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#[comical cartoon sound effect of me falling down the stairs]
stubbedbakutoes · 4 years
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Moving In
pairing: chuuya nakahara x dazai osamu
genre: fluff, that homo agenda *insert chef's kiss*
masterlist
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"Be careful with those, I – "
Crash.
"... Never mind."
"Sorry, baby – was it important?"
Chuuya could hardly get mad at Dazai with his mismatched socks and low-slung sweatpants, forehead pecks with his lip brushing his warm skin when he murmurs I'll buy his a new one into his hair.
The distinctive crack of shattered glass breaking in the box he just bumped into the wall with indicates that he's going to have to pull out his wallet, and the flashbacks to the consecutive drops, trips, and stumbles with wince-worthy snaps and cracks resounding in the cardboard box tells his he might have to run to the nearest bank too.
He waves it away – "we needed new picture frames anyways, and besides, the dinner plates were pretty chipped to begin with" – and he let it slide with his lips on Chuuya's neck.
Needless to say, it's taken his much longer than anticipated to move all the boxes in.
Giggles and playful kisses, awkward shenanigans in the stairs with large boxes in his hands and yelps mixed with laughter when he sets the boxes down only to pick his up over his shoulder.
"This is all I'll be needing, thank you very much boys."
The movers smiled a little at the two of them, fanciful lovebirds with a sea of cardboard boxes to an untouched new place, ready to make new memories, ready to make a new home – they shake their head a little bit at his naivety with the reality of broken sink faucets and overdue bill payments, but there's something in the way Dazai looks at Chuuya that makes even the biggest skeptic believe everything is going to be okay.
And it's something Chuuya’s been waiting for – something he’s planned, months on months of searching for houses and apartments, open houses and horn-rimmed real estate agents with tight buns on their head and clipboard in their hands; long nights of looking over pamphlets and brochures, only to have his long fingers over Dazai’s eyes as he splays them all out over the table and whispers pick one, signing the contract to the apartment in the brochure he chose with closed eyes the day afterwards.
Weeks of packing things and labelling them into sealed boxes, neat letters in his hand and cartoon doodles in the other’s; his life sealed up and ready to be opened with him in a place they now could call their own.
It took his three days to get the taste of paint off Chuuya’s lips after a week of paint wars with rollers on back of white paint on black shirts and hair dipped in lavender; fingerprint smudges of idle tapping to the music that echoed through the empty halls and wrinkled texture on the now-dried wall of when he pinned his up like his were a finished masterpiece despite the messy splotches of color around his.
He thinks there's a bit of a pattern of being rather  sidetracked when it came to doing things with Dazai.
But regardless of how long it took, they were here now – with each other – long legs tripping over themselves as they tried to find their footing below the large cardboard box full of shoes in their hands.
Dazai drops them more times than he's made complete trips and he’s grown accustomed to the sound of heavy thuds of a six-foot body falling on the stairs and a twenty-pound box, accented by the almost comical oof or whoops.
He pouts with pink lips and dark brown eyes and Chuuya promises to kiss him all better after he picks himself up to help finish carrying the rest of the boxes; singsong voice of so kiss me kiss me kiss me as Chuuya passes him with rolled eyes.
By the time he’s done with all the boxes securely through the front doors and messily stacked like half-finished skyscrapers, his arms are sore and his calves are aching, but his eyes are definitely not tired of watching Chuuya stretch his strung back next to the windows, thin band of stomach showing and broad shoulders with muscled arms reaching for the sky.
He catches his watching with a smirk, you like what you see?
Chuuya sees a mess of a room filled with things he’s yet to rediscover and Dazai in the middle of it all; the old in the new and already with memories dried on the wall and floors scratched with the recollection of today's work.
And he does like what his see – the boy he loved with the place he now shared with him, the first place, the only place he could finally call ours with him.
Chuuya likes the sound of that, he thinks.
A home in every sense, a home with Dazai.
Yes, his thinks. His can see it now, he thinks he can see the next sixty years of his life, right here, with Dazai.
Dazai gives his a curious look with raised eyebrows, chin propped up on his stomach as his long fingers wrap around his waist.
"What?"
Chuuya asks him, because he knows he has that adorably confused face of his with the cocked head and big adorable eyes trying to figure something out.
"You were spacing out again – what were you thinking of?"
Chuuya pauses for a moment, trying to find a way to answer his question.
Because he sees picture frames of his and him on his bare walls of a wedding and a child and a graduation and a retirement, because he sees chipped corners of the paint his just coated on a few days ago that unveil back his history with the peeling color, because he swears he can taste all the kisses he'll give his in this house for this lifetime he'll spend with him.
"Tomorrow." He smiles. "I was thinking of tomorrow."
Dazai laughs a little, because his boy's always been vague words for such a complex mind and he won't quite understand today, but he knows he will, he will one day.
"Yes. Tomorrow," he pauses dramatically for effect, "we'll be unpacking the rest of these boxes."
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justjessame · 4 years
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A Little Ass and A Lotta Sass Chapter 10: Mornings.. Why?  Why?  And WHY am I on the fucking floor again?
I wish I could say that waking up with Negan made me more of a morning person. I would say it, but then I’d be a fucking liar. I’m sure there are questions about why waking up with a certified sex master didn’t improve my lack of appreciation for mornings, and I’m gonna answer it simply.
I didn’t wake up with Negan. I woke up on the fucking floor. A floor, I might add, that I woke up on because he actually tossed me onto it, and proceeded to curl up on the couch, alone and snore right in my fucking direction. Yeah, that’s all rainbows and butterflies, isn’t it. Fucking bed hog. And the snores, my God the snores. And the smug dream face that graced him, all because he had the entire, comfortable couch to himself.
I’d like to say that I centered my anger and took a breath. I’d like to say that I was distracted when he smiled in his sleep, through sounds like a cross between a sputtering motor and a chainsaw, and those fucking dimples appeared. I’d like to say that I stood up dignified, brushed the entire ordeal off, and went and did something productive like starting our breakfast.
I won’t say any of the above. I’m not a fucking liar. I own the fact that I hate mornings like Garfield hates Mondays (yes, I remember comics and cartoons, the apocalypse didn’t remove my memory bank). I own the fact that when confronted with something asinine upon waking so abruptly in the glare of sunshine that offends my very marrow I will torch the culprit for that waking without a moment’s hesitation. And I am fucking proud of the fact that falling in love with Negan didn’t stop me from going for his fucking head when he did it to me, on the first fucking morning of the rest of our relationship.
I slapped him. Hard. Right in the back of his head, which I could reach because he was curled up like a sleeping baby. And let me tell you, not only was it satisfying, but it woke his ass up just as fast as I had been.
“What the literal hell?” He growled, coming to consciousness immediately. I felt pretty fucking smug that Lucille had been moved out of reach by my tossed ass, so he couldn’t grab it. And trust me, the first instinct for Negan was to reach for the damn bat. “Callie, why the fuck did you just hit me?” He was trying to get into seated position, but our couch was fucking comfortable and given half a chance would eat unsuspecting guests. Oops, for him, I suppose. “And why the FUCK can’t I get up from this fucking couch?”
I laughed. Fuck rules, and clearly this was NOT a RULE 1 situation. I reached out my hands, and after a moment’s consideration, he took them. Helping him into a more dignified arrangement, I let him in on my irritation. “You fucking tossed me like a football onto the HARD floor, you asshole.” I tried to glare, but seeing his reaction to his own alarm clock, I was starting to find humor in the world again. “And then you rolled over and fucking snored and grinned in your sleep. You, Negan, are a fucking bed hog.” I sat down on his lap when he leaned back against the couch cushions. “I hate mornings,” I glared at the sun streaming through the windows. “But I REALLY hate meeting the floor so hard and so unexpectedly. IN THE MORNING. That I hate.”
He was mostly over his own unscheduled wake up call. Mostly, although I was fairly certain I’d be paying for it soon. “I don’t snore.” Kissing my cheek, he nuzzled against my neck. “For future reference, when we get home, I can hog the bed as much as I want and you won’t hit the fucking floor. I have a HUGE fucking bed, princess.” His voice was a different kind of growl and I could feel how truly ready he was for that bed. And me. “When can we leave?”
I shook my head at him. Seriously? We JUST woke up and he was go go go. I was still, why do mornings have to be a thing? Like the world is a shit show, why can’t the day start in the afternoon?
I leaned against his chest. “I have to pack and I do have to say goodbye, Negan.” I felt a grin like the Grinch wore before he stole Christmas. “Although, I can make it worthwhile to you, at least for a bit.”
His hands gripped my waist a little harder and my smile grew wider. “What do you have in mind, baby girl?”
I let my lips find the soft skin of his earlobe and whispered one word. “Shower.”
I swear that word had barely passed my lips and I was over his damn shoulder and up the stairs we went. I didn’t feel him pick up the other woman in his life, but when he sat me down outside the bathroom I shared with my brother, I noticed her in his other hand. I didn’t roll my eyes, but it was a close one. Holding a finger to my lips, I had him follow me into my bedroom, which needed a name change what without the fucking bed and all. I grabbed a set of clothes and turned around.
Negan’s face was focused on the blankets on the floor that I’d been forced to use due to his pettiness during the first visit. He was glaring at the blankets like they offended him and I nearly warned him against stealing those too. Nearly, because he shocked the ever loving shit out of me.
“Fuck, I have to tell Dwight that a run for mattresses and beds needs done NOW.” He looked up and noticed me watching him. “Callie, I can be pretty fucking brutal, but this might have been a step too far. Gonna right it, I swear.” My eyes went wide. Negan was going to replace my community's beds. For me. Well, shit.
I stepped over the covers and let him pull me into his arms. “You thought you had to, and I am TRYING to understand your methods and reasons. Trying to, but I’m not completely there.” My cheek had found his heartbeat like it was a magnetic pull. “Let’s go shower, so I can’t at least get rid of my CURRENT bruises, from the fucking living room floor.”
I felt his chuckle through my face. “Is this how you’re going to try to fix anything that pisses me off, Callie?” He asked, his arms wrapped around me and his chin on my head. “Because, I have to admit, it’s pretty fucking effective.”
I giggled and pulled away. “I haven’t even gotten to the good stuff, Negan. Shit, you’re pretty fucking simple to distract.” Winking, I rushed from the room before he could take a swipe at my ass with either his hand, or Lucille.
 The shower. Dear Fucking Hell, the shower. While our water could get warm and pretty luxurious, I am more than certain that the steam in the bathroom had little to do with water temperature. Maybe, just maybe, getting into a relationship with Satan’s offspring had some fucking perks. Perk one: sexual appetite that more than held steady with my own. Perk two: appreciation for my abundance of sentence enhancers (it’s what ladies call the word “fuck” and other words that make the mundanes blush). Perk three: I’ll never freeze to death near this man. Seriously. HOT. And not just his fucking looks.
We dried off, or hell, I don’t know maybe his real daddy just blew the dry heat from hell over us and we were suddenly dry, it’s a blur. And then we dressed. He was whistling and carrying Lucille in one hand while holding my hand with the other. I was just considering whether we could eat first, then pack my shit, when I was saved from making the decision by him pulling me back into my room. Packing it was.
It didn’t take long. The only thing that I took the time to actually add to my wardrobe was a chain that I hadn’t worn since we arrived in Alexandria and had a proper home, with proper places for our stuff. The chain was simple, but what it held was extremely important to me. My mother’s wedding rings. She’d given them to me before Judith’s birth and her death, and she’d told me that if anything happened to her she expected me to keep them and wear them when I found the person I looked at like she once looked at Dad.
I hadn’t noticed him watching me, but when everything was packed (a duffel bag full, I’m such a pack-rat at the world’s end, I tell you), I saw his eyes on the rings resting just above my cleavage. His hand reached out, and I stood still. When his fingers brushed the rings, he raised his head with an eyebrow raised.
“They were Mom’s.” I answered, diverting my attention to the bag. I zipped it up and went to toss it over my shoulder, but he stopped me. Taking it from my hands and putting it over his own.
We went downstairs, but I couldn’t quite figure out what the look was that I saw on his face when he was staring at those rings.
Goodbyes are hard. Especially when the dead walk around and bite people. Luckily, my goodbye was hard simply because I was leaving my family behind for something I hoped was better. You know, instead of biting a bullet before I bit someone.
Carl hugged me and whispered that all I had to do was send him a sign of some sort that I didn’t want this, or that I wanted out later, and he’d find a way to get me home. I shivered internally at the mere thought of my baby brother trying to take on Negan for my honor, or worse that he’d hurt him. Losing either of them would kill me, but losing either of them at the hand of the other would break me into a thousand pieces and in ripping me apart, death would be a blessing.
Michonne was trying desperately not to shoot looks at my still very flat abdomen while we said goodbye. Dear Lord, between her and Negan, I was going to go insane at the mere thought of babies. I hugged her and smiled at the strength I always felt in her arms. Warrior woman, surrogate step-mother, and badass human being. I felt confident she would keep my family safe and loved in my absence.
Judith, of course, didn’t understand. But hugging her baby scented person to me, I felt a tug in my heart that I’d never really felt before. I’d miss her, miss all of the care that I took in taking care of her, and yet, I wondered what it would feel like to start from scratch with my very own baby. Kissing her soft curls, I told her that I’d see her soon.
Saying goodbye, or see you later, to Dad was the hardest. I’d been the first child he held immediately after birth. He once told me that he never thought he could love anything more than he loved my mom, but when he held me he knew he was wrong. Holding him and saying goodbye, I felt him trying so desperately to remind me of that love. Tears burned my eyes, but I didn’t want him or any of them to imagine that I wasn’t happy with my choice so I forced them to stay at bay. This would have been inevitable in the old world. Me leaving home to be with the man I loved, that would have been expected at some point in my adulthood. Here, in this reality, it was a little bit different. The entire experience was shifted, but I wanted him to understand that regardless of how it happened, it did, and I was happy about it.
“This isn’t just for Alexandria, Dad.” I whispered in his neck. I felt him nod, and went on. “I fell in love with him, somehow or someway, and I would have probably ended up here at some point. This way, this way no one suffers because of it. This way it actually helps.” I pulled away and he kissed my forehead. “I love you, Daddy.”
“Love you too, my little girl.” Dad’s rough fingers brushed an errant tear from the corner of my eye. “And as much as I may not LOVE the fact that he’s your choice, I trust you to do what’s right. For you, not for us.”
I grinned, hugging him again. “I am. I promise.”
 Negan, showing himself to be a benevolent former leader (look to be honest, I didn’t really learn what the full extent of Dad and Negan’s deal with my arranged relationship treaty entailed, so sue me), decided to address the community and let them know that I’d be sacrificing myself for their comfort. I nearly burst out laughing at him making it seem like I was being sold off to him for their peace and sanity. Jesus, the man has a God complex that would make God Himself blush. After assuring them I’d have regular visits to prove my safety and well-being (starting to feel like a fucking hostage, dumb ass), we finally (Thank GOD, no more speeches, please) got in the vehicle caravan and started off to my new life.
Negan and I rode in a truck alone. We were flanked front and back by his Savior Secret Service. The SSS, shit one extra letter than the SS. Seriously, I wished that the internet was still accessible, because I had MANY questions that might be answered on Ancestry.com about the man driving me home. Pretty sure that his family tree was twisted and had some pretty fucking dangerous terrors dangling from the limbs. Then again, if you do a genealogical search, is Satan’s DNA even available for testing? And what books could be used to trace that lineage?
I let my mind wander at first, clearly on the man beside me and what was to come. Would I really love being with him so much that I wouldn’t miss my family like a missing limb? Would I regret my decision? Would he?
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ducktracy · 5 years
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158. porky’s romance (1937)
release date: april 3rd, 1937
series: looney tunes
director: frank tashlin
starring: joe dougherty (porky), berneice hansell (petunia, babies), mel blanc (excited petunia), billy bletcher (time munches on narrator)
i’ve been looking forward to reviewing this since the day i first typed my review for bosko, the talk-ink kid. so you’ll have to excuse me for rambling on more than normal, i’m really passionate about this cartoon. there’s so much to say!
first off, this cartoon means a lot to me. it’s the first one i checked out on my own accord. i caught wind of who carl stalling was and wanted to listen to a piece of his music to familiarize myself. i saw his depression era compilation of music, and included was the opening number for this cartoon, which absolutely blew me away. i looked up the cartoon and watched it and instantly fell in love. porky was fat! porky has a different voice actor! porky was INTERESTING! porky was killing himself! i had never seen anything like it, so it holds a special place in my heart. i had a vague idea of some directors, like bob clampett and chuck jones, but had no idea who the hell this “frank tash” guy was. but after watching it, i knew i’d love him. and i do!
secondly, this is joe dougherty’s final appearance. while mel is undoubtedly the better porky, i’ve really come to appreciate joe. he gets a hard time because he had a real stutter, and one of the repeated criticisms i see is that it sounds too overdone. true as that may be, he couldn’t help it, and i applaud him for working as long as he did. i mean, a little over 2 years, that’s a decent amount of time! and he does have talent. we’ve seen and heard much worse. so i’m a little sad to see him go, but excited at the same time knowing wonderful things are ahead. i love this particular era in looney tunes history, the porky’s romance to, say, porky’s badtime story era. there’s this sense of newness and freshness—new voices, new characters, new directors. you feel the change happening before your very eyes. it’s all so exciting!
i’ve rambled enough, and i’m certainly going to ramble much more, so buckle up! after petunia pig rejects porky’s marriage proposal, porky seeks a noose for comfort. when the suicide attempt goes wrong, he’s then launched into a dream sequence about their potential marriage life... and realizes marriage isn’t all it’s cracked up to be.
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this cartoon has a unique opening to it. before the title card itself, we are presented with “leon schlesinger’s new looney tunes star: petunia pig!” curtains draw to reveal petunia positioned in front of a microphone. yes, this is petunia’s first appearance! she has quite an interesting history. she appears only in 3 frank tashlin cartoons, where she was depicted as a sultry, sexy foil for the bumbling, not very sexy porky. bob clampett would adopt her in 1939 and make her to be much cuter, giving her hair and a much more naïve demeanor. she hardly has any cartoons at all, yet somehow managed to live on through the dell looney tunes comics and in future looney iterations.
petunia greets her audience warmly, opening with “my public! i hope you pictured my liking--i mean, i hope you lictured my picking... i mean... i--” overcome by nerves, petunia struggles to read the script in front of her and greet the audience. this little bit was inspired by the short lived 1936-1937 radio program community sings. the offscreen announcer attempts to calm her down. “shhh, petunia. don’t get excited, don’t get excited...” petunia’s furious outburst (vocals by mel blanc, of course) of “EXCITED!? WHO’S EXCITED?? I’M NOT EXCITED!!!” comes from comedian professor tommy mack, who would do the same slow routine and then the explosion with the “WHO’S EXCITED?” line. tashlin’s the woods are full of cuckoos is an entire tribute to community sing.
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the curtains close on petunia, and then we’re actually greeted with the title card. an absolutely stellar rendition of “i wanna woo” underscores the title and the opening scene. a happy porky whistles along to the music as we have a montage of him buying necessities for petunia. a diamond ring, some roses, some chocolates. what a good guy! i love the visuals in this cartoon. everything is so sleek and modern--it’s evident tashlin was enamored with the art deco style. and that song again is just beautiful--it’s why i investigated this cartoon in the first place!
porky finishes his routine as he approaches petunia’s house, dancing up and down the stairs before ringing the doorbell. i love that face of his as he poses by the doorbell, throwing his bouquet in the air and catching them in his hand. he’s awfully full of himself.
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inside, petunia approaches the door, her brat of a dog fluffnums by her side. for some reason, fluffnums was attempted to be pushed as a reoccurring character, with model sheets and drawings of him surfacing around the studio, i guess for publicity, but he only appeared in this cartoon. same goes for the iceman in i only have eyes for you (his name is sammy sparrow?) and the parrot in i wanna be a sailor. petunia opens the top portion of her door to see her visitor, and we see cocky old porky posing with his hat hilariously tipped on his face. petunia, for whatever, isn’t very pleased, turning her nose and marching away, stomping her foot. “porky pig! pooh-pooh!” in the same rhythm, the dog barks the same amount of syllables, stomping its little paw. warm welcome.
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a lovely, downtrodden chorus scores porky as he trudges away tearfully, wilting, pausing only to kiss petunia’s nameplate on her house. suddenly, fluffnums looks out the window and barks for petunia. “what is it, fluffnums?” then, petunia spots the box of chocolates porky carries along behind his back. we then get this BEHEMOTH of a scene that displays how tasteful of a director frank tashlin is: 6.5 seconds, 157 frames, 10 cuts. petunia rushes out of her house at the speed of light and urges porky back inside her home. the scene has CLARITY--you can understand what’s happening, unlike the rapid cutting in porky in the north woods. this scene is genius. petunia throws a dazed porky on her couch while she gorges herself on the chocolates, cooing about how glad she is to see him.
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mark kausler identifies the animator as volney white (though the thick eyebrows make me think of bob bentley. mark’s a wonderful source of information i gladly accept everything he says, because he’s right 99.9% of the time) for the scene where porky tries to reach for a chocolate himself. fluffnums, ever the threatening guard dog, growls. we have a great back and forth scene as porky sheepishly pets the dog on the head, reaching for a chocolate and still getting growled at. the charade continues until porky finally snatches one, sticking his tongue out in childish defiance at the dog. as porky lifts up his trophy, winking towards the audience at his act of outsmarting, the dog jumps up and eats the chocolate himself, breaking a hole in porky’s boater hat in the process. (no dogs were harmed in the making of this cartoon!)
seeing as this is joe dougherty’s last cartoon, he doesn’t speak very much at all. in this scene, the animators had porky facing AWAY from the audience so they wouldn’t have to animate his lip movements. it was pretty clear that everyone was tired of working for dougherty. instead, porky’s body jitters as he speaks. they used a technique called staggered exposure, which was mixing up a sequence of drawings to get that jittery effect (so instead of going in a sequence of 1, 2, 3, 4, 5, 6, 7, 8, 9, 10, and so forth, it would be more like 1, 3, 5, 7, 9, and so on.) “why petunia, i want you... you.. you to.. be in love.. that is.. um.. will you.. uh... er, uh.. may i.. that is... won’t you... will you... aw, shucks. will you marry me?”
just as porky finally manages to spit out his confession, disaster strikes. petunia’s bastard of a dog pulls the carpet out from under porky, sending him flipping and falling in the air. because of this, petunia ridicules and laughs at him. porky is now absolutely devastated, leaving petunia’s house for good. i love the detail of his ears and bow tie wilting. carl stalling’s music is on point in this cartoon: an underscore of “the little things you used to do” backs up the scene here. that song was sung at the end of the coo-coo nut grove, where the entire nightclub was flooded in tears.
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the next scene is strikingly somber and surprised me greatly the first time i watched it. we iris in on porky writing a suicide note, a noose tied around his neck, tied to a tree branch. the note simply reads “dear petunia, i love you. goodbye forever -- porky” the camera panning out is a little janky and rough, but i digress. porky wipes away his tears, pulling a photo of petunia from his pocket and giving it a kiss. with that, porky jumps.
because of his weight, the suicide attempt fails as the tree branch breaks, porky toppling to the ground and hitting his head. thus launches a dream sequence as his surroundings spin around (by unscrewing the lens of the camera, screwing it (counter)clockwise in front of the aperture), melting away to the exterior of a church. wedding bells chime victoriously. inside, petunia and porky give their vows. porky struggles, stuttering “i d-d-d.... i-d..d-” the officiator whistles (a dougherty era running gag), and porky spits out his final “do.”
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more volney white animation as the lovebirds exit the church, waving to the crowd that surrounds them. and, of course, fluffnums is there too, begrudgingly carrying petunia’s veil in its mouth. we cut to porky and petunia happily riding in their car, a victorious JUST MARRIED banner waving in the wind, with shoes attached to strings on the bumper marching along in time to “in my merry oldsmobile”. porky’s license plate reads BOOB -- a good indicator of how frank tashlin felt about porky.
a lovely overhead layout of the honeymoon hotel porky and petunia stay at (with, of course, an underscore of “honeymoon hotel”, which was also the title of a 1934 earl duvall merrie melody). the elevator rises to the top floor in syncopation with the music. a nice silhouette shot of porky and petunia, and rather suggestive at that. they kiss, and the last we see before a fade out is porky turning off the light in the apartment.
billy bletcher voices the narrator as a triumphant fanfare blares. “TIME... MUNCHES ON!” rather disconcerting eating noises, and then we open to a very rotund petunia and fluffnums gorging themselves on chocolate. not the most flattering depiction of a woman, but the ironic “laughing” of the clarinets and horns playing “oh, you beautiful doll!” is a wonderful touch. i love when the scores themselves serve as jokes. 
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pan across the apartment, the score melting into another rendition of “i wanna woo” as we see poor porky hard at work. i adore the layout of this entire scene. porky busies himself with all the odd jobs petunia has (presumably) thrown onto him, washing the clothes, ironing a dress, cooking the food, washing the dishes. he unsuccessfully attempts to balance the chaos, trying not to kill himself in the process. pay attention to how the furniture is arranged. the stove, the sink, even the ironing board, they’re all slightly diagonal and at an angle. practical? absolutely not, no one has their furniture arranged like that, just jutting out. but in animation terms, it’s more than practical. it’s so that you can see the details clearly, so that you can see every little thing happening. the clarity of the scene would be muddied if the furniture was arranged the way it should be--you may miss details like the pan burning on the stove or the looming pile of dishes. this is some super smart staging, and the architecture is just beautiful within itself. porky struggles to keep up with the demands, but fails, burning food, clothes, etc. you’ll notice that when he fails to balance a pile of dishes, the china crashing into him as he flops down on the floor, whatever he’s cooking in the pot boils over as well. everything just explodes at once. 
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meet porky pig jr, porky pig jr, porky pig jr, porky pig jr, porky pig jr, porky pig jr, porky pig jr, porky pig jr, and so on. all of the babies start screaming at the noise (bob bentley animation), and petunia puts in her two cents by yelling “porky pig! shut those kids up!” porky rocks one of the cradles back and forth, reassuring her “i’m doing the best i can, petunia dear.” petunia marches forth, wielding a rolling pin as she retorts “don’t dear me, you WORM!” with that, she beats porky relentlessly over the head with the rolling pin, all of the kids shouting “GIVE IT TO HIM, MAMA! GIVE IT TO HIM!” which is another radio show catchphrase of some sort.
finally, we’re met with reality. porky sits in a daze on the ground, petunia stroking his cheek with fluffnums at porky’s other side. petunia puts on her best sympathy act, cooing “oh porky, i’m so so-ree! you’re my honey man. i’ll marry you, darling, honey bunny boo...” while petunia showers porky in all sorts of pet names, he looks up at his suicide note, remembering his dream where petunia was an abusive slob. they had trouble with the camera movements again--when they came out of the dissolve, the camera was in the wrong position slightly, creating a double image.
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this is one of my favorite endings to any looney tunes short. a terrified porky jumps up at zips away into the horizon (with that great electric guitar zoom/twang sound effect i love so much), petunia shrugging and fluffnums making a ! mark appear over his head. suddenly, porky retreats, snagging his chocolates from petunia and running for the hills. a beat... and he returns once more, only to give fluffnums a well deserved swift kick in the ass. the music score in this scene is just lovely, nice and jazzy. the timing is succinct, and i love the guitar zoom sound effect. iris out.
as you can see, i love this short, a lot. while i love the blow out, i think this is my first true favorite that we’ve seen so far. it’s so dark, and i don’t even like dark stuff! it just feels so different. carl stalling is in tip top shape with his music scores. every single piece is lovely, especially that beginning. the animation is fun, the expressions are great. i wish i could articulate my thoughts better, because i really just love this cartoon a lot. i’m super happy it was one of the first i had seen, because i probably wouldn’t be typing these reviews had i not. frank tashlin’s cinematography is STRONG in this one. the camera cuts, the angles... this is a beautiful cartoon, inside and out. i feel bad that it’s joe dougherty’s last appearance, but understand at the same time. great things are ahead, revolutionary things! i’ve warmed up to joe quite a lot. i’ve found nothing in terms of what he did after his tenure as porky--wikipedia (not reliable, i know) states that he attended medical school before becoming a voice actor, so good on him! anyway, i absolutely love this cartoon and have seen it multiple, multiple, multiple, MULTIPLE times. it’s strikingly different in tone than what we’ve seen and what we WILL be seeing. it’s not just your everyday frank tashlin porky cartoon. this one stands out, and i implore you to watch it.
link!
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eureka-its-zico · 5 years
Text
Pricked Pt. 4
Part 1 Part 2 Part 3
Scenario: You and Mino have been together since you were eighteen years old. You’ve been through so much together, but time changed who you both were, what you both wanted and, ultimately, it ended. It ended once, twice, and a million times after. Each time fate somehow bringing you back to one another; but how cruel could fate really be? For with every time you crashed back into one another, you felt pieces’ fray and rip at the seams; pricked by love thrones that never healed.
A/N: Okay.Admit it. How many of you thought this would never get finished? It’s finally happened. I finished Pricked. Over time, I received countless private messages and anonymous asks about finishing this. I’m sorry it took over two years for me to get back into writing. I’m sorry it took so long, you guys. But, my sincerest hope is that after reading this, it all feels worth it. I appreciate the countless support for my fiction. For the continous shares and likes while I’ve been away. You all helped remind me why I started writing in the first place: for the love of telling a story. I hope you love this one. Much Love, Jenn.
Genre: Mino x Reader
Words: 5850
Disclaimer: As always, any gifs that are used are not mine and all credit is given to their rightful owners. 
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It was almost comical how a room that felt so big became hauntingly small. The echoes of his last words etching themselves in your bones until they ached where you sat. Immobile, like a frightened child that hears the creaking sounds of old stairs; threatening to make your heart leap at the thought of old monsters.
Mino couldn’t have meant it. Just like you knew, without a doubt, you were only pretending to be self-righteous. To care about an unnamed woman who should’ve never taken your place to begin with: a poor man’s replacement. A replacement you yourself tried to make of him. The whole reason you showed up here, now,  was to force him to choose you. Or else what had been the whole point of the large affair you’d created, if it wasn’t to lead to an end that favored you both. 
But this was where your self-righteousness ended. 
In the distance your ears could hear the shower running. You knew Mino was undoubtedly undressed on the other side of the door. His last words a farewell forever: a painful dismissal. 
How could you blame him? When your lips failed to move and voice refused to work. Because that self-righteousness flared back up and made you believe you could do the right thing. 
What was right? 
What could be right about losing him, and spending the rest of your life with the maybe’s and what if’s. All you needed to say was what you’d wanted, and allowed, the selfishness that rained over the past year to win. Because honestly, why did you decide now of all times to act so holy? You wanted to do the right thing, regardless of it being too little too late. To believe that self-sacrifice, being a martyr, would be enough to forgive yourself for choosing to hurt so many. 
But you were done falling on swords. Done playing games. If you didn’t tell him now, right the fuck now, that you couldn’t live with the idea of him waking up besides the wrong woman every morning, not you, some stranger who only saw what she wanted, knew nothing about how he used to hide his favorite snacks under pillows during his first year of training, and bleached his hair so badly it left his head raw for days. How he ruined so many school shirts with stains of ink from broken pens that drove his mother into an annoyed rant. She knew nothing of his past. What made him. She only knew what he chose to show her like a carefully wrapped present. But you - you knew all. Past and present. You wanted to know who he became in the future. To see the version of yourself he talked about with confidence reflecting in his eyes.
You knew, deep down, underneath the claustrophobic hands of fear, that you could be better for each other. There would be no more running. No more imaginative ‘What If’s’, to keep you at bay. 
You weren’t surprised to find your feet already guiding you towards the door of the bathroom. Your heart already knew where it was trying to go: it had just been waiting for your mind to catch up. And somehow, after all that mental pep talk, you still found your hand hovering above the knob. 
“No more caving,” you whispered. “I’m doing this.”
Without another moment spared to thought your hand closed around the knob and turned.Whether you were conscious of it or not, you were holding your breath. As if you would find something other than Mino’s naked body on the other side. 
Immediately, your body was engulfed by a hot breath of steam. The mirror fogged up to hide your reflection, and condensation dripped  from every surface. If the shower wasn’t strategically placed in the middle you were sure you could’ve gotten lost in the large high-end expanse of the bathroom. The showers glass enclosure covered a majority of the room and offered no privacy. Your eyes able to roam over every available inch of flesh that it left exposed, and you drank in the sight of Mino greedily. 
Even slumped with his hands splayed out against the patterned granite - body being drenched every second in a heavy flow of water - Mino was still able to command the room. Although, you knew by the heavy sigh between his shoulders that he was a man in mourning. A dull ache wormed its way inside your chest and threatened to bloom, but a memory batted it away. 
It was the beginning of spring; months after you’d begun your secret affair. Both of you pretending it was just something simple as convenience. A past history of being first loves and promises of fairy tale ever-afters allowing you the false ideal it would be over once either of you had your fill. 
You could see now, caressed in a fog of steam, what a lie it was. 
That day the humidity had been worse than the heat. It ended up like that a lot during the peaking days of summer. The two of you finding solace in the new studio Mino rented out; a private, safe place for his artistic ideas to flourish and die in a privacy only he knew. 
He’d rung you to come by. Mino’s voice tempting your body already with the sweetness of kisses and a promise of that honeyed voice that was held between those lips kissing its way between your thighs. You didn’t need much prodding after that.  Your fingers already on an app to hail the nearest driver. 
You’d arrived minutes before he’d asked, and found him surrounded by splattered canvases. A majority of them thrown to the ground, like an island of misfits. Mino was already working on a newer canvas, but the frustration radiated off of him and hit you in waves. You could see it in the way his teeth dug themselves into the wood of his brush, and the large strokes of his fingers, covered in paint, across the canvas. You could’ve sworn you could hear the brush beginning to snap under the pressure. 
Mino had always been this way. His drive for perfection charging his artistic nature, usually with him being completely unaware. He was in such a trance focusing on his work that he hadn’t paid any kind of acknowledgment to your entry. All Mino could see was the canvas before him and the irritating fact it wasn’t coming out like he’d wanted. 
You were more than ninety-nine percent sure if this had been anyone else, you would’ve been annoyed at not being acknowledged. But here in his artistic heaven you were just fine being ignored. It left you plenty of time to gawk at the mosaic piece that covered an enormous section of a wall. The bright pieces coming into the colorful shape of a cartoon man holding a wilting flower. The petals somehow becoming larger until they landed on the ground at his feet. The back wall displaying a dozen or so paintings. The theme of them all painstakingly the same. 
In one various arrays of color, he had the facial outlines of a man and a woman. You could only assume by the way the woman’s face was comforted and the way the lips of the man drew near to caress her lips, that it was a painting with the image of intimacy in mind. That feeling of intimacy causing your cheeks to flush and a yearning to be touched. Another showcased a couple outlined in white against the charcoal of the canvas. There were stars small as speckled dust that told you he’d brushed a single finger through the hair to obtain the effect. The longer you looked at it a stirring feeling of recognition began to ache in the back of your mind.
“It’s that night we spent by the Hongdae river.” 
Mino’s voice cut through your thoughts and brought you clarity. Your eyes barely shifting to acknowledge his body turned in your direction, before looking back at the painting. It seemed the second he mentioned it everything about it began to make sense. 
It was the moment he’d caught your gaze stuck to the bright sky. So bright and full of endless possibilities. 
“Do you remember what you asked me?” He questioned.
You didn’t even need to consider the thousands of possibilities. You already knew.
“Do you ever wonder if the stars miss each other. Millions of them are in the sky. You would think with so many, they would be close to one another, yet they’re so far apart.”
It wasn’t until your eyes took in the shape of dying dust behind a falling star that you finally turned to look at Mino. Your full attention on dried paint that scattered itself on his hands and arms; splattered in rainbow hues all over his shirt and pants. He resembled a piece of art himself, housed inside a room you realized held painted moments of past times together, and more recent. Through this act of whatever it was you’d both created, Mino made something beautiful out of it. He made something beautiful out of you. 
Looking at him now...you knew, Mino would forever stay a work of art that would take your breath away. And in that realization, your mind only came up with one solution to end his creative slump he currently found himself in. 
You didn’t think twice before your hands found the hem of your shirt and began to lift it over your head. Mino’s eyes widened slightly; no doubt enjoying the unexpected show you put on. 
“You’re having trouble painting today.”
It wasn’t a question. You didn’t need an answer, but Mino’s mind wasn’t truly listening to you. It followed his eyes as they watched your hand loop around your back and undo the clasp on your bra. 
“I’ve actually been unable to draw - paint - anything. No matter where I go or what I draw, it never comes out right.”
You were stepping out of your shorts when you nodded in acknowledgement. As the last article of clothing fell to the floor, you were left exposed, in all your glory. For some reason, as ridiculous as it sounded, being naked in front of Mino this way sent your nerves into overdrive. It took everything you had not to begin to fidget with your hands. 
“Y/N, what are you doing?”
“Use me.” 
You blurted it out so harshly it caused Mino to jump. This time you did close your eyes as the embarrassment began to burn against your cheeks. 
“Use you?”
By now, Mino was slowly moving towards you. The playful tilt of a smirk drawing up the side of his mouth as his eyes took you in. He radiated a heat that sent your body trembling; not in a bad way. No, no. Far from that. It was an undeniable urge for him to touch you. For his hands to leave burning trials of his exploration of your body on every inch of your skin. 
You had to swallow twice to be able to speak. 
“Yeah. Use me as your canvas. Paint on me and see if this helps break you out of your creative slump.”
That appeared to stop him cold. His feet no longer coyly bringing him towards you and the smirk now drawn in a thoughtful pout. The first real hint of fear hit your tongue and you tried to swallow it away. You hadn’t considered the fact Mino might call your idea ridiculous and, perhaps, stupid. You were about ready to tell him never mind when his hand motioned for you to move next to the canvas and paints he’s been working on previously. 
“Come lay over here.”
You couldn’t reply. Your head giving a curt nod in response as he moved to grab a blanket. It wasn’t the length of your body, but just enough to cover your more...precious parts from the dirt of the floor. Once it was laid in place, you moved to lie down and waited patiently for him to spread his paints out on the tray. Your mind going to counting sheep to pass the time. Around sixty-seven, a gasp of surprise from the cold of the brush against your skin. 
“Babo!” You shrieked. 
Your hand shot out to smack his arm, which only awarded you with the deep bass of his laugh. 
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“Should I have warned you?” He asked playfully.
“Duh!” 
“Okay, okay. Lie back down and be ready this time, eh.”
You wanted to smack him again and it sent him into more hysterics. You did what he asked though and laid back with your arms out by your sides. 
“I’m gonna move the arm closest to me, alright.”
“Why are you telling me?”
“I’m letting you know so you don’t smack me again.”
This time you chuckled to yourself as his hands took gentle hold of your arm and moved it into place. A few moments later the coldness of the brush touched down on your skin. You didn’t jump this time. 
You couldn’t tell how long you laid there. Mino moving around different points of your body; spreading different colors along your torso, down your legs, and under your breasts. The two of you making light conversation as he worked, until after a while he informed you he was finished. You were ready to move, but your body was heavy with relaxation and you settled on wiggling your toes. 
The sound of a Polaroid camera going off shot your attention back in Mino’s direction. His fingers snaking around to drag the film gently the rest of the way out. 
“You better not show anyone.”
Mino gave you a cynical glance over the side of the camera before snapping on more. 
“Don’t be ridiculous, Y/N. I wouldn’t share you with anyone: not even as artwork. I just want to save these.” Mino set down the Polaroid and gave the two photos a couple last good shakes before he set them gently down. You began to get up when he knelt beside you, stopping your movements completely. “Y/N, I mean this more than anything. I think this is the best art I’ve made in a long time. What we’ve created together today.”
The compliment sent your lips into a humbled smile that you did your best to hide, but Mino refused to let you. 
“Mino-ah, I did nothing.”
“There you are wrong.”
He didn’t allow you to argue further: his lips crashed down on yours. His body collapsing against yours and hands moving in a heated rush to remove his clothes. You weren’t surprised to find your own helping. The two of you soon making love in a flurry of still wet paint that helped to create a new work of art against the studio floor. 
With the memory fading away, and leaving you to stand back inside the bathroom and Mino a few feet away, it filled you with renewed resolve. What did it matter if you hadn’t graduated from college yet. If you didn’t know a major to stick with, and you worked like a majority of everyone else in customer service jobs and not a giant firm. That your apartment wasn’t in an established part of Seoul. 
You were every bit as good for Mino. Hell, you were the right person for him. You knew that more than anything, and you refused to feel any less unworthy anymore. Without waiting another second to allow doubt to stop you, you reached out and took hold of the shower door and opened it to step inside. Mino turned at your entrance with alarm spread clear on his face and raised eyebrows. After his panic subsided, recognition began to lower his shoulders and formed a question in his brow. 
“Y/N,” he started huskily, “What are you-“
You didn’t give him a chance to finish. Using the momentum you gained from entering the shower you pushed into him. The warm water from the shower drenching you both as you wrapped your arms around his neck and brought him to you. Your lips pressing against his the only answer that you needed to give. 
Mino matched your desire with his own. His mouth opening yours up to him allowing him to drink down every moan he could elicit from you. When pushed to move you back against the wall of the shower, you gave no protest. The need every placement of his hands made coursed through you and sparked like an electric current. Every tug on soaked fabric and delicate graze of teeth skimming down lips until a tongue lashed up to soothe it's haunting ache. Underneath the basic carnal need that plagued your body for Mino’s touch - his touch alone - you knew it was something deeper. 
The idea of soulmates and fate seemed  like a fairytale of pleasant dreams meant to keep the boogeyman of life at bay. That there was some hope of a Disney ending, definitely not G-rated, far from PG, but still somehow attainable in life. The thought alone used to be enough to make you roll your eyes. In the end, you couldn’t allow your cynicism tarnish the truth you knew was true between you two. 
How could you deny the power of the universe when the cosmos rested solely in his lips? The way his name was written in stars along your skin. For fate to align itself over and over until you stood face-to-face wrapped in each others arms in a tangled connection that refused to make sense.
There had to be a reason for all this chaos.
Mino and you were swollen lips and ragged breaths. His naked body pressed against your soaked clothes stirred a desire to finish what you’d started in the other room. Mino, apparently, hadn’t shared the same sentiment. His lips suddenly breaking free of yours only to lead you in a daze from out of the shower. 
When you came back into the room, he didn’t bother with a towel. Instead, Mino opted to struggle his wet appendages into the legs of his jeans. He gave small hops of hope that he used to wedge the fabric up his hips. The whole ordeal already making you fight back the rising fit of giggles, only to end up as a losing battle. The shoulders of his t-shirt becoming trapped around his head; face peeking out through the open collar enough to look ridiculous, and finally broke you down into hysterics.  
When Mino finally was able to get his shirt comfortably on he walked over to where you’d collapsed onto the bed. You were soaked and the sporadic dry patches on your jeans were annoying. Your body still vibrating from your earlier outburst and you watched as he moved to kneel beside you. Not caring that both of you resembled drowned rats. Mino reached out to calmly take both of your hands. The angle he was at giving you perfect clarity of his face. Perfect enough to be able to see a decision rapidly being made in the softness of his eyes.
“This is gonna sound nuts.”
You reached out to cradle his cheek in your palm. Your thumb rubbing lightly to try and calm the storm of emotions that whipped his eyes frantically back and forth searching your face. 
“Mino, this whole year has been crazy. I don’t think anything you could say would surprise me.”
“Marry me.”
Okay. You were wrong. His outburst did surprise you. Your body went still in front of him and your thumb no longer grazed against his lips. You were going into shock and he was taking your silence as denial. 
“I mean, I know it’s stupid. It’s a stupid idea, Y/N, and you deserve a better proposal than this, but I don’t want to waste another moment without you and-“
He was rambling. The both of you knew he was and only because the room swelled with the panic of finality you both felt. That terrible chance that if either of you stepped out of the room, whatever spell of courage happened between you both would end. You could see the pleading in his eyes and could only think of doing one sure fire way to bring his frantic speech to a close. You took his face in yours and gave him one good kiss. When you pulled back he was stuck in place looking for all the world like a wound up doll who’d run out of juice. 
“To answer your question, Mino: yes.”
It took his ears a second to register what you’d said, but the minute he heard it Mino broke into a smile so big you couldn’t help but smile back. He rushed to close the small space between you and wrapped his arms with a constrictors grip around you. Only pulling back to kiss you rapidly all over your face raising giggles from your throat. 
“Yes? Yes! She said yes!”
“Ya, Mino,” you chided playfully. “You act like someone is going to hear you.”
“I don’t need anyone to hear me. All I needed to hear was your answer. Come on,” he urged rushing to grab both of your jackets. “I know somewhere that’s still open that they’ll do the ceremony right now.”
Your heart was pounding in your chest as you moved hand-in-hand to the front door. This was it. You were on your way to get married. Nothing and yet, everything was about to change. Mino shot you one last smile over his shoulder before he ripped open the door. The both of you coming to a halt in front of the woman, closed fist raised to knock, frozen in shock before you. 
You didn’t need Mino to tell you who she was. By the way her face crumbled like all the cheated souls before her, you knew this was his fiance. The look of pain replaced itself with something much colder and harder. The anger coming in waves to steel herself against the pain you no doubt swimming inside her like a monsoon. 
“How long?”
Her voice trembled in a way that would have made anyone consider it to be sadness. Anyone else, besides you. You knew it was simply the sound of her choking back on a heartbroken rage cocktail that was brewing deep in her chest. Her tears scolding while the judgement her eyes held a very clear hatred for you. Her world slowly falling apart as she drank you both in. Clothes still clinging to your body like a second skin with both lips puffy and red from each other’s kisses. Her world was collapsing into ruin in quiet milliseconds of betrayal before her.
Mino finally let go of your hand and stepped towards her. She instantly retracted from his touch and swatted away his hand as if it were a pest. 
“Don’t touch me!” She shrieked.
“Jang-mi, please,” he protested. This time Mino didn’t make the mistake of trying to touch her. His hands simply motioning for her to come into the safety of the room. “Let’s discuss this inside the room. Not the hallway.” 
Her face turned a bright red, and you understood why. Mino sounded like he was coddling a tantrum throwing child. Not a woman who just had a brutal awakening of her soon-to-be husband’s affair. Jang-mi took on last reproachful glance in your direction and moved to go inside the room; taking careful steps to touch neither of you.
As soon as the door to the room was closed, she whirled on you both. Maybe it would’ve been better to remain at Mino’s side to seem like a united front. But you couldn’t bring yourself to give her another theoretical smack in the face with that. So you kept a few inches between you and your head cast downward at the carpet.
“How. Long.” 
Jang-mi enunciated every word. Her small fists now in tight fists as her eyes scanned from one face to the other. Waiting for one of you to find the courage to answer. You wanted to let out a sigh of relief when Mino finally spoke: “Close to a year.”
That answer wasn’t what the other woman wanted. The air appeared to be knocked out of her, as her knees collapsed from under her and she ended up sitting on the bed. 
“I should’ve known,” Jang-mi began with her voice breathy as if she was talking from a memory. “That day in the alley. When I seen you two together. I knew by the look on your face.”
She looked up at you then, and you didn’t dishonor her by looking away. You held her gaze and knew you deserved what she thought of you. For in Jang-mi’s story, you were the villain. The one who came and stole her ever-after and did it without apology. You wouldn’t ask her to offer forgiveness for your selfishness. 
“His mother has a picture with you in it still. When you were younger at Danah’s eleventh birthday party. I know you were his first love. It’s clear on your faces, but make no mistake, I am the one he chose to marry.”
Jang-mi found her strength to stand and it was against you. You admired her fight but, in this, you refused to let her win.
“That can change,” you snapped. 
Your response surprised her, but she made it clear in her squared shoulders and upturned chin she wasn’t backing down. 
“How? For a year, you were nothing more than a girl kept in the shadows. No better than a whore-“
“Jang-mi, enough!” 
Mino cut in and went to shield you. You stopped him with a hand to his shoulder and stepped around him. Mino could be your knight in shining armor any day - but not today. Today, you would do it for yourself. 
“Think what you want, but I will be what you can never be: the woman he loves.”
Your cheek erupted in flecks of pain that radiated along the side of your face. It was so intense, your eyes blurred with unshed tears. This time you didn’t stop Mino from stepping between the two of you. Their arguing words drowned out to the ringing in your ears. 
“You need to choose Mino: right here and now! Either me or her, and you better make the right choice.”
You knew her threat wasn’t empty. It was backed by outrage with need for you to be proven wrong. That she was the one that held his heart; not willing to admit to the fact she might never have to begin with. Tears were freely streaming down her cheeks now as she reached out to hold onto him. Mino’s guilt leaving him unable to look away from the tears she tried to claim were of anger, but really a reflection of her breaking heart. 
The small room erupted in silence, and it began to make doubt creep into your thoughts. There was always the off chance Mino could choose her, and that was something you couldn’t bear. With your cheek still burning and eyes roaming back and forth between the both of them you didn’t notice Mino moving to stand beside you. His hand moving out to gently take yours in his, while his eyes sadly took in the woman before him. 
“I’m sorry, Jang-mi for being a coward and not telling you sooner. I love you, but I’m not in love with you and...because of that I cannot marry you.”
If things had been different, you would’ve went to her. You were sure that you were the last person she would ever want to comfort her. Not when the two of you stood mockingly the day before her would-be wedding. You knew Mino didn’t want to leave her this way. That he would carry the guilt of what transpired here tonight, and maybe he should for now. No one should go without acknowledging their own wrongdoing in someone else’s pain. Before he could say anything to Jang-mi, however, a sudden knock came at the door.
“Mino, are you there?”
The sound of Mino’s father at the door immediately made him stiffen. The anxiety evident on his face, and here it was Jang-mi saw her opening to share her grief with someone new. 
“He's here with another woman!” 
“J-Jang-mi, is that you?” 
Mino’s father sounded perplexed and you couldn’t blame him. He probably wasn’t expecting to hear his future daughter-in-law yelling about another woman. A tight squeeze into your hand reminded you of Mino at your side. Throughout this whole moment, Mino remained calm and allowed Jang-mi to react how she felt, because he knew he’d given her one of the greatest forms of betrayal. But the quiet understanding he’d used to compose himself was now gone. Now he just looked plain pissed off.
“You have no right to bring him into this!” He snapped.
“He deserves to know the kind of man his son is,” Jang-mi retorted. Her disdain dripping off of every word. 
“Mino! Open this door! Is Jang-mi in there with you?”
“Oppa, everything is alright!”
“No everything is not!” 
Jang-mi screeched the last word high enough it made you wince. She moved forward and slammed an angry fist down on Mino’s chest. You moved to grab her, but Mino simply shook his head and placed his hands gently on her shoulders. 
“Jang-mi,” he began sadly, “this will not make your pain hurt any less.”
“No, you’re right. It won’t.” She moved her hands to rest on his arms and stayed there. Just for a moment. Her looking up at him, Mino staring back, and you feeling like the odd third wheel in what seemed like an intimate moment. Suddenly, her gentleness turned cold and her arms shoved his away and stepped back. “But if I can make you feel any ounce of humiliation that I feel, just for one second, then it’s worth it.”
The room swelled with tension of the unknown before Jang-mi opened her mouth wide and let out a scream. Her mascara running down in droplets that reminded you of the matchmaker in Mulan. For all the world she had passed her pain and went start to rage and called out the worst things. That you were assaulting her. That Mino has struck her. It was enough to send Mino’s father into a frenzy outside the door.
“Fuck this,” Mino growled. 
He reached out his hand and clasped it securely around yours. He didn’t wait to grab your coats or cellphones. Mino moved straight for the door not caring for the howling woman at your back and opened the door to startle his father, and a few gawking hotel guests. 
“Mino, what’s going on?”
Mino didn’t answer his father. He pushed past him and forced you to do the same. The Song elder finally noticing your presence and his confusion only aging him faster. 
“Mino. Stop!”
But he didn’t stop. He kept running you both down the hallway and to the stars. The sound of his father and others rushing to catch up to you. Mino was running down the stairs at a speed that forced you to jump two at a time to keep up. It should’ve been odd. Maybe embarrassing, to be seen bursting from the stairwell into a fancy lobby. Your abrupt entrance startling guests waiting and checking in. In truth, it caused you to laugh. 
It didn’t matter what strangers thought as you moved through the prestigious double doors with people from the bridal party giving chase. Not even seeming crazy that Mino, or you, had any idea where you were going to run too. You just kept running, hand in hand, until he finally spotted a bus a few yards ahead. 
The both of you started waving the driver down in hopes he would see you and wait. There was a brief moment your heart dropped when it seemed he was about to shut the doors, but noticed his annoyance at having to wait for you written plainly on his face. You silently wished him and his family a thousand blessings as your feet took the small steps loudly. Mino and you digging like crazy around in your pockets to find the exact change to put it. 
You both couldn’t present it fast enough when his family came tearing into view, causing Mino to take the wad of money and shove it towards the driver. 
“You can keep all of it if you’ll just shut the doors and take off now. Please.”
It didn’t seem the older man was going to comply. His wary eyes moving from the money to both of your sweaty figures gasping for air and damp clothes. You were almost about to step back off the bus when he motioned with his head for the two of you to sit down. You were ready to hug him, but didn’t want to push your luck. 
The both of you moved to sit at the far back of the bus. Mino taking the window seat and you curled up against him with your head resting on his shoulder. The two of you stayed silent for a long time. Neither of you commenting on his father and, maybe, the groomsmen or the brides’ family, slamming their hands against the door just before the driver merged into the Seoul traffic. 
You listened only to the sound of his heart beating. The way it began to ease into its natural rhythm after the storm passed. It’s what helped you sort out all the thoughts that raged for purpose inside your head. The main one being the only one you chose to speak out loud.
“What now?”
Mino let out a sigh as a lazy hand moved to stroke over your hair. He remained quiet a while longer before he spoke. 
“Now? Now we just live out our happily-ever-after.”
A snort of laughter left you as you looked out the window; not wanting to move less it caused him to stop playing with your hair. 
“Oh, is that all?” You teased.
“Forever is simple. It’s the in between of getting there that’s hard.”
“You saying I’m hard?” 
You looked up him and took in the wistful smile that danced behind almond eyes. His finger moving delicately to trace the outline of your face. 
“No, jagi . You are the part of getting to forever that makes it all worth it.”
He spoke the last of his words against your lips. His nose playfully kissing across yours, before he actually moved down to give you a kiss and as he did you couldn’t help but agree. Everything that led to this point had been hell and messy, but it was easy to breathe once again. Your world righted itself and begun to make sense and that, you knew, was because your forever was simple. Your forever was kissing you, and that was the magic of finding your happily-ever-after and never letting go.
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gingervsblondie · 5 years
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Blondie Has Servant Trouble (1940)
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11:51 PM, Saturday, 19 October 2019
What a title, eh? The biggest first world problem of the 20th century. Needless to say, there are bigger problems in the world in 1940 than Blondie’s servant trouble, but here we are. I’m not in the best mood so why not take it out on this totally well-meaning but inconsequential piece of light entertainment from 80 years ago?
11:55
Hey so: the mailman Dagwood runs into in the intro isn’t the mailman he runs into in the movies proper. I don’t know if it ever was. Maybe in the first movie, I honestly don’t remember, but I don’t know who that guy in the intro is. He’s not the mailman I know and love from these great great flicks.
11:58
Hey, noir detective newspaper guy is back! I guess whatever drama I decided was going on behind the scenes last time is resolved now.
We may never know how much blood he has on his hands, how far he went, interrogating petty criminals in alleys, following the trail that ended at the dog-catchers, God rest their souls.
12:01 AM
So… I think a lot of what I’ve seen so far is stock footage, which isn’t something they’ve done to any noticeable degree in the previous movies. Maybe it isn’t though? I don’t know! I don’t trust myself. Maybe these movies are just so repetitive that I can’t believe that they filmed this stuff a second time anymore.
(Future Euan note: I’m pretty sure it wasn’t stock footage.)
12:03
So far, this entry seems to be about superstitions. You know, black cats, walking under ladders.
I’m kinda checked out. Which I can only apologize for. If you’re reading this I want to give you my all, but I mean YOU KNOW WHAT’S GONNA HAPPEN. YOU’VE SEEN OLD CARTOONS. Man I miss Dagwood and Blondie just chilling on the train.
12:07
Blondie: “Poor Daisy. Maybe she’s tired of doing the same thing over and over. I know I am.”
Holy shit, the movie heard me. I’m scared now. I’m feeling very vulnerable and I’m not ready for Blondie Has Servant Trouble to Sonic.exe me.
12:09
Dagwood just electrocuted himself atop a ladder at the top of a flight of stairs, which he then fell down. And all I can think is “man I wish Dagwood could die.”
12:15
Alexander Hamilton Bumstead has a kite.
Kinda like how Charlie Brown flies a kite.
...
You know, What Have We Learned, Charlie Brown has a really interesting sequence of World War II footage that’s hand-tinted in bright stylized colours. I could be watching that right now.
https://www.dailymotion.com/video/x3x6rhf
12:28
I promise I’ll go easy on the next movie. I’ll look on the bright side for that one.
12:30
The mailman says he transferring. It’d be weird if the movie where I finally notice that there’s a different mailman in the intro is also the last movie with the mailman that actually is in the movies.
12:32
There’s a gag where Dagwood, through a series of hilarious events, runs into the mailman while caught on Alexander Hamilton Bumstead’s kite, and we see the kite flying in the air with the mailman’s hat stuck in its string. And all I could think was “that must have been a very hard shot to get and it was not worth it.”
Dark Side Euan has entered the chat.
12:38
Apparently people said “no offence” in 1940. Did not know that.
12:39
You know, I was in a good mood last night. Maybe things’d be different if I did this then.
See, like: Dagwood just kicked his boss in the ass so hard that he slid clear across the room. And I feel nothing.
12:44
Turns out the mailman transferring was just more “ooh, is the mailman gonna avoid getting run into this time? No. He’s not.” The mailman’s transferring to a neighbourhood where Dagwood’s boss is going to put him so that he and Blondie can have servants. Shenanigans. Malarkey. MALARKEY I SAY.
12:48
Somebody died. I’m pretty sure this is the first allusion to death in the Blondieverse. So people can die. By that token, Dagwood can die, assuming he’s a human.
But you know what they say about assuming: don’t do it if it’s not funny.
Is Dagwood an alien? That would explain what I’ve taken to be the strangely pointy bits of his hairdo, maybe they’re actually antennae. Perhaps he’s some kind of god, or an angel, a being from a higher- wait I’m just doing the Mr. Bean lore now.
12:56
Dagwood, Blondie and Alexander Hamilton Bumstead (to say nothing of the dog) are on the car-ride over to the house they’re going to stay in, where a magic trick manufacturer died (more malarkey incoming.)
While Blondie was getting all horny at the thought of having servants (I don’t know how else to describe it, she just keeps saying the word “servants” with satisfaction,) Alexander Hamilton Bumstead cut her off and said “Daddy, are we still in the United States?” I thought, true to his abolitionist namesake, he was condemning his mother for indulging in the privilege her position in the class hierarchy provided her. But apparently he was just commenting on how long the car-ride was taking.
1:08
They’ve arrived at the house, and it doesn’t have electricity.
Alexander Hamilton Bumstead: “This is a mess, how are we going to eat?”
Blondie: “We have plenty of candles, dear.”
Alexander Hamilton Bumstead: “Only eskimos eat candles.”
Never mind, Alexander Hamilton Bumstead isn’t a progressive in the realm of race politics after all.
1:16
Alright. The movie’s acting like there’s a ghost in the house. They’ve shown us someone under a cover, cartoon ghost style. I’m betting you right now it’s the magic trick manufacturer and he’s still alive and that’ll be the shenanigans and in fact death remains an unconfirmed theory in the Blondieverse. And if I’m wrong, I’ll just go back and delete this paragraph.
1:18
I’m wrong. But anyway I’m pretty sure they used stock footage for real this time, for a shot of Daisy running into a door and hitting her head because there’s no dog door. Unless maybe Daisy had a catalogue of tricks she could do, and so they’re filming them more than once to get the most out of having trained the dog to do that.
1:23
So! The guy under the sheet was a black man by the name of Horatio Jones, played by Ray Turner. I note that he’s black because of our experiences with Willie Best, the only other black representation in these movies up until this point. Horatio’s in the house because he’s being initiated into a lodge, and he has to spend a night in a haunted house. So maybe these movies are improving at representing black people?
(Future Euan Note: Horatio is still a pretty stereotypical character, and has his eyes wide practically every second he’s on screen, but he’s presented as equal in class to the Bumsteads so I guess I can count that as progress.)
1:36
Shenanigans alert: the servants just arrived, or rather two people purporting to be the servants, but they reacted oddly when Blondie said “you must be the servants,” and haven’t said anything, instead letting Blondie talk for them, so I suspect they’re not actually the servants. Maybe they’re there to rob the dead magic trick manufacturer’s house? I’m determined to figure out the shenanigans before they happen.
1:40
The “servants,” on their own:
Servant A: “This is my house, it always has been my house.”
Servant B: “But those young people are harmless.”
Servant A: “Harmless? No-one is harmless!”
Servant B: “...Sometimes I think your mind is-”
Servant A: (Turning, putting his hands on her neck as if to strangle her,) “You’ll never say that again!”
These bastards are straight out of a completely different movie.
1:45
Blondie has her fur coat from the last movie. Continuity! Wooooo.
1:47
Please make this movie be over.
1:51
I hate you
You hate me
Let’s team up and kill Barney
With a baseball bat and a two-by-four
No more purple dinosaur
1:54
Dagwood got a flashlight stuck in his mouth and can’t get it out. Which is upsetting more than it is comical. Reminds of that one bit in The Empty Child.
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Gross.
1:57
After getting it out, Dagwood promptly got the flashlight stuck in his mouth again, while demonstrating to Horatio how he managed to get it stuck the first time ‘round.
What a fucking dipshit.
2:03
Eric the fake servant dude just grabbed a kitchen knife and walked menacingly in the direction of the Bumsteads, before fake servant lady stopped him.
Don’t tease me like that, Flournoy!
(Future Euan Note: Wow that’s dark, I’m sorry.)
2:07
The guy playing Eric, the demented mystery man masquerading as a servant and repeatedly holding his head in anguish, is named Arthur Hohl, and a cursory glance at his Wikipedia tells me that he’s a fairly serious actor. And I mean I’m down. I’m struggling with this one but I am down for the introduction of a thespian playing a violent and dangerous man losing his grip on reality.
Maybe, just maybe, it’s Dick Flournoy’s self-insert character.
2:15
There was just a bit where Dagwood ran to get water to douse on fake servant lady, who’s unconscious.
...Which reminds me of this one scene in A Boy Named Charlie Brown, which I’d also rather be watching.
https://youtu.be/E7ID_E-SYbQ
Snoopy’s an asshole and I love it.
2:24
15 minutes left. My eyes are doing that thing where they feel bad to keep open. You know. When one is sleepy.
2:28
https://youtu.be/AQE4bwA6EF4
This movie is weird you guys.
2:30
Welp, the movie broke me. I laughed.
Blondie: (reading a newspaper clipping with a picture of the crazy fake servant dude) “Man eludes police after knifing attorney.”
Dagwood: “Euh- with a knife?”
2:35
This movie’s never gonna end I wanna SLEEEEEEp
2:37
Ignore this entry, I’m just typing something so I don’t fall asleep.
2:38
Dagwood just yelled “Blondie, I’m shot!” What actually happened is he burnt himself with a candle, but if I was a real sociopath, I could edit that line with gunshot sound effects either side of it. Like Dagwood’s Crazy Frog and I’m on Newgrounds circa 2005.
2:42
I think Dagwood just got stabbed. I think Dagwood has a knife in his back. I think Dagwood just got STABBED.
2:43
Nah the knife was just stuck in his jacket. But if I was a REAL sociopath, I could- 
idk, edit in a punchline when you’re not so tired, Future Euan.
(Future Euan Note: I dunno, painstakingly animate CGI blood dripping from his back? I don’t really know what you were going for here, Past Euan.)
2:47
Okay it’s done! IT’S DONE! It’s done.
Quick quick quick, wrap up: This movie was good, probably, maybe? I was miserable watching it but it had weirdly life or death stakes and a psycho killer (qu’est que c’est) which is almost interesting by Blondie standards. It’s even the kind of movie I could see myself stumbling on and enjoying if it wasn’t a Blondie movie, or if it was but I wasn’t on this crusade. The kind of movie I’d find on some weird DVD collection of public domain or cheaply licensed old movies, like a favourite of mine, The Answer, a 1955 episode of Four Star Playhouse that felt very profound when I was little.
My Dagwood Sandwich rating is: one sandwich containing ice cream. You appreciate the ice cream, but you weren’t exactly expecting it in your sandwich. And when somebody asks you how it was, you’re like, “Well, it was ice cream, so good I guess.” And they say, “Did you enjoy it?” and you say, “Well, no.”
AHHHHHHHHHHHH!
I’m gonna go to sleep.
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popcultureliterary · 7 years
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Tropes: When You’re Fairly Certain You’ve Seen These Odd Parents Before
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Anybody who watches cartoons or anime might recognize today’s topic: tropes. These literary devices act as a mostly visual way (at least, on screen) for the creator of a work to quickly and easily convey a concept to their audience. They can take many forms: a figure of speech, a character type, a plot device, a location or location type, a pattern of storytelling, a sub-plot, and other repeatable elements.
I originally intended to focuses on the anime Silver Spoon for today’s post, but after whipping out a Fairly Oddparents reference, I couldn’t stop myself. The series sucked me in with its abundant tropes, clichés, and stereotypes (which are all related, as you will see shortly). For the sake of keeping this post at a reasonable blog length, I didn’t cover every example (or even one tenth of them) appearing in this ongoing series. If you have a favorite example that didn’t make the cut, be sure to share it in the comments! I would love to see which ones you like.
Hey, I’ve Seen this Before!
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Did somebody oversleep and run to school with a piece of toast in their mouth? You’ve got a trope! Did a romantic scene feature beautiful tropical trees and a placid lake? You’ve got a trope! Did an unsavory character in dark clothing with a thin mustache and shifty eyes slink in and declare their evil ways? You probably didn’t need them to proclaim their badguy status because… You’ve got a trope!
Although often considered the mark of lazy writing, these literary devices are not inherently bad. They allow an author to quickly communicate an idea without spending too much time elaborating on it. Imagine if the last cartoon you watched spent five or more minutes elaborating on the personality of every single side character. That’s nearly half of its 10-12 minute episode run time per character. Doing so would really take away from the main story and characters, slowing the pace and bogging everything down. Instead, the writer or artist can throw in a few characters with pre-established types: the aloof cool kid, the absent parent, the shy poet. These character types quickly establish each character’s role and clues the viewer in on their purpose and personality.
Let’s take a look at a few examples found in Butch Hartman’s The Fairly Oddparents.
Characters
The most common examples are character tropes. As discussed above, character types appear in cartoons in order to quickly establish background characters’ personalities and relations to the story or other characters.
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Timmy’s friends AJ and Chester, for example, represent the genius friend/idiot friend combo. One is a brainiac, while the other arguably wouldn’t find his way out of a paper bag even with a map. Both types of characters typically fall into the unpopular category at school, with AJ and Chester being no exception. Audience members have seen this character dynamic in other series, and don’t require an in-depth explanation. They know what to expect, and draw the correct assumption that Timmy is most likely as unpopular as his friends.
Social Structures
Speaking of Timmy’s popularity, a trope might also convey larger concepts such as social structures. In The Fairly Oddparents, we see a common social hierarchy: the popularity food chain. This hierarchy often comes in to convey where the main character stands in relation to their peers, as well as quickly establish more information about the story’s setting.
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It’s easy to spot the popular kids Trixie, Veronica, Tad, and Chad in The Fairly Oddparents. They are well dressed, travel as a group, and say disdainful things about their peers. Additionally, they never miss an opportunity to brag about their family’s massive wealth, relying on it to get them into and out of every situation they come across.
In order to demonstrate that the main character, Timmy, is not on the same social level as them, the popular kids regularly treat Timmy poorly. Trixie even refers to him as “Empty Bus Seat,” indicating his low standing in the social order. With the inclusion of these characters, Hartman sets Timmy up as the unpopular underdog, and shows that the world he lives in is just as unfairly tipped in favor of money and status as our own.
These characters also allow Hartman to create contrast, cause tension, draw parallels, and achieve other desired effects throughout the series.
Story Arcs
Everybody usually has their favorite episode type: the beach trip; the everybody-swaps-bodies; the school festival; the year that so-and-so almost ruined Christmas (because, sadly, the other holidays rarely ever get their own special episodes…). Narrative patterns like these are also tropes. Many creative works will use similar episode storylines for a variety of reasons. They often introduce new information about the characters while using a familiar narrative to do so. The audience easily settles into the familiar pattern, freeing them to focus on the characters rather than getting caught up in the conflict of the episode.
First season alone contains a number of notable tropes without even looking at the other 9+:
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The trope of a child becoming trapped in an adult body appears in the episode “The Big Problem,” the first full-length episode following the shorts released for Oh Yeah! Cartoons. Tired of being picked on and pushed around by older kids and adults in his life, Timmy wishes to become an adult. He expects to enjoy all of the privileges that come with adulthood, but it all blows up in his face (as often happens with this type of episode) when he fails to consider the drawbacks and responsibilities of adult life. Episodes like this often appear in order to highlight the similarities and differences between children and adults, as well as demonstrating that adult life isn’t all fun and games like it sometimes seems.
Successful use of a trope requires some level of ingenuity as well. If every child-in-an-adult-body episode was exactly the same, nobody would like them. Hartman does this brilliantly. The episode serves to establish Timmy’s relationship with the adults in his life, as well as shining a light on Timmy’s tendency to try and take the easy way out. Using this particular story arc also allows Hartman to introduce the concept that Fairies can only grant the wishes of children. As soon as Timmy ages to adulthood, Cosmo and Wanda lose the ability to grant him wishes and receive a new child assignment. The same concept could have been established using dialogue, but using dialogue for key concepts often creates flat characters and boring conversations that feel forced and fake.
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Other trope episodes include “Power Mad!” (characters enter a videogame world), “Transparents” (characters pretend to be someone’s parents to get them out of trouble), and “Tiny Timmy” (characters shrink and enter another character’s body only to discover a literal civilization inside). And what kind of late 90’s, early 2000’s cartoon would it be without the “Christmas Everyday!” episode? The first season concludes with an episode in which Timmy wishes for Christmas every day. Naturally, the wish backfires, leaving Timmy and his Fairies to set things right.
Comics inside of Cartoons
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World building elements such as magic systems, television shows, or hover cars are also tropes. Authors can provide some fast world building by including everyday things that their viewers can relate to such as comics, cartoons, or other media from the fictional world. These elements reveal characters’ personalities, add commentary on real social issues, or make characters more real and relatable.
Timmy loves reading The Crimson Chin comics. Every month, he eagerly awaits the next issue, devours it, and repeats. Whenever he doesn’t want to wait, he simply wishes himself into the heavily inked panels (look, another common story arc!). These superhero comics add depth to Timmy’s personality and to the world as a whole.
Turning the Cliché Trope into a Joke
Unfortunately, when used too often, either in the same work or in multiple, tropes become a problem. If ten series on the same network utilized a scene where a character falls down the stairs and wakes up in another world, things would start to feel a little stale. Audience members would grow bored. They know what’s going to happen and knowing yanks them out of the immersive experience of watching. When this happens, the well thought-out device becomes a dastardly cliché. Just like a pair of underwear worn unwashed for a month, nobody likes clichés.
One of the things that I love best about Hartman’s work is that he often takes clichés and skillfully flips them into jokes. He sees tired tropes turning into clichés and shines a spotlight on them so brightly that they become jokes in his works.
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Take a look at Timmy’s mom and dad. Who are these characters? Simply Timmy’s mom and dad. No explanation needed. They act as the authority in Timmy’s life, the symbol of traditional family structure, and the oblivious parents who don’t understand their son’s life. Parents appear in many stories with no further explanation behind them, presenting the assumption that the character simply needed a mom and dad. In many series, especially older cartoons, moms and dads rarely receive names because their only purpose is to represent the authority and family structure in a character’s life. Hartman takes this and turns it into a running gag in his series.
What are the names of Timmy’s mom and dad? Why, their names are…. Actually, we never learn their true names. The episode “Father Time” addresses the question when Timmy travels back in time and meets his parents’ childhood selves. Whenever someone goes to say either character’s name, a conveniently timed loud sound drowns them out, and the audience catches the follow-up of “but you can call me Dad/Mom.” Accordingly, we can only assume that their names are Mom and Dad.
How Stereotypical!
When used carelessly, Tropes can easily become stereotypes by mistake. If a character or location isn’t fleshed out enough, they tend to take on vague concepts often used to characterize a particular type of person or place, creating a stereotype or cliché. People generally feel negatively toward stereotypes as they do not reflect the true characteristics of the people or locations being portrayed. In many cases, stereotypes present harmful representations of people or groups.
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For an example, let’s consider the popular girl mentioned earlier, Trixie Tang. Trixie seems like the stereotypical popular girl. She cares about makeup, her social standing, clothes, and anything girly. On top of that, she treats all unpopular kids with disdain (or simply acts like she can’t see them) and sucks up to the adults around her who can get her what she wants. Characters in her role typically don’t care about the less popular kids, carry around a snarky attitude, obsess over their looks, and float through life in relative bliss.
In many cases, stereotypes and clichés are not only boring, but also harmful. Many create a generalization of what a particular type of person acts like, whether maliciously or not, that makes it seem like all people who identify that way must act similarly. Like other popular girl stereotypes, Trixie does not accurately represent real girls and young women who consider themselves to be popular. Sure, there may be a number of individuals who act similarly in real life, but this is not true of all popular girls and young women. Every person is their own unique individual with layers upon layers that shape their personal and social identities.
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At first, Trixie receives very little screen time with which to build her personality and show her as anything but a cookie-cutter representation of popular girls. Anybody who has seen the gender-swapping episode “The Boy Who Would Be Queen” knows that Trixie just puts on the stereotype persona for the sake of her popularity. She actually really likes The Crimson Chin comics, and admits that she wishes girls could do more boy stuff and vice-versa.
Bonus: If the popular-girl-secretly-does-unpopular-things storyline seems familiar to you… you guessed it—you’ve got a trope! The concept comes up in countless other narratives in order to convey the idea that people are deeper than their social presentation allows others to see.
Bet You Didn’t See This Coming!
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Overall, tropes are useful literary devices that allow creators to develop and convey new ideas using familiar sequences, characters, locations, or other narrative elements. They work as a type of short-hand utilized by all, understood by most.
Now that you know what they’re all about, it’s time to tackle finding some and identifying their significance on your own! You can find them in your favorite games, shows, movies, books… they’re everywhere in pop culture. If you’re coming up blank, here are a few suggestions to get you started. Come back and share what you find!
The competent new kid (The Backstagers)
Annoying laugh (Spongebob Squarepants)
Salvage pirates (Firefly)
Carrying a cutlass between your teeth (Muppet Treasure Island)
Superheroes wear capes (The Incredibles)
A bus full of innocent people put in danger (Detective Conan/Case Closed)
Body swapped (Gravity Falls)
School festival (Ouran High School Host Club)
It was all a dream (The Wizard of Oz)
Your hero is a jerk in reality (bonus points for finding an example! I’m chagrined to admit that I drew a huge blank here!)
If you’re an anime fan and want to see more examples, check out KawaiiPaperPandas’ great post listing ten of the most common occurrences and cliches in anime!
Wrapping Up
I wanted to extend a huge thank-you to the amazing minds over at TVtropes.org for their ongoing work in discussing and rounding up tropes in the narrative worlds around us. Their extensive work helped me to put simple names to long-winded ideas. If you enjoyed reading about this literary device and want to learn more about it, check them out!
What’s your favorite trope? Share it in the comments! You can also connect on Twitter at @Popliterature, or send a message on the “contact me” page of my home blog.
And as always, if you have a literary device you want to know more about, or a game, comic, show, or movie that you want to see make an appearance on the blog, leave a shout-out in the comments!
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