#& arc ‚ don't blame me.

[bleue-flora]

Wait... Dream was born on August 12, 1999 and Dream was arrested in the Disc Finale on January 20, 2021 soo... wait, wait, wait, that means he was only 21 when he was imprisoned for life in a small lava covered box!... Did I do that math right? 21?! Man was barely able to drink legally in the United States and they gave him a life sentence in a boiling cell with nothing but lava, raw potatoes, a clock, and some books?!... oh my god...

[dlldior]

guys it actually fucking bugs me that sebataker is considered a "rarepair" in this fandom like even sebagni has more fans??

like sebataker is fundamentally the perfect ship in kuro it's basically two divorced dads enduring a long custody battle over their twin sons all the while with some heavy sexual tension

[spotforme]

This sence is absurd.

[allegorism]

the way bnha, jjk and demon slayer all started with some potential, then some people started to call them the "new big 3" due to their popularity and immediately afterwards their quality (if they ever had that in the first place) plunged to underground levels..... that's something that should be studied

[randomnameless]

thinking about @fantasyinvader's recent Dimitri post -

I think one of the points I'm not really fond of with AM and Boarmitri's turn to Savior!Mitri is how Dee shifts his attention from the Means to the Ends.

And sure, we have to think about the bigger scope - criticise to prevent the "Ends" means putting an end to the "Means" - but what about the ones who were sacrificed, or the ones who are and written off as "means"?

Kleiman dude really believed he was doing the right thing by chopping Duscur people (or at least putting them under the bus for something he and his lord did).

Boarmitri reacts to the "slaughtering Duscur people" strongly, and would have killed him because hey, you were slaugthering people down (or are responsible for the persecution Duscur people suffered and are still going through).

Savior!Mitri? Will put his execution on hold, to consider what Kleiman dude meant by "doing the right thing".

But, regardless of why Kleiman Dude thought was "right" or for "justice", the thing is, he still organised the massacre of several people and wrongly framed innocents to hide their involvment, which led to their persecution/massacre.

"But Lambert was removing our rights and privileges" sure, what does this has anything to do with Dedue having lost his sister to senseless murder after being wrongfuly framed for regicide?

"Kleiman Dude really believed what he was doing was right" and ? Tell that to Felix's mom, what's going to happen? People do things for all kinds of reasons, so what?

-

Worst offender is, of course, Supreme Leader.

Boarmitri wants to cut her down to avenge the dead (and maybe stop the war?) but when Savior!Mitri finally hears her, uh, reasoning, he is resolved to kill her because that's her choice (uh) and it's their fate???

The fuck?

Sure he mentions putting an end to the war, but the entire "we have no other choice but to fight, because it's what she wants and that's the destiny we were born to", please no?

Hopefully the first sentence "end the war" exists, otherwise I'd really believe Dee makes this fight and final battle all about Supreme Leader (and blame fate because that's hresvelg grey for you) and completely ignores the people who are, uh, living in this Fodlan ravaged by war, the ones who died because of it or are still dying because that's what war does.

What about the ones who died? The ones who are dying (or are locked in a 5 stars resort doing zumba for 5 years) ? The ones who are turned in demonic beasts? The ones who are starving?

"We have no choice but to destroy each other... Such is the destiny we were born to."

who cares about casualties, let's agree to disagree about our Ends and blame fate instead.

:/

[twilight-blaze]

cannot stop thinking about how if Hope is your party leader for the final fight against Orphan, his voice line at the start of the fight is a determined "this is for you, mom." I'm going to fucking cry

[earl-grey-crow]

I feel like alice might've wanted to kick the pond in the shins but how do you kick an eldritch pond in the shins

[bonefall]

I don't do a lot of vocal input into the warriors fandom (aside from the chunk of Bumble propaganda I submitted for the character profile for the misogyny poll) but I do agree with what you said about Sagewhisker. Even as a kid first reading the book I didn't like her that much for basically forcing Yellowfang to be a Med Cat.

And you're right. It is kinda surprising that of all the characters to get zeroed on by the fandom as Worst Women in the book, it's Lizardfang and not Ms. Barely does anything beyond the bare minimum and Guilt Trips the protag into a life she Does Not Want and Judge her for her actions and does little to nothing to help Yellowfang (honestly, if any Med Cat /had/ to be on Leaf and Squirrel's trial into Starclan, it should have been Sagewhisker and not Yellowfang)

It's surprising but also makes sense. Framing is a very powerful tool, and the cold hard reality is that we live in a misogynistic society. It's not hard to make whip people into emotional override over a Bad Mom character, enough to completely ignore and excuse the deliberate writer choice to tie Child Abuse to Woman Not Wanting Kids.

Mix that with the target audience being young adults (specifically tweens) and it's obvious how Lizardstripe (evil mom who hates babies) is more easily demonized than Sagewhisker (manipulates the POV by making Yellow feel bad about herself, which Yellow herself accepts)

But however it happens, I still find it very disappointing. I wish the fandom was generally better at engaging critically with the text, and could take a step back when the Erins roll out Bitch Mom Villain 4 and acknowledge the double standard in WC

[notmoreflippingelves]

I need to ramble more about Esteban Flores, because everything about this character and his arc seem as though it was tailor-made for me and specifically designed to make me absolutely feral.

This going below the cut, both because I do not want to spoil the entire show for my friend who is think of watching Elena of Avalor and because I go full-on apologist here and I feel like that will annoy some people.

Imagine making the absolute worst mistake than anyone could possibly make, because you are 18 and scared and stupid and tired of being ignored. And it results in you losing your family and your freedom and what little self-respect you had left because you know all of this is very much your own fault.

 And so you proceed to spend the next 41(!) years eking out a miserable existence in an oppressive state. Upon fear for your life, you are forced to be the reluctant right-hand of the evil witch-queen who conquered your country, killed your aunt and uncle and trapped your cousin in magical prison. In spite of this, you nevertheless do everything within your limited power trying to hold the kingdom together and make sure the people don't starve, because the queen certainly doesn't care about anything except greedily bleeding your country dry.

And no exaggeration, this is just what canon explicitly gives us outright in the pilot. Like that's not even getting into head canons/interpretations/common sense of what exactly this sort of life entailed for you. Because this is a children's show so there's only so much they will let us imply about living under that kind of system. Especially as a young, attractive, terrified person who is the last living member of the previous royal family who is likely being kept alive partly as a combination trophy/punching bag for the evil queen (even if the show never actually states this outright).

And then by some miracle, what's left of your family comes back after all this time. The evil queen is overthrown, partly because you yourself finally stood up to her at a critical moment. You and your country are finally free again, and what's more, you and your family are finally together again after over 4 decades. But you still feel like an outsider--partly because you always were an outsider in your family even in the better times and partly because  over the past 41(!) years, time stood still for all of them except you.

And as a result, no one ever cares to ask what those 41 years were like for you or even just if you’re doing okay. Not only because your family can’t even begin to comprehend what it must have been like, but also because they don’t care to even *try* to understand. Because the narrative has decided that everyone else’s respective traumas is worth way more than your own.  (Though tbf the narrative really doesn’t dwell much on anyone’s trauma in general but yours gets especially neglected , except to briefly play it for laughs or to remind you that your trauma is *your own fault and only your own*).

For a little while, life is pretty okay. It’s weird not having to watch your step every instant to make sure you’re not putting a toe out of line. And so you never really fully break out of your “survival mode” conditioning, making sure that you are still considered important and valuable enough to keep around.

But all the while, you know that your past—and especially your terrible little secret—is eventually going to come back to haunt you. And it does. First via blackmail and then via the return  of the evil witch-queen herself. Fortunately, she is defeated for good before she can take avenge your “betrayal of her” but you still have to deal with seeing the ghost from the past who terrorized you for 41(!) years.

And then, your secret finally comes out in the open and you are disowned by your family—the family you *just* got back a few years ago—for an admittedly super bad decision that you made over four decades ago and have regretted ever since.  Rather than face the rest of your life in isolation (as though you didn’t already have enough of that during the previous regime), you escape before you can be sent into exile. This puts you directly in the path of *another* terrifying, evil magical milf who you are forced to ally yourself with. Because you have 40+ years of conditioning that when a woman like that says “jump,” you say “how high?” if you are to have any hope of survival.  Especially given that the only people who could’ve protected you from her are the family and friends who have just definitively washed their hands of you.

Despite this, you are still trying to seek your cousin’s forgiveness and to protect her in the little ways that you can. But you are constantly getting rebuffed over and over again, and if anything, your attempts at reconciliation only seem to make your cousin angrier, and she now hates you just as much as—if not MORE than—the woman who actually murdered her parents.

Your cousin is so angry at you specifically that she actively ignores the greater threat of Witchy Milf 2.0, because she happens to see your face and is enraged. This ends up backfiring spectacularly for you both, though it does indirectly lead to the defeat of said Witchy Milf 2.0.

But guess what?  There’s no time to breathe or celebrate, because her defeat occurred during the successful summoning of a third power-mad, feminine-presenting magical humanoid and her allies. At least, this one treats you with some initial respect and actually gives you outright what you-think-you’ve-thought-you-always wanted. But she also turns your family and friends to stone in front of you as a warning of what’s to come if you dare to defy her.

But this time, you are finally done with this, have finally lost enough that you have paradoxically found your courage. You sacrifice yourself to save your cousin, and she is finally able to accept that you’ve sacrificed and changed enough that she can forgive you. And her forgiveness is so powerful and pure that it not only restores you to life but also undoes all the other evil magic. Together, you defeat this final enemy, paradoxically by banishing her to the same Underworld where your mistakes accidentally sent your aunt and uncle and her parents long ago.  Peace has been restored. You have returned for good and are finally secure in your family’s love.

And after all that, there are *still* people (both presumably in universe and in the fandom outside of it) who say it's too little, too late and that it would've been better for everyone if you'd simply stayed dead.

Like I'm just... are we really victim-blaming the character who has 45 years of unprocessed trauma and guilt (both survivor's guilt and guilt in general) because of a decision he made when his brain was still developing and he was being manipulated by an older, much more powerful person?

[wereh0gz]

The idea of shipping Omega with literally anyone is super funny to me bc the only reason I can see him be attracted to anyone in that way is bc of their destructive power and nothing else. Not personality not appearance nothing just how much shit they can break and honestly I respect that and want to see more of it actually

[petitepatateuwu]

I've made it to the 8th season of ninjago and wtf???

Better animation, new haircut, new city, Lloyd's new voice, Garmadon is somehow back in the plot, and Cole actually has charachter developement?????

I have so much to think after two episodes, they got me really hyped for this one :D

[sskk-manifesto]

(*・ω・*)b♪

[dw-flagler]

fuck. I was writing this emma barnes fic and I've come to a realization. For a period of exactly seven days in 2009, Emma Barnes is a completely different person from the one in canon. Like, I always knew that meeting Shadow Stalker the second time shaped her as a person, but it's genuinely shocking how utterly different the road of her life could have been.

Like, for my fic I had these two paths I was struggling to pick between, which I'm calling Wire and Cloth, as a joke about imprinting (see neither is good but one is distinctly better than the other), one where Emma ends up being kidnapped by the ABB and one where she ends up as shadow stalker's apprentice. But.

Look, here's a line from Interlude 19: "What got her, the nebulous idea that haunted her, was the impact those scenes had.  There were so many defining moments, so many crises, big and small, that shaped the people they touched.  The biggest and most critical moments were the sorts that wiped the slate clean, that ignored or invalidated the person who had existed before, only to create another."

Like, yeah, she's talking about triggers, but what's getting to me is how empathetic (in the literal "I can relate to your pain" sense) and compassionate she sounds. Like. Emma shuts herself in her room for a week because she's incapable of dealing with the horror of knowing that hundreds of little girls are going through what she did every minute of every day. She can't deal with it.

This emma, who only exists for a week, is haunting me. She's just--It's just weird!

And the Emma who exists for the rest of the story, for every section except for less than half of one chapter, you can see the remains! She's there! Emma recontextualizes her existential despair at the enormity of human suffering, something she only really understood in abstract until now, as Sophia's predator/prey philosophy, right? It's so easy for her, because it gives her a way to explain it. There's predators and there's prey. It already slots into her worldview. Like (and I'm really just harping on about victim blaming today aren't I?) those girls who suffered like Emma did, they suffered because they were weak! It's simple now. There's two kinds of people, the ones who are hurt and the ones who hurt, and all Emma has to do to make sure that she is never hurt again is to be the one who does the hurting.

But for seven days, there's that ghost. The kind Emma Barnes, who doesn't want anything like what happened to her happen to anyone else. It's not as narratively interesting, I get that. Who wants a worm character who's all peace and love? That doesn't make for a mentally disturbed teenage girl doing horribly violent acts, and that's what we in the worm fandom all want to see. But still she haunts me.

[blankboys-room]

HELLO BLANKBOY!!!!!!! I THINK YOURE FUN!! WE SHOULD GET TO KNOW EACH OTHER :D YOURE FUN!!!!!!!!!!!!!!!! I KNOW IM REPEATING MYSELF A BIT BUT ITS TRUE!?!?@*×£$&(#

shes very obviously excited, as you can tell -_-

Holy- I uh..

[BLANK is... FLUSTERED?? A mix of an embarrassed blush is faintly seen on his face.]

I'm... Speechless.

[wolfehunt]

LE CHIFFRE : " m'not livin' n'the fuckin' city, chiff. " irritable tone bites on her tongue as she lifted her glare from her phone to her . . . boyfriend ? baby - daddy ? jesus christ, what she wouldn't give for a stiff drink. whatever marcel is to her now, it's not enough to change her mind. tossing her cell aside, she crossed her arms over her chest, and stared at him with stubborn petulance. " i'd kill m'self in a week. " if that. disgust settles on the curl of her lip. she's pissed, and tired, and her constant craving's are driving her up the fucking wall. it wasn't this bad with parker this early on. and naturally, she's gonna take it out on @parieur. it's his fault, after all.