Ravenclaw girl who loves Severus Snape. I don’t ship him with ANYONE in canon. Especially not Lily. She didn’t deserve him.
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https://archiveofourown.org/works/65209924?view_full_work=true
#sevonia#severus snape#polonia jonavere harry potter oc#sweet and clean#no smut#no spice#fantastic fan art#not my art#artist unknown#dm for credit#Spotify
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In loving memory…
On this day, May 2 (1998), Severus Snape was murdered by Tom Riddle.
The true hero of Hogwarts.
Severus Snape 🐍🖤










#severus snape#alan rickman#harry potter#beautiful man#slytherin#severus was never the villain#hogwarts#jk rowling#rest in peace
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He always protects the children.
Gifsets of Severus Snape
{8/?}
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So I decided that he smells mainly of potion ingredients. Cypress, oakmoss, redwood, and just a hint of sandalwood. I actually made wax melts for myself, and it turned out to be a very herbaceous scent, different but not necessarily unpleasant. Just a really unique scent. A friend said I nailed it~ “that’s totally Snape!” 🥰
So… what cologne/aftershave/scent do you think Severus Snape would wear?
And please don’t say something vague like “Dank Dungeon”.
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One does not simply pull a book from the shelf. Professor Snape: Master of Dramatic Arts.
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“And My Soul, Dumbledore?” — The Case for Snape Never Killing Before That Night
We often talk about The Prince’s Tale as the final reveal of Severus Snape’s true loyalties—but there’s a moment in that chapter that gets overshadowed by the big memories, the Patronus, the “Always.” And yet it might be the most damning and revealing line in the entire series.
It’s this:
“And my soul, Dumbledore? Mine?”
Let’s sit with that for a second.
Snape is being asked to kill. Not for power, not for punishment, not for vengeance—but out of mercy. Dumbledore is dying. The end is already written. All he’s asking for is dignity.
And Snape balks.
He doesn’t recoil at the strategic risk. He doesn’t flinch at the morality of sparing Dumbledore’s life.
He flinches because of the possibility that this will damage his soul.
This isn’t the voice of a killer.
That one line unearths so much about who Snape is beneath the persona—beneath the spy, the double agent, the snarling teacher. It reveals that he has not taken a life before.
Because if he had? This would be a non-issue. He wouldn’t need to ask. The damage would already be done. The soul, already torn.
But instead, he stops and asks:
Will this be the thing that breaks me?
That’s the cry of a man standing on a line he hasn’t crossed.
And the fact that he still believes in the soul at all is deeply significant.
Let’s compare him to real killers in the series:
• Voldemort doesn’t flinch at murder—he does it for power, to fracture his soul on purpose.
• Bellatrix (and many other Death Eaters) kills for sport.
But Draco, when faced with the same choice, cannot do it. Harry, even in war, casts Expelliarmus.
And Snape—the supposed villain of the early books, the morally ambiguous double agent—asks if his soul will survive it.
He’s not worried about punishment. He’s worried about what killing will do to him.
That is not the thought process of a man with blood on his hands.
Dumbledore’s response is everything:
“You alone know whether it will harm your soul.”
Not “Your soul’s already lost.”
Not “It won’t make a difference.”
Not even “You have no choice.”
Dumbledore leaves it to him.
That means he believes Snape still has something to lose.
He wouldn’t ask this of someone whose soul was already fractured. He asks it of Snape because he knows this will be his first and only kill.
The implication is enormous.
This is a man who has done horrific things. He’s served Voldemort. He’s used dark magic. He’s endangered children.
But he has never killed. Not once.
And when he finally does, it’s to:
• Honour a dying man’s wishes.
• Spare a child’s soul (Draco’s).
• End suffering, not prolong it.
And even then, it tears at him.
So what does that make him?
A villain? An anti-hero? A deeply damaged man trying to atone? Maybe all of the above.
But not a murderer.
Not by choice. Not by pattern.
Just once. And it nearly breaks him.
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The way this man can act with JUST HIS EYES
HARRY POTTER AND THE CHAMBER OF SECRETS (2002) dir. Chris Columbus ☛ ALAN RICKMAN as Severus Snape
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ICONIC ALAN RICKMAN MOMENTS (17/∞)
— as SEVERUS SNAPE in HARRY POTTER AND THE PHILOSOPHER'S STONE (2001)
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“Snape was a Death Eater and never changed.”
Oh, really? What do you call the fact that he betrayed Voldemort for years, actively working for “the greater good” while risking his life as a double agent? A midlife crisis? Just asking.
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I NEEED to find the artist this is the most beautiful thing ever
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Severus Snape and his fluid graceful walk 😍
HARRY POTTER AND THE CHAMBER OF SECRETS (2002) dir. Chris Columbus ☛ ALAN RICKMAN as Severus Snape
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Hey guys, friendly reminder that you don’t have to justify liking a fictional character. You can like Severus Snape without needing to say that you condemn his actions as an adult because, honestly, any adult with trauma, anger management issues, and an underpaid workload would act just like him if they had to deal with a bunch of kids constantly questioning their authority and giving them headaches.
Sincerely,
A dysfunctional adult with trauma, anger management issues, and a not underpaid but exhausting job.
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Anyone else see that brief flash of sympathy for Harry? No? Just me?
*sigh*
HARRY POTTER AND THE CHAMBER OF SECRETS (2002) dir. Chris Columbus ☛ ALAN RICKMAN as Severus Snape ☛ KENNETH BRANAGH as Gilderoy Lockhart
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HARRY POTTER AND THE CHAMBER OF SECRETS (2002) dir. Chris Columbus ☛ ALAN RICKMAN as Severus Snape
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