hot
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the default way for things to taste is good. we know this because "tasty" means something tastes good. conversely, from the words "smelly" and "noisy" we can conclude that the default way for things to smell and sound is bad. interestingly there are no corresponding adjectives for the senses of sight and touch. the inescapable conclusion is that the most ordinary object possible is invisible and intangible, produces a hideous cacophony, smells terrible, but tastes delicious. and yet this description matches no object or phenomenon known to science or human experience. so what the fuck
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