jean, 20, she/her, ace. side blogs : @mouseoho (kpop) + @dragonjoys (misc fandom stuff) art tag / art archive pfp, header, and sidebar image are from the video game gris!
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Neutral Milk Hotel - In the Aeroplane Over the Sea
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got scolded for drinking coffee in front of god :-/
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Reblog and put in the tags what the first fandom you ever read fanfic for was
#percy jackson#which is crazy cause i just cant get into any of it anymore#like i dont like most of the big tropes in pjo/hoo fanfic and none of the ships are particularly appealing anymore#but hey it worked for me age uhhhhh 10
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thinking about cain and abel and cal and aron in east of eden again im gonna be sick
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“I love borders. August is the border between summer and autumn; it is the most beautiful month I know. Twilight is the border between day and night, and the shore is the border between sea and land. The border is longing; when both have fallen in love but still haven’t said anything. The border is to be on the way. It is the way that is the most important thing.”
— Tove Jansson, “Moominvalley in November”
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in paris for 3 days visiting one of my best friends and my wallet is currently experiencing so much suffering .........
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The meeting of Richard and Anne in Jürgen Fehling’s Richard III.
Jürgen Fehling directed Richard III on this new stage, he ignored all those technical innovations, with the exception of the new depth of the space. An emptiness almost designed to remind audiences of Jessner’s — in 1937, seven years after the Jewish Social Democrat Jessner had been driven from office by reactionary critics and four years after he had fled Germany once the Nazis came to power. Paul Fechter described it as a “luminous box of space” that forced “one’s gaze far into the gigantic depths of this stage” — the raked floor painted in a light colour, the walls covered in bright cloth, steps far, far upstage descending who-knows-where, and finally, another bright cloth wall at the very back.
As Hans-Thies Lehmann reports, some reviews vastly misjudged the depth of the set, thinking it to be almost twice as deep as its actual (and already unprecedented) 44 metres: that space, as remarkable as the production was for other reasons, was its most sensational and immediately overwhelming feature. Fehling and his designer Traugott Müller (of Hoppla, wir leben fame!) did not exactly transform an old space for new purposes, of course: their theatre still smelled of fresh paint. But they took a facility constructed for one kind of theatrical aesthetics and used it — exposed it, really — in the service of an aesthetic program diametrically opposed to the Nazi theatre functionaries’ intentions. No one wonder Göring apparently left in the first intermission, muttering about “cultural bolshevism.”
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isn't it messed up how i'm just dying to be him?
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we know he's bi bc he was a creep to a guy friend ! equal opportunist i fear
heartbreaking: the creepy guy who stalked your friend is bisexual
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heartbreaking: the creepy guy who stalked your friend is bisexual
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Enikő Katalin Eged (Hungarian, b. 1992, Budapest, Hungary) - Bodega Cat's, Paintings: Digital Arts
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Afternoon light in my kitchen I adore you

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