Welcome to the Sputnika's World tumblr blog: An area of bass music, future garage, dubstep, post-dubstep, techno, house and more. Here, I'll feature posts from independent electronic music around the world and add more nice stuff for you to look at...
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Video of the day:
Underworld - "Born Slippy" 1996 Techno
The most commercially successful techno tune of all time set to a montage of clips from the film that helped take it all the way up to #2 on the UK singles chart back in '96 in the first place, Danny Boyle's Trainspotting. Wish this were a bit longer so we could get back to those heavenly synth chords from the intro, but it's still good stuff that'll make you wanna watch the flick anyway.
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Huerco S.’s For Those Of You Who Have Never (And Also Those Who Have)
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martin galway -- miami vice theme [c64, 1986]
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PRESALE starts FRIDAY 24/01/25 10am @abconcerts @livenationbe
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Amenra #Video
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“Forlorn” is live now, and taken from the “With Fang and Claw” EP to be released on @relapserecords march 28th.
The piece comes, accompanied by a shortfilm directed by our talented artist friend and sculptor @amorphokyria , it was initially conceived as a choreographed meditation on the cyclical nature of life and death.
Full circle. Always. Full video in bio link.
in the prison of my skin the presence of my kin all is said and done said and sung
amongst the gods splendor their silent whisper
you will speak of us no more


CHVE/AMENRA #churchofra #amenra #amenraofficial #chve #relapserecords
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Jürgen Paape - Allein in Italien
#Jürgen Paape#Kompakt#Allein in Italien#Italien#Ich war allein#Schlager#electronic#electro#East German pop#Ina Martell#1967#SoundCloud
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dreamcastmoe - ON THE BEACH
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Heiko Voss - Follow Your Line (Michael Mayer Dub Mix)
#Heiko Voss#SoundCloud#Michael Mayer Dub Mix#Kompakt#electronic#electric cars#fhainrocker#remix#Michael Mayer
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Mary Lattimore feat. Meg Baird and Walt McClements - "And Then He Wrapped His Wings Around Me"

Photo by Rachael Pony Cassells
As time sweeps us all into the inevitable void, then maybe at least the music of Mary Lattimore can memorialize those moments which we lived for ages to come once we are gone. The Los Angeles-based experimental composer's music is rife with its own kind of mysticism to do so purely by way of what its sounds evokes. As her 2020 album, Silver Ladders, dipped its toes into existential oceans and the vast of the cosmos, "And Then He Wrapped His Wings Around Me" -- the first single from her forthcoming effort, Goodbye, Hotel Arkada -- provides a comforting sensation that in spite of the whelming nature of a never-ending timeline versus our own limited nature, those memories we create can be encapsulated in reveries like this. The listen hollows itself in tenderness where celestial strings, synths, and a voice from the possible other side of the light which she, alongside multi-instrumentalists Meg Baird and Walt McClements, breathe into being harness a warmth from within the conscious. Even if everything eventually changes and is gone, hopefully the moments Lattimore's wingspan reaches out keeps them safe beneath them.
Directed by: Rachael Pony Cassells
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Mary Lattimore's Goodbye, Hotel Arkada will be released October 6th on Ghostly International.
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Oneohtrix Point Never - Again
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V/A - ARTIFICIAL INTELLIGENCE (Full Album)
(WARP6)
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Animas
Installation by Brian House creates audio from feedback of four different sheets of metal affected by a realtime feed from water quality sensors examining a polluted river:
The Animas River flows through the mountains of Southwestern Colorado, through what was once the undisputed land of Ute and Navajo people before the encroachment of miners in the 19th century. In 2015, the EPA was performing maintenance on the abandoned Gold King Mine when it accidentally released three million gallons of wastewater contaminated with heavy metals into the river, turning it a bright orange and threatening agriculture, tourism, and an already “disturbed” alpine ecology.
Animas comprises four suspended panels of industry-processed metal, each 26”x42,” made of iron-oxidized steel, aluminum, copper, and lead respectively—all metals that have exceeded EPA tolerances in the river. A contact microphone and audio transducer are affixed to each panel in a feedback circuit together with an amplifier. This causes each metal to vibrate at its own resonant frequency, creating a complex drone in the gallery space. The quality of the sound is adjusted by modulating the gain of the amplifiers—Animas does this in accordance with real-time data from water quality sensors placed in the river by the USGS. Changes in the clarity of the water, invisible indicators of the dissolved metals within it, and the dynamics of its daily and seasonal flows all become sound in the gallery, producing timbral “color” from the river’s continually changing composition.
Animas resists over-simplified representations of environmental degradation, creating a felt relationship to the river. It acknowledges how our limited temporal sensibilities are challenged by the imbrication of the geologic time of minerals, the historical time of extractive industries, and the immediate urgency of sane and equitable responses to rapid ecological change.
More Here
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Aphex Twin - Blackbox Life Recorder 21f
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HAMBURGER LADY THROBBING GRISTLE [D.o.A THE THIRD AND FINAL REPORT, 1978]
Hamburger Lady Hamburger Lady She's okay if you change the tubes Tubes in her legs, the tubes in her arms She's okay...
#music#audio#sputnika#industrial#throbbing gristle#experimental#genesis p orridge#Mute#mute records#electronic
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