spiderfunkz - Tumblr blog

spiderfunkz · 2 months ago

Text

dust collected on my pinned up hair

pairing → natasha x reader

warnings → angst, hurt reader, happy/hurt/guilty nat, idk they're both hurting, marrige, cursing, self-criticism, lots of feelings. (i’m sorry)

synopsis → you go on your usual coffee run and bump into your ex, who if it wasn’t for the mutual break up, would have been the one.

a/n → i love angst lol. blame my over active imagination and taylor swift. thank you all for continuing to support and read my works <3

dividers by → @omi-resources @fae-and-wolf

to put y’all in the mood i recommend listening to ↴

The line seemed endless. Bodies upon, bodies of caffeine addicts waiting to be serviced.

The energy of a busy New York coffee shop at 8am was truly a sight to see for any newbie to the city—thank god, you were accustomed to the rude grogginess of the baristas and the lines to wait for your wanted—no, needed, yet still overpriced coffee.

You hear the door open again as a small bell atop of the frame is triggered by the entering customer. The chill breeze of the city winter rips through the space, making you shiver and wrap your coat around yourself a bit tighter. Cool air creeping through the fibers of the winter coat you were sporting made you need that coffee a bit more urgently.

“Next in line!” the line moved as you pulled out your phone and took a step forward. You scroll through your notifications, looking for anything you had missed in your previous peak, before feeling a tap on your shoulder. Your first reaction is to look up with a rather hostile look in your eyes at whoever intruded your non-social, pre-caffeine headspace.

“Natasha?” your eyebrows crinkle at the sight of the woman in front of you. Her smile genuine as she looks down at you.

“Hi, stranger” she says, the raspy voice bringing back memories of a not-so-forgotten time in your past. She moves her arm around you to pull you into a side hug, you accept it—a bit stiffly and pull away, taking in her appearance.

She looked professional yet still casual and comfortable, a combination that always suited her quite well—at least the version you had gotten to know in your past. Her red locks in a neat braid that swept across her head and onto her shoulder, a few framing strands left out on the sides. Her eyes were more worn on the sides—the start of crows feet present besides her lashes.

Her eyes were the same, still the same shade of captivating green.

“How are you? How have you been?” she asks, pulling you out of your thoughts. Her voice coming out a bit rougher than how you remembered. Maybe it was caused by the cold air or, maybe it was just the other way the few years had affected her.

You look down and pocket your phone, “I’ve been okay, just y’know…holding up,” you watch as the person ahead of you steps forward, prompting the both of you to move up and fill the gap. You shift to the side, and make room for the redhead to stand beside you. The scent of her perfume lingers in the air, stirring up memories of the past.

“How about you? What have you been up to, besides finding ways to cut-in-line at random coffee shops?” she lets out a huff of air as she turns to look at you “I was leaving when saw you…so I decided I should come and say hi," she looks at you with an amused expression.

you smile and hum in acceptance, letting her continue. She takes a breath before starting, "I've been okay—for the most part. Just trying to keep up with what life throws at me." She smiles and puts her hands in her pockets. You wonder if they were just as rough as how you remembered, or if they’d grown more calloused with time.

"Are you cold?" you ask, still looking at her now-concealed hands. She turns to look at you, you meet her eyes, and she lifts a brow "I've told you before how we Russians don't get cold," she says before continuing "that’s something you should've remembered." her voice carries as the last words enter your ears and without thinking you respond.

"I remember lots of things."

You feel the energy around you both change as the words leave your lips and you cringe as you watch her body visibly stiffen. Your brutally honest word choice must’ve reminded her of the reason why it had been so long since the two of you spoke.

Sometime in the past 2 years

“Natasha… I just can’t do this anymore.” The words choke in your throat as you pace in front of her in the living room of your shared apartment. Every step you take feels like it’s pulling you further from everything you once wanted, but you can't stop yourself. You can barely breathe, the emotion inside you holding your lungs down. Your eyes move to look at Natasha, and everything inside you screams to hold on.

“I’ve always been here for you,” you continue, voice cracking. “Always. I kept waiting, hoping you’d open up to me, just like I did for you, bare an-and vulnerable.” Your voice cracks making you take a steadying breath before continuing, pointing a shaking finger toward her. “I put my heart on the line, expecting the same... but I never got it. And when you finally did open up... I was there. I loved you through the dark days, the lonely nights. I stayed, Natasha. I stayed through everything, and I'd do it all again in a heartbeat.” Your words spill out like a dam breaking, but the anger, the frustration, the heartbreak—none of it makes the pain go away.

You want to somehow make it work, to find the missing piece that would make her open up fully. You wanted this to work more than anything. But the hard truth is, you don’t know just how much more you can keep giving without receiving the same in return. You’ve poured so much of yourself into this relationship—your love, your patience, your vulnerability—but now it feels like you’re just…empty. Every night you lie awake, hoping that tomorrow will be the day she finally opens up to you the way you’ve been opening up to her, and every day feels like another unanswered question, an in-life purgatory you can’t escape.

Your fingernails find their way into the flesh of your palms, the sharpness grounding you, but it doesn’t help.

Her heart tears in two as she watches you like this, feeling like a failure. She feels it deep inside—your hurt, your exhaustion, the years of unspoken emotions—and she knows, with crushing certainty, that no matter how much she loves you, she can’t undo the damage. You’re the one person who has always been there, who’s loved her unconditionally, who’s been so patient, so willing to fight for the relationship. She’s failed you. It wasn’t enough. Nothing she did was enough. She loved you��God, she loved you so much—but somehow, she couldn’t bring herself to give you the one thing you needed most: her whole heart. Every single time you reached out, she recoiled, afraid that if she gave you more of herself, she’d lose herself in the process. She knew loving you would mean taking the risk of loosing herself within the beauty that was to love just as hard as you did.

She doesn’t know how to love you the way you need.

She lifts her head, eyes red, blurry with unshed tears, and glances at your hands, fingers still digging into your skin like you're trying to hold yourself together, as the nails cut through the layers of flesh on your palms. The pieces of yourself feeling like they're falling through your fingers like water. She hurts seeing you like this, she knew you did it to feel control in moments where you felt that control slip away—she’d had been trying to help you stop it, to show you that hurting yourself wouldn't heal anything, but now, she feels just as lost. She feels herself drowning in guilt.

She’s the one who’s made you feel like this, hasn’t she?

A warm, trembling hand wraps around your wrist, pulling you out of the darkness of your thoughts along with herself–trying to claw her way out of her guilt. Her touch is gentle, almost too gentle, as if she’s afraid you’ll break if she holds on too tight. She guides your fingers away from your skin, but the ache in your chest only deepens. She’s trying to fix you–to help you, not acknowledging that she needed it as well. And neither of you knew how to do it.

What’s the hell is wrong with me?

The question cuts deeper than anything she’s ever felt.

Why can’t I just give her what she needs?

I love her.

I love her so much.

Why isn’t that enough?

“I feel horrible,” she whispers, her voice thick with tears. When you meet her eyes, they’re filled with more pain than you’ve ever seen in them. It tears through you. You wanted to help her, to make her feel loved and safe, but all you've done is hurt her. You've made her feel like she's failing, like she’s not enough, and the guilt is suffocating. She wants to tell you how much she loves you, wants to apologize, to make it better, but she knows deep down that no amount of apologies can fix the damage done.

You swallow, but your throat is tight, your chest heavier than it’s ever been. "You’re right. You always did the right things. You said the right words. You showed me you loved me, but… I couldn’t see it. I didn’t feel it the way I needed to, and I hate myself for that. I hate that I couldn't be enough for you, Natasha." Your voice breaks at the end, a sound that rips through you, as if you're breaking apart inside. Not enough for her to give you her all. “I’m so sorry. So sorry for making you feel like you weren’t enough.” Making her feel like she hadn’t been giving you enough because she couldn’t give you want you wanted—craved. The sudden realization makes you heave as you reel about you both hurting each other unwillingly—how could something so good turn into something so hurtful?

The weight of your own apology hangs in the air, suffocating, because you don't know how to fix this anymore. You don’t know how to make her stop feeling like she’s a failure when all she’s ever done is try.

Her heart shatters as you speak. She sees the pure hurt in your eyes, feels the way you’re pulling away from her. it crushes her to know she's the one that hurt you, the one that made you feel as if you weren't enough. Every word you say is a reminder that she’s failed. She’s tried so hard to be the person you need, to show you how much she loves you, but every time she’s gotten close to letting herself go the crippling fear of falling too deep holding her back.

“I wish I could change,” she says, voice barely audible, but you hear the depth of her regret in every word. She places her hand over her heart, almost as if trying to stop the pulsating ache there. “I don’t want you to suffer with my shit anymore. I don’t want to drag you through this anymore… but I don’t know how to fix me.” She looks at you, her tears falling freely now. “I hate that I can't give you everything you need. I hate that I couldn't be the person you deserved."

You feel every ounce of her guilt like a physical blow, and it’s suffocating. You wish there was something you could say to make her feel better, but the truth is, you're not sure if you even deserve to make her feel better right now. You've failed her too, in so many ways.

Maybe I’m not enough for her. Maybe I never was.

The thought stings, like a shock against your skin. You can’t help but feel that maybe you’ve failed, that you’re the real reason things fell apart, not Natasha. But as you look at the redhead, her guilt hanging heavy in the air, you realize there’s not just one person to blame, there’s not only one person responsible for this. You’ve both been afraid. Afraid of fully trusting, of letting the walls down completely, of letting each other in.

And now? Now, it feels like it’s too late.

“I don’t want to hurt you anymore,” she says, her voice cracking. “You deserve so much better than me. You deserve someone who can love you with everything they have, without holding back... and I’m not her. I can't be that person." Her eyes search yours, desperate for some sign, some glimmer of hope, but all she finds is a reflection of her own pain.

Staring at her tear-streaked face, the realization hits you like a punch to the gut: it’s not going to happen. It’s not because you haven’t tried, and it’s not because she doesn’t love you—she does, so much, and you can see it in her eyes. But love isn’t enough.

I can’t keep waiting for something that’s never going to come.

I can’t keep hurting like this.

You’re shaking now, but it’s not from anger. It’s from the unbearable truth that lingers in the space between you. The love you had, the connection you both tried so hard to hold onto, is slipping away, and there's nothing you can do to stop it.

“I think…” you can barely get the words out, but they’re there, hanging in the air like the inevitable. "I think you’re right." Your voice cracks, your heart shattering with the weight of those words. You’ve known for so long, deep down, that this was coming. The back and forth, the exhaustion, the constant battle to make her open up, to make her let you in—it was destroying both of you, and it would never change. The months of fighting—wanting her to open up, to show you the real her, nothing was working as it should be. You had been fighting against something inevitable.

You run your thumb over her knuckles, trying to find comfort in the familiar motion, but it feels hollow now. “We’ve tried, Natalia,” you whisper, your heart breaking with every syllable. “We’ve tried to make this work, but I can’t keep pretending it’s going to be okay. I don’t want to hurt you anymore. I don’t want you to hurt for me anymore.”

Her tears fall harder now, as if the weight of your decision has broken something inside of her. You both sit there, silently, broken and exhausted from a love that was never enough. Neither of you knows how to fix what’s been destroyed. As she looks at you, so broken, so utterly lost, she feels like she’s watching her own heart crack in two.

You both sit in silence as the sounds of the city bleed into the apartment and circle the two of you.

“Next!” the barista’s tired voice carries through the space of the café, and makes you both turn to reach the counter. Your cheeks warm and tinged a shade of red at your earlier admission.

“Uh, can I get an iced blond vanilla late, with an extra pump of vanilla, and sweet foam with Carmel drizzle on top?” you order and look over at the redhead who was diligently staring at the side of your face.

She wondered how you hadn’t changed. Time seemed to have left you untouched. While she felt it’s weight etched into her face and mind—you were still the same. With the same coffee order, at the same coffee shop, the same you.

“W-would you like anything?” you ask, stuttering at the gaze she held.

“I’m okay,” she turns to the barista, “That’ll be all.” she completes your order out of habit as you pull out your card to pay.

the barista asks for your name and you both utter a thanks to the young woman, who doesn’t return the pleasantry as you both walk off to the side. The silence, between you both not unwanted, but definitely heightening your anxiety at the unexpected meeting.

You were not dressed to be seeing your ex at a coffee shop.

“Would you like to sit?” you clear your throat and ask, finding a table with two chairs. She smiles and looks at her watch. “Yeah—yeah, I got enough time” she says, sitting down beside you and looking out at the busy streets of the city that never sleeps.

She loved it here, her time in other continents and cities made her realize just how at home the city lights and sirens made her feel, just how at home the people in her life made her feel.

The light of the rising sun reflects off of the glass windows of tall buildings and illuminate her face. Her nose had stayed the same, the feature being something you loved about her even if she said she hated it from time to time. She turns and catches you staring. You to look away and clear your throat as she smiles warmly. She always liked that about you, so attentive to everyone around you.

Stop staring. You mentally kicked yourself for being caught.

“Y’know…you still order your coffee as if you hate the taste of it.” she teases, her hands motioning to the receipt that outlined the specific order you gave. A smile grows as you turn to look at her and laugh softly at her face of accusation. “I swear, you get the sugariest thing on the menu.” she continues, making you laugh a little louder.

Your laugh was the same–she noticed, your smile the same, but your eyes now held a few winkles at the sides as the joy spread over your face. She smiles at you then and leans back in the uncushioned, tall stool.

You roll your eyes and remove your gloves, “hey, before you tease just know you traumatized me with your coffee order,” she looks at you questioningly, making you lean in “Nat, you order a black coffee with like two sugars and call that a coffee order.” she laughs, her cheeks tinting a wonderful shade of red as she answers “It’s a legitimate coffee order y/n, that’s why they make me pay and why I made you try it.” her voice raspy as ever as it leaves her lips. “Oh yeah, trust me I know. I can still feel it on my taste buds and recoil every time I think about it.” she looks at your now very serious expression with a raised brow, and you both break into a shared cackle.

As the laughter settles, you both look at each other. Familiarity and warmth returning to your veins, you missed her. Sure, it had been more than enough time for you to get over her, but you never truly did. Everyone told you it was time to move on, but you never did, hoping, praying, manifesting that maybe one day you could fix things and reunite with the love of your life.

You went out with people, met other singles, dated—but no one made you feel what she did.

"So, how’s work?" you ask, your fingers nervously fiddling with the paper wrapping of a straw that was left on the table by some other customer. She glances down at your hands, noticing how your nails are no longer bitten or ragged, your palms free of the crescent-shaped marks that used to linger there. She smiles softly, noticing how you'd managed to break those anxious habits.

"It’s been good," she replies, her voice warm. "We got some new teammates in—I'm sure you saw it on the news." She looks into your eyes, smiling as she sees the familiar focus in your gaze. That hadn't changed either.

You nod and smile back, leaning in as she continues. "One of them is named Wanda. She's brilliant—you'd love her. Amazing sense of humor, and the best style. I know you’ve always been into fashion."

You chuckle softly, the memory of how you used to carefully pick out your outfits coming back. "That’s nice. So, you and her are close?" you ask, your voice lighter than you feel. It's easy to fall back into the rhythm with her. Conversations with her never felt draining, never like you were just filling silence. At least, it didn’t, not before everything went wrong.

"Yeah," she says, smiling shyly, but her eyes drop to her hands. And that's when you see it. The ring.

The world seems to blur for a moment as your eyes lock onto the silver band adorning her finger. Simple, yet undeniably there. Your mind races, struggling to catch up, focusing on the details—an engraving, some flowers, maybe lilies? You remember how she always loved those.

The sound of her voice cuts through your thoughts. "Y/N?"

You snap back to reality, but it feels like your heart is still racing. You blink, meeting her gaze. The concern in her eyes is unmistakable, but it's not for you. She's moved on.

“Order for y/n!” the barista yells, and you turn, smiling tightly at Nat before getting up to retrieve your coffee.

God, how had you not seen it before? Was it always there? How long ago did she become so open? So willing to let someone in, that she’d actually gotten married?

The questions hit you like a wave, crashing over your mind with unbeatable force.

You make yourself look away, desperate to regain control of your thoughts. You tuck some hair behind your ear, trying to ground yourself, and take a long sip of your cold drink, the ice crunching between your teeth. It does nothing to ease the nausea building in your stomach.

“I—uh, I was looking at your wedding band,” you mutter, feeling the words slip out awkwardly. Your gaze drifts back to her fingers, the ring glinting in the sunlight. She follows your stare, quietly adjusting her hand, almost as if she’s waiting for this moment to land.

“Oh, um… yeah," she clears her throat, her voice sounding a little tighter than before. "Me and Wanda... we, uh... I proposed a few months ago,” she adds, looking down at the ring, tracing the engravings with her fingers. Finally, she meets your eyes, and for a brief second, it feels like everything you thought you knew about her is slipping away. This wasn’t the Natasha who used to laugh at your bad jokes, or the one who whispered your name in the quiet of your shared apartment, the one who whispered sweet nothings in your ear as you laid naked in bed after you’d had sex. No, this was a version of her you did not know.

“Oh.” The word barely leaves your mouth as you nod slowly, but it’s enough to echo in the silence between you two. It’s all you can manage, the word feeling too small, insignificant.

What else could you say?

You want to bury your face in your hands.

God, Y/N, think of something better. Say something better.

The words feel hollow, useless, as they form in your mind. The words don’t feel like your own. They feel forced, clumsy, like you’re trying to hold onto something that’s already slipping through your fingers. You hate how it feels. You hate how she feels like a stranger to you now, someone you don’t know anymore, someone who has moved on without you.

"Congratulations," you finally say, the words coming out flat, lifeless. Your smile feels too tight, too forced. You can feel it pulling at the corners of your lips as your body instinctively turns inward, the discomfort sharp and heavy.

Congratulations? Are you fucking serious?

She notices, of course—how could she not? Her eyes flicker with concern, watching as your posture shifts, your guard rising. But it’s too late. You’re already pulling away.

What the hell did I just say?

The self-criticism is almost suffocating.

Congratulations?

You want to slap your forehead, but you settle for simply glancing up at her. Her gaze is locked onto you now, intense and unwavering. It’s like she’s trying to reach you through the growing distance between you two, but you can’t shake the feeling that you’ve lost her... that you never really had her.

The sound of the coffee shop fade as your own internal dialogue takes over, mocking you.

You’re pathetic, it whispers.

You haven’t moved on.

You never really let go.

You glance around the coffee shop. There’s a woman in the corner smiling at her boyfriend—no husband, the wedding ring sparkling as she holds his cheek, a group of tourists chatting loudly about going to watch some play on Broadway, someone in the backline swiping through their phone, you can see the TikTok home screen from your place in the corner of the café.

But you can’t hear them. All you hear is the hollow beat of your own heart, pounding painfully in your chest, as if it knows that this moment is the end of something—something you still thought was possible.

It feels like you’re drowning, surrounded by noise, by life moving forward, while you’re stuck here in this tiny moment, unable to breathe.

Her eyes flicker with concern, noticing how your posture shifts, how you stiffen at the words that should have felt normal, casual. But they don’t. They can’t.

There’s nothing casual about this.

Nothing normal.

Not when your heart is bleeding under the weight of a past you can’t shake, a future you never thought you’d face.

You try to steady yourself, but you can feel the walls you’ve built around your emotions crumbling.

She’s married, Y/N. She’s married. Get over it.

But you can’t.

You feel a pang of guilt. Natasha’s gaze is warm, but there’s an ache in her eyes too—something that makes your heart hurt in a different way. She’s trying. She’s not the woman you left behind. But then again, neither are you. Neither is she.

Her hand rests, trembling, on the table now. She wants to reach out to you, but she’s scared of pushing too hard. You can see it in her eyes—she’s uncertain. She’s terrified of what you might say. Terrified of making it worse. Her fingertips brush against the edge of the table, hesitant, before pulling away. She’s probably wondering if she’s done the right thing. Wondering if she was wrong to move on, to make this decision without you, without this—whatever you two were. She watches you, her gaze softening as if she wants to comfort you, but she doesn’t know how. She doesn’t even know where to begin. She could try to reach for you, but she knows it might make things worse.

"Are you okay?" Natasha asks softly, her voice trembling slightly. She’s staring at you now, as if trying to understand what’s happening inside your head, but you don’t have an answer for her. You don’t even have an answer for yourself.

The silence stretches between you two, heavy with unspoken words, as the noise of the coffee shop crashes around you both, a stark reminder that the world keeps moving. And in it, Natasha is moving forward, and you... you’re left behind.

She regrets it. She regrets this—this distance. This moment. She wants to take it all back. To fix this. To fix you. But she can’t.

The weight of the regret hits her, and she breathes out a slow, steadying breath, her hand trembling on the table. She can feel it too, the unbearable tension between you both, the space that feels like a chasm even though you’re only inches apart.

But you—you’re the one who’s drowning, trying to keep your head above the weight of the memory and the feeling that you were never enough.

“I’m sorry,” she whispers, almost too quietly to hear. “I never wanted to hurt you. I never wanted you to feel like this.” Her voice cracks, and she looks away for a second, almost as if she can’t stand seeing you like this, can’t bear the thought of how much she’s hurt you.

But the truth is, she’s already lost you.

And she’s the one who will never be able to move on.

Her words cut deeper than she knows, because you can’t help but wonder—does she really not know? Has she been so caught up in her own life that she hasn’t seen how much this is tearing you apart? Or is it just that she’s moved on, and this is all just… a part of the past to her?

The thought makes your chest tighten. Your breath feels shallow, and you find yourself squeezing your cold drink harder, trying to steady the storm inside. You swallow, but it feels like there’s a lump lodged in your throat, blocking any response. You want to scream, to tell her everything, to make her understand how much it hurts to see her here, happy, with someone else. But the words are gone—lost in the space between your need to cry and the reality of the life she’s chosen without you.

“Why?” The word slips out before you can stop it, raw and desperate and hurt. You didn’t mean to ask it—didn’t want to ask it—but you can’t help it. You need to know.

Natasha’s heart aches at the sound of your voice, the fragility in it. For a moment, she feels as though the floor beneath her might give way. She had hoped—hoped—that you would be okay. That this wouldn’t hurt so much. But the pain is evident, like a raw wound, and it’s impossible to ignore.

Her face crumbles for a moment, and she looks away, as if she’s searching for the right words, for something that might make this hurt less. But there are no words that can make this better. No words that can undo the last few years.

she feels a lump in her throat, the wounds she'd covered, gashes shed mended, all coming undone in this moment.

“I don’t know,” Natasha whispers. “I really don’t know. I thought I could give you what you needed, but… I couldn’t. And I’m sorry, Y/N. I’m sorry I couldn’t be what you needed me to be.”

Her voice cracks as she says it, and she feels herself breaking inside. She knows you’re hurting, but she’s not sure what she can do to make this right. She had tried—tried so hard—to be what you needed, but she failed. And it kills her that she couldn’t give you the love and stability you deserved. The love she thought she could offer, the love that now feels so distant and ungraspable.

Your heart aches. It’s a contradiction, isn’t it? The way she sounds so guilty, and yet you know deep down that she’s not really sorry for her life—she’s sorry for the fact that she hurt you in the process of living it.

Her words feel hollow to her, and as they leave her lips, she wonders if she’s just prolonging the pain for both of you. She swallows hard, her fingers fidgeting with the edge of her ring again. It’s such a small, insignificant gesture, but in this moment, it feels like the biggest thing in the world. It feels like a symbol of everything she’s lost. A symbol of a promise she made to someone else, a promise she can’t go back on.

She wants to reach for you again, but she knows better now. She knows that you’ve already made up your mind—that you’ve already closed the door on what could have been. The door that used to swing open so easily for her, but now only feels heavy and locked.

You look at her, your gaze raw, and for a second, you think you might say something else. You might beg her to take it all back. To come back. But you know you can’t. You know you have to let this go. You feel a deep ache in your chest as you realize that this is the end. The finality of it settles in, and you can’t hold on any longer.

Instead, you take a shaky breath and pull back from the table, your hands folding into your lap as you gather yourself. It’s almost like you’re physically trying to close yourself off, to shield the part of you that still hopes and longs for something that no longer exists.

“Maybe... maybe you were never what I needed either,” you mutter quietly, more to yourself than to her. The words taste bitter on your tongue, and you wish you could take them back as soon as they leave. But it’s true. Somewhere along the way, you lost her. And maybe, just maybe, you lost yourself in the process.

The words hit Natasha like a slap, but it’s the truth. She’s never been able to give you what you needed, and that realization settles like stone in her stomach. She opens her mouth as if she’s going to say something—something to fix it, to undo the damage—but the words die in her throat. They would only make things worse, only deepen the wound between you both.

She doesn’t speak. She can’t. She just watches you, helpless, as you turn away from her, the finality of your departure cutting into her chest like a knife.

You shake your head, unable to meet her gaze. The tears you’ve been holding back for so long feel close now, threatening to spill over. You can’t let them. You won’t. Not here, not in front of her, not when everything feels like it’s already slipping through your fingers.

“I should go,” you say, your voice quieter than you intended. It’s not a demand, it’s not even a decision—it’s just the only thing you can bring yourself to say. You push your chair back, standing up slowly, feeling like your legs might give out beneath you. You feel empty, but in a way, that emptiness is almost worse than the pain.

Her eyes follow you, and Natasha doesn’t try to stop you. She doesn’t ask you to stay. Her hands are folded in her lap, and she’s left with the sense that, somehow, she’s failed you, failed the both of you. She doesn’t think she could stand to watch you walk away again. The understanding in her eyes is quiet, gentle. She knows this is the end.

As you turn to walk away, you hear her raspy voice one last time. “Y/N… I still care about you.”

You stop for a moment, the weight of her words pressing down on you. You want to say something back—anything—but you know it wouldn’t change things. It wouldn’t fix anything.

You don’t respond. Instead, you walk. One foot in front of the other as you push open the door of the coffee shop, the cold New York air hitting your face like a slap. It’s sharp, biting, but somehow, it’s exactly what you need. You step into the busy street, the noise and the rush of people washing over you, but all you can hear is the silence of her absence. Is this it? You think. It has to be.

You keep walking, trying to put one foot in front of the other, but every step feels heavier than the last. You don’t know how you’re supposed to move forward—to move past her. You don’t know if you ever will.

After all, it’s never over.

a/n → YAYY!! i was so excited to start writing this fic, it’s my drafts since October so i’m happy it’s finally out. i hope you all liked it! it was my first time writing angst and i’m very proud of it, if you guys have any constructive criticism pls give it politely:)

ps → i’m excited to see everyone’s reactions to it, please do share how you feel afterwards <3

pt.2 coming soon...

#🫧: fanfics

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spiderfunkz · 2 months ago

Text

𝐮𝐧𝐬𝐭𝐚𝐛𝐥𝐞

a/n: another request! wasn’t sure if i should tag this as 18+ since it doesn’t contain any smut, but i’d advise you read this with caution. contains a few sensitive topics (see warnings below)

summary: based on the song by justin bieber

warnings: blood, trauma, situational alcohol abuse, forms of self-harm

word count: 6.6k

✷ ✷ ✷ ✷ ✷ ✷ ✷ ✷ ✷ ✷ ✷ ✷

A smell of alcohol and something metallic lingers in the air, sharp and unescapable.

It's pitch black in the living room of your apartment. A whiskey tumbler sits on the coffee table, bloodied bandages and cotton balls scattered around it. The whiskey bottle is open, half empty, and the cap is nowhere to be found.

The suit on the floor is torn and soaked with blood. Combat boots, dirty and wet, have toppled over next to it.

Natasha's on the couch, holding an ice pack to her head. Only dressed in boxers and a sports bra now, every scar and bruise is on full display. Her eyes are closed, her hand clenching and flexing on her thigh. Nails rake over skin, draw blood, but she doesn't register it through the haze in her head.

The mission didn't go as planned. In the beginning, everything seemed fine — they made it to the location, disarmed a few guards, managed to get into the building. Her assignment was to go and free a few hostages, which she managed quite well, considering she had to fight two guards in the process.

She doesn't remember much else. Just a cell that they somehow got her into. Rusty metal and leaky pipes on the ceiling, blood on the walls.

Pressure around her wrists, her throat. It was brief, but it left its mark. Memories resurfaced — memories that never fully sank to the bottom of her mind's ocean. It felt like grappling with the ghosts of her past, being pulled underwater, drowning, fighting for her life. She could feel the water in her lungs and the blood thrumming in her ears. Salt burned her nose.

Her limbs grew heavy from the kicking and wrestling. She wanted to let go, surrender to the heavy weight of the water, but she couldn't allow herself to. Survival is something that the Red Room ingrained into her.

If there's one thing she can't do, it's die.

Death means giving up.

Four hours later, Natasha still feels like, sometimes, death may be the better option. With the way her head is pounding and her scars are burning, anything to get rid of the pain is welcome. It's why her eyes tracked the liquor shelf first when she got home.

You enter the living room not too long after. Keeping your eyes on her, you turn on the small light before blindly closing the door and locking it.

What you're seeing is not entirely unfamiliar, but it always manages to leave you startled and speechless for at least a minute or two.

"Nat?", you say quietly. No response. "Nat, love."

She opens her eyes. They look empty when they meet yours.

Not a word. Again.

You step closer and bend over to pick up her suit. You fold it, tentatively, unsure how to act. How to make this better, fix it, help her.

You can't. You've tried to before, but it keeps happening.

You sit down and put the folded suit aside. Natasha turns her head away, blank eyes fixed on the ceiling. Whatever happened earlier sucked the life out of her, leaving her completely exhausted. She doesn't want to talk, which you understand — but it feels important to you, anyway.

"Love", you say, touching her hand. She's been carving deep lines into her thigh for a while now, leaving her skin raw and burning. Dark blood is stuck under her fingernails. "Talk to me."

"Get out."

"Nat-"

"I said get out."

You stare at her, eyebrows furrowed in silent concern. You can't tell whether she needs space or support, and that frustrates you.

Shouldn't you be able to read her like an open book by now? Shouldn't you know exactly what she needs, exactly when she needs it? It's been years, after all. You've been talking about marriage, for god's sake.

However, that's not how relationships work, and it's especially not how a relationship with Natasha works. Either you accept that you'll never be fully let in, or you'll be fighting worries and insecurities your entire life.

"Hey", you say firmly, peeling her hand off her thigh. "No. We're not doing this. Not tonight."

She struggles against your grasp, but then her arm slackens. Her eyes close, frustration simmering beneath the surface. Frustration and alcohol — not a good mix.

"Fuck you", she spits. She's slurring, so you know better than to take this personally. It's anger, pain, self-loathing, exhaustion, but it's not directed at you. It never is.

You glance at the whiskey bottle on the coffee table and chew on your lip. It was full just hours ago, when you left for your shift. Now, it's nearly gone.

"Hold still", you mumble, reaching for the pack of cotton balls she discarded on the floor. You soak it in an antiseptic solution and start dabbing the deep scratches on her thigh.

"Stings."

You almost wince at how resigned she sounds, but you keep rubbing off blood and cleaning the self-inflicted wounds.

"I'm not going to ask what happened", you say, speaking carefully. You're treading on dangerous territory. One wrong word could make her snap right back into that same state of mind that got her like this. "I just need you to take a few breaths, okay? Nice and deep, love."

She shakes her head. You put your free hand on her knee.

"Please", you add. She squeezes her eyes shut and, with a movement too quick for you to see coming, pulls away. She gets up from the couch, but you catch her wrist. Her head whips around, anger and desperation raging behind those vacant eyes.

"Don't touch me!"

"Nat-"

"You have no idea", she hisses, "what this feels like. So leave me alone."

You stare at her as she tugs herself free from your light grip. Down the hallway and into your bedroom, you hear the door slam shut. It's rapid and loud, so much so that you're sure she just woke your neighbors.

It takes you a moment to collect yourself. Running your hand down your face, you exhale, then get up and start tidying the mess Natasha left behind.

You make sure to hide the whiskey bottle. The rest of the alcohol too, while you're at it.

. . .

The morning after, Natasha remembers bits. Pieces, fragments of what really happened.

She recalls blood. And yelling. Alcohol, way too much of it. You, in the middle of it all.

Guilt, heavy and hot, sits in her abdomen. No way to make it disappear.

She rolls over and finds you asleep. Sunlight filters in through the curtains, soft and golden, but it's not what she focuses on. She doesn't focus on the tired expression on your unconscious face, either. Instead, something else catches her attention.

Something dark red and dried sticks to your wrist, right where the skin is folded due to the angled position your hand is resting in. She reaches over and brushes it away. Blood. Her blood.

"Y/N?", she mumbles, voice raspy with sleep and exhaustion. "Baby. You awake?"

A sleepy sigh. When your eyebrows furrow ever so slightly, she pulls away. Definitely asleep.

Natasha sits up and immediately regrets it. She forgot about the mission yesterday, but her body didn't. Bruises and scars ache, a dull throbbing pain that spreads through her limbs. She remains in an unmoving position for a few seconds to let the pain fade, then she scoots out of bed.

The mirror in the bathroom confirms it. From head to toe, she's littered in visual evidence of yesterday's events. She didn't shower, either, so she's still full of dried blood and dirt.

She splashes her face with cold water. When she looks up, she finally sees herself clearly.

Red-rimmed eyes, puffy and tired, and a face that doesn't look like her own.

She steps away from the mirror and takes her hair out of the messy bun that's almost come loose. Water runs, steam fills the bathroom. She enters the shower and pulls the shower curtain fully closed. There are ways to let you know she wants you to join, and there are ways she lets you know the opposite.

You woke up minutes after she got out of bed. Once you heard the shower run, you were able to relax. She's at home, with you, safe and sound. If she's showering, it means she at least felt well enough to get out of bed.

You get up, put on a hoodie over your pajamas and make your way into the kitchen. As soon as you've poured some oats into a pot of milk, you hear footsteps. For a moment, you're not sure whether you should acknowledge her presence in any way — turn around, say good morning, maybe ask if she's hungry. But then you feel a pair of arms around your waist, strong and safe and hesitant, and a weight drops from your shoulders.

Natasha doesn't say anything. Neither do you.

But you aren't pushing her away, so she kisses your cheek. Her hand rubs your stomach before she makes the space between you bigger again.

You wait for an apology, some kind of confirmation she remembers anything from last night, but nothing comes. It wouldn't surprise you if she really doesn't remember — she had alcohol, lots of it, and intoxication has made her forget things before.

You drum your fingers against the counter, staring at the pot next to you, before you finally break the silence.

"About last night..."

Her shoulders tense up.

"Yeah", she says bitterly. "I drank too much."

"I'm aware", you say slowly, stirring the oatmeal and turning off the stove. What else are you supposed to say? That she should stop? God knows she's tried. God also knows it isn't easy. When everything becomes too much, even focusing on one single thing can become the hardest obstacle to overcome.

And when it comes to alcohol, it's pretty much impossible.

What might be the most confusing thing, though, is that this isn't a constant. It's not full-on alcoholism. She doesn't need it to function. But when everything becomes too much, it's what she turns to as a coping mechanism. It's dangerous and reckless and you feel like you're out of solutions.

"I put the whiskey away", you say, turning around. Her face is stoic as you lock eyes. "The rest of it, too. Don't even try to look for it. You won't find it."

"You're aware I'm a spy, right?", she says. Your lips twitch into a humorless smile. You know what she means — not that she's going to intentionally defy you using her skillset, but rather that her brain, no matter what kind of state it is in, will use said skills anyway. "You'll marry me. If you don't know about my past, then-"

"Alright", you cut her off. "Yes, I know. I'm aware. I tried my best, so let's just hope it'll be enough."

"It never is."

"Nat."

"I mean it. They have a bar at the compound, too."

"Well", you say, fidgeting, "I told Tony to put everything away."

Her eyebrows furrow. Before she can voice the feeling of betrayal you're seeing in her eyes, you lift your hand and stop her.

"I told him I'm trying to go sober."

Natasha goes silent. She stares at you, chewing her lip, then gets up and walks up to you. You know she isn't sure whether she's allowed to touch you (which, to you, is ridiculous), so you cup her face and kiss her and pull her into a hug. One hand on her nape and the other on her back, you hold her close.

"Just promise me one thing?"

She hums, her nose brushing against your neck. "Yeah?"

"No drinking alone. Please. I need to know you're safe."

Some promises she can't keep.

. . .

You get the call at 3am.

Natasha had been on a mission — one that was supposed to last at least another day, but apparently ended early. You had no idea.

Sleepy and worried, you scramble out of bed. Your phone is tucked between your ear and your shoulder as you hop through the apartment, one leg in your jeans and the other foot trying to find the hole. On the other end of the line is the owner of a bar in Queens.

You're not awake enough to fully understand everything. All you hear is something about a fight, shattered glass, blood. Not bad enough for a trip in the ambulance, thankfully, but the damage is done.

You sit in the car, buckle up, and break down. Tears flow, the frustration making them hot as they run down your cheeks. Your vision blurs, so you wipe your eyes with the back of your hand. A car crash is the last thing you need right now.

The streets are as dark and empty as they can be, considering you're in New York. But most people are asleep, in their beds, not worried to death yet another time. Most people don't have to actively keep themselves from causing a car crash. When you realize you feel something akin to envy, you slam your foot on the gas pedal and tear off down the street.

You find the bar easily, mostly because a small group of people has gathered in front of it. Natasha's on the sidewalk, holding a napkin to her nose, her eyes drooping shut. You see her bleeding knuckles and the tears get heavier.

By the time you're out of the car, a man is approaching you. You barely pay him any mind, already looking at Natasha — but she's so out of it she doesn't even realize you've arrived.

"Wait", the guy says when you try to walk past him, "you're the lady I called?"

"Yeah", you say, glancing at Natasha every so often. "Her fiancée. Girlfriend, actually. What..."

He sighs and runs a hand over his thinning hair. "Had a little too much to drink. There was an argument with another customer. It, uh, escalated. Broke one of my mirrors, you know. The other guy's at the hospital."

"He's what?"

"She slammed him into the mirror face first. Chap broke his nose."

You stare at him with wide eyes. He shakes his head and lightly taps your upper arm, leading you in Natasha's direction.

"No idea if he'll sue", the man says. "He did provoke that fight. But you'll have to pay for my mirror, though."

"Sure", you say vacantly. Natasha doesn't look up when you reach her side. You crouch next to her and brush your fingers over the back of her hand. Her hand jerks the slightest bit, but she doesn't look at you. "Come on, love. Let's get you home. Can you walk?"

"She walked just fine earlier", some other guy pipes up.

You glare daggers at him before resting your hand on her shoulder. It's cold, too cold, and you notice her jacket is missing. You squeeze it, hoping it'll be enough to coax her into getting up — or, at the very least, looking at you —, but no. She stays unmoving, silent, eyes shut and the lower half of her face covered with a napkin.

She reeks of blood and alcohol. You get up and look at the guy who owns the bar. He raises his eyebrows, tatted arms crossed over his chest.

"Her jacket", you say. "Where's her jacket? It's cold out."

"Forget about it, Y/N."

You glance at her, taken aback. "Nat. Why didn't you-"

"Forget about it", she mumbles, slurring again. God, you're tired of this. "Go home."

Your glance turns into a stare. There's no way she's asking you to leave. She looks like she's moments away from passing out.

"Are you kidding?"

"No. Gome. I mean, go- go home."

"You can't be serious. You can barely talk!"

You see her shiver and decide you officially have had enough. It takes some effort, but you manage to pull her off the ground and make her sit in the car. After giving the bar owner a check for the mirror she broke, you drive home.

. . .

Natasha gasps and coughs out water. You splash her with more, and more, until you feel like she's sober enough to think somewhat straight.

"Fuck", she curses, water flowing down her face and her hair sticking to her head. "Y/N!"

"Feeling better?"

"I feel cold!"

You give her a skeptical look and splash another handful of water into her face. She's sitting in the shower, only in underwear to keep her clothes from getting wet. She shakes her head and pushes away the shower head you're holding.

"It helps", you insist. She shoots a desperate look your way and you sigh. "You okay?"

"I need clothes", she mumbles, wiping water away from her eyes. "And a blanket."

"I know", you say, grabbing her hand and helping her up. She's still wobbly on her feet, so you have to make sure she doesn't slip. "Come on."

Some fresh clothes and a quick session with the blowdryer later, she's on the couch. A blanket is draped over her shoulders. Now that she's back to reality, all the memories of what happened in the bar come rushing back.

It was stupid. A stupid comment from a guy drinking beer. A comment about her.

Natasha isn't considered a violent person, despite her being an Avenger or her past as an assassin. She lashed out, anyway. It makes you wonder what the hell was said to her.

She rubs her face. You sit down next to her.

"Go to bed", she says weakly. "It's late."

"And you?", you probe.

"I'm staying here."

"Alone. On the couch."

"Yes."

You shake your head. No matter what, you don't want her to have to be alone. Not even after what happened tonight — especially not after that. But she's tired, and stubborn, and she's hurt you enough tonight. She can't get that look on your face out of her head, when you were kneeling next to her on the sidewalk. How wet your cheeks were from tears and how they glistened in the light of the street lamps.

Yet you're still here, at not even 5 in the morning, still trying to make her feel better. At this point, she should try to make you feel better. Part of her is scared that she'll never be able to do that.

Natasha wants you to stay. It's the only thing that brings her peace. But she can't ruin your peace by asking you to help with hers.

"Go to bed", she repeats. "Sleep."

"No", you say, frowning. "No, absolutely not. You're not leaving my side tonight, and that's final."

She stares at you, jaw clenching. "And why the hell not?", she asks, her voice carrying bitterness and exhaustion. You raise your eyebrows in mild surprise, but remain undeterred. "Don't trust me with myself anymore?"

"Of course I do! But it's clear you weren't doing well, and-"

"And that's why I need a babysitter?!" She laughs, but there's no humor to it. Covering her face with her hands, she slumps into the couch. "God, you must be so sick of me."

There it is. That little piece of vulnerability she doesn't show, that one fear she keeps hidden like a dirty secret. Your shoulders slump and you sigh, touching her knuckles. Raw and busted open, blood still leaking from some parts of her skin.

She doesn't react. You scoot and sit on her lap, facing her, and grab her wrists. You pull her hands down, revealing the face you fell in love with, the one you still love. No matter how many issues there may be — you love her. If you have to, you'll keep driving to bars in the middle of the night for the rest of your life. You'll bandage knuckles and wipe blood away. All you need is for her to stay.

"Hey", you mumble. She shakes her head. You lean in and kiss her forehead. "Nat, please. I'm not sick of you."

No reply. You let go of her wrists to cup her face, pressing your lips to every feature, every tiny scar. She lets out a sob-like sound, but you see no tears. Your lips move from her forehead to her closed eyelid, from her cheek to the corner of her mouth.

"We'll get through this", you say, rubbing her cheeks. "You will get through this."

"It's not getting better. Y/N, it never gets better."

"That's not true", you say firmly. "It does get better. It will. Stuff like this takes time."

She looks up, tired and guilty and full of self-loathing. She'll never understand why you're in her lap instead of trying to save yourself from the bullshit she's putting you through.

"It's been years."

"It'll probably take a few more, too", you say, brushing your thumb along her lower lip. "But that's okay."

A small pause. Natasha studies you, her chest tightening with both panic and realization.

She's dragging you down with her. If she doesn't put a stop to it now, it'll only get worse for you.

"And you?", she says, challenging you. "What about you? Am I supposed to sit here and watch you go down with me?"

"What?" You shake your head. Everything inside of you is begging for your sudden suspicions to not be true. But she's saying something, and you think you know what it is. "Nat, don't. Seriously."

"Don't what? Are you really that blind?"

"I know what you're doing", you say, trying to sound calm. But you're panicking, just like she is, and it's getting hard not to hyperventilate. You're tired, sleep-deprived even, and all you want is to get her to bed and cuddle. Feel her next to you, know she's safe — at least for the time being. "It's not going to work. I'm going to bed now, and you're coming with. We'll talk in the morning."

"No." She shakes her head. "No. You'll call your parents, Y/N, and you'll get out of here. Do you know how much this shit hurts? Seeing you suffer because of me?"

You frown, searching for the right words. The words that'll make her calm down. You're not sure they exist.

"Do you know how much it hurts?", you retort. Her hands grab yours, try to gently pry them off her face, but you're relentless. "Stop!"

"You don't get it, do you? Get out of the fucking apartment!"

The more she tries to push you away, the firmer your grasp becomes. She wrestles with you, and although she may still be gentle enough with it to not hurt you, it's not that same, playful thing it used to be. She's serious about this.

"Nat!" You let out a sob and struggle, but somehow manage to pin her down. Let's not be fooled — you're still not nearly as strong as she is. But given how exhausted she is, and how the alcohol is still numbing her, you have somewhat of an upper hand. "Stop that!"

Her body goes limp beneath you, all fight draining out of her within a split second. The look on her face is defeated, so much so you almost feel bad about forcing her down like this.

"Don't be stubborn", you plead. "Not about this."

Natasha closes her eyes, forcing the tears away. Sometimes, she wishes giving up was an option for her. But it isn't, not right now, and if it were, she still wouldn't be able to do it to you.

"I'm so tired."

"I know", you mumble, all choked up, and brush some hair out of her face. "I know, baby."

"I'll lose you one way or another", she says, voice cracking mid-sentence. "I'd rather it's on my terms."

You shake your head, your grip on her wrist loosening. You bring both hands to her face and cup it. "That's the silliest thing I've ever heard you say, you know. And you say a lot of dumb stuff, love."

She laughs, but it's not that sweet sound that usually makes you melt. In a moment like this, you don't expect it to be, though.

The silence lingers. She looks up at you, tired but loving, and her hands cover yours. "You should've left me there, you know. On the curb. You don't sleep enough as it is, and you still got up to get my drunk ass home."

"For good reason", you reply, taking her hand to bring it to your mouth and kiss her bandaged knuckles. "It's not the same without you. Nothing is. Now let's go and catch up on some sleep together, yeah?"

She hesitates. "Look, I..."

"I'm serious. I'm not calling my parents, I'm not leaving. I'm staying right here, even if that means you'll keep bitching."

Natasha tilts her head. A flash of something familiar flickers across her features. It makes your heart ache.

Sometimes, you miss the before. It's not fully gone, but grasping it can be difficult. Like catching a greasy little fish in water, it keeps slipping away.

"Bitching", she echoes. A tentative smile tugs at the corners of her lips. "I love you, you know."

. . .

"I'm not sure I want to go."

You look at her, arms crossed and head tilted, a little frown on your face.

Over a year has passed since that incident at the bar. Things haven't fixed themselves magically, of course not. But it's been going uphill almost constantly, apart from a few stumbles and breaks. Which is okay — everyone needs a breather every now and then. The important part is that it hasn't gotten worse.

Something else has changed. You're wearing matching engagement rings now. You're getting married in a few weeks. You've picked out your dress, and a nice venue, and made sure the flowers match the place cards. You've moved into a new apartment, too, one that's in a calmer area of Manhattan.

Your upcoming wedding is currently the most exciting thing in your life. Which is the reason why tonight is Natasha's bachelorette party. It was Tony's idea, and although she had her doubts, you were thrilled. It's been months since she went out on her own.

"You'll have fun", you say, stepping closer to smooth out the front of her shirt. "Stark planned it. There's no way you'll get bored."

"I'm not sure you know me as well as you think", she mumbles, smiling faintly. She studies you. "It's Atlantic City. I don't want to drink too much."

You pause. But then you shake your head and adjust her jacket. "Don't worry about that. Clint will be there. Sam, Steve. You'll feel like you got trapped in a retirement home. Also, you'll get about a hundred phone calls from me if I even sense that you're being an idiot."

She exhales through her nose, lips twitching. "So a couple bodyguards, and a parole officer. I see."

"Exactly." Your hands run back down to her chest. Her heartbeat feels steady beneath your palms. "Don't drink if you don't feel good about it. But circumstances are different, and you're not alone, and I'm just a phone call away."

"I know."

You cup her face and lean in, kissing her. Her hands hold onto your upper arms, trying to keep you close. You still pull away.

"I know you want to go", you say, convinced. Natasha gives you a deadpan look. "You're just scared."

"I'm not scared", she argues. "I just...don't want to mess up. I've made progress."

"Yeah", you mumble softly. She's right. Nobody's made as much progress as she has, at least that's what you believe. Her mind still goes to bad places, but her coping mechanisms have gotten healthier. There's no way you'll give the credit to yourself, but she feels like she wouldn't have made it this far without you. She doesn't tell you that to your face, but she has her ways in which she lets you know.

"You'll have fun", you say again. "It's, like, your last night of freedom. Enjoy it while it lasts, because girl, you'll be stuck."

"Oh no, the horrors", she mumbles, smiling. She pulls you closer by wrapping her arms around your waist. Her lips press against your forehead. "Stuck with you. However will I survive."

"You're joking about it now, but in a few weeks, you'll only be able to go out with me. You'll get sick so fast."

"I won't." Natasha raises her eyebrows and squeezes your waist. "Actually, why don't you join us today, too? I'm sure it'd be more fun."

"Absolutely not." You peck her lips and step back. You wave your hand to coax her out the door. She opens it and steps out, but stops on the doormat. "I'm serious! We agreed to have separate bachelorette parties."

She rolls her eyes. "You better pray you don't have to scrape me off some boardwalk tonight."

You sigh and furrow your eyebrows, arms crossed over the Looney Tunes shirt you wear to sleep. Natasha raises her hands.

"Don't look at me like that", she says, sounding both defensive and sheepish. "I'll be good."

"I don't need you to be 'good'", you say. "Come home to me after. That's all I ask."

Natasha softens. Before you can say anything, she's back inside the hallway, hands running over your body and lips pressed to yours. You want to protest — Clint has pulled up in front of the house — but then you melt into her.

She doesn't have to tell you she'll be back. From this very moment, she always will be.

. . .

When your phone buzzes at 5am, you nearly jump out of your own skin. You don't even glance at the screen before answering the call.

"Y/N?", you hear Natasha's voice, sleepy and probably a little drunk.

"Hey", you say, sitting up and blinking away remainders of sleep. "You okay?"

"I'm fine", she mumbles. Yes, definitely drunk, but not enough for her to be slurring her words. "Just missing you."

"Oh." You rub your eyes, smiling to yourself. "I miss you too. Having fun?"

"I got dragged to a strip club."

"I'll take that as a yes", you tease.

You hear bedsheets rustle, then a thump. A groan.

"Dropped my phone", she says, voice so muffled you can barely hear her. She picks it up from the floor and puts it back to her ear. "You want to come pick me up?"

"What, now?"

"Look, I loved seeing a dozen half-naked strangers and Steve throwing up during a lap dance, but I want to come home."

You go quiet, mulling it over. Truthfully, you're feeling a little like a mom that's being called to pick up her child early because it's too scared to sleep someplace else than home — but it's almost been a day since she left, and she sounds needier than usual, and you kind of want her back with you as well.

"You're still at that hotel you told me about?", you ask, already getting up to grab some clothes.

"Yes, we-" She pauses. You stop, trying to see if the phone call ended, but then her voice cuts through the unnerving silence. "I'm wearing a ring."

"Yes, baby, we're engaged."

"Oh. Okay, that's good. I thought, uhm..."

You bite back a laugh, wiggling into a pair of sweatpants. "Didn't marry a hooker, I hope?"

"What?! Don't be ridiculous."

"I was kidding. You'll wait in the lobby?"

"Fine", she says, letting out a yawn. "Hurry."

. . .

Despite the fact you agreed on picking her up in the lobby, Natasha's on the curb when you pull up. Her face seems to light up when she sees you, and she quickly grabs her duffel bag to approach the car. The door opens and she sinks into the passenger seat.

"Hey", you say, already starting the car. "Show me your ring. Just to be safe."

"Here." She holds out her left hand. The ring on her finger is definitely one you're familiar with, so you nod and give her hand a squeeze. She looks at you, head leaning against the headrest, and hums. "You're so beautiful, you know."

"And you're drunk", you reply, starting the car. Still, a tiny smile tugs at your lips.

Natasha shakes her head. She pulls your hand into her lap and holds it tight. She's not usually this openly clingy, but she's tipsy enough to turn into this touchy-feely mess you secretly adore.

"Beautiful", she repeats. "I'm gonna marry you. You wanna marry me?"

"We're engaged", you remind her. "Don't remember?"

"Of course I do." She lets out a scoff. "Just...checking. Making sure you didn't change your mind."

"Change my mind? What, and miss out on all the late night drives?" You shoot her a smile and feel her play with your fingers. "Seriously though, you had fun?"

"It wasn't bad", she admits, closing her eyes. "Bit boring."

"Boring, you say? Well, then you definitely didn't see one of those washed-up magicians", you say absently, taking a left turn. Natasha reaches out to poke your cheek — once, twice —, then you turn your head and lightly bite her fingertip.

She retracts her hand, looking offended.

"You started it", you quickly say. "With all that poking."

Natasha rolls her eyes and leans back.

"You're sensitive", she mumbles, wiping her finger on your sleeve. You bat her hand away. "Violent, too. Jesus."

"We'll be home soon", you say. You couldn't love Natasha more, but she's right at that point of being drunk where she's simply an idiot. Clingy, needy, and a little prone to biting. "Think you can make it about two hours without throwing up?"

She waves her hand dismissively, already curling up against the car door. Head against the window and breath fogging up the glass, she dozes off.

Getting her out of the car is proven to be more difficult than anticipated.

It turns out that getting into the car to be driven around and sleep is way more enjoyable than getting out of it again. Natasha sighs and protests, but eventually, you manage to pull her to her feet. She stumbles out and grips your shoulders, then smiles crookedly.

"Hey", she mumbles. "Wanna help me pick that up? 'Cause you made my jaw drop."

"Dear god."

"Didn't like that one? I got more."

"Absolutely not", you say, dragging her toward the door. She leans on you heavily, her head resting against yours. You eye the chunky brown mass clinging to the soles of her boots. "Shoes off. What the hell is that?"

"Refried beans", she mumbles, toeing off her boots and kicking them aside. "Clint dropped his Chipotle."

"And it was all beans...?"

Natasha shrugs and walks inside, flopping onto the couch face-first. You sigh and peel off your jacket, watching her for a moment. You expect her to get up again, maybe change into fresh clothes, but no — she seems asleep.

You feel bad about waking her, but you do it anyway.

"Ass off the couch", you hum, patting her backside. A muffled groan comes from the cushion. "Let's go."

"Tired."

"The couch isn't big enough for both of us", you argue, giving her a firm pinch just below the buttcheek. "Come on, bed."

"Stop nagging me", she mumbles, but sits up. You lead her away from the couch before she can change her mind.

Clothes off and pajamas on, comforters pulled aside. Natasha collapses again, one leg angled and the other stretched out. She sighs and burrows her face right in between the two pillows on your bed.

"Drank too much", she mutters. You hum, studying her with your eyebrows slightly furrowed. "Head hurts."

"Get some sleep."

"C'mere."

"In a minute", you promise, taking off your hoodie. "You know, I actually got a little scared when you called. I thought god knows what happened."

She snorts into the pillows. "Gotta trust me more."

"I do trust you." You sit next to her, tugging her top back down where it had ridden up. "I got scared, anyway. You, a bunch of irresponsible people, Atlantic City — not the best mix."

Natasha rolls over and looks at you through sleep-hazy eyes. You smile and tap her nose. She shakes her head.

"This was your idea."

"And you had fun", you insist. She curls into you, her face pressed against your chest. "Right?"

"If I say yes, you'll shut up?"

You roll your eyes and kiss her forehead. She's warm, warmer than you, and tonight is no exception. You can feel her heat seep into you, but it's a nice feeling. You might end up overheating, but it's nice. Anything is nice when you know she's safe.

"You're comfy", Natasha mutters, fingers finding the hem of your shirt and twisting it.

"You're still drunk."

"And in love."

You run your hand down her back, a smile forming on your lips. Before you can say anything, she's fallen asleep.

. . .

The light pressure of lips against your temple wakes you up. Sunlight is filtering through the curtains, brightening up the room and warming your bed. You hum sleepily, but make no move to actually wake up.

Another kiss, more insistent this time. A glance at the clock tells you it's almost noon. You turn your head and see Natasha, half asleep and mildly hungover.

"Thank you", she mumbles, nose nuzzling your cheek.

"For what?"

"Picking me up. Loving me. All of it, I guess."

"Aw", you hum, pulling her closer. "Don't thank me for that. But thank me for not kicking you out of bed. My god, you're a furnace."

"You're being dramatic", she mutters, her tightening arms telling you she definitely doesn't care about you burning up.

"Seriously! I almost had to sleep in the fridge."

She looks up, hair mussed and eyes bleary, and you bite back a grin.

"'Til death do us part", she replies, pinching your side. "Or something like that."

Your body jerks, but there's a smile on your face. You wrap your arms around her neck and roll over, trapping her beneath your body. She grunts, limbs slackening.

"Working on your vows, I see?", you tease.

"Been working on them since the day I met you", she says, making it sound like she's teasing as well, but you know there's a hidden layer of truth to her words. You kiss her, deep and firm, then pull away. She gazes up at you, her expression giving nothing away.

Her eyes, however, say a lot.

"My personal angel", she adds, murmuring. "No idea where I'd be without you."

"Good god", you say and scrunch up your face. "You're getting soft."

"Okay, that's not-"

You grin, knowing you've got her. Calling Natasha out on her feelings doesn't end well for most, but you have the privilege of getting away with just about anything. You stuck with her through more than she’d ever expect anyone to — you get free passes for just about anything.

"You are soft!"

“Seriously, enough.”

A laugh and a quick kiss on the lips. She rolls over, getting on top again and pressing you down into the mattress. Her eyes study yours and the sun makes her red hair shine and oh, you’re suddenly convinced you’ve made it through everything you thought you wouldn’t survive.

Natasha still isn’t an open book, not even to you, but you feel like you get to read more pages with every day that goes by.

#🫧: fanfics

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spiderfunkz · 2 months ago

Text

𝐡𝐨𝐰 𝐝𝐢𝐝 𝐢𝐭 𝐞𝐧𝐝?

a/n: parts of this (especially when it comes to the red room) are inaccurate/not canon compliant; either because of plot reasons or simply because i don't know better lol

summary: you and nat meet in the red room — years later, you reunite. named after the taylor swift song, but not really based on it. just thought it's fitting as the title

warnings: implied sexual contents, abuse, trauma, forced hysterectomy, descriptions of blood (brief); as always — if you notice anything else, tell me!

word count: 15.7k (yes, this is a long one, but i didn’t want to start another series)

✷ ✷ ✷ ✷ ✷ ✷ ✷ ✷ ✷ ✷ ✷ ✷

You're 12 when you meet her again.

Blood under fingernails and girls huddled together in a dark room. Dirt on cheeks, thin clothes, the air way too chilly for a November night.

Natasha's back. Again.

A mission in Ohio had made her believe in something entirely too good to be true. A fantasy, a pipe dream.

Family, warmth, safety. None of it real, all of it temporary. She allowed herself to sink into the feeling anyway and, foolishly, got used to it.

She should've known it'd end eventually. Part of her didn't want to believe it, though. And now she's back here, being delivered to the Red Room. They drag the girls out separately before moving them inside. When the doors open once more, she clings to Yelena. Her sister's body shakes violently.

This is the moment where they part again.

When the girls walk into the dormitory, it's dead silent. Merely the quiet footsteps and the groaning of the door's hinges cut through the quiet of the night. Rows and rows of bunk beds accommodate two dozen girls, covered by threadbare blankets. They barely stir — at this point, they're too used to this routine to care.

You, however, are awake. The door opening causes the dim glow of the hallway light to seep into the otherwise dark room, and you peek at the door. A handful of the girls, most of them ignoring you and heading straight for the few empty beds.

Only a pair of green eyes meets yours.

The first thing you notice is her blue hair. Then, you dare glancing at her face.

I know her, you think before looking away.

Bedsheets rustle. Natasha climbs into the spot above yours.

. . .

You should've known better than to step out of line.

The Red Room doesn't want you to show mercy, or take it easy on your opponents. It wants you cold and ruthless, not soft and sweet. If there's a gun in your hand, you shoot. If you have someone pinned to the ground, you deliver the final strike.

But you never, ever hesitate.

The instructors were furious. Not only did they haul you off the ground and shove you into the sensory deprivation room, but they also took away your food rations for the day.

The result?

Sitting in a cafeteria full of girls, who all have a tray of food in front of them. Bland chicken, overcooked vegetables, some bread. Dry, soggy, stale. Far from fine dining, but at least it'll fill their stomachs up about halfway.

You keep your eyes glued to the table in front of you, fingers drumming against your thighs.

Suddenly, a slice of bread is slid across the metal surface of the table. You look up, if only briefly, and meet the same pair of eyes you saw last night.

Natasha.

Your mouth opens, then you close it abruptly. No talking — you almost forgot about that rule. But she looks like she doesn't want you to thank her, either. Her face is stoic, apart from the ever so slightly furrowed eyebrows. She looks at her tray again, at the white piece of chicken, and cuts it in half.

You don't even think about what kind of risk she just took, as you're too hungry to focus on the do's and don't's of the Red Room. You just grab the bread and quickly eat it by tearing it into small pieces.

Somehow, no one notices.

"Thank you", you whisper that same night. No response comes from the bunk above yours.

. . .

Rustling of bedsheets and a bunk mate that won't stop tossing and turning.

Natasha glares at the ceiling, her arms crossed over her chest. The blanket is thin and worn, the room cold. Almost everyone else is asleep, at least judging by the quiet breathing and the silence of unmoving bodies.

Of course, everyone but the girl sleeping in the bed beneath hers.

It's been an hour since you started, and there's no sign of you stopping anytime soon. You're caught somewhere between sleep and wakefulness, your body restless and your mind exhausted. The images in front of you keep switching between dream and reality.

Natasha shifts again, pressing her palms against her eyes. You have training in the early morning, and if she isn't well-rested, it could lead to mistakes. She really doesn't want to get punished.

Why won't you sleep?

A soft whimper makes her glance down at you. Your body jerks, your face buried in the pillow. Natasha pauses and watches your expressions. Is it a nightmare? It wouldn't be your first. God knows she's suffered from those before as well.

Another toss. Another turn.

She can't stand it any longer. It's the middle of the night and she needs to sleep.

The bed creaks underneath her when she sits up. She stays still for a moment to make sure she didn't wake anyone, then she slides off the top bunk and silently lands on her feet. Crouching down next to you, she places her hand on your shoulder.

"Hey...", she whispers, quietly but sharply, and then struggles. Your name. What was your name? "Wake up", she continues, not bothering with the formalities. "Wake up."

Her voice cuts through the mess in your mind, but you don't wake up. Your face scrunches up and you shake your head, hand fisting the sheets underneath you.

It's frustrating, how nothing seems to work. Whatever you're dreaming about seems to have a tight grip on you. Maybe she should leave you alone — but you're being loud, and she doesn't want anyone else to wake up. Not like this. Not over something so...human.

"Wake up", she repeats, shaking you. You suddenly jerk away, and for a moment, her breath catches. Eyes wide with alarm, the fear on your face raw and instinctual. Your body has tensed up, muscles coiled tight like a snake's. You want to recoil, but you manage to make out the features of the person in front of you.

Blue hair, green eyes.

First, confusion. Then, realization. You slump into the bedsheets again, exhaling shakily. Natasha watches. At this point, she's barely breathing. The look in your eyes reminded her of something — of her, of Yelena, of every girl who's woken up in this place.

"Goodness", you finally mumble, and her stoic facade cracks for the first time in days.

"You were loud", she states.

You blink at her, then close your eyes in exhaustion. "I woke you up?"

"No. Couldn't fall asleep to begin with."

"Because of me?"

Natasha shrugs, the loose fabric of the tank top hanging off her slender frame. "You kept tossing."

You shake your head and cover your face with your hands. This should be embarrassing, at least for most people, but you feel like you have bigger problems than accidentally keeping your bunk mate awake at night. Like the fact you have combat training early in the morning.

"Did any of the Madames notice?", you ask, voice muffled and tired.

Natasha hesitates and looks at the door. Locked, of course. A faint strip of light is visible through the narrow window at the top.

"No", she says. "Not that I saw."

You nod, body relaxing slightly with relief. If any of them had noticed, you'd be paying for it by now. Nightmares are seen as a weakness — which you, 12 years old and more reasonable than the adults in this place, realize doesn't make any sense. Not many people can control their dreams.

Natasha doesn't move right away. She stays crouched next to your bed, studying you. You peek at her through your fingers and her expression doesn't waver. After a moment, she exhales sharply through her nose and shakes her head.

"Go back to sleep", she whispers and gets up. She grabs the metal frame of the top bunk and steps on the ladder.

"Natasha?", you say.

Her shoulders stiffen. It's the first time you've said her name.

She doesn't respond or look at you, but she hesitates. For you, that's enough.

"...Thanks."

Again, no response. She swings herself up onto the top bunk and curls back into the sheets.

Your breaths slow down gradually. You fall asleep at the same time.

. . .

'Don't form bonds.' 'Don't get attached.' 'Don't let someone else make you soft.'

Those are rules you aren't sure you'll be able to follow.

Music pulses through the air, but your heartbeat is louder. It echoes in your ears like a drum as you struggle to keep your movements precise.

Ballet lessons in the Red Room aren't any less harsh than the other types of training you go through. It's intense, physically demanding, just as draining as everything else. There's no space for missteps — only perfection is tolerated.

Natasha is more tired than usual. She's skilled, more so than most of the girls who've ever stepped into this place, but above all, she's human.

Sweat over her eyebrows, movements stiff but practiced. Pirouettes that get shakier with each repetition. When she stumbles, it doesn't take much thinking for you to reach out and steady her. She freezes under your touch. Her eyes flicker to yours, in them a mixture of confusion and something else. It's only there for a split second, but you notice anyway.

You quickly pull your hand away from her back. The warmth of her lingers on your fingertips.

"Sorry", you mumble. "I just- I didn't mean to-"

You don't get much further, as one of the instructors grabs you and yanks you away from her. She barks something in Russian — no touching, no helping, do you want to get punished? This will have consequences.

You don't resist as she drags you away from the others.

Natasha doesn't move, doesn't react. She just stands there as you're pulled away, her expression carefully blank.

You know better than to look back at her, but you feel her eyes on you. Watching, calculating, trying to figure out something she isn't sure exists.

The punishments of the Red Room never happen immediately. They stretch across the next hours (and sometimes days), they linger, they let this feeling of imminent doom hover in the air like a silent threat.

Again, a dark room. Something spiky they make you kneel on. Later, a corner in the cafeteria. Your back faces the other girls, who are eating silently. Nobody dares to look at you. Nobody but Natasha.

When you return to the dormitory that night, exhaustion has settled in your bones like a weight. You don't expect anything from anyone. Certainly not from her, who still looked at you with that cold detachment in her eyes.

But when you lift your blanket, you find something wrapped into a napkin. Half an apple, turning brown around the edges already. Still, it's something.

Your fingers brush over the fruit, then you slip it under your pillow. You look up and see Natasha's back. She doesn't turn, doesn't speak, and you don't, either.

Eventually, you lie down and eat the apple in silence.

Nothing seems to change, but somehow, everything does.

. . .

A room that smells like sweat and metal. Your feet hit the ground, the sharp sound echoing through the room. The Madames and the other girls stand in a circle around you, watching you like hawks. If you falter, you get punished.

You've sparred against Natasha before, but it was never like this. There's a tension between you now, a silent understanding that's lead to a delicate truce.

You don't want to hurt anyone in this room, but you especially don't want to hurt the blue-haired girl in front of you. The bunk bed would feel utterly lonely without her, even if your interactions have been limited.

However, this is the Red Room. Any fight here is brutal.

Fists, kicks, blocks, dodges. She delivers a strike to your face, and you retaliate quickly. Movements become quicker and blur together. You block a punch, and the impact sends a jolt up your arm.

Another kick, which you dodge. But your feet slide across the floor and you lose a fraction of balance. Natasha's eyes flash — she's fast. The fight turns into blocking and countering, both of you trying to get the upper hand.

She steps forward again and you push back harder. Your movements are almost mindless at this point — that is, until a soft gasp makes you pause.

Natasha touches her bottom lip, which is now split in half. Blood drips down her chin.

You freeze for a moment. There it is. The line you crossed.

"Sorry", you immediately say, lifting your shaky hand. Panic starts to pulse through your veins. "Natasha, I didn't-"

But Natasha doesn't say anything. She doesn't look angry, either. She looks...resigned. She wipes her swollen lip with the back of her hand and glances at the smudge of blood.

She looks back up at you, eyes narrowed slightly as if she's expecting something else. You want to take a step closer, comfort her, apologize until your mouth goes numb, but one of the Madames' voices cuts through the air.

"Enough!"

Startled, you take a step back. It's just in time for the woman to grab both your arms and start dragging you out of the room. You stumble after her, not entirely sure where you'll end up.

"You will both learn", she hisses, pushing open a door, "that hesitation is a weakness."

Snow, freezing cold. The air immediately seeps through your clothes and into your skin. The woman pushes you both onto your knees and ties your hands together behind your back, then she leaves again.

After what feels like an eternity of silence, you dare glancing at Natasha.

Nothing. She stares at the brick wall in front of her, jaw set stubbornly, nose red from the icy air. Her lip keeps bleeding, the blood drying on her chin.

You turn away again and close your eyes. Your fingers turn numb within minutes. Your shins, buried in the snow, first burn before losing sensation as well. Your body goes stiff.

The Red Room teaches endurance, but that doesn't change the fact that your body — young, small — is not built to withstand this kind of extreme weather. The Russian winter has a way of humbling you.

You try to shift, but the rope cutting into your wrists makes it difficult. What's almost worse than all of this is the silence between you and Natasha.

You look at her again. She's always been a hardheaded thing. Tough shell, hard to break. You've seen cracks in it, but barely.

"You're bleeding", you murmur, eyes fixed on the clump of blood on her chin.

"Stop talking", she replies. She says it like it doesn't matter, like it isn't worth the effort. But you notice the way her fingers curl. She's cold, too. It's gnawing at her just like the pain and the never ending hunger.

You shift again and almost lose your balance. Natasha quickly moves her upper body to try and steady you with her shoulder.

"Careful. You don't want to lie in the snow, I can tell you that much."

You nod and exhale, the air making your lungs freeze. She's right. If you topple over, there will be no way for you to get back up. It'd be the quickest way to a lung infection or hypothermia, if that isn't happening already.

"About earlier", you say, struggling. Your breath comes out in puffs. "I'm sorry."

Natasha shakes her head. She knows the rules. She knows you need to follow them.

"Stop apologizing.”

"I didn't mean to-"

"I told you to stop", she says flatly. Her green eyes meet yours. The wind tousles her blue hair, the individual strands fluttering. "It's not like you have a choice, do you?"

No. You certainly don't.

By the time you make it back into the dormitory, you feel like a human snowman. Your skin is raw from the cold and your entire body is sore from the punishment.

No dinner for you tonight, which would usually mean an aching stomach. Tonight, however, you have different issues.

The room is dark and silent, save for the almost inaudible breaths of the other girls. They're curled up beneath the blankets already, getting what little rest this place provides.

You fumble with the ties around your wrists, your fingers stiff and useless. Your grasp keeps slipping, your mind is spinning. You're still freezing.

Next to you, Natasha pulls hers loose first. You glance at her and frown, determined to get the knots free. It's a difficult task, considering your hands are behind your back, but she managed to do it — why shouldn't you be able to, as well?

Another beat passes. You're still struggling when you feel her move closer. Then, a sharp tug and your wrists are free.

You turn around, but Natasha is climbing the ladder to the top bunk already. You don't thank her this time. You just lay down and close your eyes to try and fall asleep.

The blanket on your bed offers little comfort. The cold has settled in your bones, deep and unyielding, and you keep shivering. You shift, shiver, shift again. Your bedsheets rustle. Toss and turn. Shift again.

A long exhale from the bunk above yours. A pause.

"Stop moving."

You huff quietly and glare at the mattress above you, even if Natasha can't see it. You lift your foot and lightly kick the spot where you assume her back should be.

"Quit that!"

"I'm cold", you whisper.

"News flash: so am I."

You hesitate, then slide off the bed. Your joints protest as you make your way up the ladder. You reach the top and see Natasha, turned away from you so she's facing the wall. You hesitate again. Then, you move under the blanket with her.

Bodies curled inwards to preserve warmth, neither of you speak. You're still cold, but it's not as harsh and lonely now. What you're feeling is a sort of comfort you've been missing for years.

You bury your face against her bony shoulder. She sighs, barely audible, but shifts to be closer to you.

"Don't make this a habit."

You'll make it a habit.

. . .

Natasha glances at you during lunch. She listens to you breathe at night. She keeps an eye on you during training.

You go on missions together. You exchange looks and faint smiles. You let each other believe you aren't alone.

Maybe you actually aren't alone anymore, either. For the first time in years, it feels like you aren't.

Something like affection builds between the two of you, as childlike and innocent as the Red Room allows it to be. It's fragile, as everything that grows in this environment is, but it's there.

You don't talk much, but words aren't necessary. A glance across the table of the cafeteria. A nod before training. Watching each other's backs. She covers for your mistakes, and you cover for hers. If one of you gets punished, usually so does the other.

You learn the rhythm of each other's footsteps and the way you move when you fight. You learn how to make it look like you're not holding back, while simultaneously making sure never to hurt the other. You'd only end up splitting her lip one more time.

At night, she doesn't ask questions when you wake up from a nightmare. Instead she just scoots and makes space, anticipating your arrival. You climb the ladder without fail each time.

It's the same blanket as yours, the same pillow. Somehow, it feels warmer. You curl into her like a cat and tuck your face against her shoulder. It's beyond you how you never get caught, but you don't dare question this wonderful, reoccurring fluke.

Again, the Red Room is still a harsh environment. Beautiful things don't thrive here. Innocence doesn't thrive here. There's no room for softness, either — but somehow, you carve out a space for it anyway.

. . .

You're 15 when you realize that she means more to you than any person in this place should.

Two years have passed. Maybe three.

You're not really sure. The Red Room makes time seem like something fluid, something inconsistent.

When you look in the mirror in the shared bathroom, you can't pinpoint the exact differences. But something is different — you're taller, your hair longer (that is, before they cut it off again), your face still young but sharper.

What really shows you that time has passed is Natasha.

Before her, you never bothered to pay enough attention to someone to notice the changes that occur over the months and years. But with her? You can basically see her grow. It's a slow process, obviously, but it's there. It's graspable, real, how her hair is growing out and how she's suddenly grown — she's still smaller than you, but at least she's almost on eye level with you now.

Despite all that, time doesn't feel real in the Red Room. It slips through your fingers like sand, but it also stretches out endlessly. Days blur together, hours feel like they last an eternity. In the middle of it all, something shifts between you and Natasha.

The distance between you shrinks. It's barely perceptible at this point. There's no specific label for it, not yet at least. You're too young, too busy with other things to really think about it, but what you once had has turned into something sweeter.

At night, you climb into her bunk. It's routine by now, not something dictated by whether you have a nightmare or not. She scoots to make space, and when you're under the covers with her, she presses into you to seek out warmth just like you do.

And then, there are moments that catch you off-guard.

A glance that lingers. A knee that rests against yours, neither of you moving away. A hand brushing against your back during ballet.

The way her voice suddenly sounds softer when murmuring "goodnight". The way the detached look on her face disappears when looking at you. The way your heart rabbits in your chest.

Maybe you should've expected it.

You don't.

It happens at night, when everyone is asleep. You're wrapped into her blanket, the one that barely shields you from the cold. You both shift, though it's not clear why — maybe to adjust the blanket, or to get into a more comfortable position. Either way, it doesn't matter.

Natasha's head turns up the same moment you look at her. Her lips brush against yours.

It's everything and nothing at the same time.

A brief, clumsy contact, but an undeniable one. It awakens a swarm of butterflies in her stomach and makes your fingers tremble. You're both frozen for a moment. Face warm and red with something like shame and realization, you glance up at her.

"Shit", she mumbles.

"Yeah." You swallow, trying to catch her gaze. She keeps staring at whatever's right next to your shoulder. "I think that was my first kiss", you add dumbly.

"You're counting this as a kiss?"

You shrug, slightly confused. "What else could it be?"

No answer. Natasha chews on her bottom lip, trying to make the fluttery feeling in her stomach go away. It's annoying, how intense it is. She's never felt it before, and now that it's here, she can't get rid of it.

Her eyes meet yours again. Neither of you know what you're doing, but that's fine.

Her breath fans against your cheek when she exhales. It's almost a sigh. Then, she leans in again.

This time, it definitely is a kiss.

. . .

Cocooned in the warmth of her bed, the world around you suddenly doesn't seem to exist anymore.

You forget about the scars and bruises that litter both of your bodies (though that doesn't stop you from tracing each new bandage with your fingers, your eyebrows furrowed and your bottom lip between your teeth, even if Natasha keeps insisting she's fine). You forget about what waits for you in the mornings and what upset you in the evenings. You forget about the dried blood on your pillow, about the upcoming missions, about everything but her.

In the middle of pain and torture, you've found purpose.

At night, you climb into Natasha's bed. Sometimes, she climbs into yours.

You start to talk more. You find out things you can tell she kept secret until now.

Losing your family is something every girl in the Red Room has gone through. Natasha, however, lost two families.

She doesn't remember the first time, but the second time is burned into her mind. It haunts her when she's alone, when it's silent. When the lights turn off and she suddenly remembers being in that container again, when a girl crying sounds a little too much like her sister.

Yelena. She mumbles the name against your shoulder, her eyes closed. Unsure what to say, you lift your hand and brush her hair away from her face. Once blue, now red with blue ends.

"Younger than you?", you ask, your voice a whisper. You heard someone stir earlier, and you don't want to risk anyone waking up to you cuddled up like this. They probably wouldn't tell on you, but you're still cautious. You're young, but you know to protect what's close to your heart.

"She was six", she says, struggling. "I couldn't help her."

You close your eyes. You smell her scent, all soap and cotton, and nudge her forehead with your nose.

"Not your fault."

"She was a kid. A baby, basically."

"We're not much older."

Natasha stays quiet for a moment. She sounds helpless when she speaks again.

"I lost her."

There's not much you can say in that moment. Maybe you don't need to say anything, either. Maybe Natasha just needs you to be there — which you are.

You let your lips brush against her forehead. Your fingers ghost over her wrist, feeling the pulse beneath. Fast, steady. Most importantly: alive.

Her fingers curl around your hand, then squeeze gently. Barely there, but it means more than she could ever know.

"You didn't lose everything", you mumble, intertwining your fingers with hers. You're each other's anchor, even in a place like this. Especially in a place like this, maybe. "We'll find her."

We.

Natasha looks at you. Her chin tilts upward and she kisses you, lips warm and minty like toothpaste.

. . .

You feel the illness long before it really hits you.

It's nothing dramatic. A simple flu, complete with a fever, a cough, a runny nose. But your skull is pounding and your muscles aching, and when you open your eyes in the morning, you feel like you were hit by a truck.

It's still dark in the dormitory. Outside, the sun is barely peeking over the horizon, but you can't see it thanks to the lack of windows. You groan when a shiver racks through you, your throat sore and burning.

Natasha leans over the edge of her bunk bed. She left the feverish warmth of your bed as soon as she noticed your discomfort. It's the first time in two years that she didn't sleep by your side.

"Y/N?"

You look at her, then close your eyes again. This can't be happening. Being sick in the Red Room is one of the worst possible misfortunes that can happen. Rest is not an option here — not really, anyway. They grant you two days to get better, and if you still feel ill afterwards?

Tough luck. You have to push through.

Natasha doesn't say anything at first, but she watches. Her eyebrows furrow with worry when you sit up, clearly dizzy. With one, swift movement, she's jumped off the bed and landed on her feet silently.

Her hands grab your shoulders and steer you back to bed.

"Nat", you mumble dismissively, voice muffled.

"Sit down", she says, pushing you onto your butt. You sit and sneeze. "Bless you. Now stay in bed."

"We have training-"

"You get two days off", she reminds you. "You need to rest."

You scoff and cross your arms. Natasha leans in and presses the back of her hand against your forehead. You don't need her to tell you to know you're burning up, but the way her expression shifts tells you anyway.

"Lay down", she murmurs.

You look at her, sighing. "Come on."

Her face, for the first time ever, turns pleading. "Lay down. Rest. You can't push yourself too hard."

After another moment of hesitation, you lay down. Natasha tucks you in, her hands lingering.

At night, you drift in and out of sleep. Natasha is sitting next to you, legs crossed. You're too dazed to pay attention to your surroundings, but you hear the faint clicking of metal and her soft, muttered curses when her hand slips.

The hex nut is slippery and small between her sweaty fingers. She slides off the mattress and sits on the cold floor, where she uses the concrete floor to smooth the edges. She's completely focused, shutting everything else out. Tongue poking out between her teeth, eyes slightly narrowed to be able to see in the darkness. Behind her, you roll over and sniffle.

Natasha turns. You barely manage to make out her features in the pitch black of the room.

You want to say something, but sleep catches up again. Cheeks rosy and slick with sweat, baby hairs sticking to your forehead, you close your eyes. Almost lost in the haze of fever and half-sleep, you can feel her fingertips brush over your temple. When she pulls away, the absence of her touch nearly manages to wake you.

You let out a sleepy huff and relax into the sheets again. Natasha picks up the hex nut and keeps filing the sharp edges.

Every night, she sits with you like this. Working quietly, diligently, until you're feeling better again.

. . .

You're 17 when you realize you're in love.

Black Widows don't have a future.

At least not the kind of future other people expect for themselves. Normal people. The ones with nine to five jobs and two kids, dogs and cats, cars in suburbs and nights out in the city. The ones who have a choice. The ones who aren't completely, utterly messed up.

It's nice to fantasize, anyway. Whether it's empty beaches or bustling cities, small cottages or mansions so big they make the Red Room seem tiny — you like escaping from reality now and then. You like allowing yourself to be delusional, to pretend you actually have an influence on how your life will go.

How will it end? You can't know that yet. But you hope it'll be at least a little more like the outcomes your mind produces late at night, when you have Natasha tucked against your chest.

She fantasizes with you. You like her fantasies, her dreams and desires, more than your own.

Though, there isn't a particular thing she wishes for. She only wants to get out of this hellhole with you.

"We will", you assure her. You're on your back, eyes glued to the ceiling you can barely see. Natasha is a warm, grounding weight on your chest you don't ever want to miss. "Even if the outside world scares me."

"More than this place?"

An unnecessary question, and you both know it.

"No." You feel her lips brush against your collarbone. "I suppose it scares me in a good way."

"Idiot", she mumbles. The affection in her voice is louder than what she said. "I suppose. Who talks like that?"

"You're mean, you know", you mutter and pinch her side. She bites your collarbone to stop herself from letting out a noise. "Ow!"

"You pinched me!", she says, her words a whisper. You scoff and lean in to kiss the grin off her face. "That doesn't work on me."

"It works on me."

"You're just looking for an excuse to kiss me."

"I wouldn't be me if I didn't."

Natasha's lips quirk into a smile. You know that because you feel it against your mouth — the subtle curve of her lips, the way her breath puffs out in amusement, her nose brushing against yours. You taste her happiness and crave more.

"I'm glad you're you", she whispers, "but I don't need your crab claws all over my skin."

You don't say anything. You huff softly, your hand reaching up to brush some hair out of her face. Natasha stills, her eyes studying you in the dead of night. You can feel the thoughts form in her brain and radiate from her, and you swallow. Her full lips part. Her voice is the only sound in the room, the only sound that ever mattered.

"I love you, you know."

Simple, quiet, to the point. For a moment, you don't respond. Not because you don't feel anything, but because you feel too much.

"I love you too", you then whisper back. Words you haven't said that many times, but the second you utter them, you know you mean it. You've meant it for a while.

She smiles and leans in, forehead pressed against yours cheek. Her breath is hot on your skin. Then she shifts to adjust herself, and you feel her face buried against your neck. You wrap your arms around her and roll over so she's tucked between you and the wall.

"Now go to sleep before you start crying or something", she mumbles. You scoff and kiss her temple. "I mean it."

"I'm not going to cry." You run your hand under her top and feel her warm skin. You feel the scars, the little bumps and ridges, the imperfections marring her skin, and quietly decide that with Natasha, imperfections don't exist. "You know, we'll get there one day."

"Where?"

"There. We'll get out, and- and we'll do everything we're told we can't."

Her eyelashes brush against your skin. Her hand fists the back of your tank top. "You're talking nonsense."

"I mean it."

A pause. The room is silent and dark, save for the quiet breathing of the other girls. When she speaks again, her voice is soft and hesitant.

"What would we do?”

You're not really sure. All you know is that, somewhere in this picture of possibilities and risks and fears, Natasha is there as well.

"Anything. Everything."

. . .

You're 18 when Natasha starts to slip away.

There is a day that all girls in the Red Room fear. Nobody really knows what happens. There is no announcement, no explanation.

The girls who leave seldomly return. If they do, they're different — sharper, but also sadder. Like even that little bit of light they had got drained out of them.

It's lunchtime. You're all gathered at the long tables, with trays in front of you.

You've had a bad feeling all morning long. From the moment you untangled yourself from Natasha, to the second you stepped into the cafeteria. It's heavy, nauseating, resting in your stomach like a weight you can't get rid of.

She seems different, too. Withdrawn, defeated. You watch her fingers trace the edge of her tray, her mind elsewhere.

You aren't sure what's going on until her name is suddenly called.

"Romanoff."

The entire room goes silent. She hesitates for what can only be a few seconds, but it feels like an eternity. Her chair screeches as she pushes it back. Your hand reaches out automatically, then you retract it as if you got burned. Part of you wants to jump in and stop her, tell her to stay, but you can't. No one can.

She doesn't look at you as she turns around and leaves.

You don't see her for days.

It's late in the evening when she returns. Nothing is the same anymore.

She doesn't speak, doesn't look at you. She curls into your side and puts her head on your chest. Her eyes stay open.

Concern washes over you. You dare looking down at her, at her top that has ridden up, and you feel something sour rise in your throat.

There's a bandage around her lower stomach, stained with dried blood.

You've seen many injuries in your life before — cuts, bruises, gunshot wounds — but this is different. This is deliberate, meant to keep her under control. You don't have to ask what it is.

The Red Room doesn't take kindness into account. It doesn't care about pain, grief, trauma. It doesn't care about futures stolen before they could even begin. Futures that may have never happened in the first place.

You wrap your arms around her and carefully pull her closer. You feel something warm and wet against your neck, slowly soaking into the fabric of your tank top. You don't say anything, because what are you supposed to say, anyway? That you're sorry? That you wish you could take her pain away? That this doesn't change who she is?

It doesn't change who she is. She's Natasha. But it still changes so much.

The damp area of your shirt grows warmer and larger. Her nose presses against your collarbone. You want to reassure her, comfort her, but you're not sure how. Nothing is going to give her back what was taken.

You bury your face in her hair and breathe in her scent. Soap, metal, something unmistakably her.

Her breath hitches. You can feel her suppress her sobs, making herself smaller. Her fingers twitch against your ribs, restless, not sure what to do. You're not sure, either.

Then, a sound. Small, pained, somewhere between a sob and a sigh.

"I don't feel real."

Some experiences haunt you for a lifetime.

. . .

You aren't aware of your lasts when they happen — your last kiss, your last 'I love you'. It isn't something you get to cherish, because you foolishly assume it'd happen again.

It won't. You just don't know yet.

The night before, she's in your bed. The scar on her lower stomach has healed by now. The next morning, she'll leave for a mission. Budapest, Hungary.

She doesn't want to go. It's always the same — violent, bloody, scary. At least she'll get out of the Red Room's confinements for a few days, which is the only upside she can think of.

You don't sleep much that night. Neither does she.

Her hands slide under your shirt, up to your ribcage. Fingertips trace your skin repeatedly, mapping out scars and ribs and birthmarks. She memorized the feel of you years ago. At this point, doing this is mere comfort. It's a quiet assurance that, no matter what, some things don't change.

Oh, how wrong she is.

"It's just a few days", you murmur. You can sense the anxiety radiating from her. It's not funny — obviously not —, but there's something ironic about someone as strong and resilient as Natasha being nervous about a mission. You both know that being in the Red Room is worse in many ways.

Maybe it's returning to the Red Room that worries her. Or not returning. Or always having to return. A never-ending cycle, perhaps.

"It's not about how long I'll be gone."

"I know."

Natasha looks up. Her eyes are exhausted, full of that same resignation you've been carrying for years.

"Then why'd you say it?", she asks.

You don't have an answer to that. Instead, you cup her face and kiss her. Not urgently, not desperately. Soft, slow, familiar like the feeling of your heartbeat under her fingertips.

By the time you wake up, she's gone. You won't see her again for years.

. . .

You're 31 when you get out.

Morocco's air is hot and full of dust. Yelena and you jump out of the window and land next to a woman. She turns and spots you, immediately going for an attack. You dodge her and wrap your arm around her neck. As she starts gasping, you see the vial, filled with red gas, in her hand.

"No!", she wheezes as you tighten your grip. Somehow, she manages to break the glass open right when Yelena stabs her. The powder spreads in the air and enters your airways and eyes, so you start coughing and let go of her — and the control that Dreykov had over you starts to fade.

For the first time in an eternity, you're yourself again. Or a version of yourself. You're not too sure. All you know is that the grip on your mind, your body, has disappeared. The thick haze through which you've been seeing life gets thinner and weaker.

Next to you, Yelena sneezes. You're too overwhelmed to react to that.

"What- what happened?", you stammer, letting go of the woman. Her limp body drops to the floor. "Fuck, did we kill her?"

"That...was that an antidote?" Yelena scrubs her hand down her dust-caked face. "Shit."

Confused, you start turning around to look at your surroundings. Right, Morocco. The mission. You remember getting here, but you also don't remember anything. Your memories don't seem to be your own. But they have to be, right?

Probably. You're not sure, though. Being freed from the Red Room's mind control is an odd sensation, and there are way too many things you're supposed to focus on.

You feel freedom. But it doesn't feel like you thought it would. You're...you. Just you. Suddenly, other parts of you have disappeared — parts that weren't yours in the first place, parts that they implemented in you.

Implement. They also implemented a gps-tracker. You grab a small blade and slice open your thighs to remove the small chips. You wipe your hands on your suit and get up, eyes scanning the area. For now, you're alone.

"We need to leave", Yelena says, throwing the trackers on the ground and crushing them with the sole of her boot.

"But Oksana..." You swallow as you glance at the woman lying on the dirty ground. "She helped us."

"She won't make it, Y/N", she says. "Seriously. If we don't leave now, they'll find us."

You give her a hesitant look, but Yelena looks resolute. She's about as stubborn as her older sister.

"Come on", she urges you, grabbing your arm. Her touch burns — you don't know how long it's been since you consciously felt another person's touch. You want to protest, to stay and see if Oksana's case really is as hopeless as Yelena is saying, but she keeps tugging you through the streets and into a dark alley.

A motorbike, flying down Morocco's roads. No idea where Yelena got that thing from — she suddenly made you sit on it without offering much of an explanation —, but you assume she stole it.

Wind that stings your face, whipping against your skin like punishment. You take a breath and taste dust. You cough and tighten your arms around her waist, quietly praying you won't fall and break your neck. Dying right after escaping from the Red Room would have to be the most embarrassing thing to happen in your life so far.

About an hour passes. The city flies past you, blurring like the thoughts in your head.

Yelena grips the handlebars harder and takes a sharp turn. You let out an undignified noise and bury your face against her shoulder.

"сука!", she curses when a guy, also on a motorbike, almost crashes into you. "Ah, fuck. They drive like lunatics around here."

"Are you kidding?!"

"What's that supposed to mean?" She cackles and stops in front of a gas station. You both hop off the motorbike, your legs shaking like jelly. You lean against the gas pump and groan. "Come on, that was nothing!"

"Screw you." You wipe your forehead with the back of your hand and sigh, glancing at your surroundings.

A gas station, tucked between two buildings with flickering neon signs. You smell gasoline, sweat (probably stemming from you and Yelena — you really need a shower), grilled meat coming from the stall across the street. A stray cat slinks past you, briefly looking up before losing interest. The only noise comes from a few cars passing by and a group of men loitering by their cars, laughing and talking rapidly.

Beyond the station, the road stretches into darkness. No Red Room agents, no looming threats—just empty space. It's peaceful out here, at least judging by what you can see and hear. But the paranoia lingers. You glance over your shoulder, waiting for something — someone — to come after you.

Yelena nudges your side. "Zoning out?"

"What?...no, I'm fine."

"Well, good. We still need to get some supplies." She jerks her chin toward the station and starts walking. "Chop chop!"

You sigh again, but ultimately follow her inside. Your days in the Red Room seem to be over, but peace isn't something you'll get acquainted with soon.

. . .

You awaken with a pained groan. Sunlight blinds you, so you turn your head only to be met with the sight of Yelena. She's not the most graceful sleeper — mouth agape, one leg hanging off the bed, her hand twitching in her sleep. But you're happy she's here, that you're not alone in this unfamiliar place.

You get up and stretch. The wound on your thigh stings as you step toward the window and look outside.

Early morning in Budapest is quiet but not silent. It's calm in a way you aren't used to. You still haven't gotten used to the fact you can sleep in (other than the woman snoring like a freight train), or that you can just go outside and buy bread. Or walk around the block. Maybe step into the park.

Because you're not used to it, you also don't do it. You're inside most of the time, only leaving the safe house when it's necessary. And even then you carry a gun with you, loaded and hidden under your jacket. It's a steady weight, providing you with a sense of safety. You're telling yourself it's a precaution, but deep down, you know better. The Red Room still has a grip on you.

Behind you, Yelena shifts and mumbles something in her sleep. Then, a sigh. A grunt.

You turn around and look at her. She peeks at you and rolls over so the sun isn't shining on her face anymore.

"Blinds", she mutters.

"Sorry", you say, closing the blinds. "Not going to get up?"

"I'm not crazy like you. But if you're up, you might as well make coffee."

You roll your eyes, but nod and put on your sweatshirt before padding into the kitchen. Right as you're grabbing a bottle of milk from the fridge, you hear someone fiddle with the lock of the apartment's front door.

You freeze.

Yelena may be lazy in the mornings, but she's not careless. Only you and her have access to this apartment.

The lock clicks. The door creaks open. Your hand instinctively touches your side, but you left your gun in the bedroom.

Steps, almost silent. Whoever it is, they're moving with the stealth of a cat. Only one person springs to mind, but your brain quickly pushes the thought away. Instead, you press yourself against the fridge.

You didn't expect them to find you yet. You found a spot that's well hidden, secure, thinking it'd grant you at least a few weeks to figure out what comes next. In the end, it's someone you never expected to see again.

A shadow appears in the doorway. When you look up, your eyes meet the ones you used to know like your own reflection.

They're the same. Time has had an impact on both of you, but her eyes? They never changed.

The bottle drops from your hand. Glass shatters, milk spills everywhere. But Natasha doesn't flinch. In fact, neither of you move.

You stare at her, trying to convince yourself this isn't real. That this is a dream, or she's a ghost, or maybe both. When you realize that's not the case, you silently start begging for her to leave again. Leave like she did last time, and never return.

She abandoned you in the Red Room. There's no room for sympathy here — but she stays anyway. It feels like no time has passed, even if that's definitely not the case. Time has passed. Years, decades.

Finally, her eyes flick down to the milk seeping across the floor, curling around the shards of glass.

"What a waste", she says, almost quietly. Her voice is soft enough to infuriate you.

"What the fuck are you doing here?", you snap, stepping away from the fridge. She doesn't react, doesn't budge. Truthfully, you didn't expect anything else from a woman that's able to stay calm even while defusing bombs and hunting literal aliens.

"I could ask you the same thing", she says, reaching into the pocket of her jeans. You back away and bump against the fridge again, but it's just a few pictures. On them? Two little girls, one blonde and the other blue-haired. "You sent me this."

You let out a humorless laugh, but it's tinged with pain. Your eyes stay glued to the simple images that managed to revive decades old feelings. Feelings that should be long buried.

"I didn't send you shit. You thought I'd contact you?"

"Someone", she says sharply, "sent me this. It led me here. So it was either you, or-"

"Morning", Yelena says, yawning and stretching as she enters the kitchen. She steps over the puddle. "Who the fuck is yelling this early in the morning? Also, someone dropped milk." She looks at Natasha and raises her eyebrows. "Oh, finally. Took you long enough. You're slacking."

"You sent those?", she asks, crossing her arms.

"Huh?" Yelena leans over to peek at the pictures. "Oh, yes. Right."

"Why?", you snap. Yelena gives you a surprised look.

"What, 'why'?"

"Why'd you send those", Natasha says, sliding the pictures toward her. Then, she grabs a bundle of vials and puts them on the table. "This, too."

"Oh, right", she says, sitting on the counter. She stirs the cup of coffee in her hand and takes a careful sip. "Because of the Red Room, you know. So we'll go take it down."

"You...what?"

"What are you talking about?", Natasha says, frowning. "The Red Room is gone."

Two heads whip around at the same time to stare at her. Her words, simple as they may be, make your heart pound. But she truly seems to believe what she just said.

"Are you kidding?", you say, your voice rising. "Gone? Don't tell me you really believe that."

"Dreykov's dead", she says, frowning. "I killed him years ago."

"Ha! She really believes that." Yelena jumps up and avoids the shards to reach for the vials. "This is an antidote, you know. For mind control."

Natasha shakes her head. She didn't expect to find you here; she thought it'd be just Yelena. It'd be easier if it was just her sister. She knows how to deal with her. But you? God, it's hard when it comes to you.

When she ran from her past, she ran from you. Now she has to confront the one person who, at some point in time, wasn't only her past — but her entire future.

"Dreykov is alive", you say quietly, looking away from her. You saw the expression on her face, and it's too much to handle in that moment. "You really think he'd let anyone kill him?"

"Killing him was part of my defection to SHIELD", Natasha says stubbornly. She still sounds convinced. "It took destroying almost the entire city to get to him."

Yelena pours some vodka into her coffee. When you glance at her, she shrugs. "We don't have any milk left." She turns to Natasha. "Did you confirm the kill? Check the body?"

Natasha takes a shot of vodka, her eyes tearing up slightly. You see the faint redness in them, the moisture that matches the one in your own eyes. You're both tearing up, but for different reasons. She bites the insides of her cheeks and lifts her chin in a defensive manner. "There was no body left to check.”

"He's not dead", she repeats. "Ask me, ask Y/N. We'd know."

They look at you. You shake your head, the heels of your hands pressed against your eyes, and blindly take a step forward. Glass cuts into your sole, but you ignore the sudden pain, the blood mixing with the spilled milk.

You need to get out of this room. You need to get away from Natasha, just like she got away from you.

. . .

In the morning, you leave. All three of you.

You're in the back of the car, refusing to do anything other than sit there and stare out the window. The tension in the small space is thick enough to be cut with a knife, but Yelena doesn't seem to notice that. She's never been particularly good at reading social cues, which is something she has in common with her sister.

"You two are so dramatic", she says after an eternity of silence. "I should've brought popcorn, you know."

At her words, Natasha makes a sharp turn. You brace yourself against the door and bite back a retort. Instead, neither of you reply.

Yelena yawns and stretches. She rolls her shoulders until her joints pop, then reaches over to turn on the radio. Natasha bats her hand away.

"Don't."

"It's boring."

"Yelena."

"I'll start singing." She clears her throat and then begins belting out an off-key rendition of some song. Natasha white-knuckles the steering wheel when Yelena's voice fills the car. She's doing this on purpose.

"Get her to shut up", you mutter, kicking the back of Natasha's seat.

She grits her teeth, not replying to you. Then, suddenly, she presses the small button on the radio. Static fills the car before settling on some station playing a song from the 90's you vaguely remember.

A mission in rural Russia. You and Natasha, 16 years old and curled together behind the dumpster of a bar. Soaking up the minutes left before returning to the place you're now about to go take down.

Natasha's gaze meets yours in the rear view mirror. It's just for a split second, but you both seem to soften.

. . .

You leave the city behind. Winding roads and open stretches of land replace it, the world eerily quiet in the dead of night. The car is silent, but only because Yelena has fallen asleep — head resting against the glass and mouth open, you're surprised she hasn't started drooling yet.

"How much longer?"

"A few more hours", Natasha mumbles, glancing at the fuel gauge. "We need gas."

She pulls up in front of a gas station and gets out. You stay in the back for a moment, watching her refuel the car, then unbuckle. It's cold outside, so much so that goosebumps form on your arms. You lean against the car and wait.

Natasha keeps a close eye on the fuel display, watching the numbers climb. She lets go of the handle as soon as it hits the right amount, shaking the nozzle to remove any excess fuel. She steps around the car and looks at you.

You hesitate before following her inside.

It's a typical gas station, with a bored looking clerk leaning against the counter and shelves half-stocked with dusty snack bags. Refrigerators full of soda and water bottles, some porn magazines, newspapers, souvenirs. You glance at a stuffed teddy bear that's wearing a shirt with the word 'Hungary' printed on the front.

Natasha grabs a bottle of water. When she notices you eyeing the shelves, she pauses before grabbing a second bottle and a protein bar. She holds them out to you and you hesitate once more, but then you take them.

Yelena is still asleep in the car. You sit on the curb and unscrew the bottle to take a few sips. You feel her presence as she sits next to you, see how she plucks a cigarette from her pocket, how she lights it but doesn't take a drag.

Silence used to be comfortable between the two of you. Now, it feels like an eternity of discomfort.

Plumes of smoke curl into the air as she finally takes a hit. You glance at her, briefly, but manage to catch her gaze. Wordlessly, she holds out the cigarette.

You inhale a lungful and stifle a choked cough. Natasha's lips twitch.

"Careful", she says.

"I'm not used to it."

"Might be for the better."

Natasha flicks ash off the tip before taking another puff. You glance at her and see everything that wasn't there the last time you saw her.

"You're an Avenger now", you state. She looks at you, but doesn't say anything. "Was it worth it? Leaving, I mean?"

She averts her eyes again. The cigarette falls to the ground and she presses it out with her boot.

"We're adults now", she says carefully. "There's no point in pretending. Y/N, I didn't have a choice. It was either leaving or dying in there."

You nod, fingers fiddling with the loose cap in your hands. "You left us to die instead."

No reply, no arguing back. Just silence and the hum of the cars as they pass by.

Finally, she turns around. Her fingers brush against yours, cold yet familiar, as she takes the cap from you. You look up only for the ache in your chest to increase.

"I would've come back", she says. "I didn't think you'd made it."

"Only 19 in 20."

"Yeah."

You study her in the dim light that's cast by the neon signs above you. Green, lighter than her eyes but not nearly as mesmerizing.

"I wanted to come back", she starts, glancing at the cap between her fingers. "I couldn't. Clint, he- he told me it'd be too risky. I couldn't afford going back there. Not after making it out."

"Clint?" It sounds like a question, but really, you know that name. Another Avenger.

She shakes her head in dismissal. "You'll meet him."

You tilt your head. I will?

"Point is", she says, glancing away again, "I didn't have a choice. Not really. By the time I did, it seemed like it was too late. I tried to find you, but I couldn't. It seemed impossible without directly confronting Dreykov, or someone close to him."

You nod, exhaling slowly. Trusting her still seems impossible, no matter how plausible her story may be. Being left behind like that leaves scars. Most of them haven't healed.

"The others were impressed", you mumble, tugging at your loose shoelaces until they come undone. "Jealous, but also impressed."

Natasha manages a bitter smile. "And you?"

You hesitate and let go of the shoelaces.

"I hated you for it", you admit. "At first. Now I get it, I guess. Which doesn't make it right. But you were trying to survive. We all were."

"It never stopped being about survival", she mumbles. "Not without you."

You swallow, eyes squeezing shut. You try to find an answer beneath all the layers of pain and anger, but you find nothing. Her words cut deeper than anything else she's said tonight.

You're pulled back to reality by Yelena stirring in the car. You turn around right as she lowers the window. Her tired voice cuts through the silent night, through the tension.

"You two better not be making out back there."

"We're not", Natasha calls. Despite the irritation in her voice, her lips curl into a tentative half-smile as she looks at you.

"Good. Let me know if you need a room or something."

"I'll kick you out of the car", Natasha says, unimpressed, and gets up. She holds out her hand and you take it, letting her pull you to your feet. The simple contact of skin on skin sends a familiar flurry of electricity through you. You ignore it as best as you can.

. . .

You're 32 when you take down the Red Room.

Somewhere between those moments in Hungary and the day you finally watch the place that stole your life go up in flames, you celebrate your birthday.

Truthfully, you have no idea what your actual birthday is — which is the case for most girls in the Red Room. It's a piece of information that's deliberately withheld from you, for whatever reason that may be. It's not that it'd be of importance, either. They don't celebrate your birthday. All you know is that you were born somewhere in the late days of summer.

Natasha used to celebrate with you. Handing you a piece of fruit or bread wrapped in a tissue, kissing your cheek, scooting closer. It only happened a handful of times, but every second of those nights is ingrained in your brain.

The motel you're at is rundown and small. It's unlike the ones you've seen so far, but it's not the worst, either. Considering your circumstances, you're happy with mold-free bathrooms and a somewhat clean bed.

You plop down on the edge of the bed, the mattress sagging, and untie your boots. Yelena is in the shower, leaving you alone with Natasha. She hasn't said a word since you got here.

When you're about to toe off your second boot, a rounded something wrapped in a paper napkin lands in your lap. You look up and are met with the sight of Natasha watching you.

"You know what day it is?", she asks.

You stare at her, caught off guard. "No?"

"Your birthday."

You hesitate and unwrap whatever she handed you. It's a small cupcake, crushed from being carried around. Vanilla, judging by the color of the frosting. "I don't have a birthday."

"Not true", she says, sitting on the bed next to you. The mattress dips, reminding you of nights in the Red Room. How the thin mattress would sink under her weight, announcing her arrival. How the first thing she'd do is press closer and seek the warmth you both craved. "Everyone has a birthday."

Touché. You brush your finger against the bottom of the cupcake, unsure what to say.

Natasha shifts, arms crossed and expression guarded.

"I didn't bake it", she states the obvious. "I found it at a gas station."

You let out a sound that's dangerously close to a laugh, inspecting the cupcake. "How did I not notice?"

"I made Yelena distract you."

This time, you let out an actual laugh. You peel back the wrapper and take a small bite. Dry, but yummy. A bit too sweet. Nice vanilla flavor, though. "Thank you."

You look at each other. Natasha hums, tentatively reaching out to brush a crumb from the corner of your mouth. It's a brief, light touch, but it makes you freeze. Silence suddenly fills the room.

"Happy birthday", she mumbles. She pulls back, arms crossed over her middle. You swallow and look at the cupcake again.

"Doesn't feel like much of a celebration."

"They didn't have balloons."

"Candles?"

"No."

You crack a smile and poke at the cupcake. "A song, maybe?"

She laughs and shakes her head. "Not even for you. Sorry."

Something flickers in her expression, mirroring your own. Before you can address it, the bathroom door swings open. Yelena walks into the room, towel-drying her hair and humming to herself. When she sees you sitting so close on the bed, she stops and squints.

"What's going on?" Her gaze falls to the cupcake in your hand. "Hey, nobody told me we had cake!"

"It's not cake", you say. "It's-"

"A birthday cake?", she cuts in. "Oh my god. Whose birthday is it?"

"Cupcake", Natasha says, rubbing the bridge of her nose.

"My birthday", you add, glancing at the woman next to you. "According to her."

"Oh. Well then..." Yelena saunters over and inspects the sweet treat. "That's pathetic. I could've stolen something way better for your birthday."

"You did steal something", Natasha reminds her. "Lollipops. A handful of them."

"Yes, but those were for me." Yelena lets out a long-suffering sigh and plops onto the second bed. She stretches her arms and legs and yawns. "Worst birthday ever."

You smile to yourself and lick some frosting off your finger. Everything else seems to fade, at least for a moment — your past, your history with Natasha, the Red Room. It's just you, a small motel room and people that maybe do care.

You take another bite.

"It's not so bad."

. . .

With the Red Room gone, you're free.

Yelena leaves with Melina and Alexei (who she, embarrassingly, introduced you as Natasha's Любовница to — it took you ten minutes to assure them you definitely aren't lovers); they're about to be useful and help the girls you freed from the Red Room.

Natasha lingers by your side as the three drive away. You glance at her, allowing yourself to study the facial features that have changed so much yet are still the same.

"So", she finally says, suddenly twirling a set of keys around her finger, "Любовница?"

You roll your eyes. "God, I hate you."

"Come on." She nudges you with her shoulder, then starts to walk without waiting to see if you'll follow.

You do. Maybe you always will.

You have no clue what to expect, following Natasha blindly like this.

It's been 14 years. A lot can change in over a decade of time.

Examples?

The cost of homes has doubled.

Gas prices have gone from $1.36 per gallon to $2.10 per gallon.

Instagram has replaced MySpace.

Somehow, Natasha stayed the same. Even the way she walks — long strides that you can barely keep up with — is familiar. Her little smile as she glances at you, the glint in her eyes that remained from her so-called childhood.

"You're always the same", you say as she sits in the driver's seat. "Everything's different, except you."

The engine roars to life, and the black SUV pulls out of the parking lot. Natasha focuses on the road, so much so that you start to believe she didn't hear you.

"Yeah?", she finally says, absently, and glances at you. "Is that a good thing?"

"I haven't decided yet", you mumble, tilting your head. She smiles faintly.

"I think it's good", she says. "If you're as perfect as me, why bother changing?"

You know she isn't being serious, but a part of you knows very well that, once upon a time, you'd have agreed with the sentiment. Natasha was the closest thing to perfection you knew. She exceeded whatever it is you two had back then. A foolish, naive thought only a teenager in love can have.

She didn't change. She's still brash, self-assured, always pretending she's got everything under control. But there's a weight to her now, something that's been there ever since her graduation ceremony in the Red Room.

"You're not invincible", you say quietly. "Even you've got your cracks."

Natasha hums, her gaze briefly flitting over to meet yours. "Cracks aren't always bad", she says. "Sometimes, they let light in."

"Sometimes, they make glass shatter."

For a long few seconds, she goes quiet. Then she sighs, and you hear the exasperation in her voice.

"Alright, Shakespeare", she mumbles.

You laugh, but it's an unconvincing sound. You're tired, exhausted actually. You want to sleep. You want to rest. You want answers, but you also want to drown the whole world out. You want to cling to the one familiar feeling you know, but you're also scared that the same feeling — the same person — will suddenly leave again.

You don't voice your thoughts, your fears. You stay quiet and let the darkness of the night swallow you.

. . .

It takes an actual jet for you to get wherever the hell Natasha is bringing you.

In the end, it's all the way in New York City. Here, everything is alive — the bustling crowds, the neon signs, the cars. Music and chaos and hopes and dreams, all crushed into one place.

You can tell Natasha likes it here. You can tell it's become a home to her. It's so different from the Red Room, which is probably why she likes it so much.

This place is huge. From the city to the building, everything is ten times bigger. Nothing encloses you, nothing keeps you back. Freedom seems like an achievable goal out here.

She parks in front of the building. It's late at night, so there are barely any lights greeting you from the windows of the compound. Just silence and the lighting coming from the logo beaming above you — a big A, as in Avengers.

"Not too shabby", you mumble, closing the car door behind you. Natasha follows, her eyes holding something you can't quite place. "Must've costed a fortune."

"Probably", she says. She keeps pace with you, hands tucked into the pockets of her jeans. "I'm not the one who paid for it, though."

"Tony Stark", you say. She opens the front door using a keycard, her fingerprint, and a password. Something beeps and the door opens automatically. Inside, it smells like citrus.

"Yes, exactly."

You can barely hear her footsteps as she walks upstairs. You follow behind her, briefly studying her back. Her legs, the braided red hair, the leather jacket. You smell her perfume and avert your eyes.

Natasha walks you all the way to the end of a hallway and unlocks a door there, then she pushes it open. The room you enter is spartan, minimally furnished — a bed, a closet, a desk. Clean towels, folded and stacked, lay on a chair.

"I assume you don't have any clothes in your nonexistent suitcase", she mutters, disappearing into the hallway again. She returns moments later. "Here."

Pajamas, underwear, a bottle of water. Her fingers brush against yours. You curse your heart for doing that fluttery thing again.

You swallow, cradling the clothes to your chest. Natasha, leaning against the doorframe, watches you.

"You okay?", she eventually asks.

"Are you?"

Her lips twitch into a ghost of a smile, but it doesn't reach her eyes. She nods at the bed.

"Get some sleep", is all she says. You listen to her leave down the hall, retreating to her own room. The door closes with the gentlest of clicks.

Being alone again, you allow yourself to relax. Or, in your case, try to relax. You sit down on the bed and take a whiff of the clothes in your arms. Laundry detergent and something distinctly not Natasha. Probably for the better.

The bedsheets are softer than anything you've ever felt before. You curl into them, letting them warm you up, but sleep doesn't come. Everything else seems to be more interesting in that moment — the moon outside, the crystal clear windows, the fact that, somewhere in this big building, Natasha is going to bed as well.

You find yourself wishing for the bunk beds again. She was much closer then. Now, she seems so far away.

You roll onto your side, fingers curling into the sheets. You miss the sound of her breathing. You miss how her cold feet would press against your legs, how she'd tuck her hand under your back.

Maybe she misses it too. She probably does.

You use that as an excuse to pad down the hallway and look for her room.

She didn't tell you which one it is. She didn't have to — the pair of black boots in front of the door tell you where to go. Your hand lingers on the doorknob before you turn it.

You don't need to look at her to know she isn't asleep. Her breathing is a telltale sign that she's wide awake.

You walk on cold floor until your feet step on a rug made of wool. Your breathing hitches ever so slightly when your eyes meet in the near darkness of her room.

She stares at you for a moment. Then, without a word, she moves the comforter aside so you can lay down. You make sure to leave some space between you when you do.

You both roll onto your sides. You put your head on her pillow and smell the faint, lingering scent of her perfume. The fabric feels soft against your skin when you turn your head to bury your face in it.

"Reminds me of something", she murmurs. You can't stop the corners of your mouth from twitching into a faint smile.

"Bad habit."

Natasha's eyes trace your features. Beneath the sheets, her fingers brush against yours. Barely, just enough for your heart to start hammering. A test, maybe. Or a reminder.

Your first instinct is to scoot closer, so you do.

Your second instinct is to stay away, but this one, you ignore.

"I missed you", she says. "I really did."

"You had a funny way of showing it."

"I was selfish", she says. You scoot closer again. "I didn't want to be reminded of that place. Not even by the person who was there with me."

You give a small, bitter smile. Your fingers touch hers, and after a split second, you take her hand.

"Sometimes, I thought you were dead", you say. "Sometimes, I preferred that idea."

"Can't blame you for that, can I?"

Not letting go of her hand, you shake your head. You can hear the rain outside, but it's a sound you barely focus on. Her breathing is much more interesting than the pitter patter of the water droplets against the window.

Her thumb brushes over your knuckles. You look up and feel the impending kiss like a bad omen.

Before anything can happen, you turn your head. Ever so slightly, just enough for the tension to turn into confusion and hurt.

"Get some sleep", she says, after a long moment of silence. "I'll be here in the morning."

Natasha is a woman of her word.

. . .

You wake up at the same time. Her eyes linger on your face, then you catch them flit down.

You realize two things:

1) Your shirt has ridden up while you were asleep.

2) The faint scar, stretching along your lower belly, is on full display.

You pull down your shirt and sit up abruptly. Natasha frowns and follows in suit, scrambling out of bed.

"Hey, wait-"

"Coffee", you say, hurrying down the stairs. You hear her footsteps right behind you. "I just- I need coffee."

"Y/N, wait-"

You shake your head, round the corner — and suddenly see a group of people sitting around a table. The strong coffee smell tells you you're right here, but the amount of eyes that are watching you unsettle you.

Natasha comes to a halt next to you. She gently grabs your wrist and leads you away before anyone can say anything. As soon as you've left their field of view, their conversation continues. You don't hear it, though. You're shaking too hard to notice.

"It's okay", she starts, furrowing her eyebrows. She doesn't know what to say, either. "They're friends."

"It's not about them", you say, running your hands through your hair frantically.

"What's it about, then?"

You try taking a deep breath, but it fails. Shaking your head, you start pacing. Natasha stays still.

"Y/N", she says slowly. "Tell me."

Tell me. The way she said it makes it sound so easy — like you wouldn't be ripping open old wounds, wounds that haven't even properly healed yet. You almost laugh at the absurdity, but you're too focused on not losing that last bit of sanity you have left to do so.

"No", you snap, whirling around. Her eyes widen, but your brain doesn't register it. You're too focused on trying to breathe, which seems impossible in that moment. "No, I- fuck."

"Y/N..."

"No!" You step backwards, eyes darting across the room. Paintings, plants, polished marble floors.

A door.

Without reconsidering what you're even doing, you turn and bolt. Natasha freezes before following, but you're outside before she does.

The rain is louder than your thoughts, louder than her voice. It soaks into your clothes and hair, biting and unrelenting, weighing down your clothes and chilling you to the bone. Not nearly as bad as the Russian winter, but cold enough to make your teeth clatter.

You almost slip on the wet grass while trying to get away from Natasha. She runs after you, breathing heavily despite the fact her stamina is as good as ever.

"Y/N!", she yells. "You'll get hypothermia, you idiot!"

You don't hear her. All you hear is the pounding of your heart, the sobs ripping through your chest, the ringing in your ears. Your hand grazes against your shirt, right where the scar is.

Then, someone grabs your wrist. Pulls you closer. Another sob, your hands pressing against her chest to keep her away. But, as unrelenting and stubborn as you may be — this is a fight you can't win.

Natasha shushes you, her arms wrapping around your body. She's as drenched as you are. Your head drops against her shoulder, body still shaking and shivering.

She doesn't tell you that it's okay, because she knows it isn't. So she leads you inside, up the stairs, into the bathroom. You lean against the wall as she starts the shower, eyes slipping closed. Steam fills the room and warms it up.

You feel her fingers brush against your wrist. When you open your eyes again, she's rolled up her soaked shirt to reveal the scar that matches yours.

You've seen it before, of course. Back in the Red Room, after she disappeared for days. When she slipped into your bed and cried. The bloodied bandage, her sobs, the way something between you shifted.

You blink, looking at her for a moment, then you reach out and trace the line with your fingers. Natasha tenses, then relaxes. You slowly pull your hand away again.

"You should shower", she says, adjusting her shirt. "You need to warm up."

"You're wet, too."

"I'm fine."

"Join me."

She looks at the shower, hesitating. Then, her eyes meet yours again. She pulls her shirt over her head, the sound of wet clothes against skin louder than ever. Your hands tug your clothes off blindly.

It's warm in the shower. Not nearly as warm as her body, though. You feel it against yours.

“I’m sorry”, she says.

Your hands touch her face.

“I know.”

She kisses the side of your thumb. You push her against the tiled wall.

“You don’t have to forgive me.”

You press your lips to hers. Water fills the space around you, between you, replacing the emptiness that’s been growing for more than a decade now.

“This isn’t me forgiving you”, you say, then kiss her again. Her hands run down your back, her head tilts so she can deepen the kiss.

In the Red Room, you were never granted the freedom to go this far. Displays of affection were kept to a minimum — kisses, cuddles, fingers trailing underneath clothes but never quite reaching their destination.

Somehow, you know your way around each other's bodies anyway. It's a language in itself, one you didn't have to learn to be able to speak it fluently.

. . .

There is a reason why you always stayed in Natasha's bed. Even in a place like the Red Room, where doing so was risky, dangerous — a death sentence if anyone found out, basically —, you did it anyway.

Back then, you were both kids. You were nameless soldiers, no future or family in sight, but you were kids. Teenagers at most. Raised in a world of lies and betrayal, finding something real seemed impossible. Then, you found Natasha. Natasha, who was so human despite claiming not to be, who was more real than the hunger you felt or the prickling pain of snow on bare skin. Natasha, who was a constant, a fragile thread that connected you to life itself.

You were in a place that saw emotions as a weakness, a place in which connection was reason enough to get killed. In each other, you found something that wasn't just a weapon, or a tool, or something to be broken.

Things have changed since then, but the feelings remain. The safety, the comfort, the simplicity of it are still very real.

You used to slip into her bed every night. Suddenly, you find yourself doing the same thing all over again — but this time, there's no fear of being caught looming over you. No one's going to kill you for sharing a bed.

The other Avengers don't notice, or don't care. Either way — they don't bring it up, for whatever reason that may be. They're polite enough, possibly because Natasha threatened them to be. You find yourself getting along with them quite well. Despite that, you spend most of your time latching onto the one person whose every breath seems familiar.

You don't talk when you get under the covers at night. You feel her roll over, her cold feet against your legs and her hand under your back. You see glimpses of what could've been if you had met in a place other than the Red Room.

Sometimes, you wonder what would be different. Whether you'd be married, maybe with kids. Or maybe you would've broken up after a few years. Maybe you never would've fallen in love in the first place.

So many possibilities, and you can't decide which is the least painful.

You feel that she's still awake without her having to say anything. You aren't able to fall asleep, either. Something in your body is protesting the idea of sleep.

Instead, you roll over. You curl into her and feel the kisses she places on your face.

"Sleepy girl", she mumbles.

"Can't fall asleep, so not really."

"You can be sleepy without being asleep." Natasha wraps her arms around you and pulls you into her bare chest. You nuzzle her warm skin with your nose, her scent surrounding you. "Something on your mind?"

"Please", you mutter. Ever since you were a little kid, there's always been something on your mind. Not a day goes by where your brain isn't flooded with (sometimes irrational) fears and worries. She should know that because she can relate. She does know that.

Natasha realizes her mistake and runs her hand down your back. Her fingernails gently scrape along your spine. "Fair enough."

You hum and close your eyes, lips brushing against the side of her breast. Your lips part slightly, tongue flicking against her skin. She exhales, a nearly silent sound you should've missed.

"I just..." You sigh, turning your head again. Your voice is muffled. "None of this is easy."

"Y/N, it was never easy in the first place."

That's true. It's only gotten easier over the years, but somehow, it feels like the opposite occurred.

"It's not fair."

"It was never fair, either."

You look up, eyes squinting and lips forming a thin line. "You really do have an answer for everything."

"Years of dealing with the bullshit of five different men help", she replies. Her fingertips brush against your ribs, tickling you, coaxing a small laugh from your mouth. The sound makes her feel a fluttery something in the pit of her stomach. "It's not about fairness. If it was, you'd leave."

You go silent for a moment. Slowly, you lay down on her chest again. Her heart thumps against your ear.

Natasha knows she should shut up. Not enough time has passed for her to say things like this. Wounds haven't healed, scars haven't faded. But the words lie on the tip of her tongue like you do on her chest, so she lets them tumble out.

"I love you."

You close your eyes. Her fingertips draw shapes on your back.

"I think we missed our shot there."

. . .

You're 33 when you do something you'd regret for the rest of your life.

Your relationship is a push and pull. You find that, even in the Red Room, knowing what you want was easier. Now, the decision seems unnecessarily difficult.

You may stay in her bed, but you don't join her before the hallways are dark. You kiss her, but not where anyone can see. You feel that you love her, but a part of you protests the mere idea.

Natasha notices the pattern, but she chooses not to comment on it. At least not at first — too big is the relief of having you back, of feeling something that comes close to what she last felt more than a decade ago. Things are hard, but they’re harder for you.

Still, there is a breaking point for everything.

You know she's back home without having to see her. You hear the Quinjet landing, the footsteps, the muffled voices. The Avengers are returning from a mission you didn't go on.

You glance at the live feed display of the security cameras and see a bunch of now-familiar people — among them, Natasha. Her suit is a bit torn, there's dirt on her cheeks, her hair is a mess, but she looks like she's fine. You get up anyway and open the door for them. They spot you from about 40 feet away, but your eyes are on her. When you realize they're all looking at you, you turn your head and step aside to let them in.

Natasha lingers by the door. Tentatively, she puts her hand on your side. You don't pull away from the contact, but don't lean in, either.

"Hurt?", you ask, searching her face.

"I'm good", she says, squeezing your waist. "Nothing a few painkillers can't fix."

You hum, still staring at her. She smiles faintly and kisses your cheek, but you unconsciously slip out of her embrace. You realize what you've done as soon her smile, small to begin with, fades.

"Am I doing something wrong?", she mumbles.

"No, I just..." You hesitate, unsure how honest you're allowed to be. "No. You're not doing anything wrong. This is about me, not you."

"No", she says. "It's about both of us."

You frown at her. Steve, who has been crouching in the hallway and cleaning his shoes, glances up before slowly leaving the room.

"What are you talking about?"

"In case you haven't noticed", she says, starting to unzip her suit and walk up the stairs, "there's two of us here."

You follow her, hand sliding along the railing and eyebrows furrowed. "Wow, newsflash."

She doesn't say anything. She walks into the bathroom, door almost closed, and doesn't react when you enter after her. She peels her suit off and reveals skin covered in scars, most of them healed, and dirt mixed with blood. You lean against the wall, trying not to stare.

"I want to shower", she suddenly says.

"I've seen you naked."

"Y/N."

You ignore her, and she ignores you. Her back is turned to you as she begins doing mundane things — test the water temperature, prepare a rug to put in front of the shower, pick which body lotion to use. The muscles on her back flex, on full display thanks to the sports bra she's wearing, but even that doesn't snap you out of your thoughts.

You don't know what to tell her because you don't know what you're feeling, either.

It's not that you don't feel anything — it's the opposite. After so many years, you still feel too much.

Her bra comes off, then her underwear. She takes her hair out of the braid. Stepping forward, you run your fingers through the tangled strands. She freezes before her shoulders slump.

"Are you going to keep punishing me for the rest of- of whatever this is?"

You stop, fingers still buried in the red locks. Is it a punishment?

Maybe. Not a conscious one, though.

Water flows, steam rises, hearts pound. Neither of you dare to move for a moment that lasts way too long.

"I'm not punishing you", you say, slowly moving your hand away. She exhales.

"Then what the hell are you doing?", she asks, stepping into the shower. You almost follow before realizing you're still fully clothed. Letting out a noise of frustration, you take off your shirt. "No, don't."

"No, we're talking." You let your sweatpants pool around your ankles and step out of them. Natasha swallows when she sees you half naked. "This is bullshit."

"What?"

"It's bullshit that we were better at figuring stuff out at 17 than we are now."

You join her under the water. She bites back a quiet whine.

"It's bullshit that we can't just pick up where we left off", you add. "It's bullshit that everything feels the same when it clearly isn't."

"It feels the same to me", she says defensively.

"It's not. It hasn't been since you left."

"Y/N", she says, voice low. "I know it isn't. I know what I did. I'll spend the rest of my life making it up to you."

(She would.)

"You can't make up for some things", you reply. Her sides, her breasts, her arms are warm and slick to the touch from the water. You feel the slight roughness of her scars, the contrast of smooth and scarred. You feel the muscles beneath, the gentle thump of her heartbeat. You wish you could take it all in and not have the weight of your past press down on you.

Natasha leans in, forehead resting against yours. The water falls in a steady cascade, enveloping your entwined bodies, blurring the space between you. Scents of sea salt and orange, the tiles slippery beneath your feet. You've never been closer, but you've never felt further away. Her lips brush against yours, promise and plea at once.

"Let me try", she mumbles before kissing you again. You feel the tears form in your eyes. Her lips travel to the corner of your mouth, along your jaw, down your neck. "We got out of the Red Room. We can do everything else, too."

You want nothing more than to believe her. But her words can’t undo the years of separation and silence.

"Natasha." A soft sob rips from your throat.

She kisses your collarbone, your chest. You run your fingers into her red strands of hair and grab them for purchase. Her head tilts up so she can look at you. "Please, Y/N."

Breathing ragged, you can do nothing but stare at her. Natasha gets on her knees, her lips finding the scar stretching along your lower stomach. The faded line feels hot when she litters it with slow kisses.

"No", you whisper, voice thick and shaky. "No, Nat. It doesn't work like that."

Her kisses stop. She buries her face against yours stomach. You feel her unsteady breaths against your skin, her fingers curling into the soft skin on the back of your thighs. Your thumbs brush against her temples.

"Get up", you plead. Natasha hesitates. For a second, you think she might fight for this moment with you.

But then gets to her feet. Once she's on eye level with you, you cup her face and kiss her. Firmly, deeply, apologetically. You step away, out of the shower, wrapping yourself into a towel and leaving without looking back.

There is both a first and a last time for everything.

. . .

It's been months since everything was somewhat normal.

Conversations are short, clipped, impersonal. Eyes don't linger. Her bed is a place you don't visit anymore, not even at night, when the silence is suffocating.

She doesn't initiate anything. She doesn't try to change your mind, doesn't try to fix things. She thinks it's better this way, that maybe the space will allow you to heal.

She's still making up for what happened years ago, but it's small, quiet, and you find it hard to notice it when the walls between you are this thick.

One morning, as you pad into the shared space downstairs, you see Natasha in the living room. She's wearing her suit, her hair pulled back into a braid again, and there's a backpack on the coffee table. Next to it lie guns and her Widow's Bite.

You frown. Nobody said anything about a mission.

"What?", she asks, not having to look up to know you're watching her.

"Nothing." You glance at the weapons that are neatly arranged in front of her. "You didn't...“

"No."

"Right.“

Natasha looks at you. She puts the taser aside. "Won't take long. A few days."

"Okay." You hum, briefly sinking your teeth into your bottom lip. "Not that it concerns me."

"It doesn't", she just says. Her eyes don't look away from yours. You shift under her gaze, the history between you like a weight in the air you can't escape.

"Be careful", you say.

"I always am."

"Liar."

There it is — the subtlest twitching of her lips, the almost-smile you've been dying to see. Amusement glints in her eyes, and she blinks it away.

"Go eat something", she says, focusing on her weapons again. "I made waffles. ...They're a bit burnt, though."

You want to tell her it's fine, that you'll eat them anyway. But nothing is fine. It hasn't been for a while.

"I'll pass", you say, briefly shaking your head. Natasha hums and glances at you, then she puts the weapons aside before walking into the kitchen. You follow her without needing to be told to.

A plate of — indeed burnt — waffles is handed to you. You inspect them, smelling the slight char, and look up at Natasha. The helplessness in her eyes is unfamiliar, and your chest tightens.

She's trying. She's always trying, even when you make it hard for her.

"Thank you", you manage to say, looking at the plate of food again. "I'm sure some syrup will help."

"It won't", she says, leaning against the counter. "I tried it, too."

"Sugar?"

"Nope."

"I could scrape off what's burnt."

She laughs, but the sound isn't as genuine as you hoped it'd be.

"Don't bother", she says, walking to the freezer. She pulls out a box of Eggo waffles. "Just heat these up. They'll taste better."

You glance at the yellow box. Not a bad brand — you've eaten them for breakfast a few times since getting here.

"No", you say, sitting at the kitchen table and ripping one of Natasha's waffles into two pieces. "I prefer these."

She watches you for a moment, a bunch of unsaid words lying on the tip of her tongue. Then she turns around and puts the Eggo waffles into the freezer again.

You watch her grab her stuff. She returns to the kitchen, her backpack slung over her shoulder, and studies you.

"I'll be back."

"I know."

"You can call me. If you need anything."

You smile faintly and reach for her hand. You squeeze, feeling the fabric of her fingerless gloves. "I'll be fine."

"Good." Her lips brush against your hair. "I love you. Be back soon."

One truth, one lie.

. . .

Hours after Natasha's death, Clint knocks on the door to your room. You wipe your eyes and look up, glancing at the little velvet sachet he's carrying. You two look at each other for a long moment. You see the redness in his eyes, how swollen they are. You know his pain because you feel it too.

He walks up to your bed and puts the sachet in your open palm. It's light, which doesn't make it any less confusing. Your fingers wrap around it.

"For you", he eventually says. "From her."

You frown and look at the sachet again, brushing your finger over the soft fabric. "I'm supposed to open it?"

"It'd defeat its whole purpose if you didn't."

You nod, opening the sachet and taking a look inside. What you see doesn't give you the explanation you desperately crave. What could be important enough for Natasha to give it to you from the afterlife? Not a hex nut, certainly.

"Try it on", he says. "If you want."

You put the hex nut into your palm and inspect it, then glance at Clint. "What are you talking about?"

"Y/N, just...give me your hand. Left one."

He grabs the hex nut and slides it onto your ring finger. When you realize what it is, you nearly break down. The edges, almost smooth. The shape. His explanation almost falls on deaf ears, that's how distraught you are, but you manage to catch the most important details.

How she made it in the Red Room, the nights you were sick. How she polished it using the floor. How a screwdriver she stole allowed her to hollow out the center. How she kept it in her nightstand, for years, and how a tiny part of her believed she might be able to put it to use someday.

It's not perfect. Even after all her hard work, it still resembles a hex nut more than it does an engagement ring. Natasha didn't care — it was the result that mattered, the future it may have lead to. The day you maybe do say yes, despite everything that happened.

That day wouldn't come. Nobody would ever say it out loud, but you know it's because of you.

She was your first kiss, and you're her last.

You're 34 when you lose her entirely.

#🫧: fanfics #hahaha (i'm crying)

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