shotaku

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Vincent van Gogh, “Bridge in the Rain (after Hiroshige)”

[shotaku]

Lotus, Zhang Daqian

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Misty Landscape

Attributed to Kano Tan'yū

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Landscape, Kawabata Gyokusho. Album leaf; ink and color on silk.

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River Scene with Rocky Hills in Background, Kawabata Gyokusho. Album leaf; ink and color on silk.

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Koyasan (Mount Koya) by Crystalline Radical on Flickr.

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Monk Chōgen Shunjōbō 重源俊乗坊,circa 1206. Hollow assembled woodblocks with traces of pigment. H = 81.8 cm. National Treasure, Tōdaiji. Rosenfield calls this one of Japan’s oldest surviving examples of true portraiture, one that expresses a “renewed taste for realism” and heralds “many traits of Japanese culture in the centuries to come.” Photography by Hiyashizaki Tomoo, photo fromNara National Museum.

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Sukhi Barber, Appearance/Emptiness

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Moonlight over the Pond, Chao Shao-an, 1969, horizontal scroll, ink and color on paper.

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Hydrangea, Chao Shao-an, 1960s, album leaf, ink and color on paper.

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Buddist Monk, Chao Shao-an, undated, ink on paper.

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“Not thinking about anything is Zen. Once you know this, walking, sitting, or lying down, everything you do is Zen.” - Bodhidharma

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By yun shouping

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Japanese Botanic

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Sekino Jun'ichiro, Izuka Spa, woodblock print.

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Ma Shouzhen, Bamboo, Rocks, and Orchids, late 16th century, ink on gold-flecked paper

[shotaku]

Bamboo, orchids, and rocks, 1392-1568, Muromachi period, ink on paper