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aodcoidh · 2 years

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재벌집 막내아들 14화 14회 E14 다시 보기

재벌집 막내아들 14화 14회 E14 다시 보기 송중기 나옵니다.

재벌집 막내아들 14화 14회 E14 다시 보기 링크 <

누누 부잣집 막내아들 실시간 넷플릭스 감상 가능합니다.

Lady Susan Hussey는 Buckingham Palace가 인종 차별적 비난에 시달린 후 Ngozi Fulani에게 직접 사과했습니다. 여왕의 전 시녀는 오늘 버킹엄 궁전 리셉션에서 그녀가 "정말로 어디에서 왔는지"를 묻고 나서 전개된 경마 행진에 이어 자선 단체인 Sistah Space의 설립자인 Ms Fulani를 만났습니다. Fulani는 Lady Susan의 치료에 충격을 받았고 그 여파로 소셜 미디어에서 "끔찍한 학대"를 당했다고 말했습니다. 버킹엄 궁전은 성명에서 두 여성이 금요일 아침 버킹엄 궁전에서 만났다고 말했습니다. "Lady Susan은 관련된 민감성에 대한 인식을 심화하겠다고 약속했으며 이 분야의 문제에 대해 더 많이 알 수 있는 기회에 감사합니다. "소셜 미디어와 다른 곳에서 가장 끔찍한 욕설을 부당하게 받은 Ms Fulani는 이 사과를 받아들였으며 어떤 악의도 의도하지 않았다는 점을 인정합니다." 국왕과 왕비를 비롯한 왕실 가족들은 이러한 상황에 대해 지속적으로 통보받았으며 "양측이 이러한 환영할만한 결과에 도달한 것을 기쁘게 생각합니다"라고 성명서는 덧붙였습니다. 버킹엄 궁전은 이미 "포괄성과 다양성" 이니셔티브를 가지고 있는 왕실이 "지식과 훈련 프로그램을 확장하고 아프리카인과 학대의 영향을 받는 카리브 해 유산 여성. 밀레니얼 세대가 3주 안에 언어를 배우기 위해 휴대폰을 사용하는 이유는 무엇입니까?

웨일즈 왕자의 83세 대모 수잔 부인은 몇 주 전 카밀라의 리셉션에서 여성과 소녀들에 대한 폭력을 강조하면서 자신이 영국인이라고 말하면서 풀라니에게 반복적으로 도전한 후 왕실에서 물러나고 사과했습니다. 60년 넘게 기다림 끝에 왕비를 지냈고 3대 궁녀 중 한 명으로 영예를 누렸던 전 왕실 보좌관이 자선단체 사장의 머리를 만지며 움직이며 만남이 시작됐다고 한다. 이름표를 볼 수 있도록 옆으로 치워두었습니다. 윌리엄은 당시 켄싱턴궁 대변인이 "인종차별은 우리 사회에 설 자리가 없다"고 말하면서 그의 대모 수잔 부인이 자신의 역할에서 물러나는 것이 옳다는 데 동의한 것으로 이해된다. Fulani는 BBC 라디오 4의 Today 프로그램과의 인터뷰에서 수잔 부인의 나이가 아니라 인종차별 때문이라고 말했습니다.

이번 주말 Fleur East, Hamza Yassin, Helen Skelton, Molly Rainford는 Strictly Come Dancing 2022의 우승자가 되기 위해 모든 것을 댄스플로어에 남길 것입니다. 멋진 4인조가 엘스트리 무도회장으로 가서 가장 최근에 글리터볼 트로피를 수상하기를 바라며 뜨거운 기대를 모으고 있는 쇼댄스를 포함하여 세 가지 춤을 선보일 예정입니다. 시청자가 과거 결선 진출자들에게서 보았듯이 BBC 댄스 쇼에서의 우승은 수익성 있는 캠페인, 웨스트 엔드 역할, 심지어 결승선에서 그들을 기다리고 있는 순진한 로맨스로 운이 좋은 유명인들에게 커리어 골드를 증명할 수 있습니다. 그러나 정상에 오르는 것은 현기증 나는 성공으로 이어질 수 있지만 모든 사람이 일몰을 향해 왈츠를 추는 것은 아닙니다. 2022년 결승전을 기다리며 이전 Strictly 우승자들이 어떻게 지냈는지 돌아봅니다.

EastEnders 여배우는 댄스 쇼에 등장한 최초의 청각 장애인 참가자로 역사를 만들었고 심사 위원부터 집에있는 시청자까지 장애가 그녀의 길을 가로막는 것을 거부하면서 모든 사람을 ��겼습니다.

흠잡을 데 없는 일련의 루틴과 시리즈의 첫 번째 완벽한 40개를 마친 후 Strictly 역사에서 Rose의 위치는 음악이 완전히 멈춘 등골이 오싹해지는 순간을 특징으로 하는 눈물을 뚝뚝 흘리는 커플 선택으로 봉인되었습니다. 결승에서 댄스를 재현한 후 Rose와 Giovanni는 작년에 Glitterball 트로피를 들어 올렸습니다. 그녀의 승리에 이어 Rose는 올해의 TV 순간으로 BAFTA 상을 수상했습니다. 그런 다음 그녀는 EastEnders를 그만두고 곧 West End 무대에서 역할을 맡아 As You Like It의 각색에서 Cecila를 연기했습니다. 그녀의 개인적인 삶도 격변을 겪었습니다. Rose와 그녀의 7년 사귄 남자친구 Samuel Arnold는 최신 리얼리티 쇼 시리즈가 시작된 9월에 그만뒀다고 말했습니다. 소식통에 따르면 로즈의 점점 더 바쁜 일정에 따라 많은 시간을 떨어져 보내는 듀오로 분할되었습니다.

자신을 '농담 연기'로 준비한 후, 재미있는 사람은 결국 HRVY와 Maisie Smith의 치열한 경쟁을 끝내기 전에 일련의 완벽하고 혁신적인 루틴으로 심사 위원, 시청자, 심지어 Janet Jackson 자신에게도 깊은 인상을 남겼습니다. 올해의 마지막. 55세의 Bill은 Strictly 역사상 가장 나이 많은 우승자가 되었으며, 그의 승리는 또한 파트너인 Oti Mabuse에게 역사적인 더블 우승을 안겨주었습니다. 그러나 Bill에게 다음에 무슨 일이 일어났습니까? 코미디언은 그의 코미디 뿌리로 돌아가 En Route To Normal 스탠드업 쇼의 영국 투어를 발표했습니다. Bill은 또한 새로운 길을 모색하여 Steph's Packed Lunch에서 정규 호스트인 Steph McGovern의 자칭 Channel 4 쇼를 커버하면서 라이브 TV 프리젠테이션 데뷔를 했습니다. 그리고 카메라 앞에 있지 않을 때 자격을 갖춘 동물원 사육사 Bill은 지난 12개월 동안 런던 서부에 있는 자신의 집에서 뒷마당 새장에서 기르는 이국적인 새들을 돌보며 보냈습니다.

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chieuteung · 4 years

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궁녀 양 🐑 https://www.instagram.com/p/CJxaK_Snn_8/?igshid=1asf4ihocix57

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skekvlel2 · 5 years

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궁녀

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#궁녀

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simnora · 3 years

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[Atelier Lena] & Senwaaa Sims 4 Korean Royal Court DecoSims collaboration

- Clothing mesh from amazing cc creator [Atelier Lena] (their Patreon: https://www.patreon.com/atelierlena/posts) and statues mesh by me

- All Lods

- You can find them in statues or by searching “decosims”

- Please note that polycount was heavily lowered and caused minor distortions (without reducing polys most pc's would just crash)

1. Palace ladies | 궁녀

· High-ranking court lady | 상궁

· 2 swatches

· Servant | 나인

· 7 swatches

2. Court officials/state counsil | 의정부

· 2 meshes

· 14 swatches, both old and young

3. Eunuchs | 내시

· 2 swatches, old and young

· disclaimer: robe has been modified from court official’s robe with the permission of original creator

T.O.U

· Do not recolor or modify

· Do not claim as your own

· Refer also to Lena’s terms of use!

DOWNLOAD

THIS LINK REDIRECTS TO THE UPDATED POST WHERE YOU CAN DOWNLOAD

#sims #sims4 #sims4cc #simscc #simblr #customcontent #korean #koreancc #ts4 #historical #decosim #the sims 4 #sims 4 gameplay #the sims cc #the sims #koreancustomcontent

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missingstudiescat · 3 years

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Korean culture notes - 궁녀 - court ladies

I started reading 옷소매 붉은 끝동 and I am already struggling as I have no clue about the different roles people had in the palace. Here is my short summary of the different roles of the ladies of the Korean court.

One can divide palace women into roughly three categories. 견습나인, 나인 and 상궁. Within these groups you have different roles and ranks. A palace girl would usually enter the palace at around 12 or 13, but cases of girls entering as young as 4 and as late as 20 have been reported.

Upon entering they would be 견습나인, aka. 나인 in training. They would be assigned one 상궁 - a highly ranked court lady- who would train them. Because of their young age, people would refer to them as 애기나인 but some of the may have been called 생각시 based on their hairstyle. The 견습나인 would refer to their assigned 상궁 as 스승 항아님 and call 나인 “항아님”.

After about 15 years of education and coming of age they would be promoted to 나인. Reaching that stage they would start their duties as a court lady and start to receive a monthly salary and be assigned a rank. They would call each other 이씨 형님 or 박 항아님. The higher ranked 상궁 would add 가 to their family name and call them 이가 봉림 (이봉림) or 성가 순아 (성순아).

After about 15 years of being a 나인 they would become 상궁, from when on they would be referred to as 상궁마마님.

#korea #korean culture #learning korean

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mysageukinbio · 5 years

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Some Jang Hee Bin trivia bullet points

Movies Jang Hee Bin (1961) and Femme Fatale, Jang Hee Bin (1968)

Lee Seo Gu was approached to write the 1961 movie because of the success of his radio drama Jang Hee Bin in the same year.

At 21 years old at the time of filming, Kim Ji Mi is tied with Lee Mi Suk as the youngest actor to portray Jang Hee Bin.

Jang Hee Bin (MBC, 1971)

There was a ‘lead actor famine’ for this drama, and so a 300,000-won prize (worth 5,984,227 won today) was offered at first for the lead role, before a vote was called.

Yun Yeo Jeong was voted to become Jang Hee Bin amidst candidates Yun Jeong Hee and Kim Ji Mi, who previously portrayed Jang Hee Bin in 1961.

Though MBC’s 1971 adaptation was wildly popular, lead actress Yun Yeo Jeong received major backlash for her role. She was even removed from CFs for Yunina Shampoo and Oransshi Soda because ‘her image as Jang Hee Bin was not good for the product’.

While filming the 1971 adaptation, MBC reported many threatening calls to end the network, pressure from the audience to bring Queen Inhyeon back to life, and an incident on set where an actor playing the role of Jang Hee Bin’s court lady was given a bowl of hot water instead of room temperature in an attempt to sabotage filming.

Eventually, the drama was rewritten so that Queen Inhyeon was reinstated sooner than expected.

Actress Kim Min Jeong (Queen Inhyeon) was cast for the role in the 1971 adaptation on a stairwell by writer Lee Seo Gu.

This adaptation is the first to portray a dramatic poison scene, a plot point that would become the climax of many more adaptations to come, with various embellishments.

No known footage of this adaptation remains. MBC only began archiving drama broadcasts from the mid-’70s.

At 154 daily episodes, this remains the longest adaptation of Jang Hee Bin by episode count.

A special was aired on January 31st, 1972 - two days after broadcast had concluded.

Women of Legend: Jang Hee Bin (MBC, 1981)

The first season of Women of Legend (MBC, 1981~1982) was actually going to be another adaption of the Hanjungrok, but the production was scrapped and Jang Hee Bin became the first season instead. Series writer Im Chung would later on write two adaptations of the Hanjungrok (Oh, Heaven! for KBS in 1988, and the King’s Pathway for MBC in 1998).

This adaptation became MBC’s highest rated drama during its broadcast.

The late Kim Mu Saeng played the role of Jo Sa Seok both in this version and Jang Hee Bin (SBS, 1995).

During broadcast, Lee Mi Suk, Lee Hye Suk (Queen Inhyeon) and Lee Miji (Queen Ingyeong) were referred to as the Three Beautiful Musketeers (미녀 삼총사).

Director Yu Gil Chon’s brother Yu In Chon was selected to play the role of Sukjong. Yu In Chon is currently South Korea’s Minister of Culture.

In 1986, Lee Mi Suk admitted that mixed reactions were given to her portrayal. She elaborated that older people hated her character, while younger women related to and empathized with the character.

This adaptation broadcasted on Mondays and Tuesdays at first, but was moved to Wednesdays and Thursdays from Episode 37.

Lee Mi Suk’s portrayal of Jang Hee Bin was popular with men at the time, as the way she acted in front of Sukjong was considered to be cute.

This adaptation and SBS’ 1995 remake are loosely based on the Records of Queen Inhyeon, a compilation of memoirs by Lady Lee, one of Queen Inhyeon’s court ladies.

500 Years of Joseon: Queen Inhyeon (MBC, 1988)

Actor Kim Seok Ok played the role of Queen Inhyeon’s stepmother both in 500 Years of Joseon: Queen Inhyeon (MBC, 1988) and Jang Hee Bin (KBS, 2002)

Kim Myeong Hee played the role of Ok Jeong’s shaman here as well as in KBS’ adaptation, for which she is more famous.

Jeon In Hwa and Lee Deok Hwa took up the roles of Jang Ok Jeong and Jang Hee Jae respectively. They would become brother and sister once more in SBS’ 2001 drama Ladies in the Palace.

Jeon In Hwa’s portrayal of Jang Hee Bin was not initially popular until her reentry into the Palace in Episode 27, as her graceful and elegant aura was seen as too in contrast to the conniving characters of MBC’s previous portrayals.

This adaptation is heavily based on the Joseon Annals, as opposed to the Records of Queen Inhyeon.

The poison scene in this adaptation was famous for Sukjong ordering that one of the doors be used to restrain Ok Jeong as she was fed the poison. This portrayal would be repeated in KBS’ 2002 adaptation.

Jang Hee Bin (SBS, 1995)

SBS’ 1995 adaptation uses the same script as MBC’s 1981 adaptation, written by Im Chung.

Im Chung’s son Im Ho took the role of Sukjong. Im Ho is world famous for his role as Jungjong in Dae Jang Geum (MBC, 2003).

Eom Yu Shin played the role of Prince Sungseon’s wife both in the 1995 and 2002 adaptations of Jang Hee Bin. She also played the role of Jang Hee Bin’s mother in MBC’s 1988 adaptation.

The 1995 adaptation was supposed to be broadcast after SBS’ 1994 drama Auld Lang Syne, but was delayed because of trouble finding a lead actor. Sandglass was broadcasted instead.

Jeong Seon Gyeong was only casted after refusals from Lee Young Ae, Kang Su Yeon and Shin Eun Jeong. Lee Young Ae would soon after become the lead actor of KBS’ West Palace.

This adaptation achieved ratings of up to 43%, but began to suffer during the broadcasts of KBS’ West Palace and Jang Nok Su.

Child actor Lee Jeong Hu played Queen Inhyeon in her first three years after entering the Palace. Kim Won Hee replaced her when Queen Inhyeon turned 18. Lee Jeong Hu died of cancer on December 10, 2016, at the age of 30.

The poison scene in Episode 63 is considered to be the closest in historical dramas to an accurate portrayal of what actually happens when someone drinks Joseon’s government arsenic poison.

The scene is also reputed for Jeong Seon Gyeong’s sudden retaliation in kicking the bowl of poison from a court lady’s hands.

Jang Hee Bin (KBS, 2002)

The lead role was first offered to Lee Young Ae, Song Yun Ah, Kang Su Yeon, Chae Shi Ra and Kim Hyeon Ju before Kim Hye Su took up the role.

Even so, audience reactions were not initially positive to her being chosen, saying that she was too glamorous for the role. Public opinion began to change once Ok Jeong gained the rank of Suk Won in Episode 24.

With 16 previous years of acting experience, Kim Hye Su is the most experienced actor to take the role of Jang Hee Bin.

Kim Hye Su’s casting also broke the tradition of casting young rookies for the role of Jang Hee Bin.

The ratings once dropped to as low as 6%, but its final episode garnered a 31.1% rating.

The show’s original writer Kim Seon Young is not only the first woman to write a televised adaptation of Jang Hee Bin, but also the first woman to write an authentic historical drama (정통사극). The format has been dominated by male writers since its import to Korea in 1981 through KBS’ The Grand Order.

A rivalry was brewing between production manager Kim Sang Hun and Outdoor Filming Director Han Cheol Gyeong, which escalated into an assault incident.

The show’s latter half was written by Kang Tae Wan, rumored to be 1st-generation TV writer Shin Bong Seung under a pseudonym. Shin wrote the 500 Years of Joseon adaptation in 1988.

Kim Eul Dong, portraying Court Lady Kwon (Hee Bin’s court lady) is the mother of Song Il Guk, who portrayed Western Faction activist Kim Chun Taek.

The role of Choi Suk Bin was offered to Kim Gyu Ri, Choi Yu Jeong and Hong Eun Hee before being given to Park Ye Jin from April 9th, 2003. The first three potential candidates happened to be filming for movies when the role was offered.

At 100 hour-long episodes, this remains the longest adaptation by runtime.

Dong Yi (MBC, 2010)

Some of the State Tribunal’s clothes were previously worn in Queen Seondeok (MBC, 2009).

Jang Hee Bin’s character was written much differently than in previous dramas. Her character was meant to be more mature, driven to her decisions out of support for her family and faction. However, while the show itself was successful, Lee So Yeon’s portrayal was often referred to as ‘uninteresting’.

Extra Choi Na Gyeong (not to be confused with flautist Jasmine Choi) gained much popularity after the broadcast of Episode 36 on July 28th, 2010, featuring as a Court Inspector during the Head Inspector's arrest. Referred to as the Tibetan Court Lady (티벳 궁녀) due to her perceived resemblance to the Tibetan fox, she would later on feature in a daily drama and a sitcom. Choi Na Gyeong also became the model for a character in mobile game Master Asia, and is an avid arcade game player herself. Her cameo in Dong Yi can be seen below.

Because of how differently Jang Hee Bin was written in comparison to previous adaptations, this adaptation is the first since 1968 to portray Jang Hee Bin as willingly drinking the poison that would lead to her death.

Jang Ok Jeong, Living in Love (SBS, 2013)

Despite Jang Ok Jeong’s portrayal in the drama as a fashion designer, viewers were displeased at the use of high heels and fashion mannequins, both anachronic to Joseon.

At 33 years old at the time of broadcast, Kim Tae Hee is the oldest actor to play the role of Jang Hee Bin.

The show is unfortunately considered a failure for SBS, with an average rating of only 11.3%. This puts the show behind its contemporaries Queen of Office (KBS, 13.2%) and Gu Family Book (MBC, 18.7%).

At 24 episodes, this is the shortest adaptation of Jang Hee Bin.

A historical accuracy dispute arose over the portrayal of Queen Inhyeon’s father Min Yu Jung. This led to the show being derided as a ‘fantasy drama’ by political drama fans.

#jang hee bin #sageuk

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aja-aja-hanja · 6 years

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女 is the almighty woman! It is also a 부수; much like many of the others in 8급 it is not so so frequent on its own but is a critical part of other characters. 女 is frequently used to describe a title or profession, and Korean often adds a 女 before positions that were historically male - kind of sexist but what are you gonna do. We do have some of these in English as well : sorcerer - sorceress; waiter - waitress; etc. (and tons of other languages also differentiate between men or women in professions, as you probably know). So the pattern 여 + 지원 appears frequently!

Another interesting thing you might have noticed while looking through the vocabulary is that 女 발음 changes according to position. Based on my (limited) observations, ㄹ and ㄴ fronted 한자 (예) 龍 [룡 / 용] frequently lose their initial consonant when at the beginning of the word. Therefore, we have 여동생 but 소녀.

There are a lot of other interesting words incorporated this week though, so let’s move onto them! I’d like to talk about 海女 in particular. 해녀 are considered a national treasure of Korea and a UNESCO Intangible Cultural Heritage. Literally meaning “sea woman”, 해녀 are professional divers who have impressive mental maps of the sea and have practiced sustainable shell fishing methods for hundreds of years on 제주도. They free dive (without the use of oxygen) and collect valuable shell fish such as abalone.

Originally a man and woman’s task, eventually men were pushed out of the field by the 1700s. In areas of Jeju where shell fishing was the primary industry, this even led to families where the 해녀 were the head of the household and men were in charge of domestic tasks. [This is irregular and the majority of Korea including Jeju was still heavily biased toward men, but it is an interesting aberration!] There are still women who perform this work for up to 7 hours at a time, and up to 80 years of age! If you’re curious to read more about them, I invite you to Google it up.

^One of Jeju’s 해녀 characters, 숨비, who speaks Jeju dialect ^^

Vocabulary:

女人[여인]{woman, lady}----------------------------------------------------woman x person 女同生[여동생]{younger sister}-------------------------------------woman x same x birth 女性[여성]{female}--------------------------------------------------------woman x character 女子[여자]{woman; female}----------------------------------------------------woman x child 女性[여왕]{queen}----------------------------------------------------------------woman x king 女職員[여직원]{female employee}--------------------------woman x office x employee [金] 女史[[김] 여사]{madame / Mrs. [Kim]} (formal way to address married woman)------------------------------------------woman x old official title *少女[소녀]{young girl}-----------------------------------------------------------few x woman 海女[해녀]{female diver]---------------------------------------------------------sea x woman 子女[자녀]{children (honorific)} ---------------------------------------------- child x woman 宮女[궁녀]{palace maid / court lady}--------------------------------------palace x woman 侍女[시녀]{lady in waiting}----------------------------------------------------serve x woman 魔女[마녀]{sorceress}-----------------------------------------------------------devil x woman 玉女[옥녀]{a pure maiden}-----------------------------------------------------jade x woman 淑女[숙녀]{lady}------------------------------------------------warm and virtuous x woman

處女[처녀]{maiden, single woman} -----------------------------------to reside x woman 處女林[처녀림]{virgin forest}---------------------------------- to reside x woman x forest 烈女[열녀]{virtuous woman}---------------------------------------ardent / noble x woman 女性部[여성부]{Ministry of Gender Equality}--------------------female x department **織女星[직녀성]{Weaver Maid's Star [Vega]}----------------weaver x woman x star 天女[천녀]{celestial maiden}---------------------------------------------------sky x woman ***仙女[선녀]{fairy/ celestial maiden from Taoist beliefs}---------immortal x woman

*If you don’t know, 오혁 sings an absolutely beautiful song with this title.

**This is a famous tale that comes from China that is kind of a archetype for tragic romances.

***만화추천: soon to be a drama 계룡선녀전 - cute art, cute story, cute characters!

#hanja #hanja vocab #korean #korean language #Korean Study #korean vocabulary #korean vocab #8lvl

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