quill-and-ink-writer

[quill-and-ink-writer]

Low level/continuous pain tips for writing

Want to avoid the action movie effect and make your character's injuries have realistic lasting impacts? Have a sick character you're using as hurt/comfort fodder? Everyone has tips for how to write Dramatic Intense Agony, but the smaller human details of lasting or low-level discomfort are rarely written in. Here are a few pain mannerisms I like to use as reference:

General

Continuously gritted teeth (may cause headaches or additional jaw pain over time)

Irritability, increased sensitivity to lights, sounds, etc

Repetitive movements (fidgeting, unable to sit still, slight rocking or other habitual movement to self-soothe)

Soft groaning or whimpering, when pain increases or when others aren't around

Heavier breathing, panting, may be deeper or shallower than normal

Moving less quickly, resistant to unnecessary movement

Itching in the case of healing wounds

Subconsciously hunching around the pain (eg. slumped shoulders or bad posture for gut pain)

Using a hand to steady themself when walking past walls, counters, etc (also applies to illness)

Narration-wise: may not notice the pain was there until it's gone because they got so used to it, or may not realize how bad it was until it gets better

May stop mentioning it outright to other people unless they specifically ask or the pain increases

Limb pain

Subtly leaning on surfaces whenever possible to take weight off foot/leg pain

Rubbing sore spots while thinking or resting

Wincing and switching to using other limb frequently (new/forgettable pain) or developed habit of using non dominant limb for tasks (constant/long term pain)

Propping leg up when sitting to reduce inflammation

Holding arm closer to body/moving it less

Moving differently to avoid bending joints (eg. bending at the waist instead of the knees to pick something up)

Nausea/fever/non-pain discomfort

Many of the same things as above (groaning, leaning, differences in movement)

May avoid sudden movements or turning head for nausea

Urge to press up against cold surfaces for fever

Glazed eyes, fixed stare, may take longer to process words or get their attention

Shivering, shaking, loss of fine motor control

If you have any more details that you personally use to bring characters to life in these situations, I'd love to hear them! I'm always looking for ways to make my guys suffer more write people with more realism :)

[quill-and-ink-writer]

Common character motivations

Revenge - seeking to get even with someone who has wronged them

Love - driven by romantic feelings for another character

Greed - motivated by a desire for material possessions or wealth

Power - seeking to gain control or influence over others

Justice - motivated by a sense of fairness and a desire to see justice served

Redemption - seeking to make up for past mistakes or wrongdoings

Curiosity - driven by a desire to learn or discover something new

Duty - motivated by a sense of responsibility or obligation to others or a cause

Ambition - driven by a desire to achieve a specific goal or succeed in a particular endeavor

Fear - motivated by a desire to avoid danger or harm

Guilt - driven by a sense of remorse for past actions or decisions

Jealousy - motivated by envy or a desire to possess what another character has

Betrayal - motivated by a sense of betrayal or desire for revenge against someone who has betrayed them.

Ambivalence - a character who is conflicted or uncertain about their goals or desires

Freedom - a character who seeks to escape from a restrictive situation or society

Fame - motivated by a desire for public recognition or notoriety

Identity - driven by a need to understand or define who they are

Family - motivated by a sense of loyalty or obligation to their family or loved ones

Discovery - driven by a desire to explore or uncover hidden knowledge

Patriotism - motivated by a love for their country or a desire to protect it

Rebellion - driven by a desire to challenge authority or the status quo

Artistic expression - motivated by a need to create or express oneself through art, music, or other creative endeavors

Religion or spirituality - driven by a desire to connect with a higher power or to live according to certain beliefs or values

Altruism - motivated by a desire to help others or make the world a better place

Atonement - driven by a need to make amends or seek forgiveness for past actions

Nostalgia - motivated by a desire to return to a simpler time or relive past experiences

Status - driven by a desire for social or professional standing or recognition.

Insecurity - driven by a need to prove their worth or gain acceptance from others

Legacy - motivated by a desire to leave a lasting impact or to be remembered in a certain way after they're gone

Survival - driven by the need to survive in extreme circumstances, such as a natural disaster, war, or an apocalyptic event

Belonging - motivated by a desire to fit in with a certain group or community

Love of knowledge - driven by a passion for learning and acquiring new information

Addiction - motivated by a compulsion to engage in a particular behavior or activity, such as drug use or gambling

Inciting incident - motivation driven by a specific event that triggers or sets the character on their journey

Fear of death - driven by a fear of their own mortality or the mortality of others

Intimidation - motivated by a fear of others or a desire to intimidate others for personal gain

Envy - driven by a desire to possess what others have or to be like someone else

Manipulation - motivated by a desire to control or manipulate others for their own benefit

Protecting others - driven by a desire to protect loved ones or innocent people from harm

Sense of duty - motivated by a sense of responsibility to fulfill a particular role or obligation.

If you want to read more posts about writing, please click here and give me a follow!

[quill-and-ink-writer]

Good Traits Gone Bad

Exploring good traits gone bad in a novel can add depth and complexity to your characters. Here are a few examples of good traits that can take a negative turn:

1. Empathy turning into manipulation: A character with a strong sense of empathy may use it to manipulate others' emotions and gain an advantage.

2. Confidence becoming arrogance: Excessive confidence can lead to arrogance, where a character belittles others and dismisses their opinions.

3. Ambition turning into obsession: A character's ambition can transform into an unhealthy obsession, causing them to prioritize success at any cost, including sacrificing relationships and moral values.

4. Loyalty becoming blind devotion: Initially loyal, a character may become blindly devoted to a cause or person, disregarding their own well-being and critical thinking.

5. Courage turning into recklessness: A character's courage can morph into reckless behavior, endangering themselves and others due to an overestimation of their abilities.

6. Determination becoming stubbornness: Excessive determination can lead to stubbornness, where a character refuses to consider alternative perspectives or change their course of action, even when it's detrimental.

7. Optimism becoming naivety: Unwavering optimism can transform into naivety, causing a character to overlook dangers or be easily deceived.

8. Protectiveness turning into possessiveness: A character's protective nature can evolve into possessiveness, where they become overly controlling and jealous in relationships.

9. Altruism becoming self-neglect: A character's selflessness may lead to neglecting their own needs and well-being, to the point of self-sacrifice and burnout.

10. Honesty becoming brutal bluntness: A character's commitment to honesty can turn into brutal bluntness, hurting others with harsh and tactless remarks.

These examples demonstrate how even admirable traits can have negative consequences when taken to extremes or used improperly. By exploring the complexities of these traits, you can create compelling and multi-dimensional characters in your novel.

Happy writing!

[quill-and-ink-writer]

How do I describe a tired person? I got 'dark circles under the eyes' but it kind of stops there.

[quill-and-ink-writer]

Friends!

Now is as good a time as any to listen to these lectures and become a better writer. Don’t waste your time with webinars and expensive courses, this is all you need. Go and be a writer!

[quill-and-ink-writer]

THE MOST POPULAR DRUGS  AND WHAT THEY’LL DO TO YOU

Here’s the lowdown on the most popular drugs and exactly how much you’ll probably regret taking them.

ALCOHOL

Effects:

If you drink enough of the stuff you’ll become drunk - a curious state of mind that brings with it impaired physical and mental abilities, higher confidence, increased urges to sing Kareaoke and terrible sexual judgement. If you drink even more it could cause black outs and projectile vomiting.

Repercussions:

An occasional tipple is fine but if you’re going to go all Oli Reed on the booze you’re looking at several scenarios. Best case being that you’ll wake up with a hangover that’ll range from a mild sense of irritating nausea to the type of brain pain that’ll have you searching the Yellow Pages for an exorcist. Worst case scenario is you get permanent brain damage, mental health problems and a full on alcohol dependency. Drink in moderation.

MARIJUANA

Effects:

A hazy chilled feeling that depending on your own mental steel will develop into symptoms ranging from slightly lax coordination and reflexes or stoner panic and anxiety followed by a bout of short-term depression or sleepiness. All combined with a bank balance massacred by takeaway food and Pickled Onion Monster Munch.

Repercussions:

If you’re in it for the long run you’ll end up so chilled out that your sex drive will be severely diminished, a permanent sense of drowsiness, supressed immune system and personality and mood changes. There have also been links to depression, paranoia and other mental illness.

MDMA/ECSTACY

Effects:

A bouncy gurning buzz and increased feelings of love for everybody and everything around you. All of which will leave you feeling on top of the world before you get distracted by the copious amounts of water you’re drinking and the sound of your own heart trying to remove itself from your ribcage, followed by light feelings of confusion and occasional psychosis. You’ll properly love colours and sounds and want to talk to everybody in the world about it.

Repercussions:

In complete honesty no one truly knows the exact long term effects of these drugs, owing in part to the amount of awful things it’s typically cut with. What we do know is that between 1996 and 2012 it was linked to just shy of 600 deaths and is known to cause heart, liver and kidney problems. The comedown will also feel like you’ve been punched in the face repeatedly for the previous 12 hours followed by your parents telling you they don’t love you.

COCAINE

Effects:

On a surface level you’ll feel like you’re slicker than a BP oil spill. You’ll be transformed into an ‘interested,’ chatty and confident social beast. Your jokes are great, you’re in no way talking too fast and no, you’re definitely not talking too loudly or too closely to people. Subconsciously you’ll have a growing sense of fear, internally asking questions like: “are people eyeballing me?” and “Why am I sweating so much?” Then your nose will start dripping and the only way back is to snort more. Thus begins the vicious circle.

Repercussions:

The next day you’ll feel like you’ve got the flu and no amount of mansize Kleenex is going to make it feel better. The more you take it, the more you’ll take which turns your heart into a hyperactive hamster in a running wheel, massively increasing your chances of a heart attack. Get through that though and you’re fine. Until your nose falls off and you become a paranoid recluse with a serious drug debt.

MAGIC MUSHROOMS

Effects:

Better known by science as Psilocybe Semilanceata, ‘shrooms are one trippy rollercoaster ride of a drug, falling very firmly in the hallucinogenic family. They’ll open your world into a folding kaleidoscope of colours and imagery. You’ll see the birth of the universe before your very own eyes, for a brief moment you’ll understand the meaning of life and your best friend will turn into a lovely giant teddybear. Unless you have a bad trip, in which case you’ll see horrible things you didn’t even think could be things, spilling out of your mind like it’s Pandora’s Box. You may defecate yourself.

Repercussions:

Long term users often find themselves getting flashbacks of the worse parts of their trips at the absolute worst moments. World perception becomes skewed and you cease to distinguish between reality and hallucinations. This can develop or antagonise previous mental health issues that may have gone unnoticed. There’s also the danger of accidentally ingesting one that’s poisonous, thus killing you…

DMT

Effects:

Another hallucinogen not completely dissimilar to LSD or magic mushrooms - in world culture there have been many cases of indigenous people’s traditions and religions using the substance in drinks and food to stimulate a spiritual effect, the idea being that you hallucinate some crazy cool stuff that brings you closer to your creator. Obviously bad trip rules still apply and it could definitely go horribly wrong.

Repercussions:

You can’t really tell how strong DMT is until you’ve taken it, which makes it tricky to assess your intake and then once your trip has started there’s no way to stop it. It’s like getting on a long-haul flight when you’ve got a fear of flying, you’re not getting off. Aside from the usual mental health effects, you’re also likely to vomit and feel nauseous, coupled with raised blood pressure and heart palpitations.

LSD

Effects:

The sort of junk your parents were taking en route to a Santana concert back in the good ol’ days of free love and rock and roll. It’s the granddaddy of hallucinogens. It’ll make you feel like you can control time and have the secrets of the universe stored up in your spaced out noggin. It could also flit in the blink of an eye, like the narrative of The Wizard of Oz. One second you’re floating around Candy Town and chatting to the friendly scarecrows, the next minute you’ve got flying monkeys chasing you into a forest full of angry psychopathic trees.

Repercussions:

Like all drugs of this type, if you’re knocking back a lot of this stuff it could have some seriously detrimental effects on your mental health, heightening the mood that you’re in at the precise moment of your trip. You could walk away with some serious depression, panic attacks and perpetual tiredness. Plus there’s the risk of the odd Acid Flashback, which might seem fun now but when your commute to work suddenly turns in Hiroshima you won’t be chuckling so loudly.

OPIOIDS

Effects:

Generally speaking these are synthetic opiates. Things like morphine, which is more or less the medical painkiller version of heroin. Initial benefits are things like pain relief, euphioria and lovely fuzzy feelings of well-being taking you to an uber-relaxed state. But with that comes intense sweating, itching and nausea and more worryingly, addiction. And the need for more, with which comes: fatal overdose.

Repercussions:

Serious addiction. Your life will slowly turn upside down, you’ll be stuck in a constant state of lethargy, you’ll be constipated, you’ll be itchy, dizzy and all in all you’ll probably not be a very fun person to be with. Plus there’s the constant risk of overdose and depending on how you’re taking it you could be at risk of other infections. Nasty business.

PILLS

Effects:

A thoroughly ambiguous type of club drug. Effects could be anything from thinking you’re a superhero to falling in love with your best mate and believing you’re the most popular kid in town who can stay up dancing forever. Or, it’ll send you into a weird state where you’re feeling violent, sleepy, sick or on death’s door. It could be lots of things because generally speaking, you won’t know what’s in it. Which is absolutely terrifying.

Repercussions:

It really depends what’s in it. You could be looking at grim flu-like comedowns, or you could be looking at stress induced heart attack. It’s probably better to just avoid all together.

MESCALINE

Effects:

A psychedelic drug that emanates from the seeds found in the Peyote cactus. It’s been used for thousands of years, notably by some Native Americans in Mexico as a part of spiritual ceremonies. More famously it was part of Hunter S Thompson’ contraband suitcase inFear and Loathing in Las Vegas and played a semi-large part in sending him straight to Bat Country. You’ll see the kind of scary hallucinations that don’t go away when you close your eyes and have an all-round bizarre time.

Repercussions:

If it all starts going wrong when you’re on it you’ll be stuck in a state of panic for the duration of the trip. The world will be distorted and your motor systems will be all out of sync. You could think you’re a superhero and then go on to really hurt yourself. There’s also the odd report of heart attacks and diarrhoea and vomiting. Not to mention the obvious post-traumatic stress effects on mental health.

http://drugabuse.com/

[quill-and-ink-writer]

Good Therapy

Bad, useless, or harmful therapy is practically a trope at this point: the involuntary psychiatric hold for someone with nothing wrong with them where they sit through useless group therapy with someone who won’t believe them; the gruff military man sits in front of a female therapist who just doesn’t understand; the trauma therapist who treats the teenager like a child.

But good therapy does exist, and it is possible to write it. Below are some things to consider when writing good therapy* from someone who isn’t a therapist** but has been to a lot of therapy.

*By therapy I’m talking about psychotherapy, largely talk therapy, and to a lesser degree clinical psychiatry. There are a lot of other forms, which I’m less familiar with and so am not going to touch on much.

**I’m using therapist really broadly here to refer to basically any mental health professional/counselor who provides psychotherapy or psychiatry.

Therapy is meant to treat or deal with a specific thing or set of things, and different therapists deal with different things. A lot of therapists specialize, and someone who is a great family therapist is not necessarily a good military therapist. Therapists may also specialize in certain identities, such as treating queer people. The character should be seeing a therapist whose specialty fits what they need: a trafficking victim should see a therapist who specializes in trafficking victims; an autistic person should see a therapist who treats autistic people.

Treating doesn’t necessarily mean curing, and curing is not necessarily the goal of therapy. Some things can be recovered from (trauma, some mental illnesses) while other things can be managed (other mental illness, neurodivergence), and therapy is often more about learning the best way to live with something and improve quality of life rather than a CureTM. A therapist who is only focused on a cure for something that can’t be cured isn’t going to be effective as a therapist who wants to improve quality of life.

The therapy should be accomplishing what the goal of the therapy is. If someone wants to figure out how to keep a clean apartment, the therapy should be leading towards them keeping a clean apartment; if they want to deal with their parents’ divorce, it should help them deal with their parents’ divorce.

Therapy is not just for mental illness. There are a lot of reasons why people go to therapy: they’re having trouble coping with trauma, they want a neutral arbiter, they want a professional to give advice on improving their quality of life, they want a confidante, they have started experiencing problems or symptoms that they don’t understand, etc.

A good therapist will listen to their client. This may seem obvious, but some therapists think they know better than the person who’s seeing them because they’re the professional, and that can lead to ineffective therapy. This may come in the form of them putting words in the client’s mouth or insisting on therapy that the client has explicitly stated they do not want.

The therapist will be respectful of the client’s boundaries, and also enforce respect of their own boundaries. Good therapists are on time, don’t cancel randomly, and don’t get more involved in their client’s life than is appropriate. (This shouldn’t need to be said, but good therapists don’t sleep with their clients. Period.) At the same time, there are boundaries that therapists need to enforce, like not being available 24/7 and not providing more insight into their own lives than is appropriate. One of the main points of therapy is that they’re ultimately neutral, and if they stop being neutral they stop being effective and can start becoming actively harmful.

The client should be comfortable talking to the therapist about any/all topics that need to be discussed. There are a lot of reasons that someone may not be comfortable talking to even a good therapist about their issues: a teenage girl may not want to talk to an old man about sexual issues; POC may not feel comfortable seeing white therapists; some people may only feel comfortable talking about their lives with people of the same religion as them.

A good therapist can give advice when needed and prompt the client when needed and stay quiet when needed. It’s a hard balance, and it can be a hard balance to write if you’re not a therapist because you don’t necessarily know. But consider what your character would need in this situation to progress as they need to progress--is it to have their boundaries pushed or to be given advice or just to have someone listen and validate them?

Therapy isn’t necessarily about medication. There’s a tendency to think that, once you’ve reached the point of therapy, you’ve reached the point of medication, but it’s not an escalator where once you’ve reached the point of therapy medication is an inevitability. On the other hand, medication is an extremely important part of some people’s treatment. Again, it goes back to the goal and the issue(s) involved--what are they trying to do, and is medication something that the character wants and would be helped by?

[quill-and-ink-writer]

Hey I saw your tips for drawing muslims but do you have any for writing them?

hello hello, thanks for the ask!

WRITING MUSLIM CHARACTERS

stereotypes to avoid

– the “oppressed hijabi” trope

listen, most of us wear hijab because we want to. because we grew up around it. because it’s as natural as wearing a shirt. please stop acting as though we all despise our hijab and our religion

– the “misunderstanding parents” trope

why are all muslim parents emotionally or physically abusive in fiction? i personally have an amazing relationship with my parents. also not all muslim parents are trying to suck the joy out of their children’s lives. they’re just trying to keep their kids safe. also this trope usually gets pretty racist because the reason they don’t understand their child is because they’re “not from here” and “don’t get how things are done” so yknow, avoid that.

– the “abusive dad” trope

listen. i’m fully aware that abusive parents are horrible and something that people should be made aware of, but when every muslim dad in fiction is abusive, that’s just islamophobia. just. give us good relationships with our family!!!

– the “silent mom” trope

how come muslim mothers in fiction have no lines? have no voice? they’re just silent products of a household there to cook and clean. what is that all about?? please. just stop

– the “White Boy Romance” trope

oh, all muslims know where i’m going with this Do. Not. Have. A. Hijabi. Take. Off. Her. Hijab. For. A. White. Boy. please. don’t have her take it off, period. but especially not for romance. actually, if your narrative involves a muslim girl stepping away from her religion and taking off her hijab and realizing she’s happier this way, throw the whole story away. i’m sorry, but if you’re not muslim, this isn’t something for you to write about. this is not your story to write, and writing it will be extremely islamophobic. avoid a typical romance. muslim romances do not occur the way western romances do. either you gotta be okay with that and write it properly, or you should do your best to avoid it altogether.

THINGS TO DO

– let them have friends!! let them have muslim friends!! especially if they live in an area that has a high muslim population.

– let them talk about things that aren’t their religion. listen, my muslim friends and i talk about religion occasionally, but i can assure you, more of our conversation revolves around the hot boy of the week or about whatever shows we’re watching. and in terms of non-muslim friends, religion isn’t a point of tension. we respect and celebrate our differences, and that’s it. we talk about it sometimes, but we don’t argue about it

– make it clear that we’re muslim without just saying it. have us take a step aside to pray. have a character compliment our hijabs. have us fast in ramadan (or make up fasts in the winter). have us eat halal meat. say bismillah before we eat. say alhamdulillah after sneezing or when we’re thankful. subhanallah when we see something beautiful

– we’re not nuns. we find people attractive. we discuss it. it’s not a big deal

– make sure we have a personality that doesn’t revolve around our religion. yes, our religion can be a huge aspect of our identity and life, but no, it’s not the only thing. make them obsessed with a show. give them nervous habits. what do they collect? are they introverted? you tell me!

– avoid intimately close friendships with the opposite gender. casual acquaintances is fine, but this is something i would personally avoid writing if possible

– research what is haram. i’ll give you a basic list:

- pork

- meat that isn’t halal

- gelatin (unless it’s plant gelatin or from a halal store)

- missing prayers

- sex before or outside of marriage

- cheating in any way

- abuse towards your family (yes, this may come as a shock to some, but it’s actually prohibited by islam)

- drinking

- drugs

do more research, of course, but this is a basic list.

i think that about covers it: don’t stereotype us, make sure it’s noticeable that we’re muslims, give us personalities, and make sure we’re avoiding haram stuff

before anyone comes at me: i’m aware that there are muslims who don’t follow the rules and who do haram things and who don’t like their religion and don’t have stable family relationships etc, etc. BUT when that is our only representation in media, it’s islamophobic. show us good muslims, who like their religion, whose religion is their identity, who don’t feel like their religion is causing them to lose out. because we exist.

[quill-and-ink-writer]

how do you describe your characters when they’re in their own pov? i’m curious and would love some insight

[quill-and-ink-writer]

WriterofthePrompts Ultimate Ask Masterlist 2 (Updated 05/20)

Wow, first of all I just want to say THANK YOU SO MUCH for all the support on the First Ask Masterlist! Obviously I had to make a second one with all the asks I’ve answered since then so here you go. You can also check out my list of Random Writing Tips. As last time, some of these posts have notes from lovely people who have added onto my answers with their advice and you can also help out fellow writers by adding your tips or ideas to the posts in the replies or by reblogging. Hope you enjoy! 😊

Writing Tips

Can’t think of what to write for a scene? Cut it.

The “organized chaos” form of outlining

Resources for writing a story synopsis

Can a comedy also have a good message?

Writing a fantasy fit for most ages (also under Fantasy)

When you’ve got an idea but don’t know how to expand it

Building on your story yourself  

Will posting writing online hurt publishing chances?

Using a prompt for a series

Ways to give information to a character

How to give the same information to multiple characters at different times

Dialogue tips

Coming up with a title (expanded)

Making the real villain a plot twist 

GRAMMAR CHEAT SHEET

Some resources for creating a language

How to decide if you want a good or sad ending (Also, how not to screw up an ending) (Also, why the GoT ending makes me sad)

How to skip over the passage fo time in writing (Part 1)

How to use scene breaks for the passage of time, change in location etc. (Part 2)

Story Structure Tips

Travelling scenes: when to skip and how to make them impactful

Writing a sloooow carriage ride without being boring 

Moving back and forth in time in the story

difference between inciting incident and plot point 1

Blending backstory with present to further the plot

Writing scenes with a lot of characters

Writing a story as a journal or video log style

Third or first person?

Limited third person vs first person

Writing a long series

Connecting your ideas

When to introduce major and minor conflicts

How to develop your own style of writing

When to describe a character

Motivation and Positivity

Worrying about “originality” with your writing

Staying focused on writing

Sticking to one idea before moving on to the next?

Turning off the editor voice

starting to write and keeping motivation

quick tip on writing down inspiration in the moment

How do you know you are cut out to be a writer?

When you feel your plot isn’t exciting enough

When you think your idea is stupid (it’s not)

On covid-19 and whether I think it’s “bad” to take inspiration from it

When you think you’re writing has lost feeling

Character Development

Writing unnecessary scenes with your characters just for fun

Tips for writing a fully-fledged peppy girl

Teen raised by twenty-year-old family member

Mentor/Mentee relationship

Describing nature the way a nature-lover would

Showing a dead family member’s impact on the MC

Writing about a character losing loved one

Ways to show a character’s disgust 

Why a “good” character would switch to the bad side

Why the “White Saviour” thing is a cliche and sucks

Villains who do things like “killing the dog”

Good and bad reasons to kill off a character

Character exercise when you lose their voice

Resources for learning more for a Jewish character (in the notes)

A reason a character might feel cliche

Representations of Gluttony and Laziness as humans

More on twins and siblings

How a tough character might react to something shocking/upsetting

Writing Types of Characters

Writing a good guy MC who turns out to be the villain

Bad guy turning good and making them sympathetic

Dr. Doof: how to write a great villain

Coming up with villains

Coming up with villains 2

Writing a scheming character

A character raised by a computer

Bilingual character tip

Interracial couples

Some negative traits for someone in a zombie apocalypse

Flaws for a Gary Stu type 

a character trying to learn the language on a new world (also under World Building)

Good guy vs bad guy stories aren’t a cliche

Writing a CIA/FBI/Military character (also under Thriller)

writing a drunk character with some heartfelt moments and humour

Why NOT having diversity in your story cast is odd

A character with diabetes

Fictional races where one is “superior” to the other

Writing a serial killer as your main character (also under Thriller/Crime)

Writing a good Strong Female Character™️ 

Writing about a mob character (also under Thriller)

Writing a female astronomer in ancient Greece (Also under Historical)

Shy characters don’t have to be passive

Shyness and confidence aren’t mutually exclusive

World Building

Creating a creation myth

The creation of gods based on people’s beliefs

History research post (also under Historical)

Making an acronym from an organization

Naming world building aspects

strange weather ideas

ideas for ridiculous rules to join an excuse club

Why someone would put on a massive tournament

a character trying to learn the language on a new world (also under Types of Characters)

Making a magical setting exciting (also under fantasy/paranormal)

When you have too much information for an expansive world

Weaving a complex magic system into your story (also under fantasy/paranormal)

Using words referring to our world in a fictional world

Fantasy/Paranormal

Why gods would abandon their world

Aphrodite, Hephaestus and Ares: the original love triangle

basing gods on multiple gods

Why someone would control dreams

Dark fantasy with a dream shop

Conflicts for someone with the power to share dreams with others *

Ways to break a curse

Reasons why someone would need to break their curse now

Coming up with a good curse for your character

Ways to break the curse to get the Prince out of the tower

When the princess rescues the prince

Prince/ss of one kingdom raised by another king

why a princess would run away

Prompts for a King or Queen getting assassinated *

Why a villain would overthrow a royal family *

Reasons two Kings would marry each other *

which fairytales deserve retellings

Fairy tale prompts

Using fairytale characters in retellings

Stories written from the POV of fairytale villains

Writing a fantasy fit for most ages (also under Writing Tips)

Friendship between a dragon and a human

Vampire and human couple meeting

Angel and ex-demon hanging out together

demons that feed on love and joy?

mythical kids meeting humans

Sword fight resources (also under Historical)

Using an axe as a weapon

Haunted house story from ghost’s perspective

A family moves in to a house that is alive 

Does the afterlife have to include religious aspects?

Writing the grief of a girl finding her friend as a ghost

Witch sisters with unequal powers 

Reasons a village would be afraid of a kind wizard

How a wizard’s guardian might tell them they are a wizard

Making a magical setting exciting (also under world building) 

Weaving a complex magic system into your story (also under world building) 

Things a magic council would use money for 

Ideas for magical powers

Ideas for ancient magical powers

Prompts about cities that are always in night 

Prompts about a changeling

Reasons a magical world would need a saviour 

mirroring strengths and weaknesses for magic manipulation

How an immortal could die under mysterious circumstances

How to get regular folk involved in a magical world

“Underused" fantasy settings

Funny dialogue making fun of fantasy cliches

Prompts about a hidden/occult society

Autumn prompts about fae

Manatees being confused for mermaids

Fantasy modes of communication

Sci Fi

Futuristic space pirates

How to tell who is the clone and who is the original

Artifacts curious aliens would steal from Earth

Weird things that would wipe out a part of the population

How a person could go back in time

Question prompts for a virtual afterlife

How a half-human character might realize their alien half

“Non cliche” ideas for an apocalypse story

Time travel prompts for the current era

Historical

Writing about the Tudor court

History research post (also under World Building)

Sword fight resources

Using an axe as a weapon

Quick reasons why genocide doesn’t just happen overnight

Writing a female astronomer in ancient Greece (also under Types of Characters)

Dragons in Ancient Egypt?

Writing about WOC in the 1950’s

Aftermaths of a civil war

Thriller/Crime (aka I-swear-I’m-not-a-criminal-just-a-writer asks):

writing assassins

Sassy Assassins 3!

How an assassin with special abilities would discover these abilities

Clues that would make a character suspect another for murder

Writing a CIA/FBI/Military character (also under Types of Characters)

Serial/mass murder…causes?

tests to get into secret organization

Writing a serial killer as your main character (also under Writing Types of Characters)

Tips for writing a consistent murder mystery

Murder mystery party prompts (humorous)

How to come up with subplots for a mystery

Writing about a mob character (also under Writing Types of Character)

Why a step father might be a suspect in a teen’s disappearance

Prompts of killer kids terrorizing their babysitter

Prompts about a college kid being stalked on campus

The Masked Sinner prompts

Prompts about a crime scheme in 1950’s

Superheroes and Super Villains

Sidekick wanting to be a superhero

Super villain cause ideas

Sidekick and villain falling in love (also under Romance)

Superhero story originality

How a super villain can get notoriety

Woman unknowingly falls in love a super villain

World building ideas for superhero stories

Effects of the power of intangibility

Alter ego prompts

Romance

How a princess and a pirate fall in love

two exes who end up working together

How two random kids could meet at school

Sidekick and villain falling in love (also under Superheroes)

Cliches in romance scene?

Original ways that a couple could break up

How to introduce a living girl and ghost love interests

Conflicts in relationship between chef and their pupil

Miscellaneous

Prompts about being abandoned

Character who has never danced in pressured into it

The best ask ever

MC and sister get kicked out of clan. What next? 

Reasons characters would hate another (a concubine)

A disturbing cultish 1950’s-esque town

Some links to help find Beta readers

Why a principal would hate a student

Why a character would forgive their ex

Prompts about anomalies

Reasons a parent would be controlling

[quill-and-ink-writer]

So You Want Your OC to be Jewish

So you’re writing a story and you want to make a Jewish character—great! I’m here to help. I always want more Jewish representation but I want good Jewish representation, so this is my attempt to make a guide to making a Jewish character. What are my credentials? I’m Jewish and have been my whole life. Obligatory disclaimer that this is by no means comprehensive, I don’t know everything, all Jews are different, and this is based on my experiences as an American Jew so I have no idea, what, if any, of this applies to non-American Jews. 

If there’s anything you want me to make a post going more into detail about or if there’s anything I didn’t mention but you want to know please ask me! I hope this is helpful :) Warning, this is long.

Keep reading

[quill-and-ink-writer]

Give me characters who are ambitious and calculating but not snarky. Characters who know when to bite their tongue, but wait patiently for their moment to strike. They don’t always fire back with the perfect insult, but they’re watching, and they’re analyzing, and they’re planning.

Give me characters who come across as cold, but have good intentions. They may not have a secret soft side™, but they don’t need one. Their heart is in the right place, and they don’t have to be amazing at displaying their emotions to prove it. They may be logical, they may be introverted, they may make social missteps, but the people who know them know that they’re kind.

I feel like there are traits we could add to the “cold and calculating” trope that aren’t usually added, and I want to see more of it.

[quill-and-ink-writer]

ive seen some posts lately about drawing diversity with actually diverse features, aka instead of just having a black character, drawing the character with nigerian features or instead of just drawing a vaguely indigenous character draw them with features from a specific tribe/area and in any case i figured you might want to check out this site because its a world map where you can click anywhere and it’ll show you different human phenotypes based on region and really goes into showing many types of people. like im making a chilean character so clicked on chile and it showed me this

which pops up this and this 

its just a pretty neat website to really become better at diversifying and strengthening your character designs

[quill-and-ink-writer]

How would one write a realistic argument?

How to Write a Realistic Argument

Everyone argues.

Whether it be with a friend, sibling, parent, or coworker—arguments usually break out whenever there’s a stark contrast in opinion over certain things, which can happen a lot.

There are a variety of different kinds of arguments involving a wide range of people with different tempers. Because of this, writing arguments can be a bit difficult, but fear not, for this post is here to help!

1. Know The Writing Style of an Argument

For a very serious argument, the characters probably won’t stop and listen to what their opponent has to say.

It’s quick, choppy, and broken—each character shoving their emotions at one another and trying to get their point across without bothering to understand the other side’s opinions.

There should be a lot of em-dashes and italicized words for emphasis, and if it’s between two people, you want as few speech tags as possible; because there’s going to be a lot of back and forth, speech tags can serve to trip up the flow of the argument rather than help them.

When you do want speech tags or if there are multiple people arguing at once here’s some examples you can use:

Roared

Screamed

Yelled

Bellowed

Barked

Hissed

Shouted

Accused

Interrupted

Growled

Snarled

Spat

Screeched

Shrilled

But you also must know that your characters won’t just be standing stock still and yelling at one another; they’re going to be moving around, so here are some things you can describe your character doing during an argument

Expression contorting

Eyes narrowing

Speaking through clenched teeth

Baring their teeth

Lips twisting (into a sneer/into a snarl)

Hands balling into fists

Trembling

Breaking things/knocking stuff over

Pointing accusingly

Shoving

Spittle flying from their mouth

Stamping their feet

Face getting hot

Vein in forehead popping

Blood roaring in their ears/heart pounding

And if you want, to build tension you can put it in a dangerous place, like at the edge of a cliff or something—so you know fully well that if one of them goes too far it may end up with the other’s accidental death.

Keep reading

[quill-and-ink-writer]

100 Prompts of Fluff (Part 2)

(As requested by Anonymous)

51-100:

51. “I’ll never let anyone hurt you, you understand?”

52. “You really think I’m beautiful?”

53. “Are you jealous? That’s cute.”

54. “There’s only a handful of people in this world that I actually like. You may or may not be one of them.”

55. “So–uh, I’m not really good at this, but … I think I like you . . . like you.”

56. “You seriously need to stop watching sad dog commercials at 3am. You’re an absolute mess; this is ridiculous!”

57. “Hey–don’t you sass me! That’s my job around here!”

58. “If you don’t get away from me with that horrid little creature, I will throat punch you.”

59. “You really have to question me? … So what if I lied? That was one time!”

60. “Oh, God. We broke it–dude, he’s gonna be so pissed! This is all your fault–it was your idea!”

61. “… Is that my underwear?”

62. “I overall hate the human race, but you aren’t too horrible; bearable, at least.”

63. “I didn’t mean to scare you–I thought you’d like being surprised!”

64. “You’re cute, I’ll give you that. But not cute enough to get away with that.”

65. “Look–I hate to tell you, but you deserve the truth… . Your cooking almost killed me last night.”

66. “This is the part where you ask me out and I say yes.”

67. “Really? You made me drive all the way back here just to kill a fucking bug?”

68. “We should get matching tattoos–wouldn’t that be cute?”

69. “Oh, God. We’re one of those couples, aren’t we? Ugh–I hate us!”

70. “I got you something! I remember you mentioning it before … I hope you like it.”

71. “Shut up and kiss me, you idiot.”

72. “I get that you were trying to be romantic, but you nearly burned the house down!”

73. “I may be short, but you could at least try to make kissing you easier!”

74. “I’ve never felt safer than I do in your arms.”

75. “We may be soulmates, but that does not mean you can just waltz in here like you own the place! I could have been naked, or something!”

76. “Oh–this is far from over. I’m going to prank you back so hard you won’t even know what hit you!”

77. “Here–can you put sunscreen on my back for me? Don’t be weird about it!”

78. “I need you. Please, stay.”

79. “Promise me you’ll never leave me. I don’t care if you have to lie.”

80. “Dance with me! C’mon, it’ll be fun!”

81. “What? Oh–I’m sorry, does this outfit bother you?”

82. “If you don’t start getting undressed I may just rip your shirt in half.”

83. “Here–let me show you how to hold that thing before you hurt yourself… Like this, see? It’s easy.”

84. “I may love you, but I will kick your ass if you tempt me to.”

85. “Why are you always right? It’s not fair.”

86. “I have no idea what you just said, but I could listen to you all day.”

87. “What? Sorry–I didn’t hear you. I was too busy getting lost in your eyes… Ow! What?! I was just trying to seduce you!”

88. “You know you don’t have to try so hard with me, right?”

89. “Relax–it’s just me! Not an axe murderer, I promise!”

90. “Did you seriously just climb through my window?”

91. “So, I tried making dinner … keyword there is tried. Let’s just say it didn’t end well, so we’re having takeout tonight.”

92. “Yep–no, you’re never touching the laundry again. You ruined my favourite sweater and nearly flooded the house. Never again.”

93. “Hey–I accidentally cut my hand, I think I need to go to the hospital. Can you drive me? … Why are you looking at me like that? There’s not even that much blood!”

94. “I have something to show you; I think you’ll like it.”

95. “I love you. Never forget that, okay?”

96. “You’re so beautiful words can’t even do you justice.”

97. “I want to spend the rest of my life with you, no matter how short or long that is.”

98. “Hey–I’m perfectly average height for my age, thank you very much. You’re the one who’s freakishly tall!”

99. “I’ll catch you–trust me! … So I dropped you one time–we don’t have the time to argue about this!”

100. “I won’t forget just how big of a douche you were, but I may just be able to find it within myself to forgive you.”

[quill-and-ink-writer]

If you ever tagged me to do one of those tag game thingies and I never did it:

1) Thank you, seriously. Those are fun and being included shows that my followers care enough to want to learn more about me.

2) Very sorry about that, it’s extremely likely that I said to myself “Cool! But I’m busy at the moment, I’ll have to do this later today or tomorrow” before proceeding to just straight-up forget, now it’s too far back in my notifications and/or your blog to find again.

[quill-and-ink-writer]

Works in Progress Page 1 - Sorbet by cactusthemes Preview | Code

A fully responsive WIPs page, made for the Pagecraft Challenge of the CodingCabin’s awards! (Requested by @pheita)

A vertical carousel allowing for an infinite amount of WIP pages

Customization help provided in the code and on this page - please check this page before asking me about customization

Credits

As always, if something doesn’t work/looks weird, please feel free to send me a message!