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"Your answer says a lot about who you are."
What Did You See First? Look closely at the imageâŚ

This simple image can secretly tell us something about you..
A man in a boat: Youâre detail-oriented, sensitive, and thoughtful. You observe what others might miss and take careful steps in life.
A crocodile: You have a sharp, analytical mind. You see the bigger picture and face life with realism and logic.
The fish or line: Youâre imaginative and creative. You see the world differently and love to explore hidden meanings.
The waves: You appear calm on the surface, but inside, you carry deep thoughts and powerful emotions.
But let me tell you what I seeâŚđĽş
I donât see a crocodile.
I donât see a boat.
I see myself.
Iâm Kariman, a mother trying to protect her baby boy Hamoudâbarely two years oldâfrom the crushing jaws of life.
We live under siege, under bombing, under hunger that no one should ever feel.
My stomach is empty, but what breaks me more is when I see my son hungry⌠and I have nothing to give.

I write to you not seeking pity, but as a mother pleading with the world:
Please donât scroll past our pain.
Please help us survive.
Any support, any donation, even a shareâcan save a life.
Maybe your hand is the one that can pull us out of this darknessđĽşđ.






My campaing vetted by/
@90-ghost here
@gaza-evacuation-funds here
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From a heart full of pain,
Kareman & little Hamoud.đ¸
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Heya guys. Sorry for posting this for the billionth time. But maybe if you guys would like to give my posts about patreon a boost it would mean the world to me. I know I post this a lot and I don't take any help I receive for granted. I've only been able to make two new drawings since February. Bc every day I have been working almost 9 hours. I'm sick nearly every other week, my lymph nodes are swollen n I've been feeling incredibly depressed. I am from the global south, in the philippines, government help is near nonexistent. I am the sole caretaker of three disabled people. My mom can not do any housework, she is a full time wheelchair user, she needs care 24/7, insulin, adult diapers and kidneys that are under threat of failing if we don't watch her health, my dad has a chronic heart condition and my sister is autistic with a very low frustration threshold. Both my parents are diabetic, and I am the only person in my family who can work. I currently have three jobs, one in publishing, but I have a morality clause which means the publishing house can take back every single penny I make if I or the author fail to meet certain expectations. Anyway.. I have been working nonstop, my scoliosis is untreated and extremely painful, n for the past few four days I have been rationing a single can of spam and a few potatoes. Would mean the world to me if you guys could pick up a print, or subscribe to my patreon, or reblog any of my old art or send me a tip on ko-fi or anywhere else. Sorry and thank you again. I remake these a lot, but I sincerely don't take any of the help I receive for granted. Thank you again.
My inprnt
My patreon
https://www.patreon.com/littlestpersimmon
My tipping jars
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Instagram user @/ramaduwaji draws a comic telling her story of being trapped under the rubble for 12 hours after being bombed by Israel
instagram
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Songbird, 2023 đď¸
Pieces of hope for today, tomorrow, and the days after that
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Cloud Castles - Chapter 5
Chapter 5: i will follow you into the dark (ao3 link)
Rating: Teen
Word count: 4.8k
Pairing: Aisha/Sein
Story Summary: They dance just out of each otherâs reach, but each time brings them closer together.
OR
Aisha and Sein navigate through the dark fairy tale of their own making, one encounter at a time.
Chapter Summary: The Goddess of Rot descends to Hell.
[Continuation of Cloud Castles Chapter 3 - Hades and Persephone's Twin]

Just as she predicted, Anya flies into a fit of rage. Aida cries.Â
But even when faced with their distress, Aisha doesnât change her mind.Â
Not long after Sein left, promising to return by the next full moon to personally escort her to the underworld, the stately garden and its colorful flowers and sweet fragrances lose their appeal. The rotten core inside her becomes harder to hold back by the day, yearning to be unleashed in its full glory, and her anticipation for the next full moon continues to climb.Â
Itâs like the God of Death has cast an invisible enchantment over her heart, mind, and spirit. Anya argues as such, accusations spilling out in a wild frenzy as she fluctuates between spitting wrathful curses on Seinâs name and beseeching Aisha to not fall for this evil Godâs tricks.Â
Perhaps her mother has a point, but does it really matter now? Once she makes a promise with one of the Big Three, itâs nigh impossible to take back her words. Her own home stifles her powers and expression, so a change in environment may prove beneficial for her wellbeing.Â
Sein did promise that she can return to Earth if she wants to. He offered her a choice.Â
Eventually, Anyaâs anger gives out. She takes Aida with her, leaving Aisha alone in the gardens, presumably to give her space, presumably hoping that her younger daughter will indeed reconsider.Â
Aisha does no such thing. Instead, she muses on how her motherâs first instinct is to take Aida, not Aisha away. How itâs always Aida who should be protected and not herself. How as soon as she sees that Aida is crying inconsolably, she decides that the best course of action is to comfort Aida.Â
How even though Aisha was the one propositioned by another Godâone of the Big Three at thatâAida is always the first priority.Â
Rather than suspecting that Sein enchanted her through illicit means, Aisha prefers to believe that their encounter has helped open her eyes just a little more, increasing her awareness of certain things that she never questioned since young.Â
Anya and Aida donât return by the next full moon. Aisha doesnât try to find them.Â
Sein appears on time. He doesnât need to break through the five layers of rot to enter the garden; since Aida isnât around, Aisha feels no need to set up her defenses.Â
âGood evening, Aisha.â He greets her with a smile.Â
She stares at the smile, waiting for the alarm bells in her head to sound. Nothing.Â
Sein raises an eyebrow at her silence. He maintains his distance, but he leans forward slightly, gaze intent and probing on her face.Â
âDo you still recall our agreement?â He asks lightly.Â
Aisha nods.Â
âGood. I must admit that I expected your mother to come after me,â seemingly satisfied that no one else is in the garden except them, Sein straightens. âI wonder how you managed to convince her to agree.âÂ
âI couldnât convince her.â Aisha looks down, her stomach churningâbut not because of Sein. Mostly because sheâs realizing that she wonât get to say goodbye to Aida before she goes with Sein. Anya didnât give the twins a chance to talk to each other. âSheâs with Aida at the temple, I think.âÂ
âI see.â His whisper precedes a soft swishing sound, likely from his robes as he moves.Â
She doesn't hear his approach until she feels cold fingers slip under her chin, tilting her face upwards. The contact is startling, and she shivers.Â
Never allow other Gods to touch you, especially the powerful ones, the ones you donât know, the ones who can set you on fire with a single glance. Break away now before itâs too late.Â
But itâs already too late. Her mother and sister have forsaken her. And what Sein says next, using that same soft voice like heâs coaxing a dying animal to cross over the other side, only throws her thoughts into further chaos.Â
âYou donât have to hold back now.âÂ
The fingers on her chin spread out, and his thumb rests atop her hammering pulse. He can easily snap her neck in this position and have her soul in his grasp. Heâs a primordial God, while sheâs the decaying earth under his feet, a lesser God invisible and unknown to many.Â
But his eyes are fixed on hers, and his touch is gentle despite its possessiveness. He seems to see through her.Â
âLet it go. Let the rot fester.â
Itâs permission; and even if it isnât his to give, it induces the same end result.Â
The tight coil in her body, which contains years and years and years worth of pent up tension, of selfless consideration for her sister, of every flower sheâs seen bloom in Aidaâs hand and every subsequent urge to make it rot, shatters.Â
A shaky sigh leaves her. Along with it, the heady smell of carrion, dried blood, and dead leaves begins to permeate the clearing. The grass beneath them goes brown before shriveling into nothing. Waves of energy ripple outwards, reducing the flora and fauna down into black soil in seconds.Â
It happens so quickly, too quickly, that by the time she returns to her senses, the garden around them is barren.Â
What has she done?
Sein, for his part, looks extremely satisfied.Â
A lone cloud blots out the moon, temporarily sealing away what little illumination there is. But the hungry gleam in those eyes is visible and tangible all the same.Â
âWhere weâre headed, youâll never need to hide yourself.âÂ
He holds her hand as the ruined garden melts away around them. Thereâs a strong chance that Anya will think itâs Seinâs doing, not Aishaâs. No one has ever seen the full extent of Aishaâs powers, except for the God of Death.Â
She lacks the energy to care about that.Â
The world reforms, and then theyâre standing on wet but solid rock. Sein is still holding her hand.Â
âProbably best to not separate, otherwise youâll get lost.âÂ
âI can walk on my own.â Aisha retorts, tugging her hand away. Just because she agreed to follow him to the underworld didnât mean that he owned her, and could touch her at will.
Why he chose her remains a mystery, but if the legends about male gods taught her anything useful, it was their endless appetiteâfor wealth, power, and women.Â
Sein sighs and says nothing else as he walks on. She trails a few steps behind, senses on high alert for strange things that might leap out from the dark. Based on the bare and rocky landscape, theyâre likely walking to the gates of the underworld, which are said to be the final bastion between the world of the living and the dead.Â
Itâs strange that he doesnât take her straight to his lair. Perhaps he thinks heâs doing her a favor by taking the more scenic route. Perhaps heâs testing her.Â
Perhaps heâs plotting to kill her. The chances are slim, but possible nonetheless. Heâd have killed her way before this if he wanted to.
âMy offer still stands,â Sein says without preamble, slowing down to match his strides with Aisha. âYouâre not a prisoner of the underworld, but coming in and out of it⌠is tricky.â
âHow so?â She asks warily.
âThe earth and the underworld are two separate entities. One shouldnât cross into the other; or rather, the living should never interfere with the dead and vice versa. Obviously, Iâm the exception to the rule. But the underworld was never meant to accommodate the living.â
Aisha pauses, staring at the uneven terrain uneasily. âIâm not dead.â She says, unsure whether itâs a reminder for herself or Sein. Both, probably.
âYouâre not,â Sein agrees smoothly. âwhich is why I will allow you a single chance to choose. You chose to descend this time, but youâll have another chance to decide whether to stay or leave. Just one.â
âAm I the only living god thatâs descended?â Surely Carlo and Nemo have descended to see Sein before. She canât imagine Sein turning them away without good reason. The gods of Olympus have lived in peace for millennia. She canât recall the last time the Big Three have declared war upon one another.
âYou are,â the firm conviction in his tone erases all doubts from her mind. âI donât permit anyone to set foot inside my territory. If my presence at Olympus is required, I will ascend.â
âAnd yet, here I am.â
âIndeed. I can hardly believe it myself.â
They reach a black gate. As Sein reaches out, his skin looking inordinately pale under the watery lighting, she hears movement and heavy breathing from the shadows. Something that sounds bigger than her and Sein.
The subsequent rumbling growl echoes off the walls, turning her blood into ice. Sein faces the source.
âArthur.â
The growling recedes in volume. Unperturbed, Sein clicks his tongue.
âBehave. Iâd like you to meet a guest of mine.â
She knows what âArthurâ is, having read and heard about the massive three-headed dog that guards the gates to the underworld. But her prior knowledge proves woefully inadequate in preparing her for the real thing.
âArthurâ stands at an impressive height, towering over her and Sein. When it steps forward, the ground seems to tremble beneath the weight of paws that are the size of dinner plates. All three heads bear identical snarls, three sets of teeth bared, drool frothing at the corners. From the size of its maw, she thinks that each head can devour her in one bite. With three sets of eyes on her, she doesnât quite know where to look.
âAnyone who seeks to enter the underworld must pass through Arthur first.â
She watches in amazement as the three-headed dog bends down, sniffing around Seinâs hand. Thereâs a small, barely-there smile on the God of Deathâs face, the most genuine smile out of any that sheâs seen so far. And then it hits her.
The origin of all creatures of the underworld can be traced back to the God of Death; including this deadly amalgamation of dog and beast.
If its master has already approved of her⌠thereâs no reason why Arthur wouldnât. Not unless Sein suddenly changes his mind and decides that he wants her dead after all. But why would he? In the past few moons, heâs had plenty of opportunities to kill her, none of which heâs acted on.
So Aisha ignores the warning bells in her head, squaring her shoulders and lifting her chin high instead. She refuses to be afraid, even when faced with the tiniest possibility of deathâand death is smiling next to her.
She approaches the gate. The growling escalates again as she reaches out, mirroring Seinâs earlier action. But she isnât trying to touch the gate.
She reaches for Arthurâs closest head, hand hovering midair and waiting. She knows better than to touch an unfamiliar creature without warning. Perhaps Arthur can be reasoned with. Past the hackled fur and snarling visage, it must possess a degree of intelligence.
A pause. She hears nothing except for her quickened heartbeat. The telltale muted rumbling sound in Arthurâs throats. Seconds pass, and Arthur makes no attempt to attack. All three heads lower, noses twitching furiously. Aisha doesnât move. She feels damp breath stirring her hair, and the softest brush of a wet nose against her head.
Then Arthur suddenly stands rigid. With a loud huff, it slinks back into its hiding place, melding seamlessly into the shadows and silence once more.
Aisha blinks the faint wetness away from her eyes. Her outstretched hand is trembling. Her knees are weak, and the only thing that keeps her standing is pure, unadulterated fear.
But that fear seems laughably insignificant compared to the proximity of death. For a moment, she saw her life flicker out like a snuffed candle flame when she reached out to Arthur.Â
Sein steps forward, wordlessly folding her trembling hand in his. Despite the strangely cold and clammy quality of his skin, akin to a corpseâs, Aisha doesnât protest this time as she wills the shivers away.
He sounds almost kind. âI think youâll fit right in.âÂ
They slip past the gates without further fanfare. After Arthur, they donât encounter anything else. All she hears are their footsteps echoing against the uneven ground, which eventually transitions into a cobblestone path.Â
Hell is dark and dreary, just as how sheâs always imagined it. Under a ruby sky, the God of Deathâs castle is a jagged, spiky structure that doesnât look at all homely and welcoming. Black imposing gates surround the castle. Snarls of thorny vines are wrapped around the top of the gates, undoubtedly an added deterrent against intruders.Â
Is it really necessary?Â
Then again, itâs just how sheâs always imagined.Â
After showing her to her quarters, and upon her prompting, the collection of dead librariesâfortunately, the libraries are located a few floors directly below her, which is great for accessibilityâSein doesnât linger.Â
âI have some urgent matters to attend to. Iâll see you at dinner.âÂ
Dinner is the last thing on Aishaâs mind the moment she sees the size of the libraries. Sein must have read her mind, because he gives her a knowing look.Â
âSee you at dinner.â He repeats firmly.Â
â...see you.â She reluctantly concedes.Â
âGood,â Sein tilts his head to the side. âAnd remember what I said before?â
Aisha looks at him in confusion.
âYou donât need to hold yourself back here.âÂ
Thatâs easier said than done. Thereâs a worn and rusted lock to the door that contains her power, and despite Seinâs express permissionâno, encouragement, itâs hard to open that door.Â
To her, it still doesnât seem real. Itâs too good to be true. She might hurt someone or something. The image of the ruined garden resurfaces, followed by Aidaâs face. Her heart twists.Â
â...thank you.âÂ
Contrary to popular belief, plants do grow in Hell.Â
She doesnât recognize any of them, except for the pomegranate trees. Theyâre small and perpetually bent over due to the amount of pomegranate fruits hanging from the branches.Â
On days when she wants to read outdoors, she goes to the Serpentâs Garden. The garden is filled with rows of pomegranate trees.Â
Pomegranates must be Seinâs favorite fruit, though she hasnât seen him eat one yet. Eating pomegranates is normally a messy and wet affair, what with all the seeds. They stain your lips scarlet, just a few shades darker than human blood.Â
She knows what pomegranates signify in Hell. Once consumedâskin, flesh, seed, any part of a pomegranate reallyâyouâre stuck here forever. An unbreakable tether forms between you and Hell, because youâve consumed its forbidden fruit, and now you belong to the God of Death.Â
Sein doesnât tell her any of this. Either he assumes that she already knew, or he intends for her to slip up and eat one. Aisha strongly suspects the latter.Â
Fortunately, sheâs never liked pomegranates. All sheâs interested in are the dead libraries, which have been a wonderful source of knowledge and entertainment so far. Other than attending dinner with Sein, she spends her waking hours poring over dead books.Â
Most of the dead books are in poor condition; singed pages, faded script, and missing covers across the board. But they can never be restored, because they no longer exist in reality. Itâs a miracle that she even gets to access them now.Â
So why hasnât Sein shown his true colors yet? Thereâs no conceivable reason for him to share his dead belongings without motive. Heâd told her once that he wanted her to rule by his side, which presumably meant he wanted her as a wife or consort. The first out of many, Aisha imagines. And yet, except for the countless resident apparitions, his castle seems almost deserted. No other gods or goddesses roam the halls; at least, none that sheâs encountered during her stay.Â
The notion of a celibate god is ridiculous. He must be skilled at keeping his secrets hidden.Â
No matter. Sheâs here for the books and only the books. Itâs impossible to comb through all the libraries during her trial stay here, but keeping her options open seems the wiser decision. The last thing she wants is to be trapped here forever.Â
On Earth, Aida must be beside herself with worry. Despite the circumstances, she still misses her twin dearly.Â
However, the lack of floral scents is a refreshing change. Ever since Sein gave her permission to stop holding back, she lets the stench of rot and decay permeate through her personal space. The release gratifies her, though she canât help but wonder how things would change when she returns to Earth. She wonât be able to exercise the same freedom there as she does in Hell.Â
Rot comes on the heels of death. Nobody ever wants to acknowledge it. The only person who acknowledges her power is Aida, and now Sein.Â
Itâs why she relies on books. Reading books taught her that despite her unsavory image and how she would never be truly accepted among her peers, her power is still a necessary part of life. She sequesters herself away in Anyaâs garden, hiding herself among the flowers and grass that barely conceals her scent.Â
A life spent hiding yourself away isnât much of a life at allâshe understands this better than anyone else.Â
Sein isnât bothered by her rot. If anything, he seems to find pleasure in seeing her let go, little by little. Sometimes he even asks questions about the extent of her powers, seeming genuinely interested.Â
âI thought that the God of Death had other pastimes than spending time with me?â She says to him once, puzzled.Â
âYouâre a guest. Iâd be a terrible host if I neglected my guest, wouldnât I?â Sein responds without missing a beat.
âWell, as you can already tell, Iâm not lacking for entertainment,â Aisha gestures to the neverending shelves before returning to the current task of putting her book back. Sein can be terribly distracting sometimes (all the time).Â
âI promise you that I donât feel neglected. Quite the opposite, in fact.âÂ
She hears him sigh.Â
âAlright. Then what if Iâm the one who feels neglected?âÂ
âWhat do you mean?âÂ
Thereâs the empty spot. As she nudges the books on either side farther apart to make room, Seinâs eyes appear between the gap, looking directly at her. She frowns, a little discomfited by the intent expression.Â
âI have no qualms with your reading. But I donât think itâs too much to ask for a bit of your time,â He also reaches out, widening the gap between the books on his end. âBecause Iâd like us to get to know each other better.âÂ
âWe have dinner together every night.â She says, slotting the book in place. The shadows of the books shift. A dark, ink-like substance seeps through the base of the bookshelf, expanding upwards before reforming into his figure. He faces her, leaning a shoulder against the shelf, arms crossed.Â
âYou read during dinner as well.â He reminds her.Â
This gives her pause, swiftly followed by guilt.Â
Heâs right. It didnât occur to her how inconsiderate she comes across, outright ignoring him in the only hour theyâre in each otherâs company. As Sein already made clear: heâs the host, and sheâs his guest. He visits the libraries to check on her periodically, but she doesnât reciprocate.Â
Even though sheâs constantly wary and on guard, he hasnât yet given her a compelling reason to question him. The rumors still live in the back of her mind, of course; but shutting him out may lead to more harm than good, and who knows how heâll react when angered.Â
âI apologize,â she says as she turns to him, contrite. âI didnât realize that it bothered you so.âÂ
Sein waves a flippant hand. âIâm not bothered. Maybe a tad disappointed. Books are surely interesting, but not everyone gets to experience life in the underworld firsthand. I can say for certain that thisââ he sweeps an arm around them. ââisnât written down anywhere.âÂ
He taps the spine of a book, those long, dark nails stark against the slate gray surface.Â
âI merely suggest splitting your time between different things; my libraries arenât going anywhere, so get your nose out of books for a bit and live a little more. You have the entire underworld at your disposal; why not make the most out of it?âÂ
She lifts her gaze to meet his. It took a few days before she discovered that his eyes arenât black, as she was led to believe during their first meetings in the dark; instead, the color lands in between hazel and olive greenâreminiscent of Earthâs gardens shaped by Anya and Aidaâs hands.Â
âSo I can ask about anything?âÂ
He smirks, hearing the challenge in her tone.Â
âBy all means.âÂ
The next night, Aisha arrives at the dining room empty-handed. If âgetting to know each otherâ is what he wants, then itâs what heâll get.Â
Except not in the way he may have expected. She intends to test his boundaries.Â
âIâve been curious about something for a while.âÂ
Sein looks pleased with her initiative. He folds both hands under his chin and leans forward in rapt attention. In that moment, she can almost believe that she holds more power than he does.Â
âMost gods keep regular company to warm their beds,â thatâs a nicer way of saying most gods are lecherous bastards with zero self-control. âWhere do you keep yours?âÂ
The question doesnât faze him. Instead, a smile breaks across his face. The silence drags on until she fidgets in her seat and looks away, a strange warmth flooding her cheeks.Â
Then, calmly, âIn the library.âÂ
(Suffice to say that her first attempt backfires. Sein eventually tells her that he doesnât have anyone to warm his bed.)Â
âWhy is this place called the Serpentâs Garden?â Aisha wonders aloud. Theyâre strolling through the garden, an activity that Sein suggested after dinner.Â
âDo you know about the story of Adam and Eve?âÂ
âYes.âÂ
As most stories go, the story of the first humans ends on a bittersweet note. But Aisha always thought that although Eve was tempted to sin, the price she paid was worth the knowledge she and Adam gained in the end. Heaven, or Olympus, is ill-suited for humanity. They thrive well enough without the godsâ interference.Â
âThis garden is the Serpentâs final resting place. He was sentenced to Hell, so he came to me.âÂ
Most of the dead donât get a garden named after them in Seinâs castle. They cross over to the underworld and are sent to the river of souls immediately, where they stay for eternity.Â
âHe was a minor god. He didnât immediately die from his wounds, even though they were very severe.â Seinâs lips twist, as though living through an unpleasant memory. âWhen he finally passed on, pomegranates grew from his grave. I didnât have the heart to remove them, and this space eventually became a garden.âÂ
Sensing that she shouldnât continue this line of questioningâSein isnât enthused about the topicâAisha touches a low-hanging pomegranate. Its skin is waxy and smooth to the touch, glistening jewel red.Â
âHow do the pomegranates taste?âÂ
In answer, Sein plucks the pomegranate. He makes quick work slicing the pomegranate apart with his nails, revealing the wet and juicy flesh interior. His fingers are stained crimson.Â
He doesnât offer her the fruit.Â
âI imagine they taste like sin, but what do I know?âÂ
She learns that Sein enjoys reading nearly as much as she does. But unlike her, heâs had lifetimes to read through his extensive collection.Â
He reads faster than her; each time heâs at the library, he puts down his book in a quarter of the time it takes for Aisha to finish hers. Upon finding out her favorite genres, he occasionally gives recommendations, stating that they would suit her taste.Â
(He hasnât proved her wrong yet.)Â
âI wish I had my own library.âÂ
âDoes Anya not have one?âÂ
âNo.â
Neither Anya nor Aida enjoy reading. Some days they even try to dissuade her from reading, claiming that she should take a break from reading because what can you find in books that you canât find in real life, Aisha?Â
Everything, Aisha thinks. Fiction provides escape into the fantastical lives of characters with different joys and woes. Some of them she loves and relates to, while some of them she despises with a fiery passion, but they all make her feel. Conversely, non-fiction educates her about life on Earth, humanityâs scientific principles, philosophies, and various belief systems. She learns how to discern facts based on data and research, a concept foreign to deities. If thereâs one thing humans are good at, itâs picking things apart to understand them fully.Â
âNo, my mother prefers Aida and I to focus on⌠on beautifying nature.â Not that sheâs remotely capable of doing that.Â
Sein hums. âHow dull.âÂ
âAida is wonderful at what she does. But since I couldnât do that, I turned to books to pass time. Havenât stopped reading since. My mother still doesnât approve.âÂ
âYour mother is a fool.âÂ
The insult takes her by surprise, and she snorts. âShe has her ways.âÂ
Sein isnât amused, though. He clicks his tongue and puts the book down. Like her, heâs fond of fairy tales.Â
(The tales without happy endings.)Â
âI knew I had my eye on the right goddess.âÂ
âYou know, youâve never mentioned how you got to know me.âÂ
âI didnât? Must have slipped my mind,â his eyes drift upwards, losing focus. âIt might have been a few years ago. Springtime.â
She sets her book down to listen.Â
âIâve heard plenty about Aida. My brothers are obsessed with her, as they are with any young woman, goddess or not. I usually donât engage in their games, least of all when women are involved. I barely tolerate their company, let alone their childish fights. It drains me.
âThen out of nowhere, Carlo mentions Aidaâs twin. My older brother isnât picky with women, so I expected him to say something along the lines of choosing you if Aida werenât an option. Imagine my surprise when he spoke of you with disgust, complaining that you reeked of rot and decay, and that he couldnât get close to Aisha without you standing in his way. Nemo wasnât as vocal as Carlo, but I could tell he was wary of you as well.â
He stretches out, draping an arm over the back of the armchair, fingers scant inches away from her hair. She stays put.Â
âNaturally, my curiosity was piqued. So I went looking for you.â
Surprisingly, Carloâs negative comments donât bother her. Others have said worse, and their words wear out overtime. She understands why people hate her, even if itâs for something beyond her control.Â
âAnd?â She prompts.Â
âAnd what?âÂ
âHas your opinion of me changed in any way since?âÂ
Then she feels it: a gentle tug on her hair.Â
âItâs definitely changed for the better.âÂ
The dead body in front of her looks nothing like the picture on the coffin.Â
âHave you seen this before?â Sein asks kindly.Â
âNo.âÂ
She has a vague idea of why he brought her to a mortuary. Every part of her body is buzzing, restless for action. What kind of action, she doesnât know.Â
âWhat happens after a soul leaves its body?âÂ
She squints at him, wondering if heâs fooling around.Â
âPlease bear with me.â He says.Â
âThe soul goes to the underworld, and the body rots.âÂ
âWhat is your power?âÂ
âIâŚâ Realization dawns on her. âI create rot.âÂ
âYes. Do you remember what you did to your motherâs garden?âÂ
(She consciously tries not to remember.)
âYou can use your powers here, on this corpse and its coffin. Youâre allowed to.âÂ
She looks at her hands in disbelief, then back at him. Sein nods.Â
This, Aisha thinks as she touches the coffin, which instantly blackens and crumbles, a pungent smell wafting outwardsâ
This is what freedom feels like.
During dinner that night, she bites into a pomegranate in front of him.Â
He disappears from his seat, dark shadows streaking across the dining table to where she is, and reappears next to her. Cold and clammy hands cradle her faceâlike that full moon night from so long agoâand then he kisses her fiercely. The pomegranate seeds are drops of acidic nectar, sliding down her throat, some spilling past her parted lips, no doubt leaving a bloody trail in their wake, and she thinks,Â
This is what freedom tastes like.Â
#aisha manhua#aisha#sein#aisha x sein#aisha/sein#aisha and sein are immortals here#fanfiction#ongoing#cloud castles#chapter 5
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"I am out with lanterns, looking for myself" (E.Dickinson)
Š Jee Won Park (ig: zeewipark)
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âMaybe you are a poet and a dreamer, but don't you realize









that those two species are extinct now?â
-J.G. Ballard
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Cloud Castles - Chapter 4
Chapter 4: Ballroom Dancing (ao3 link)
Rating: Teen
Word count: 5k
Pairing: Aisha/Sein
Story summary: They dance just out of each otherâs reach, but each time brings them closer together.
OR
Aisha and Sein navigate through the dark fairy tale of their own making, one encounter at a time.
Chapter summary: Aisha attends her first ball for her birthday.

Ever since their disastrous 14th birthday party, Sylvia has given up on the twinsâ birthday celebrations entirely in the following years. Whatever part of her that wanted to keep up false pretenses was gone the moment she raised her hand on Aisha, and whatever imaginary bridge between her and the twins had burned down since then.Â
Aisha has no birthday expectations anymore. She and Aida wonât consume desserts that come from Sylvia directly. And Sylvia canât be bothered to purchase gifts for them.Â
The closest thing to a gift that she receives on her birthday is a handwritten note from her fairytale friend. Sheâs been receiving these notes in the past three years. Theyâre just words on paper, messily written and simple in nature, but they hold more thought and effort than anyone cared to show towards her since Sylvia entered her life.Â
So on the morning of October 25th, she goes to the library as she usually does. The servants she passes on the way there donât spare her a second glanceâthey probably donât know, and donât care that itâs her birthday today. Which is fine with Aisha; birthdays stopped feeling special to her since her father died.Â
But the prospect of reading the birthday note from her fairytale friend does make this day slightly more bearable. When she wished Aida âhappy birthdayâ earlier, her older twin didnât respond. She only turned in her bed, facing the wall.Â
Aida always misses their father most on their birthday. Aisha makes a mental note to smuggle some pastries out of the kitchen before dinner time. Hopefully it will help cheer Aida up.Â
How sad that she must resort to such measures just to survive. Itâs all because of Sylvia. Hopefully the next few birthdays will come sooner, so that she and Aida can collect their inheritance and escape out of Sylviaâs thumb.Â
She finds a new slip of paper in the fairytale book. It doesnât take long for her to skim through its entirety:Â
Happy birthday. Time flies by so quickly, and now youâve reached adulthood.
One day, I will find the opportunity to celebrate this special day with you.
Until that day comes, I hope you have a wonderful day.Â
If Iâm lucky enough to see you today, Iâll be sure to wish you in person as well.
She rereads the note a few times, briefly puzzling over the writerâbut never able to reach a conclusive answerâbefore folding it into a small square. Sheâll keep this note with the others.Â
A few hours later, a maidâs voice draws Aisha out of her book.Â
âLady Aisha, I beg your pardon for the interruption, but Madam Sylvia has asked me to relay a message to you.âÂ
At the mention of her stepmother, Aishaâs lips curl downwards in reflex. âWhat is it?âÂ
The maid bows her head. âMadam Sylvia would like to inform you that sheâs hosting a ball at the manor tonight, in honor of you and Lady Aidaâs 18th birthday. According to the madam, both of your attendance is required.âÂ
Before Aisha can speak, the maid rushes in to add, âAnd Madam Sylvia says that if you donât attend, then she will cut your allowance.âÂ
That conniving bitch.Â
Thankfully, her voice comes out neutral, betraying none of the rage and hatred swelling to astronomical heights inside her. âThank you for letting me know. Please tell Madam Sylvia that Aida and I⌠shall attend.âÂ
The maid bows again and hurries off.Â
Aisha sets the book down and rubs her temples. Aida is highly amenable and loves socializing, so she wonât have issues convincing her older sister to attend.Â
But the nerve of Sylvia. How dare she plan for this ball without consulting her and Aida first? Who else is invited to attend? How much money is Sylvia throwing away for this unnecessary expense? Thereâs undoubtedly going to be multiple-course meals, dessert, drinks, and not to mention musicians. The list of expenses are endless whenever Sylvia is concerned. Budgeting is a foreign concept to her.Â
Threatening to cut off their allowance if they donât attendâthat angers Aisha most. She may be turning 18, but sheâs not of age to claim her inheritance yet. As her legal guardian, Sylvia can still intervene in her financial matters. And Aisha can do nothing about it until sheâs of age.Â
So sheâs left with no choice but to attend this ball. As much as she detests mingling with strangers, both she and Aida need to make an appearance, especially since itâs being held for their birthdayâregardless whether they consented to it.Â
Aishaâs wallflower strategy for the ball is simple; if she doesnât stand out, then sheâll be ignored.Â
However, Aida is adamant on dressing her to get noticed; not the kind of dress that warranted a subtle, second glance, but the kind that invited a lingering gaze.Â
âAbsolutely not.âÂ
Aisha flings the dress that Aida threw at her onto the bed. Even though theyâve stopped sharing clothes for years, sheâs well acquainted with her sisterâs preference for bold and revealing dresses. Whatever Aida finds in her messy wardrobe wonât suit Aisha.Â
âCome on, Aisha. Itâs our birthday. Girls should wear beautiful dresses on their birthdays.â Aida says beseechingly, head still buried halfway into her wardrobe as she pulls dress after dress onto her bed. âDonât you want to impress the guests? Show them how pretty you are?âÂ
âBut that just proves to Sylvia that weâre willingly abiding by her plan. Iâm not happy to attend a last-minute ball, and I certainly donât want to give any indication that Iâm enjoying it, because I know I wonât.âÂ
âOh, sister. Iâm older than you by a few minutes, and yet you sounded more bitter and jaded than our stepmother just now. Must you be so glum? Why donât you let those feelings go for tonight, and see where the evening takes you? Perhaps youâll find a nice gentleman to dance with. Wouldnât that be wonderful?â Aida pulls another dress out and poses before the mirror.Â
Aisha watches Aida fit the dress over her body. Itâs a dusky pink gown with a scooping heart-shaped bodice. The hem and sleeves of the dress are excessively frilled, to the point of seeming girlish rather than womanly. Aida removes her current dress to try it on.Â
Never mind. Despite the frills and pastel color, she exudes an air of maturityâthe fabric hugs her curves like a second skin. If anyone had reservations about her age, the gown eliminates all doubt.Â
âThat looks good on you.â Aisha says, because Aida always deserves complimentsâand not the kind from Carlo, whoâs too boisterous and impulsive for his compliments to hold genuine weight.Â
Aida hums agreeably, spinning around to see the gown from all angles. The skirt flares as she spins, the tiny jewels at the hem catching the afternoon sun. If Cinderella exists, then Aida is her real-life equivalent.Â
After a few moments, the older twin beams. âAlright, I like this one too. Iâll wear this to the ball then! Oh, maybe Iâll catch Seinâs attention this time! But now,â her eyes meet Aishaâs through the mirror, smug and knowing. âWe need to pick a dress for you.âÂ
Aisha holds up a hand. âNo need. I donât want to look good.âÂ
âAisha!â Aida exclaims in disapproval. âDonât say things like that. Do you want to end up a spinster?âÂ
She shrugs. The life of a spinster sounds more appealing than having men gaze upon her with lust. âWeâre not attending the ball to meet people. Itâs Sylviaâs way to assert power over us. Do you really think sheâd invite people who will readily befriend us?â
âWell, I believe the best way to handle this is through grace, not by⌠refusing to dress properly and scowling for the entire time,â Aida sits beside Aisha, folding their hands together. âWeâll prove to Sylvia that we can enjoy ourselves, in spite of the circumstances. She canât deprive us happiness unless we let her.âÂ
Aisha purses her lips as Aidaâs words sink in. Itâs rare that her vivacious sister displays such insight, even if she knows that Aida is far from stupid. And Aida does make a compelling argument, when she listens to her mind over her heart.Â
ExceptâŚÂ
âI donât like people, nor do I like dancing. I wonât enjoy myself at this ball anyway.â Aisha complains.Â
A bright peal of laughter escapes Aida.Â
âNo wallowing allowedâthatâs my job. Remember that itâs our birthday, and smile. Now come, letâs find a gown for you.âÂ
Neither of them leave their room until itâs almost time for the ball. Finding a gown for Aisha that they both agreed on ends up taking a few hours: an exhausting back-and-forth process where Aida gives Aisha a gown, only for Aisha to reject each one. Their taste in dress styles and colors are total opposites, so they never seem to reach a consensus.Â
Finally, they settle on a compromise. Aisha would wear a white gownâone of the few whites that Aida ownsâbut cover her exposed shoulders and cleavage with her own shawl. When Aida suggests accessories, Aisha reluctantly accepts a pair of sapphire earrings since she doesnât own jewelry herself.Â
âYouâre like a fairy godmother.â She comments offhandedly, putting the earrings on.Â
âWhatâs a fairy godmother?âÂ
Earrings in place, Aisha moves on to choose a set of gloves. âSomeone who uses magic to make girls pretty for balls. Although, youâre definitely doing this against my will.âÂ
âDo fairy godmothers get to dress up and attend balls?âÂ
âNot usually.âÂ
âOh. How boring. They should enjoy themselves too.â Aida muses, patting rouge onto her cheeks. âIt doesnât matter. Iâll be the most beautiful fairy godmother at the ball.â
Ultimately, Carlo is the one who comes to their door. The door knob rattles as he tries to open it, but luckily Aisha had locked their door while they were changing.Â
Soon after, they hear three loud thumps against the door, followed by an insistent, âAida? Are you in there? The ball is about to start, letâs go!âÂ
Aisha catches Aidaâs eye and shakes her head. Aida only smiles, unfazed byâor perhaps accustomed toâCarloâs pushy demeanor. She checks the mirror one last time, and then she joins Aisha by the door. The scent of roses wafts into Aishaâs senses, thick and intense at this proximity.Â
Aida had found a rose-scented perfume bottle which once belonged to their mother. She may have applied too much at once, but itâs not like Aisha can tell her to remove it now.Â
Overpowering floral scents make Aisha dizzy, so she opted for an aromatic scent. Sheâd washed with regular soap and water, and applied drops of clove-scented perfume. It was pleasant and understated; but most importantly, least likely to attract attention.Â
Aida slides her bare arm through Aishaâs gloved one. âShall we?â
She resembles a lush rose, with the pink rouge staining her cheeks, the blood red rouge on her lips, and the gown. Standing beside Aida, Aisha felt plain and young. No one could possibly tell that they were identical twins tonight.Â
Her sister can take the spotlight. Aisha is perfectly content to remain a wallflower.Â
âAida!â Carlo cries out gleefully the moment the door opens, lurching towards them.
Aisha gives him a scathing look as he places an arm around Aidaâs exposed shoulder. But of course, with Aida around, Carlo is blind to everything else. He doesnât acknowledge Aisha, already tugging Aida to walk with him, filling the air with enthusiastic chatter.Â
George Duncan receives them at the ballroom entrance. Beyond the entryway, voices and laughter float in the air, increasing in volume and intensity as they approach the entryway.
âGood evening to you all. Lady Aisha and Lady Aida, I wish you both a happy birthday.â George says with a shallow bow.Â
âThank you kindly, George.â Aida greets back warmly. âWeâre not late, are we?âÂ
âNot to worry. Youâre right on time. Madam Sylvia is expecting you inside.âÂ
After giving each twin an ivory dance card, he motions them forward.Â
Carlo frowns as Aida slips the dance card around her wrist. âYou should only dance with me.âÂ
âIâm expected to mingle with other guests too, Carlo. But Iâll pencil you in for a quadrille. How does that sound? If you can keep up, I might be persuaded to dance with you for longer.âÂ
The halfhearted promise successfully pacifies Carlo, his face lighting up with hope and determination. âIâll be your best dance partner of the night. Watch me.âÂ
âWhatever you say.â Aida has lost interest in Carlo; she cranes her neck to look into the ballroom.Â
Behind them, Aisha is faintly aware that this is the last chance to change her mind. As Aida and Carlo descend the stairs together, she hears applause in their wakeâprobably Sylviaâs doing. But Aisha is alone, lacking a companion to hold onto. She hesitates at the top of the stairs, high enough to see people mingling together in various groups. Entering the fray herself, under the watchful eyes of strangers, suddenly seems daunting.Â
Perhaps she should go back to their bedroom. This isnât something she can handle, especially for her first ever ball. She feels like a fish out of water. Her dance card hangs heavy in her hand.Â
âLady Aisha, are you alright?â Georgeâs voice interrupts her scattered thoughts.Â
Aisha looks up, hoping that her rising distress isnât obvious. She fumbles for an escape. âActually, I donât think I feel too wellââÂ
âGood evening.â A third voice joins them.Â
Both she and George turn around, equally taken aback by Seinâs appearance.Â
He always appears with uncanny timing, neatly thwarting her attempt to escape.Â
George clears his throat, nodding at Sein without speaking. Later, Aisha will wonder about the butlerâs uncharacteristically cold attitude towards Sein, not even sparing Sylviaâs second son a greeting like he did earlier. Sein, too, barely acknowledges Georgeâs presence.Â
The dreadful prospect of walking into a room filled with strangers is her biggest distraction.Â
âHello, Aisha.âÂ
Seinâs eyes rake over her from head to toe. Aida might have taken offense, but Aisha is pleased that his eyes donât linger anywhere. Thank goodness she kept the shawl on.Â
âYou look wonderful. Happy birthday.âÂ
âThank you. You too.âÂ
Sein wears an indigo tailcoat, which is parted to reveal a cream-colored vest and a pleated, white linen shirt underneath, the high collar secured by a brown cravat. A silver, star-shaped brooch is pinned on the lapel of his tailcoat, simple but elegant in design. The black trousers are perfectly tailored to his lower body, emphasizing his narrow hips and the muscle definition in his legs.Â
Compared to his evening wear, Sein doesnât seem to have spent much effort taming his hair. Those unruly curls are styled the usual way, having grown long enough to almost conceal one eye.Â
He looks very good. No doubt heâll draw eyes from all the eligible women in the ball.Â
Her desire to escape evaporates when he stands next to her and extends his elbow, a wordless request. She has no choice but to accept it, because the notion of running away in front of Sein deals more damage to her pride than the alternative.Â
âIs this your first ball?â Sein asks as they descend the stairs. If heâs bothered by her tightening grip on his bicep with each step, he doesnât complain.Â
âYes.â Aisha answers stonily, focusing on a distant point in the ballroom lest she makes eye contact with someone in the room.Â
âDo you know what to expect?âÂ
âOf course I do. Iâve read about it.â After the maid informed her about Sylviaâs plan, sheâd temporarily set aside Hamlet. Instead, she pored over books on ballroom etiquette, though she retained little, based on her anxious state of mind.Â
Sein laughs, soft enough for her to hear. âRight, I should have known.â
âIf you have recommendations or suggestions on how to navigate through a ball without risk of ruining your reputation, Iâd like to hear them.âÂ
âIt sounds like you already know more than me, to be honest. What more can I contribute to the subject?âÂ
âThereâs always more to learn.â Aisha insists, letting go of his arm once they reach the ground floor. Sein folds both hands behind his back, the corners of his lips lifting slightly.Â
âI suppose thatâs true. Letâs see⌠Are you good at dancing?âÂ
âI can dance, though I donât necessarily enjoy it.âÂ
âAlright. If youâd like to avoid socializing, then dancing is the best way to occupy yourself. Fill your dance card with namesâwhich wonât be difficult for a lady of your standingâand dance the night away.âÂ
Aisha bites her lip, anxiety swelling as she imagined numerous men approaching her to ask for a dance. Between exhausting herself mentally through socializing, and physically through dancing, she isnât sure which is the lesser evil. Sein seems to believe in the latter.Â
However, dancing comes with conversations too; maybe not during jaunty and fast-paced dances like the quadrilles and polkas, but waltzing?Â
âThis is new, seeing you so nervous.âÂ
Seinâs astute observation wounds her ego. But how can she refute him when heâs right?Â
âI have your mother to thank for that. If her goal is to push my buttons, sheâs been quite successful.â Aisha admits. If her real mother were still around, she wouldnât face this predicament feeling woefully unprepared. Times like these remind her that Aida is the older sister, and with her gone, Aisha is stranded alone.Â
âIâd apologize on my motherâs behalf, but I sense that Iâll never stop once I start,â Sein says wryly, glancing around the room. âWhen in doubt, you can also follow Aidaâs lead. Sheâs talking to a few gentlemen. She looks quite happy.âÂ
âAida is a special case. Iâm more wary of strangers.âÂ
âBelieve me, Iâm well aware of that.âÂ
She fights against the urge to glare at him. In such a public setting, she has to control her expressions. âPlease donât let me keep you. Iâm sure youâd like to make some new lady friends.âÂ
Sein doesnât respond immediately. He stares at the dancing card clenched in her fists for a few moments. Then, as though arriving at a decision, he straightens his posture.Â
âAre you tired of my company yet?âÂ
âIf you have something else to share, just say so.â Half-expecting him to comment on her ballroom etiquette and inadvertently wear on her nerves further, Aishaâs nowhere near ready for what he says next.Â
âMay I put my name on your card for the first dance?âÂ
âWhat?âÂ
Sein repeats the request, but its meaning is still lost on her. âFamily members are allowed to dance with each other,â he adds. âAida probably has Carloâs name on her card as well.âÂ
Aisha fumes at his choice of words. âWeâre not family.âÂ
Because perceiving him as an older sibling is sickening. It would imply acceptance of him and his family, something that will never happen as long as Sylvia was alive, slowly but surely eating away at the Dimoche familyâs wealth and reputation, a living parasite.Â
Her anger only deepens his amusement. âThen dancing with me shouldnât be an issue. Just the first dance, and Iâll leave you alone for the rest of the night.â
Oh, how she yearns for the chance to throttle him. Or split his head open so that she can finally study his thoughts.Â
No one but Sein produces this infuriating effect of simultaneously aggravating and bewildering her. He seems so keen on dancing with her, but why? An errant glance around the room reveals that a number of young women are looking in their direction, though of course theyâre interested in Sein, not her. They want his name on their dance cards. He doesnât lack for choice, and yet he wants to dance with Aisha first.Â
All these years living under the same roof, and yet sheâs learned little about Seinâs true character. She only knows that he doesnât regret cutting her palm open, and that he wonât hesitate to do it again if she crosses the line again.Â
After all these years, Aisha knows better.Â
âAre you going to be violent if my answer doesnât please you?âÂ
Something flickers across Seinâs face, too fast to be identified. Once he catches onto the hidden question, he brandishes both hands. âWhat do you take me for? Do I seem so wretched to you?â Thereâs a bitterness to his light tone.Â
She takes a few more moments to decide. It takes less time to write down Seinâs name for the first dance.Â
By the time she realizes that the first dance is a waltz, itâs too late to erase Seinâs name from her dance card. The dance doesnât start for another while, so Sein leaves her, looking far too pleased with himself. Just as Aisha predicted, heâs quickly swarmed by a group of women, their colorful finery clustering around his tall and dark figure.Â
Staying near the center of the room makes her uncomfortable, so Aisha takes refuge in the corner of the ballroom. It provides the best vantage point and hiding spot, where she can bide her time until itâs time to dance.Â
Finding Aida proves easy. Her silver hair is lustrous under the chandeliers, eye-catching from a distance. While Aisha has braided her hair into a high bun, Aida wears her hair loose so that it catches the light with each movement. Deliberate or not, her older sister possesses the innate talent to catch attention.Â
Carlo hovers around Aida, as usual. But the gentlemen surrounding Aida seem equally intent on putting their names onto Aidaâs dance card. Theyâre unfazed by Carloâs intimidating size and stature, too struck by Aidaâs beauty to pay him much heed.Â
Aisha has to admire Carloâs steadfast determinationâhis eyes donât stray from Aida once. He may be annoying and intrusive, to the point of disrespecting Aidaâs privacy, but heâs also loyal. Like a puppy. Aidaâs own puppy.
Itâs quite pathetic.Â
âHello Miss Aisha.âÂ
Nemo appears beside her. He looks ill at ease, which she surmises is due to his timid nature.Â
âGood evening, Nemo.â Aisha says politely. Nemo is probably the least annoying person now, compared to his older brothers. He hasnât done anything to aggravate her in recent years, so thereâs no reason for her to be hostile towards him.Â
Nemo doesnât immediately answer as he follows Aishaâs line of sight.Â
âMiss Aida looks like sheâs thoroughly enjoying herself.â He says in the hesitant tone that heâs never quite outgrown since boyhood.Â
Aisha watches how Aida throws her head back with laughter at something someone said. âShe is, yes.â
âCan I ask why youâre not mingling?âÂ
âConversation topics among women my age are strictly limited to fashion and marriage prospects, neither of which pique my interest. On the other hand, conversing with men doesnât allow me the freedom to express myself plainly, because they always expect women to be simpler creatures than we really are.â
Moreover, most of the men she knows are downright unpleasant company, and her experience gives her little faith in men outside of her small social circle. Aisha folds her gloved hands together.Â
âYou may think I'm jaded, but Iâd just rather not waste my time and energy on short-lived relationships.â
Nemo is silent for so long that Aisha wonders if sheâs scared him off for good. To her surprise, he speaks up.Â
âSo if you had to choose, youâd still prefer the company of women over men?âÂ
âIf I were forced to socialize, yes. But Iâm also content to observe. I want to save my energy for dancing later.âÂ
âOh. Do you have dance partners already?âÂ
âJust one. Sein insisted that I reserve the first dance with him.âÂ
Nemo shifts his weight from one leg to the other. He suddenly seems nervous; well, more nervous than usual.Â
âIâd like to share a dance with you as well, if youâd have me.âÂ
And isnât that a surprising offer, especially coming from Nemo of all people. âI thought youâd like to dance with Aida?â
âI believe that Miss Aida is already spoken for. Carlo would also cause a scene if I were to approach her anyway. Mother says I should dance with at least ten women tonight⌠I think if I could dance with you first, then Iâd build up the courage to ask other women later.âÂ
So his ultimate goal is to please Sylvia. Her immediate response is to turn him down, but Aisha mulls over the offer.Â
Dancing with one Durant son is already ridiculous. Dancing with two of them feels excessive, a direct giveaway that Aisha lacks for dance partners beyond those in her circleâwhich, to be fair, she is lacking. Whatever will come next, Carlo to bluster into her corner and make an offer himself? If thatâs the case, Aisha wonât hesitate to say no.Â
But this is Nemo, the quietest and often forgotten son. And yet, he still acts out of blind obedience towards Sylvia, as though his unkind mother will finally notice him if he can dance with ten women. Aisha doubts that Sylvia will notice, let alone be happy to see her own sons mingling with her stepdaughters.Â
She can understand why Sein offered; he finds great pleasure in aggravating her. However, Nemo still retains his innocence, despite surpassing Aisha in height and stature long ago. He hasnât done wrong to her, but he hasnât done her any right, either.Â
âFine. I can dance with you,â Aisha allows, skimming over the dance card. âThe first quadrille.â Because God forbid she waltzes with another man.Â
Nemo nods eagerly, his shoulders slumping as though a massive weight has been lifted.Â
âYes, of course, that would be perfect. Thank you, Miss Aisha.âÂ
Aisha sighs, carefully penciling in Nemoâs name onto her card. âI should thank you as well.âÂ
âActually⌠if youâd like, I can introduce a few of my acquaintances to you. Iâm sure they would love to dance with you as well.âÂ
Thatâs another surprise. Sheâs always assumed that he spends the majority of his days locked in the drawing room.Â
He probably senses her surprise. âI met them at art exhibits in town. Theyâre nice people. Passionate about art. Some of them have commissioned me for pieces before.âÂ
The mental image of Nemo engaging with strangers gives Aisha pause. It appears that her perception of him has been outdated for quite some time. Her cheeks grow warm, and she lowers her head so that Nemo wouldnât see the extent of her guilt and embarrassment.Â
Not for the first time since she set foot into the ballroom, the urge to escape fills her anew. But she canât escape now. She needs to play along to Sylviaâs game until the end, and Nemo presents an undeserving chance for her to pass time quickly.Â
So, her pride sufficiently battered, Aisha accepts his suggestion.Â
As Nemo promised, his acquaintances are nice and sociable. With something to occupy her restless mind, Aisha relaxes. Some men are already married, or betrothed to another, so she doesnât need to worry about putting on airs before them. Although the conversations are centered around the arts, sheâs still able to contribute her opinions, based on art history books that sheâs read.Â
As the dance program draws near, Aishaâs dance card is filled to a respectable degree. The dread of socializing and dancing has lulled. If she pretends that Nemo isnât there, that Sylviaâs shrill laughter doesnât echo in her ears every so often, that the flashes of Aidaâs pink gown in her periphery are illusions, then she would enjoy herself fully.Â
But Nemo is there. Sylvia is making rounds to curry favor with all the attending nobles. And her sister is a constant reminder that she canât let down her guard.Â
The orchestral music transitions into a slow, mellow waltz, signifying the start of the dance program. Aisha joins the women standing on one side, heart sinking as she sees Sein take his place opposite of her.Â
His eyes meet hers, and he inclines his head to her in silent acknowledgement. He seems unaffected by the crowd. Aisha loosens her grip on her gown, hoping that her expression is neutral.Â
They step forward in time with the music. Itâs a lighthearted waltz that she learned a while ago.Â
It just involves a fair bit of physical contact. Practicing with Aida as her partner is easy, sometimes even fun. Aida always took the chance to tease, tickling her ribs, poking her waist, hugging her close instead of holding her at armâs length as required. The instructor scolded them numerous times, but Aida couldnât be stopped. Aisha didnât take the dance lessons too seriously either, so Aidaâs antics never bothered her.Â
Sylvia loves to keep up with appearances, therefore itâs a given that she also enrolled her sons in dance lessons. Whether they know how to dance properly is a separate matter entirely. Her stepmotherâs reputation would suffer if none of her sons, as aristocrats, could dance well.Â
So far Sein hasnât stepped on her foot, which is promising. Aisha stifles a flinch when he places his hand against her waist, barely remembering that she has to put her hand on his shoulder.Â
She straightens her spine, fixes her gaze on his nose, her lips a neutral line. From a distance and to an untrained eye, theyâll look friendly with each other. Siblings who enjoy each otherâs company.Â
âEnjoying the ball?â Sein asks, displaying no discomfort at their physical contact and proximity.Â
âItâs tolerable.âÂ
âMet any prospective husbands yet?â His tone drops slightly.Â
She rolls her eyes. âI could ask you the same.âÂ
âThe answer would be no.âÂ
âYour mother hasnât matched you with other noble women yet? I find that hard to believe.âÂ
His grip on her hand tightens until it almost hurts. âMy mother doesnât intervene in my affairs. I choose whom Iâll marry.âÂ
If it were her, and if Sylvia really tried to marry either her or Aida off, Aisha doubts that she gets a choice. Heâs a man, so he can be stubborn without consequences. How fortunate. How unfair. He can find work as a piano teacher, even venture out of the estate on his own, explore Smod Street without a chaperone, and goodness knows what else heâs done.Â
All she has is her books, but books only describe experiences to a limited extent. For instance, the romance books donât delve into how loud these balls can be. How hot and stifling the air is, with the amount of people breathing and talking and laughing all at once. They donât mention how close you are to your dance partner, how you feel the heat of his hand and are torn between two urges: to push him away and run off, or to clench your jaw and pretend that you don't feel anything at all.Â
Itâs only the first waltz, and sheâs already exhausted.Â
âNo woman has piqued your interest?â She asks, mostly to distract herself until the waltz is over.Â
âOne has, though not because of this ball.âÂ
âYouâve met her before?âÂ
âYes, I have.âÂ
She waits for him to divulge more, but he merely smiles down at her.Â
âSo youâre acquaintances?â Aisha pushes.Â
âItâs complicated.â Sein guides her into a spin. For a moment, the chandeliers and shiny faces around them blur away. Then all too soon, his hand returns to her waist, and she finds small relief that he can dance and lead well.Â
âShe doesnât reciprocate?âÂ
Sein doesnât immediately respond. His eyes linger, like theyâre searching for answers on her face.Â
âI donât know. I hope she does. She may not be aware of my affections yet.âÂ
âIsnât it more fitting to dance with her first, then?â Aisha makes a point of glancing at the other couples. âYou didnât have to dance with me. Is she here?â
âShe is.âÂ
âHave you asked her to dance yet?âÂ
âOf course. She accepted.âÂ
âGood for you.âÂ
âEnough about me. What about your other dance partners? I assume your card is full.âÂ
Aisha shakes her head. âUnfortunately Iâm not as popular as you might think. But yes, I have secured a few other dance partners. Most of them are Nemoâs friends, including Nemo.âÂ
âHow nice of him.â Though Sein doesnât sound complimentary in the slightest, mouth twisting into a sneer.Â
âHeâs been quite kind to me this evening. I do feel a bit remorseful for treating him poorly when we were younger.âÂ
Sein hums. âOnly a bit?âÂ
âHe is still related to Sylvia.âÂ
âAh. So an outsider, even though weâre family by marriage.âÂ
âIâve never considered any of you as my real brothers,â Aisha reminds him. âIâm sure you donât see me and Aida as your real sisters, either.âÂ
âFair enough. And Iâm glad weâre on the same page.â Sein leans forward, closer than needed, breath tickling her face. âYouâre no sister to me.âÂ
His admission chases a shiver up her back. It sounds like a finality, like sheâd confirmed something heâs waited for.Â
The waltz ends sooner than expected. Sein doesnât let go of her hand until theyâre about to leave the dance floor. Right before she can slip away, he turns her palm up to press his lips on the center. Through the glove, above the scar.Â
The tremors in her hand persist, long after he pulls away.
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west lake, hangzhou, zhejiang province
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Adriatic Sea by Mauro Roberto Scalabroni
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instagram | thewildwoodmoth
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Cloud Castles - Chapter 3
Chapter 3: Hades and Persephone's Twin (ao3 link)
Rating: Teen
Word count: 5k
Pairing: Aisha/Sein
Story Summary: They dance just out of each otherâs reach, but each time brings them closer together.
OR
Aisha and Sein navigate through the dark fairy tale of their own making, one encounter at a time.
Chapter Summary: Aida, the Goddess of Spring is loved by many gods; except one.
Her twin Aisha, the Goddess of Rot, is unloved by many; except one.

<< previous: chapter 2 <<
While Aida laughs and frolics among the flowers, Aisha watches from the shadows.Â
Aisha doesnât like the sunâitâs too bright, leaving her exposed to invisible eyes. In the world of gods and goddesses, thereâs no place where you can really hide from the divinity. High above and down below, the gods and goddesses are always watching.
And Aida, her sweet and naive twin, the young Goddess of Spring, inexplicably attracts attention everywhere she goes. Aisha is never far from Aida, but sheâs grateful to remain in her sisterâs shadow. While Aida devotes hours to making flowers bloom, singing with the birds, and stealing sips of nectar and honey when she thinks no one is paying attention, not even the bees, Aisha is content to read under a tree, letting stories and fairy tales take her thoughts to a place beyond the blooming garden around her.Â
Itâs no wonder that Aisha escapes notice. Mortals avoid her, while the gods seem to forget about her existence entirely. Not many voluntarily associate with the Goddess of Springâs twin, the Goddess of Rot.Â
Just as the smell of flowers makes Aishaâs stomach churn, her own smell of rot and decay has a powerful effect on both mortal and immortal senses. But the twinsâ love for each other is stronger than their opposing natures; throughout years of exposure, Aida has become the only one who can touch Aisha without instantly recoiling.Â
âYou smell like the earth,â sheâd reassure Aisha even though her younger sister didnât need such sentiments. âItâs a good smell. Nature needs the earth to thrive, just like I need you!âÂ
But what if, Aisha sometimes thinks, what if you donât need me anymore? Sooner or later, a god will want to take you for his wife, and youâll no longer be by my side. No god will allow me to stay with you. He wonât tolerate my smell. None of them do.Â
Sheâs all but given up hope that someone will want her. Itâs an empty dream. Appearance-wise sheâs identical to Aida, but their similarities end there.Â
Aida already has a long list of admirers and potential suitors vying for her hand. Anya, their mother, has her plate full shielding Aida from the brunt of love letters, perfumes, flowersâthis always made Aisha laugh; what fool would present flowers as a gift to the Goddess of Spring?âand jewelry sent to Anyaâs temple, all addressed to her daughter. Aida likes and appreciates the gifts well enough, but itâs impossible for her to make use of them all.Â
Reading the love letters is one of Aishaâs guilty pleasures. For perishable gifts, like parchment letters and flowers, sheâs tasked by her mother to decompose them. Itâs a fair trade: entertaining herself with the written contents before crumbling them into ash and soil. These letters and flowers have greater use for nourishing the earth than their original purpose, in Aishaâs opinion.Â
The interests of other gods, however, are harder to fend off. Once Aida becomes of age, wars may be waged for her hand in marriage. Gods and goddesses are petty and selfish like that, unable to let go of an obsession until they possess it.Â
Their mother is constantly on guard for unannounced visits from another god, especially any one of the Big Three. Perhaps among the Big Three, Nemo is the most ideal candidate. Relative to his older brothers, he seems the tamest and most reasonable. But when possible, Anya would rather keep Aida to herself.Â
Why wouldnât she? Aida is a perennial blossom. People are only ever drawn by her beauty, but her mother and sister perceived her as something to be nurtured and protected.Â
For that reason, Aisha always makes sure that the boundary of rot surrounding the garden is intact. She crafted the boundary herself, through a clever and intricate use of her abilities as the Goddess of Rot. When outsiders come close, theyâre instantly assaulted by a strong, pungent smell reminiscent of rotting corpses. If the smell doesnât deter them, then the hallucinations do: images of dead creatures, dried blood, and white bone.Â
Each step across the boundary sets off a sensory trigger; starting from smell, to taste acting as the last defense. Whoever manages to withstand all five excruciating sensory triggers is either a spirit, or one of the Big Three.Â
The Big Three have yet to enter Anyaâs garden. All mortals revere Anya as the Goddess of Harvest, so they know not to incur her wrath by trespassing into her garden without permission.Â
Aisha thought this balance of power among them, delicate as it is, would hold forever. But for immortals, forever is not a long time.Â
They expected Carlo, the God of Sky, to act first. He was proud and entitled, infamous for his numerous sexual conquests since long before Aida and Aisha were born. For him, Aisha would be nothing more than a trophy. He felt the compulsion to voice his thoughts at every turn, unsolicited or otherwise, seemingly in love with the sound of his own voice from how often he talked over others.Â
Then thereâs Nemo, the God of the Sea, who rarely spoke unless prompted by Carlo. What he made up for in silence was the strength of his storms at sea, where he willfully sunk ships at a whim. He made his home in the deepest trench, and whatever he did there was anyoneâs best guess. Even though he was quieter than Carlo, he too was easily swayed by beautiful women; he was just more discreet about it.Â
Finally, the God of Death, Sein, was the most elusive one. He occupied a separate dimension entirely, ruling an underworld overridden by ghosts and spirits doomed to eternal damnation. He never showed up to Olympus unless war was on the horizon. He was the only god among the Big Three that hasnât already taken a wifeâor rather, multiple wives, yet.Â
While Carlo and Nemo are venerated by mortals, tens of thousands of their statues hewn in their likenesses scattered across the continent, Sein has no such devout followers. As a result, no one apart from the primordial gods knows what he looks like. Aisha tried to find pictures of him in books before, but the illustrations only depict a large and dark silhouette, faceless, shapeless, sometimes with sharp teeth.Â
She will do her utmost to prevent Aida from falling into Seinâs hands. Carlo or Nemo she can deal with, but Sein is a complete mystery.Â
People that go to the underworld don't return.Â
There is a presence at her boundary, stealing her focus away from the book in her hands.Â
For a while, it hovers at the edge of the boundary. It is an unfamiliar but ticklish presence, like cold fingers teasing around the boundary, as though sizing up Aishaâs powers.Â
But after a few seconds, the boundary suddenly collapses, and the presence passes through all five levels of her rot.Â
The book falls out of Aishaâs hands. She stands up, shaky in the knees, and without thinking she runs to the center of the garden, where Aida is. Sweet and naive Aida, unaware of the powerful god thatâs about to appear before them. Their mother is not around to protect them.Â
âAida,â she says, doing her best to keep her voice steady. âPlease hold my hand.âÂ
Aida readily acquiesces. She probably thinks theyâre about to start dancing as her eyes light up with joy. Aisha isnât sure whether to laugh or scream.Â
âWhatever happens next, donât let go, alright?âÂ
âOh! Okay then. Are we playing a new game?âÂ
Aida isnât foolish. Unlike goddesses of her age and status, sheâs simply been given too little room to grow. She grew up sheltered from the outside world, so her demeanor is child-like compared to Aisha. Aisha canât even tell her to run, because where can Aida run?Â
âYes, we are.â Aisha says through gritted teeth. A game that they didnât consent to.Â
âAre we?â A third voice joins them, so deep and chilling that shivers race down Aishaâs spine. It sounds like the voice of Death.Â
She turns her head, and Death stands there, smiling at them.Â
His dark robes are stark against the colorful backdrop of flowers and greenery, so out of place that at first, she wonders if heâs an illusion. But no illusion of her making, or any immortalâs, can possibly recreate that face and smile. His black hair is long and wavy, half of it swept across his face, almost concealing his left eye. The rest is tied in a half ponytail, the ends curling up at the nape of his neck. From a distance, he doesnât look as big and foreboding as Carlo, though his long and slender frame makes him seem taller.Â
But the energy in the garden has changed. Instead of the light, sweet fragrance theyâre accustomed to, the air suddenly feels restrictive and abnormally heavy. The flowers near his feet are drooping. If nature can also sense and respond to his aura, then this is no illusion.Â
Aisha has to force the words out of her mouth. âYouâre not welcome here, God of Death.âÂ
âHow rude of me. Please allow me to introduce myself,â The God of Death dips his head, the smile still fixed in place. Contrary to his tone, he doesnât look apologetic at all. âThe title âGod of Deathâ is terribly dreary, so please call me Sein. May I know who Iâm speaking to?âÂ
Aisha tightens her grip on Aidaâs hand. âYou already know who we are. Why do you come here without my motherâs permission?âÂ
âAnya isnât the most cooperative chaperone for her daughters, I hope you understand. And donât worry, I wonât stay for long. The flowersâŚâ he surveys the garden critically. âTheir smell makes me dizzy. Iâd prefer not to destroy any part of Anyaâs garden either, so it would be in everyoneâs best interests to listen to my proposal.âÂ
He leans to the side, peering behind Aisha. âDonât you agree, Goddess of Spring?âÂ
Aisha steps into his line of vision, heart stuttering when his attention refocuses on her. Itâs jarring to be looked at directly, especially when itâs the God of Death.Â
Aida tugs on her hand. âAisha, letâs just listen to him.âÂ
âHe canât be trusted.â Aisha whispers fiercely.Â
âHe doesnât look dangerous.âÂ
âAre we looking at the same god? His very presence is slowly killing the garden!âÂ
âGoddess of Spring,â Sein interrupts them. âI appreciate your faith in me. But dear Aisha has a point. Sometimes, fear is the only intelligent response.âÂ
Aisha bites her lip so hard that she draws ichor. Fear and dread and rustâthatâs what her own ichor tastes like right now.Â
âSister, please let me handle this. I will protect you.â She doesnât need to look behind to know that Aida is pouting. But Aisha canât take her eyes off Sein. She fears that heâll disappear right before her eyes and seconds later, Aida will be gone forever.Â
âYouâre not the first god to come with a proposal, nor will you be the last. If you want Aidaâs hand in marriage, you must get in line.âÂ
Sein throws his head back and laughs.
âIâm well aware of the Goddess of Springâs popularity. But Iâm not here for her.âÂ
Her thoughts run cold. What is he talking about, who else is in this garden with themâ
The God of Death isnât looking at Aida. Even though Aisha blocks his view of Aida, he doesnât seem perturbed in the slightest. He makes no attempt to approach Aida, unlike the handful of lesser gods who managed to sneak past Aishaâs defenses in the past.Â
He steps forward until heâs at armâs length from her, a trail of wilted flowers in his wake. She hears Aidaâs pained cry behind her, but for Aisha, wilted flowers arenât of consequence. Her sister can always make flowers bloom. There are too many flowers in this garden, and none of them ever die. Aida would never allow a flower to die under her watch.Â
âIâm here for you, Goddess of Rot.â Sein murmurs, the words intimate and soft, as though theyâre only meant for Aisha to hear.Â
âIs it my time to die already?â She asks, lifting her chin indignantly.Â
âDie? Oh, no. You misunderstand me,â he places one hand on his chest and bows slightly. âIâm not here to kill you.âÂ
In another setting, in another universe where they werenât immortals, the scene and gesture would have seemed romantic. The God of Death bowingâa hand over his heartâbefore her, a goddess overlooked by both mortals and immortals alike. She realizes that despite the difference in social status and power, theyâre quite similar to one another. Both forgotten immortals: one dwells in the underworld, while the other is hidden behind her sisterâs blinding effervescence.Â
But somehow, he sees her.Â
âIâd like you to join the underworld and rule by my side, Aisha.âÂ
Sein leaves after telling them that heâll visit again in the next full moon, and that he hopes Aisha will have made up her mind by then.Â
Aida is understandably distraught.Â
âAisha, youâre not seriously considering his proposal, are you? You canât go! If Iâm not getting married, you canât either!â She shakes her head wildly.Â
Aisha consoles Aida, but her mind is still reeling from the earlier encounter, from Seinâs shocking proposalânot meant for Aida, but her.Â
Aisha canât wrap her head around that: an immortal who isnât after Aida. Nobody is immune to Aidaâs charms. Itâs strange and borderline terrifying, not knowing what the God of Death is thinking. Why would he choose her?Â
She needs answers, none of which Aida or Anya can give her. The next step is to gather more information about Sein. He must have another motive. None of the Big Three can be trusted, and Aisha would be a fool to let Seinâs ambiguous proposal sway her.
It may also be a misdirection tactic. He could be trying to reach Aida through her. Ultimately, Aida is her biggest weakness.Â
The moment Aisha realizes this, she finally regains her composure. Yes, of course thatâs his goal. Sein is a god, and all gods dream of claiming goddesses like Aida. Heâs simply using a different approach than the others, by targeting and eliminating Aisha first before pursuing Aida.Â
She has to admit that itâs a clever method that almost fooled her, and she blames herself for not seeing through him sooner.Â
âDonât fret, Aida,â Aisha says, brushing a wayward blond hair out of her sisterâs face. âIâm not going anywhere. Iâll keep you safe.âÂ
âYou wonât marry him?â Aida demands.Â
âNo. His proposal wasnât really meant for me anyway.âÂ
Aida wraps both arms around Aishaâs waist, burrowing her head into Aishaâs neck. The scent of flowers intensifies as though theyâre sprouting in her lungs, choking her, but Aisha hugs her back.Â
Aida never complains about her scent of rot, but out of a mutual consideration, they break apart after a few minutes.Â
âHeâsâŚâ Aida trails off hesitantly. Aisha nudges her to continue. âHeâs not what I expected.âÂ
âMe neither. He unsettles me.âÂ
âReally? I thought youâd like him.âÂ
âWhat makes you say that?âÂ
Aida giggles. âHe doesnât like flowers. He hid it pretty well, but I could tell the smell bothered him. He reminded me of you a little bit.âÂ
Aisha cracks a smile. âI donât mind flowers. Itâs just that I gravitate towardsââ
âDirt, rot, and decomposing matter. I know very well, Aisha. It seems like youâre fond of dead things too, huh?âÂ
When Anya returns, the twins waste no time telling her about the God of Deathâs visit. Anya immediately flies into a fit of rage, cursing Seinâs name in colorful variations of the ancient tongue. Aisha and Aida placate her with ample reassurances that they were unharmed.Â
âDid he touch you anywhere? Did he feed you fruits from the underworld?â Anya grips Aidaâs hand firmly.
âHe didnât! Aisha stood between us the whole time. My reliable protector.â
âThatâs good. What about you, Aisha? Are you alright?â
âIâm perfectly fine, mother.â
The Goddess of Harvest sighs in relief. âGood. Iâm sorry I wasnât here to protect you both.â
âNone of us knew he would come. Please donât apologize for something beyond your control,â Aisha pats her motherâs hand. âBut on the next full moon, please make sure that Aida is with you at all times.â
Anya looks at her sharply. âWhat? That brat is coming back again?â
âHe says he is. It would be safer for Aida to be gone then, in case he plans to take her.â
âYou should come with us too, Aisha! Letâs all hide away for a while.â Aida suggests with shining eyes. âOh, we can go someplace you've never been! The beach, or the mountains, or the forestâŚâ
As appealing as a vacation sounds, Aisha shakes her head. âHeâd be able to find us easily. Motherâs temple is the safest haven for you, sister.â
Aida slumps in disappointment. Meanwhile, Anya watches her younger daughter intently.
âWhat do you plan to do on that day, Aisha?â
Aisha squares her shoulders before sharing the thoughts that have simmered within her since Seinâs departure. âIâll be a diversion. When he finds out that Aida isnât here, heâll give up. Iâll create an excuse for her absence, and Iâll also try to find out when heâll visit next. Perhaps then you can engage with him in another location, mother.â
Anya frowns. âI donât like this idea. It puts you at so much risk. What if he harms you? I think you should come along with us. Or better yet, I will be here to receive him while you two stay in my temple.â
âThat wonât be necessary, mother. I have a strong feeling youâll end up fighting, and⌠I believe in your strength, but we donât want you to get hurt. The garden could be destroyed if you clash with him. Aida spent so many years perfecting every part of the garden. It would be such a shame if her efforts went to waste.â
Aisha takes a deep breath. There are flowers everywhere; in her lungs, mouth, and head. The flowers are always happier whenever Aida and Anya are around. Petals unfurl, and their sweet fragrances thicken in the air.Â
She curls her bare feet into the earth, pretending that she can feel the nonexistent dead, rotting things buried deep underneath.Â
âPlease trust me on this. I will deal with Sein.âÂ
The night of the full moon is serene. The sky is clear, and the moonâs pale light illuminates the garden, as though Selene herself is watching the events unfold from high above.Â
It wonât be entertaining, Aisha muses as the minutes tick by. Because Aida is long gone.Â
âWhat a lovely view.âÂ
She turns around at the familiar voice. At first, she doesnât see him in the darkness, but he voluntarily steps into the moonlight, casting a shadow that seems to stretch on forever. He was more discreet this time; she hadnât even noticed that he crossed her rot boundary.Â
Most would panic or freeze up when faced with the God of Death, but Aisha only feels calmness. Perhaps because this isnât her first time meeting him, and the knowledge that her sister is out of harmâs way helps alleviate her biggest concerns. Their mother is more than capable of protecting Aida.Â
âYes, the garden looks quite lovely at night. Unfortunately, itâs too chilly yet for fireflies to show.âÂ
She canât hear Seinâs footsteps, but she sees his shadow moving towards her until it engulfs her own. She imagines the flowers withering in his wake.Â
Somehow he materializes behind her, close enough that she feels the coldness of his breath, skating across the nape of her neck as he speaks. She suppresses a shiver.Â
âI wasnât referring to the garden.âÂ
âWell then, I hope I gave you a compelling reason to admire the garden in its night time glory.â Aisha parries the compliment smoothly, though her heart rate quickens.Â
That compliment isnât meant for you, she reminds herself.Â
She pivots, and there he stands: clad in the same dark robes, enigmatic smile, and unfathomable stare.Â
âThe garden itself is adequate,â Sein says without looking away. âThe darkness mutes the bright colors, so I find it easier on the eyes. I can almost ignore the smell of the flowers as well, if I concentrate hard enough.âÂ
He steps forward. âBut I donât need to inhibit my senses to admire you. Youâre lovelier than the garden.âÂ
Aisha scoffs. âShouldnât you save such praise for the right goddess?âÂ
âIâm speaking to her right now,â Sein pauses to look around. âHow convenient that the Goddess of Spring is gone. Iâm actually quite relieved.âÂ
âWhy?â Something isnât right. He seems unfazed by Aidaâs absence. She wonders how long heâll keep this act up. Sooner or later, heâll break. Although the chances of Sein actually hurting her are slim, she canât rule out the possibility. Hopefully she wonât get hurt too badly.Â
âI told you. Iâm only here for you.âÂ
Aisha crosses her arms. âIt would be easier if youâre honest about your intentions. Trust me when I say Iâve heard every excuse on this earth.âÂ
âOh?â He brushes his tousled bangs out of his eyes. âIâve been nothing but honest since I first came here. Why do you think Iâm lying?âÂ
Is he playing dumb on purpose?Â
âBecauseâŚâÂ
If heâs not willing to admit it, sheâll force him to.Â
She lets her control slip, and a putrid stench begins to fill the air. Suppressing the rot inside her consumes a lot of headspace, but sheâs used to it. Sheâs spent her whole life perfecting control, winding that knot of power in and around itself to prevent seepage, to avoid inadvertently distressing her family and their precious garden. Some days, the pressure of holding back splits her head open, and sheâs on the verge of splintering apart; but then Aida is there, and though sheâs unable to help much except to sing softly as a distraction, her voice is enough to pull Aisha out of the downward spiral.Â
Letting go now feels forbidden. However, Anya and Aisha arenât around tonight.Â
By now, most gods or goddesses retreat with a hand covering their nose, expressions twisted in disgust. Aisha expects Sein to react similarly; heâd last no more than a few seconds before escaping the garden, cursing her name to hell and back.Â
But the God of Death does none of those things. If anything, he looks pleased, something akin to approval in his gaze.Â
âBecause?â He prompts, standing in place and speaking normally as though he isnât in direct range of Aishaâs rot. The grass beneath their feet is turning yellow, brown, and then disappears entirely to be replaced by bare soil. If she isnât careful, the whole garden may turn into a barren wasteland.Â
For a moment, the most selfish, shameful thought occurs to her. Aida has had this garden all to herself for centuries, but Aisha doesnât. Even here, in their childhood home, she has to exercise caution. While Aida can make as many blooms as she likes without consequence, Aishaâs rot continues to fester inside as the years pass.Â
Itâs unfair, and she only realizes that now.Â
âBecause everyone wants Aida,â she says, feeling disconnected from the garden, from this conversation, from her own body thatâs rotted through, undesirable and unlovable. âYouâre using me to get to her. I know.âÂ
Sein chuckles. âWrong. Care to try again?âÂ
Losing patience, Aisha throws her hands into the air. âIâm not in the mood for games. What do you want?âÂ
âIâve said it already but you refuse to believe me. I want you, not your sister.âÂ
âStop it,â Aisha says roughly. She hates how tempted she is by that admission. Itâs a lie. âI wonât be made a fool again. Itâs Aida you wantââ
âAre you convincing me or yourself? You wound my pride, Aisha,â the amusement in Seinâs voice vanishes. âThere are only so many times I can bear to repeat myself.â
âNo.âÂ
Seinâs eyes are sharp and cold in the moonlight. âIs that your answer?âÂ
âWhat? No, I meantâŚâ She looks away. The ground beneath her is no longer green grass, just dirt. âHow are you still here? Most would run off because of the smell.âÂ
âI donât mind the smell of rot. Did you forget that I rule the underworld? I think youâd enjoy it there. It can give you far more than what this garden offers, which isnât much to begin with.âÂ
Sein takes one step closer, and Aisha steps back, mind blank and panic surging through her veins. Itâs crazy to believe anything he says, but so far his actions align with his wordsâas ludicrous as they sound to her.Â
Fending off attention on her sisterâs behalf is second nature to Aisha. But thisâŚÂ
This is unmapped territory, and she has no reinforcements. Her two companions in the world are sequestered in the Goddess of Harvestâs temple, where theyâre twining flower crowns or discussing ways to beautify their garden. They wonât return until sunrise. Sheâs utterly alone with a god who will overpower her.Â
âWould you like to experience the underworld?â Sein offers brightly. He seems almost excited at the prospect, the tension in his face relaxing as a smile dawns. âConsider it a trial stay. You can leave whenever you like. I wonât force you to stay.âÂ
âWhat use would I be there?â Aisha demands, instantly assuming that there must be a functional purpose to his offer. No one asks anything of her, except to act as a deterrent against unsavory gods.Â
âI donât expect anything from a guest during their stay. Unlike my brothers, I do have manners,â his lips curl into a sneer at the mention of Carlo and Nemo. âBut should you decide that you like the underworld, and that youâd rather stay⌠Well, Iâm sure we can come to a mutual agreement that will satisfy both of us then.âÂ
Is she imagining the sudden heat in his eyes? Aisha doesnât allow herself to dwell on that. She has a strong sense that the mutual agreement would benefit him far more than herself. âWhat do you mean by mutual agreement?âÂ
âLetâs leave that discussion for the future.â Sein deflects the question with a flippant wave of his hand. âDo you accept my offer?âÂ
âWhat happens if I say no?âÂ
âThen Iâll leave. You wonât get this opportunity again, even if you regret it sometime later. And no one can enter the underworld without my permission.â Sein says easily.Â
Knowing that he wonât punish her for saying no is a relief. Aisha lets her shoulders drop.Â
âWhere do the souls of gods go after they die?â She asks curiously. âAre we all not destined to end up in the underworld?âÂ
Sein laughs. âExcellent question. I donât expect anything less from a brilliant mind like yours. Unfortunately, if youâd like to know, youâll have to come with me.âÂ
She shakes her head. âEven if you donât tell me, I can find the answer myself. Through books.âÂ
âAh, yes, books. Have I mentioned that I have collections from the dead libraries?âÂ
Oh.Â
Oh no.Â
âY-you do? In the underworld?â Aisha asks, awestruck. âHow is that possible?â
Dead libraries were wealthy institutions of knowledge that have been purged or destroyed eons ago, mostly because of stupid humans, or occasionally, a godâs greed to keep the knowledge for themselves. As such, the resources contained in dead libraries were lost forever to dust and time, out of her reach.Â
At least, until Sein claimed otherwise. âOf course I do. The Library of Alexandria, of Antioch, of Serapeum, just to name a few. All dead things belong to me.âÂ
She shivers at the finality in his tone. Itâs true then, that his influence encompasses more than departed mortal souls. He sounds awfully confident, looking proud that he managed to surprise her yet again. The dead libraries that he mentioned are a substantial part of her wildest dreams, and sheâs accepted the impossible yearning of never being able to access them in reality.Â
But the picture heâs describing depicts a world bigger than herself, than the tiny garden she was raised in. He dangles knowledge and books above her as bait, ensnaring her within his trap. Whether or not heâs speaking the truth, Aishaâs mind and heart have already decided.Â
She knows scant little about him, but she already thinks that they understand each other quite well. She isnât afraid of dead things, and he isnât repulsed by her presence. Perhaps they can even get along.
âAlright, Sein. I accept your offer.âÂ
She reminds herself that she has a way out. That he isnât scheming to kidnap her for good. Aida and Anyaâs faces come to mind, but when she thinks of them, she anticipates their worry, confusion, and rage. Those feelings donât belong to her.Â
Amidst her turmoil, Aisha finally dares to look at Sein directly. Then she wishes she didnât, because the moonlight bathes him in silver and white, emphasizing the fine-boned features that all primordial gods, including her own mother, possess. In that moment, she thinks that if he were widely known and had marble statues hewn in his likeness, he could rival Aphroditeâs popularity among mortals.Â
His dark hair and darker eyes are unique from the flaxen-haired gods and goddesses she knows. But somehow, the darkness of his aura has steadily abated since their first meeting. He seems friendly, which confuses her to no end.Â
As Anya once told her, âYou could never resist trying to learn and understand new things, can you?âÂ
Her mother meant it as a compliment then. But deep down, Aisha had known for some time that the thirst for knowledge would culminate in her own ruin and downfall. True knowledge seekers burn bright, but they donât burn for long. She sees herself burning already, set aflame by the god from hell standing before her.Â
As though sensing her thoughts, the God of Death smiles, white teeth flashing in the dark.
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