I’m known to persuade
I know how to tell people
things they want to hear
It took me years to get used to this
but now that I’m so skilled
I don’t really think about it
Anything you could save until you have a man you really want,
don’t do with me
Anything you could save until you have a man you’re really looking for,
don’t do with me
You are so innocent in that way
that you believe every single thing I say
you believe if I tell you that you’re beautiful
And it’s true, I’m not lying
but it’s much more interesting
why I’m telling you that
Anything you could save until you have a man you really want,
don’t do with me
Anything you could save until you have a man you’re really looking for,
don’t do with me
If you have a man you really want
and you have a man you’re really looking for
you have a man who remembers your name in the morning
If you have a man you really want
and you have a man you’re really looking for
you have a man who makes the mornings laukeita*
Anything you could save until you have a man you really want,
don’t do with me
Anything you could save until you have a man you’re really looking for,
don’t do with me
Don’t do anything like that with me
Don’t do anything like that with me
Don’t do anything like that with me
I think about your neck and your delicate hair
Your cheekbones and the shape of your ears
I see your smile in my mind and hear your voice
The tip of your tongue I feel, when it meets with the arch of a lip
You are here, but still so faraway
You are my most wonderful dream
refrain:
You are my most beautiful dream and the sweetest
So true yet still only a mirage
You are my most beautiful dream, but the most distant
I think about your fingers, your strong hands
I feel your gaze, when it lingers on me for a moment
Every moment, that I can be near you too
Saves me, though it leads even the bitter to part
You are present, but never in my heart
You are my gate to a dream
Everyone says NEVER TRACE!! THAT'S ART THEFT! Ok but we can do a little crime in the name of Learning.
Trace to learn, not to earn.
I like to take my own photos, but you can study whatever you want. Link back to original photos, and don't post copied artwork unless the artist is dead, cool with it, or both.
As always with learning, start every sketch with the intent to throw it away (trash for paper, quitting without saving for digital) This takes the pressure off and lets you make Bad Art, which is very important.
So let's make Bad Art of a Deer
because I happen to have one handy
Start with a photo of your subject in a nice/neutral pose with all four feet visible. (so not like me)
Freehand copy it. Try not to stylize, focusing instead of matching proportions and pose. Don't get too detailed!
It's ok if your art looks terrible and has broken legs. I've drawn LOTS of deer so I have a leg up. Everyone's art sucks in their own eyes and here's where mine went wrong:
Either lasso-distort (recommended for beginners) or redraw a copy of your first sketch with your reference behind it (scaled to match the main body of your sketch)
Put the original and modified sketches together and compare the differences. Write it down if you want. This shows you where your eyes saw things the wrong size, so you can correct for that next time.
After learning about both deer and yourself, try freehand copying again.
Marvel at your newfound knowledge and skill!
but there's always room for improvement
You can stop here and move on to your real drawing, Or do another freehand-fix-compare cycle. I actually overcorrected my "draws heads too big" and veered into "heads too small."
Another note on tracing: Learning HOW to trace is more important than anything you could learn By tracing. Draw the Anatomy, not the outline. In real life, things don't have outlines, they have bones.
These are from the same shoot which is extra useful for consistency. The lines are minimal and follow where the animals joints are, and only important parts are drawn.
You won't know what Important Parts means right off the bat, which is where in-depth study comes in. You need to do learn the hard parts to do the easy parts right.
I am such a huge horse nerd and I apologize. :( But I’m really tired of seeing girths that are halfway down a horse’s stomach. This may not be interesting to anyone who is not me, but I like to draw fancy saddles and ridiculously long shanks on bits. Also, horses are the only animal I can draw, so I take advantage of that.
I hope this helps some frustrated non-horsey artists in at least some small way. Remember, when in doubt, add some buckles and some rings. :)