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subarachnoidspaces · 10 years
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Irregular day.
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subarachnoidspaces · 10 years
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01 THEME
Original artwork by Shintaro Kago
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subarachnoidspaces · 10 years
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subarachnoidspaces · 10 years
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iTunes / Ninjashop / Amazon Taken from the Kelis single 'Rumble' (Actress Sixinium Bootleg Mix), released 26 May 2014 on Ninja Tune http://iamkelis.com http://ninjatune.net
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subarachnoidspaces · 10 years
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Dreaming Mind (by Vi Shu)
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subarachnoidspaces · 10 years
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subarachnoidspaces · 10 years
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Amazing Transforming Octopi:
These astounding underwater creatures have an amazing ability—they can transform themselves into other organisms (or even coconuts!). See them in action: http://www.fromquarkstoquasars.com/amazing-transforming-octopi/
Image via Arthur de Bock
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subarachnoidspaces · 10 years
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Kasuya Sakai (Argentinian, 1927-2001), Pintura No. 14 (Serie II), 1974. Acrylic on unprimed canvas, 63 x 51 in.
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subarachnoidspaces · 10 years
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Benoit Paillé - Light Experimentation Part 3
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subarachnoidspaces · 10 years
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Jean de Pomereu
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subarachnoidspaces · 10 years
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subarachnoidspaces · 10 years
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Flock
New Media art installation from 2011 by Bernd Oppl projects surreal gravity-defying activity in a convincing space (which is actually a rotating model) - video embedded below:
The view is directed to an interior. There is a window, a heater, stairs, which neither lead up- nor down - stairs. You watch a door, which sometimes opens and you notice the empty corners of the room. You don’t see any people. The room seems quiet and still there is movement. There are traces of action, as if the room possessed memory, as if it could remember the ones, which have been gone for a long time with their spirits still being present. Dark shadows, composed of countless pixels, accumulate in the corners, wipe along the walls, seem to escape through the stairs. These pictures are produced by a digital camera. The model of the described room is being rotated around the lens of the camera by a motor. A projector shows the miniaturised room in the size of a real room on a screen. The changing perspective of the camera changes the mood of the projection as well. The atmosphere might remind you of Alfred Hitchcock`s cinematographic panic-rooms. The scary effects in the work of Bernd Oppl focus on movement. Taking a look at the interior reveals a simple reason, watching the screen produ - ces a scary medial effect. Both realities, the virtual and the analog one, fall apart. The weirdness does not dissolve by recognizing the cause. The artist shows the digital translation, the medial leap from the animated model to the moving image and leaves the effect of uncertainness, the observer looses touch with reality. The eye of Bernd Oppl’s camera shows how far human experience stays away from technical perception – and the other way around. (Brigitte Felderer)
More about the work of Bernd can be found here
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subarachnoidspaces · 11 years
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subarachnoidspaces · 11 years
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Jessica Lloyd-Jones
Anatomical Neon
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subarachnoidspaces · 11 years
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Potentially Hazardous Asteroids:
The most underrated threat to our planet might be impact events that threaten our small world. Most meteors and asteroids may be incredibly small; however, even the largest are discreet and almost undetectable until it’s too late to do anything about them — a situation that played out just last year, with the Chelyabinsk Meteor in Russia. If that impact didn’t open your eyes to the danger of these objects, perhaps this newly released image will.
Learn about the significance of this image at http://www.fromquarkstoquasars.com/14300/
Image via NASA
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subarachnoidspaces · 11 years
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Andrew Lyman - Fleeted Happenings
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subarachnoidspaces · 11 years
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