staud

[staud]

The Walled Garden and Lindisfarne Castle, Holy Island, Northumberland.

[staud]

THE GOO GOO DOLLS | "Iris" in Buffalo, NY (July 4th, 2004)

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i had been watching the terror with my best friend, and we watched the last episode last night. she turned to me and said "wow. that was really good, but i feel dead inside. my chest feels like, empty. i love you, but i don't think i ever want to watch that again."

tell me why the first thing i see when i open my phone this morning is a text from her saying, "rewatching the terror"

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sounds about right

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Does he have ridiculous sideburns? Does he die a gruesome death? Is he on screen less than ten minutes total?

I spent a full day making this "Guess who? (is stuck)" The Terror game! Inspired by countless conversations about how hard it is to tell these dudes apart on first watch (and endless shitpost ideas with @merlintintintin ) This was honestly a lot of work, and now I really want to play it! I hope you'll find this cool, I'm personally really happy with the result! Would you play it?

I added Silna because I feel like the two boards kinda represent Terror & Erebus, and she's stuck here with these horrible dudes. Definitely more of a thematic easter egg rather than practical gameplay choice ahah.

To make this I bought a My Little Petshop Guess Who game (I liked the colors) second hand, took forever to cut out all the characters and color grade the pictures on photoshop (this serie is SO DARK, i'm thankful for the official pictures by Aidan Monaghan I also used), made the cards backing mostly using some designs I had already made, and then printed and cut the whole thing by hand!

I may share the template for this later on, if anyone is interested!

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edward i need you to walk a mile in the freezing cold to bring me more liquor. yes it is so cold you could literally die. chop chop. JOPSONNN YAY how are you my sweetiepie sparkle jumprope queen. i will never let anything happen to you. my perfect baby boy. EDWARD where the FUCK is my whiskey

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lovers rock, tv girl, jopzier!!

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For a moment only, Lady Jane’s face reveals her vulnerability. Then she takes Sophia’s arm and continues on.

-> 29/∞ CHARACTER DYNAMICS in THE TERROR — for anon

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‘The shoot was a party in itself, and gave the posters an unstaged, raw and realistic edge.’ — Skins Campaign

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lovers rock, tv girl, jopzier!!

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love how jop's hallucination epitomises his dynamic with crozier — not only the perceived abandonment of the present, but his invisibility leading up to it.

I mean, how many times has he been in this position?

stewardship grants him access to command (and a face of crozier) that others are denied, yet it comes at the requisite of servitude. he's close enough to see, but too low to touch; allowed to listen, but not to speak. he's a background piece; a half-thing with a decanter while the real people talk. he's communicated at (rather than with) using a nod or shake of the head, a 'yes' or 'no' to whatever he's offering, in brief asides to conversation — which he can witness but not partake in.

then there's the fact that, when jopson confides in crozier about his mother, it's completely unknown to his captain. it's the first time he's confiding in him (according to garrigan), likely the first personal thing crozier learns about him. and crozier has to prompt him to talk about it, since he doesn't raise the subject or elaborate of his own volition.

when crozier tells him a story, though, jopson is already familiar. he knows how it ends, remembers its details (like names). he's probably heard it countless times before, around those tables, unseen but still listening to words meant for other people. and when crozier asks if he wants to hear it, he says yes anyway, because it's the first time he's performing it for him — talking with (not to) him, looking at him, touching him. he is his sole audience member now.

all that to say: jopson's role as steward positions him as watcher/listener (passive) and carer/informant (active) to crozier. the power differential there says that he may touch, but only in servitude — to attach epaulettes, to sew cuffs. he may share a story, but only when invited to speak. he may act if it's for someone else. but, for himself, he cannot even ask, let alone have.

so jopson crawling on that table, that's not just him crawling to a man he thinks has abandoned him. that's all the time he's spent watching someone who's looking away. that's him abandoning the silence of servitude and asking for himself. it's more or less his only request.

and it goes unheard.

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[staud]

A mural of a forest in the South Bronx, New York. Captured by Thomas Hoepker, 1983

Mural Art by Alan Sonfist, 1978. The building still exists, however the mural is no longer there

[staud]

For character dynamics have you done / could you do Sophia and Lady Jane or Sophia and Sir John? :D

hell yeah dude‼️ when i get a lil free time i'll get these done 4 u :D