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MINI MANSIONS CONCERT: WHY CONFIDENCE MATTERS IN WHAT YOU LOVE

 On Monday, June 24th 2019, I attended a Mini Mansions concert at The Independent in SF CA. I’ve seen Mini Mansions perform live before when they opened for Arctic Monkeys at the Bill Graham Civic Center in SF on October 20th 2018. However, this is my first time seeing them at their own show for their own tour. That night was incredible, not just because of their performance, but because I got to actually meet two members from the band.

If you are not familiar with who Mini Mansions are, I’ll give a bit of background. Mini Mansions is a music trio made up of keyboardist/vocalist Tyler Parkford (touring keyboardist for Arctic Monkeys), bassist Zachary Dawes (the Last Shadow Puppets), and guitarist/vocalist/ (former drummer?) Michael Shuman (bassist for Queens of the Stone Age). Mini Mansions is a side project for the three members since, as you can see, each of them are involved in other projects.

I became familiar with them through Arctic Monkeys, since Alex Turner was featured in their 2015 album, The Great Pretenders (track 6: “Vertigo”, if anyone was interested in what song). Then I saw them perform live when they opened for Arctic Monkeys. This isn’t their first time opening for them either, since they opened for them before in their previous tour. Needless to say, they have a strong relationship with those Sheffield lads. While standing there and feeling curious to what their other music was like apart from “Vertigo”, I came to find that their setlist was pretty good. Their music is unique, which is too simple a word to describe the kind of music they make. It’s like vintage ‘60’s rock n’ roll distorted with psychedelic elements, accompanied with groovy bass lines (compliments of Zach Dawes), poppy piano hits (thanks to Tyler Parkford), and bluesy guitar riffs (from multi-instrumentalist Michael Shuman). I am a huge fan of vintage rock/pop, like the Beatles, Beach Boys, you get the picture. So hearing something that is similar to that kind of music will most likely capture my interest. And I was definitely interested in Mini Mansions.

The concert itself was pretty cheap, about $15 a ticket. After spending about $105 for Muse, $120 for Mike Shinoda, and about $70 for Arctic Monkeys, I was pretty stoked how affordable this show was. I didn’t want to stress myself out by trying to arrive 4 hours early to get a decent spot. My mentality was, whatever spot I get is what I get. My sister, Jenni, and I arrived at the venue about 45 minutes before they opened the doors, and to my surprise, there wasn’t a lot of people waiting in line. There were maybe about 6 or 7 people waiting before us. I’m guessing everyone else had the same mentality as I did going into this concert. I was relieved that my feet wouldn’t be worn out from waiting so long, and I now had the energy to withstand the entire show. When we were finally let into the venue, I walked straight to the front of the stage, not using my peripheral vision to catch anything weird or exciting. While standing in front of the carpeted stage with a tape that ran across the edge reading “NO DRINKS” my sister tapped me on my shoulder and asked, “isn’t that Mikey working the merch booth”? as she pointed towards the corner that was diagonally across from where we were. I was like, “No, I don’t think so”, because why would a band member work their own merch booth, right? At least that’s what my dumbass thought. But then I squinted my eyes towards the direction she was pointing at, and as my eyes were adjusting in that dark room, with only a dim light hovering around the merch booth, I could tell from the gelled back hair that it was indeed Michael Shuman. He was wearing an all-black outfit: black moto jacket, black t-shirt, black skinny jeans, and black shoes. Pretty casual. This is the exact opposite to the outfit he will later change into when he will perform, which was a white satin suit with some watercolor accents on it.

It was like having two personas, one being the regular guy selling band stuff and the other is the performer. I thought it was cool that he was working the merch booth because he wasn’t acting like he was too good to sell his stuff.

Jen asked me if I wanted to buy something, and despite the fact that I needed to save as much money as possible to have enough for my rent and other bills for the summer before school starts I said, “Hell yeah I wanna buy something!” But at the same time, I kept staring at the front of the stage, and I was apprehensive because I got a decent spot for the concert. The woman next to me told me, “You totally should, they’re really nice, I mean I’ll try to extend my arm out as much as possible to save your spot”. God, what a nice woman. I thanked my fellow concert friend and walked up to the line. There was only two people in front of me and they seemed to be a couple waiting next to each other, so I wouldn’t have to wait too long. But the girl took a while figuring out if she wanted a black Mini Mansions shirt or a white one. At this point, Zach Dawes was also at the booth helping his buddy, Mikey, out with making sure he had enough merchandise at the table. She asked Zach for his opinion, “which color do you like best?” And Zach, with his calm voice says, he liked both of them. I don’t even remember which color this chick went with, but they finally left the line, and I was finally next. I was standing face to face with Mikey Shuman, with only a plastic banquet table in between us. My eyes kept darting from his face to the posters to the left of him.

He actually spoke first and said, “Hi. How are you?”

And like a square I responded with, “I’m good, how are you?

“I’m good!” He said back, “What can I get you?”

“Uhh, may I have that poster please?” I pointed to the poster, which was signed by all 3 members.

“You may” with a dip at the end of “may” (what a polite gentleman).

(I put the poster on the stage so I can take a picture of it. No one was playing yet, btw. But that’s how close I was to the stage).

I didn’t want just a poster, (which I didn’t plan on where I was putting while watching the concert) I wanted something with it, so I asked Mikey if I could buy the CD that had Mini Mansions written in yellow on the top left corner, with a stuffed toy bunny on an illuminated plate. It was their first full length album they ever released, and I didn’t have that album yet. Which by the way, is hard to come by. It was sold out on Amazon for a while, and sold-out on their website too. I tried going to Rasputin Music a few months ago at the mall where I live to see if they had it. The cashier said there was something by Mini Mansions there, but I couldn’t find anything. I tried looking at a record shop in Santa Cruz, but no Mini Mansions CDs there either. I think it may have been available again on their website, but I waited on buying it, but I don’t remember exactly why. I think I wanted to avoid shipping fees and wait for it to be prime available on Amazon. Or maybe I was hoping I will find it in a record shop around where I live.

Anyway, I asked Mikey for the CD and he asked, “This CD right here?” He pointed to the CD.

“Yeah”

He then looked in another box, and when he put the box down empty handed he said, “Wow that was the last one”.

“Cool!” I responded with, like the fucking shy idiot I am.

It took me a while to get this album, I’m glad I waited so I can actually buy the album from the band themselves, but I wish I could’ve responded better.

(Photo of CD taken after the concert on my desk)

What happens next is so surreal that it took me a couple of days to comprehend that it happened. It’s nothing even that spectacular it’s just something that had never happened to me before. He tapped on the tablet the items I was purchasing and told me my stuff was going to be 35 bucks. I handed him my card and he actually swiped my card into the card reader sticking out from the tablet and asked, “Can you sign right here, please?”

This was mind-blowing to me, because I’m thinking shouldn’t it be the other way around? Shouldn’t I be the one asking you to sign me stuff. But I signed the tablet, in a way like I’ve never been excited to sign my name to a purchase before. I couldn’t believe I was buying band merch from the actual band member himself, it was awesome. After he gave me my stuff, I handed them to my sister and asked him if I could shake his hand. The guy puts the tablet down and sticks out his hand and I’m fucking touching Mikey Shuman’s hand. I thanked him, and if I wasn’t enough of a square, my sister noticed an awkward silence and finally said, “I think you guys are great and I’m really excited for the show!” Both Zach and Mikey said thank you and both shook Jen’s hand. I thanked Mikey again and leaned over to shake Zach’s hand and went back to the front of the stage.

Obviously, I was excited that I met two of the members from the band. I couldn’t believe I actually talked to them. But I still felt unsatisfied, not with them of course, but with myself. I want to be a music journalist and interview bands and study music as a career. Because I have anxiety issues, including a bit of social anxiety, I am always awkward and shy when I meet people, which does not help me in the long run at all. There were so many things I could’ve asked Mikey: What do you like to play more, bass, drums, or guitar? I love how bluesy you get in The Great Pretenders, what was the inspiration for that?  I couldn’t even ask him something as basic as, hey how are you liking SF this time around? Anything weird happen to you yet? Ever been to Oakland? My God I suck. I could’ve even said, Wow, this is the last CD? No way? How lucky am I? Such a missed opportunity to connect with the band, and actually work on my people skills when I meet musicians for the job I want. Despite the fact that I wish I could go back in time to alter how I met Mikey and Zach, I was still grateful for the encounter I had. It’s not a common thing for me to meet the people who make the music I like.

Their performance was also great. After watching two openers, Tyler Parkford finally came out, but to set up his keyboard directly above me. He bent down and plugged some wires in. I’m sure it’s creepy having people stare at you while you’re doing something, so I looked away so he can do his job. But at one point I looked back up at his direction and while he was standing behind his keyboard, he looked at me and I smiled at him. I was happy that he smiled back. Unfortunately I never got to talk to Tyler that night, but I’m hoping I will in the future.

After Mikey sound checked all of the equipment, they began to play. They started off with “Freakout!” which is what they started with when they opened for Arctic Monkeys. The song isn’t super intense but has an upbeat tempo that is perfect for getting the crowd going. They mostly played songs from The Great Pretenders, but incorporated a few from their upcoming album, Guy Walks into a Bar… So we were getting that mix of relaxed familiarity from being able to sing along with the songs we already knew, and the excitement from the new songs from the album that has yet to come. A variety of uplifting emotions that was getting the crowd pumped. The song I connected to live the most was “Works Every Time”. “Works Every Time” is from their upcoming album, but they released it on their EP with the same title first. Since the song had been out for some time now, I was already familiar with it, and enjoyed the calm soulful singing of Parkford and swaggering bass lines of Dawes. The kind of sound that someone can listen to while driving late at night. But hearing it live was a different experience for me. The dreamy tone from the piano was more upfront, maybe because I noticed it more? I don’t know, but it was lovely.

Zach was a little shy when I met him, since he didn’t really say much; however, on stage he wasn’t shy rocking out those bass lines with his buddies. The guy has mad rhythm with his bass, and he didn’t look nervous on stage. If he was nervous, then I couldn’t tell because he played each song so naturally. I know if that was me up there, I’d probably mess up a lot from nerves, since I can barely sing right while singing karaoke with two friends.

When it came to the more fast tempo songs, especially “Mirror Mountain” all the guys got really into it, but Mikey was not shy of wailing around and screaming loud into the mic. I enjoy watching him get this intense honestly, [even though a couple of the audience members who I talked to at the Bart station after the show told me, at another Mini Mansions concert they went to in Sacramento, were afraid of Mikey potentially kicking them sometimes while he was rocking out, but luckily he didn’t]. His punk rock energy bounced across the entire stage, and as a direct result I got pumped watching him go. There was a point during “Mirror Mountain” when he bent down real close to the edge of the stage. He puts the mic close to his lips, and his palm held the back of an audience member’s nape. He sang close to this young man’s ear, and the young man smiled, probably from the attention he was receiving from Mikey, but he was also leaning back, possibly because he was trying not to get too close to him. Looking back at it now, I didn’t know what was going through that kid’s head, but he seemed unsure of how to react when the singer/guitarist for Mini Mansions was singing physically close to his face. I wouldn’t know either, to be honest, if that was me.

Needless to say, there’s a level of boldness that is needed to get that close to someone, without having that internal conversation wondering if you’re doing too much or just enough. He just did it.  While performing, he used his entire body (from his voice to his legs) to express himself, and while some people would think that’s too much or bold, either way, people are looking.

But that’s the thing when you express yourself in something you care about, may that be writing, food, books, or music, it will show. With Mikey, Zach, and Tyler they used their talents to create this interesting concoction of vintage inspired contemporary indie rock. They went with what they had, released it, and was able to perform it in about every part of the world.

In the end, they are going places with it, this thing that they love, or at least what it seems to me they love. In other words, they just went for it. I wish I could possess at least half the confidence of what they have. Maybe if I did, I would’ve been less awkward when I met Mikey and Zach.  Now, I’m not saying confidence is the only thing a person needs to pursue what they want, but confidence helps push someone toward what they want. With confidence, you can stand on a stage and exercise your skills in front of people, you can be yourself without the fear of judgement, you can talk to someone you’ve never met before and have a great conversation. With confidence, you just go for it.

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Introduction

Welcome to Stop.Play.Shuffle, a blog dedicated to music. What I will mostly be posting on are my thoughts and observations on uh...well music, which may include albums I’m discovering or rediscovering, concerts, and much more.

A little intro about me: I started listening to music at an early age and my love for it has been the most consistent thing in my life despite the fact that my genre preferences have changed a few times when I was younger. No matter what genre or sound I was into that moment, the one thing that stayed the same was I was obsessed with it and wanted to know everything about it. While exploring a band or solo artist I always look up information about them such as their techniques, inspirations, and so on. I love witnessing an artist’s evolution with each new album they make. I usually write down my thoughts and observations on these things in a journal, but now I guess I’m incorporating them here also. Besides general exploration and research, one of my main focuses is learning about bands that became successful and popular during the time the internet was becoming massively popular during the early 2000′s. Downloading and file sharing was a huge deal during that time, and it changed the way music was being pass around and promoted, but more on that later.

The philosophy behind Stop Play Shuffle, is to take the time to appreciate and understand this hobby and how it can have a huge influence in our culture. We should stop and take in the music we listen to, and really pay attention to the little details, since there are so many elements that goes into making a song and/or an album. In my opinion, there’s a difference between hearing a song and listening to a song. Play a song, and enjoy it on whatever platform you like. Sing along, dance, bang your head the way Chris Wolstenholme does when he really gets into a bass groove, just have fun with it. It is music after all, so don’t be afraid to play around. And finally, get comfortable with that shuffle button, don’t be apprehensive to mix things up a little. I encourage both musicians and listeners to explore or be open-minded to different genres or other versions of a song.

So, that’s basically what the tone of this blog will be, and I look forward to sharing it with everyone. And if anyone has any songs they wanna suggest or recommend any music books/magazines I should read, let me know.