I've kinda seen some pushback to the idea of representation in media and I don't necessarily think it's bad to point out actual rights are more important than Disney's thousandth first gay character that's fine, but I've had a LOT of people comment on my works about asexual characters and tell me what I wrote changed their life-and it's always that phrase- because they now have the language to describe what they feel. I've had people who ARENT ace or aro comment that what I wrote finally made a concept they didn't understand make sense, or that the way I explained things was interesting and enlightening and I'm kind of a mediocre writer who hasn't written anything in ages.
Like idk, if reading something from a writer who is fucking around and only somewhat talented can genuinely impact someone because they've not seen anything like them reflected back at them in life or media I don't think pushing for representation in media is as "needless" as some people seem to think and caring about that doesn't mean you don't care about more "important" (although if you think seeing people like you in media ISNT important it's because you already have that representation or are privileged enough to not care if you do, in which case maybe pipe down) stuff. Hell, I even got a Facebook message ages ago from someone who found a comment I left in an ace group about QPR's and what they meant to me and how I perceived them and the person no joke said what I wrote two years before they even found it changed their life forever because they finally knew what kind of relationship they actually wanted.
So like sure, of course there's always bigger fish to fry them diversity in media (you know, like diversity in real life lol) but I don't think it's as frivolous as some people are beginning to act like it is. At least not if you're an aspec person it's not, I STILL don't see ace characters almost ever and I'll bet my whole everything if I asked a writer of a show why they'd tell me that EVERYONE has to be in a sexual relationship and characters that aren't won't sell and are boring- I say this because in film school I had a teacher TELL ME every character needed to basically be sex obsessed and when I pointed out a GREAT MANY CHARACTERS are not revolved around sex (Supernatural stars two brothers, I pointed out) and when she asked if I had love interests I was like ??? That doesn't matter- using my aforementioned supernatural example almost all their love interests die or get mind wiped because at the end of the day that's not what the story was about. So actually I think writers who act like that teacher need like 50 reality checks, and representation in stories isn't unimportant and also support indie writers you'll probably find more funky shit there then Disney anyway lmao.
And also even the asexual characters I DO see in media don't remind me at all of myself even if I appreciate the effort, but they never feel real or genuine and their sexuality doesn't get a lot of exploration so 🤷🏻♀️ I actually could use more media focused on characters that I can genuinely see my sexuality reflected in in a meaningful and narratively impactful way because I've got nothing.
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Honestly something that baffles me about HP is how every time JK*R received a criticism she like, takes steps to make the world actively worse. The elf slavery is probably the most clear example of this: while it's tone-deaf (let's say James Cameron-esque) at best, the clear moral of that subplot in the second book is that:
🌸Slavery is Bad🌸
so ya know. We can agree on that at least. If she'd just left it at that we'd have a children's fantasy book that addresses a human (sapient magical creature in this case I guess) rights issue in a less than stellar manner.
But no, when people complained that this was handled poorly, or that the subject may have been a bit too dark for the whimsical magical school for kids series, or that it raised serious concerns about wizard society as a whole, rather than leaving it alone or even doing some more white saviorism, she said: no, actually, slavery is fine, the slaves love it! The one they rescued is just a freak. Which is... probably the worst thing she could've chosen. Like admitting the world is fucked up and wanting to fix it was already on the table, so why did she do THAT? Why include a clear metaphor in your writing if then you're gonna say "oh the thing that it's referencing is bad, but it's actually cool here"???? What????
There's like countless examples of this kind of horseplay and then at the end it seems like the only material change compared to the previous status quo is that Wizard Alcatraz no longer uses literal soul-sucking demons. Like even the rich wizard nazi family still gets away mostly scot-free.
How. How did so many people like this??? How did so many ADULTS like this where the fuck was the reading comprehension. The media analysis. Did no one besides Ursula K. Le Guin think about this shit.
Say what you want about the current state of media but at least we can call the MCU a steaming hot pile of garbage and that's like, a mostly uncontroversial opinion. How the fuck was THIS the holy grail of untouchable media in the 2000's. How was this such a dark time. Was it 9/11? Fuck it let's blame it on 9/11
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