#(not really anti aang/KA but.. just in case)

[enbyzutara]

Aang x Luke Skywalker Parallels: How Aang’s Hero’s Journey Wasn't Properly Finished

I read this post by @lovegrowsart and I couldn't get it out of my mind how Aang and Luke Skywalker's journeys have so much in common, yet only one of these arcs feels like it has come to a properly finished conclusion. Meanwhile, the other one feels like the character didn't learn what he was supposed to in order to fulfill his Hero's Journey arc. So, in this post, I want to expand more on why “Aang was supposed to be the Luke Skywalker of Avatar: The Last Airbender”, but the creators of A:TLA failed to properly finish his story.

Firstly, it’s important to point out that the Star Wars saga and universe are widely famous in pop and nerd culture, including Luke Skywalker, the Jedi protagonist, who himself is one of the most famous and beloved characters from the saga. So, it’s not really a reach to assume that the creators and writers of Avatar: The Last Airbender were - at some level - inspired by this famous universe and character. By doing a quick research, we can confirm this assumption, because Bryan Konietzko, one of the co-creators of A:TLA, said in a podcast that Dave Filoni helped to shape A:TLA and its story. Also, both creators said that Joseph Campbell’s writing about mythology helped them to create the Hero’s Journey and the other storylines for their show, and George Lucas was also heavily inspired by Campbell when he was writing Star Wars.

(I will refer to the Star Wars episodes of the original trilogy as one, two and three - even though, nowadays, they are the numbers four, five and six).

Bryke (Bryan Konietzko and Michael Dante DiMartino, the co-creators of Avatar: The Last Airbender) and George Lucas share a lot of tropes and narratives in the stories that each one of them created. Both protagonists of the sagas are the '"chosen one" of their universe: both are the last of their kind (even though in the Star Wars universe, initially there were two more older Jedi) who have the weight of the world’s future on their shoulders. Aang needs to fight against the Fire Lord and Luke, initially, against Darth Vader. By doing this, they would bring balance to the world/galaxy.

It’s also important to emphasize how Luke Skywalker and Aang are not only the saviors of the story, they are also the last of their kind. In A:TLA and in Star Wars, we have populations that suffered genocide: the Airbenders were brutally exterminated by the Fire Nation during Sozin’s Comet, and initially, it was revealed in the original Star Wars trilogy that the Jedi were wiped out of the galaxy when Order 66 happened. So, Luke and Aang not only have the destiny of the world/galaxy on their shoulders, they also are the only ones who can continue the legacy, the culture, and the survival of their own kind.

Another parallel between Luke Skywalker and Aang is that both have a Mentor From Beyond. Luke Skywalker was able to seek knowledge from the Jedis who had passed away in the original trilogy. Firstly, it was Obi-Wan Kenobi, who was his first mentor; Luke was able to communicate with him, and Obi-Wan would give him advice and directions to follow. Later, Yoda also appeared to him. For Aang, due to the fact that he’s the Avatar (and to be the Avatar means that you are the reincarnation of someone who already died), he was able to contact the Avatars from his past incarnations. In the show, Roku is the past Avatar with whom Aang most often connects, but he also seeks knowledge from Kyoshi, Kuruk, and Yangchen.

In Book One: Water and A New Hope, both characters are presented as more naive, and the narrative is not as tense as in the later seasons/episodes. However, the sequel presents a "darker" version of its universe as both characters grow and face emotional dilemmas and more hardships. The Empire Strikes Back and Book Two: Earth explore, even more, the ongoing war in their respective universes, and by the end of these sequels, things go wrong for the heroes. And what I really want to discuss is the similarity between the second episode of Star Wars and the second season of Avatar: The Last Airbender.

At some point in the second episode/season, Luke and Aang had to separate from their group of friends in order to learn more and to train. They had to seek knowledge of what they are and what they represent, because by doing this, they would be a step closer to fulfilling their duties and saving the galaxy/world. At this moment in the narrative, Luke and Aang have an older and wiser mentor who will try to help them achieve this: Yoda and Guru Pathik.

But neither Luke nor Aang finish these training sessions that they started, because during their training, they have a vision of people who are special to them currently in danger. So, even though Yoda and Guru Pathik advise them not to leave and to finish what they started, they leave. Luke goes to Cloud City to save his friends (Leia, Han Solo, Chewbacca, and C3PO) and Aang goes to Ba Sing Se to save Katara. And as stated before, in this episode/season finale, things go wrong for the heroes, including to the protagonists who are supposed to be the saviors of both universes. Luke and Aang left their training even though they were advised otherwise, they went to fight without properly learning what they needed to learn. So when they faced the enemy, they lost. Both at the end were defeated: Aang quite literally dies and Luke has a metaphorical death when he learns about his parentage and loses one of his arms. He also "commits suicide" when he decides to jump instead of aligning himself with the Dark Side.

Now, something really important here is to talk about how Luke and Aang's attachments to people who are dear to them made them run away from what they should have been doing, instead of bringing them closer to their duties and destiny. It was understandable the reasons why they left their training, but it still was wrong in the sense that things went wrong and it ended tragically for both characters. And, it’s never portrayed in both sagas that loving someone is wrong, but being attached to someone is. Both of their Hero’s Journeys required them to learn the difference between what is love and what is attachment, because both concepts are different and one of them (attachment) is portrayed in both sagas as wrong, especially for the protagonists.

Although I’m not Buddhist, nor was I raised as one, it’s clear that Star Wars (1) (2) and Avatar: The Last Airbender (1) (2) both were inspired, to some extent, by this religion and its philosophy. (I tried searching for articles and videos made by Buddhist people, but, unfortunately, I couldn't really find many, so if anyone wants to link more content, please, feel free). And one thing that appears to be inspired by this religion and philosophy in both sagas was the concept of attachment in contrast to love (1) (2). Before delving into the topic of attachment in the show and movie, it’s ideal to understand what attachment means from a Buddhist perspective:

In Buddhism, attachment is called upādāna, which means grasping or clinging. It refers to the human tendency to cling to people, things, or ideas in the mistaken belief that they will bring us lasting happiness and fulfillment. Attachment arises from our desire to feel secure, comfortable, and control of our lives. (...) Attachment to people: Attachment to people can become a source of suffering, as we can become overly dependent on them for our happiness, identity, and sense of security. This attachment can take many forms, from romantic relationships to friendships and family bonds.

While searching for what would be the difference between love vs attachment in Buddhism, this quote also brought my attention (I'll definitely come back to this later): 

Any kind of relationship which imagines that we can fulfill ourselves through another is bound to be very tricky. Ideally people would come together already feeling fulfilled within themselves and just therefore appreciating that in the other, rather than expecting the other to supply that sense of well-being.

George Lucas seemed to understand this concept better than Bryke. In Return of the Jedi, Luke Skywalker a) trusts his group of friends way more than he did in The Empire Strikes Back, b) he was also able to let go of his anger for Darth Vader because he genuinely loved Anakin, his father. George Lucas was very vocal about how he wanted to portray attachment as a bad thing, and when it comes to this topic, he never intended to make the Jedi philosophy something wrong. Strict? Maybe, but not wrong. And in the end, as the episode’s title suggests, Luke "returns", as he also returns to Dagobah to contact his master, Yoda, one last time. (The title of this episode can also refer to Anakin returning to the Light Side, but art can be interpreted in different and many ways).

In contrast, Avatar: The Last Airbender presented Aang’s attachment to Katara in a bad light. The Guru episode shows that Aang's attachment to Katara, not his feelings, is what is making him fail to open his chakra and not being able to enter into the Avatar State. 

Pathik: The Thought Chakra is located at the crown of the head. It deals with pure cosmic energy, and is blocked by earthly attachment. Meditate on what attaches you to this world. [Images of Katara appear before Aang.] Now, let all of those attachments go. Let them flow down the river, forgotten.

It’s even more important to understand that what Aang feels for Katara is not genuine love, at least in this episode, it’s pretty much stated that he is attached to her in a way that he needs to learn to let go. To expand a little bit on this, it’s necessary to analyze two Avatar: The Last Airbender episodes and how they portray what Aang feels for Katara:

Firstly, 'The Fortuneteller' episode portrays Aang’s feelings for Katara as just a childish crush. There's nothing wrong with a childish crush in general, especially because Aang is, in fact, a child, so he's bound to be childish. But in this episode, what he feels for Katara is paralleled with what Meng feels for him: something that was one-sided and lacked "emotional maturity and self-awareness". Both Aang and Meng viewed their crushes in an overestimated and hyper-idealized way, which again was portrayed as silly and in a bad light.

Secondly, in 'The Guru' episode, it shows that yes, Aang does love Katara, but is it in the right way? The Air Nomads' genocide deeply affects Aang, and he still loves the people that he lost, obviously. But in the show, Guru Pathik states that the love that Aang felt for the Air Nomads was 'reborn' in a new love - his love for Katara. So, Aang is projecting his feelings of love for the people who were brutally exterminated onto the girl who, at this moment in the narrative, was only his dear friend who shows him support and fights alongside him. Aang needed to get closure and heal from this traumatic event; it’s a huge trauma that he should work through. But instead, he was coping by projecting his feelings onto something, or better, someone.

I personally think that Aang loves Katara to some extent, but he needed to work through his trauma first. This goes along with something already shown before, quoting: "people would come together [in a relationship] already feeling fulfilled within themselves and just therefore appreciating that in the other".

The chakra/Guru plotline in Avatar: The Last Airbender is not about Aang needing to stop loving Katara; that's a huge misunderstanding. It was about how Aang was attached to something (or someone, in his case) that he needed to learn to let go of, so he could progress, grow, and heal. After he fulfilled this arc about what's love vs attachment, two things could happen: a) maybe Aang would realize that his love for Katara was more platonic and that he was projecting a lot onto her because he sees her in an idealized way, or b) that he indeed loves her but he needs to realize that he's too much attached to the comfort that she gives and brings to him, so his feelings for her need to have more emotional maturity.

And in the end of season two, Aang actually let go of his attachment to Katara, and he was able to achieve the Avatar State. But unfortunately, after this, he was brutally attacked by Azula and had his chakra blocked.

But in Book Three: Fire, not only does he not return to see or contact Guru again, as Luke did (returned to see his older and wiser mentor, Yoda, in the third and final episode), but Aang also appears to still be attached to Katara in the same way that he already was, if not worse. In the Ember Island Players episode, he: 1) gets so mad and frustrated with the Players portraying his relationship with Katara in a non-romantic light that he says that he could go into the Avatar State over this, and 2) rushes things with Katara and kisses her without her consent, disrespecting her boundaries, after she just avoided his romantic questions and advances.

Point 1:

Aang: [Angered.] No, I'm not! I hate this play! [Yanks his hat off and throws it on the ground.]  Katara: I know it's upsetting, but it sounds like you're overreacting.  Aang: Overreacting? If I hadn't blocked my chakra, I'd probably be in the Avatar State right now!

Point 2: 

Aang: But it's true, isn't it? We kissed at the Invasion, and I thought we were gonna be together. But we're not. 

Katara: Aang, I don't know. 

Aang: Why don't you know?  Katara: Because, we're in the middle of a war, and, we have other things to worry about. This isn't the right time.

Aang: Well, when is the right time? 

Katara: Aang, I'm sorry, but right now I'm just a little confused.  [Aang tries to kiss Katara.]

Katara: I just said I was confused! I'm going inside. [Exits the balcony.]

All of this shows how he still lacked emotional maturity, and how he still was attached to Katara, in a way not much different from what was shown in Book Two: Earth. Overall, this shows how his feelings for her weren't properly developed and didn't grow from where they previously were – because it was still bound by an attachment that he needed to let go of in order to grow, heal, and learn.

Unfortunately, the Guru/Chakra plotline was completely brushed aside in Book Three: Fire; Aang doesn't even seek to see Guru again or continue his unfinished training. And in the end, when he was fighting the Fire Lord, what he was always meant to do, he managed to go into the Avatar State. Not because he trained or learned how to achieve this goal; actually, it was because a rock saved him by triggering the Avatar State. So, in the end, an entire plotline was ignored and forgotten. Aang didn't learn what he needed to learn with Guru, nor did he finish the training that he was meant to do, and he still was rewarded by the narrative with achieving the Avatar State and saving the world (and also, "getting the girl").

[(...) and Aang protects himself with an airbending shield but is pushed back by the force of the attack, crashing into a rock pillar. The scar on his back is hit with a point of the rock, causing him to flashback to when he was shot by lightning. (...) Aang jumps out, now in the Avatar State, and grabs Ozai by his goatee.]

And that's why Aang is the Luke Skywalker that we could’ve had. Luke finished his Hero's Journey; he learned what he needed to learn and because of it, he saved the galaxy and his father. Meanwhile, Aang didn't learn about love vs attachment, yet he still achieved what he needed to achieve from the beginning: the Avatar State and winning against the Fire Lord. And he only achieved that because the narrative chose to give him a final new solution to resolve all his problems instead of him directly dealing with and facing the problems, difficulties, and dilemmas that the narrative initially proposed to him.

(I don’t actually mean quite literally that Aang needs or should have been the Luke Skywalker from Avatar: The Last Airbender, because Aang is his own character who has his own story. What I mean is that: Luke Skywalker is a character who is similar in some ways to Aang, and he had his Hero’s Journey properly fulfilled. I believe that Aang also deserved the same treatment by the creators of ATLA).

[narutakijune]

About ATLA Relationship Arcs

So, this is me, finally trying to write some meta after lurking in my little tumblr corner for months! Hi!

Although I’ve tried to tag properly, if you are a Kat*anger and just want to enjoy your favourite couple in peace, this might not be the post for you. I am not trying to bash characters but I do have a lot of critical stuff to say about the writing.

Anyway, you have been warned and here is my story about my personal first Atla experience: I watched the show this year for the first time, and after the end of Book 1 I decided to look up spoilers, because after what happened to Yue, I wanted to make sure that Zuko and Iroh would be ok. So I knew what was going to happen: Kat*ang endgame and absolutely no Zutara at all. Still, by the end of Book 3, I was convinced that I had read wrong - that there would be an epilogue with a different ending or at least that Aang would only get together with Katara post-show- in that Korra series or something - because anything else wouldn’t make sense- right?

….

After I got over my shock and surprise, I went online and found out about that decade-long aggressive passionate ship war and how even the showrunners got involved.

And then I really worried that I might have missed a few points. Apparently ”Aang and Katara were the DNA of the show”, according to the creators themselves, and “Zutara could never have happened”.

Another popular anti-ZK argument I found was: Why do you always go on about Katara and Zuko? Just look at Zuko and Aang! They are the hero/ anti-hero and each other’s foils, their relationship is much more meaningful!”

So I tried to find out what it was that I apparently couldn’t see.

(Another disclaimer: I love analysing stories (like many Zutarians apparently) and this will get long and rambly. If you get bored to tears when people start talking about “narrative structure” you will probably not like this.)

Talking about narrative structure, I do believe that, in order to let your story, your characters and their relationships really shine, a good basic structure is important. There should be a recognizable development and individual parts of the story that build upon each other and lead to consequences and change, until there is a completed arc - because it is all about the journey that takes you to a satisfying ending, right? So that’s what I tried to do, with my personal Kat*ang vs. Zutara take, I tried to look at the structure and development of their relationship arcs.

The argument that threw me off track for a while is that compared to Aang and Zuko, Zuko and Katara’s relationship is not supposed to be that relevant for the plot. After all, Zuko is the foil, the anti-hero, the deuteragonist to Aang, who is the hero protagonist.

This is all true of course. But then why is it that in every finale, Zuko’s main opponent (and later ally) is not Aang but Katara? Why is it that their sun/moon, red/blue, fire/water dichotomy is so obviously highlighted?

I think one reason why Zuko and Katara are paired off so frequently in the story - as opposite elements, as opponents and as allies - is that they BOTH are Aang’s deuteragonists. While Zuko also acts as antagonist and Aang’s foil/mirror, Katara takes over the more traditional deuteragonist role of confidant / best friend/ narrator.

Protagonist Aang is what connects them, although they are on opposite sides: Both need Aang because he represents their hope to save their world. Very simply put, Katara protects him, so he can make the world a safer place again, and Zuko wants to capture him, so he can go home and be safe again. That rivalry between them is already established in the first episode, even before they meet each other: Katara, who hopes that the Avatar will return (as she tells everyone in the intro), and Zuko, who seems to be obsessed with finding him for more sinister reasons.

And just to make sure, I am not talking here about the characters’ feelings and emotions! This is just about the abstract roles they have been assigned within the narrative.

When regarding Zutara’s special connection to Aang and their rivalry with each other, it makes absolute sense to stress their “same but different”ness as well, visually and metaphorically: Red and blue, fire and water, sun and moon, arguably Painted Lady/Blue Spirit, and, when you put into account their story arc, also Oma and Shu.

With this basis, which puts them together and sets them apart simultaneously, their relationship already becomes very dynamic and interesting, even before you consider any romantic potential.

And here’s another thing, Zuko and Katara also have their own story arc within the main plot. Although they don’t have many scenes together before Zuko joins the Gaang, when they do meet there is always a new shift in their relationship and in quite a few cases their interactions are important for the main plot as well. If you just look at their “end fights” at each book’s finale, there is an obvious and consequential build-up, like any decent story arc should have:

Book 1 starts with Zuko as the powered-up enemy and Katara as the weak newbie waterbender. Both are battling over Aang. At the end of Book 1, they are finally established as equally powerful fighters but still fundamentally different (You rise with the moon, I rise with the sun!)

In CoD at the end of Book 2 happens the next step: they realize that they are not different at all! But Aang still doesn’t represent the same for them and they end up on opposing sides of the war again.

In the Book 3 finale, when Zuko has completed his own (anti-) hero's journey and Aang represents the same “hope” for both of them, they do not only join forces: Their “same but different”- traits make them such a uniquely suited match that they are even able to save each other’s lives during their fight with Azula (who in turn happens to be Katara and Zuko’s antagonist/mirror/foil).

And in addition to their own story arc they even get an individual recurring theme, which also appears in every book whenever their relationship status changes: The lost mothers, especially Katara’s mother.

In Book 1, Katara’s necklace (the symbol of Kiya) plays not only a major part in two of Zuko’s capture attempts, it is the reason for their very first one-one one encounter in the story.

Their first friendly connection in COD in Book 2 happens because they start talking about their mothers. And in Book 3, their final reconciliation (sealed with a very cathartic hug) happens after their life-changing trip which is, of course, all about Katara’s mother.

Again, I am not even trying to analyse their characters and motivations within the story - there are many metas that have already done that much better, more detailed and with screenshots. This is just dry structure and tropes and themes. But I think people recognize and connect with a well-structured arc, even subconsciously, which is one of the reasons that makes Zutara such a compelling couple. They complete and contrast each other, their relationship dynamic constantly changes, builds up, falls apart, reconnects. Such a setup is the perfect playground for a lot of creative takes on what-ifs and alternative scenarios and of course, shipping them romantically is extremely tempting - think of all the possibilities! It’s no wonder that the Zutara fandom is still so active decades after the end of the show. And it’s also no wonder that the Zutarians are known for “over-analysing everything”. You can only over-analyse if there is anything that gives you enough food to analyse to begin with. Which brings me to

KAT*ANG

I just go right to the top and take the quote from Br*yke themselves:

Kata*ng was in the DNA of the thing from the start…. [Zutara] was just dark and intriguing.

If you read this quote and then start watching the show, I would (grudgingly) agree that:

Aang and Katara understand and complement each other really well. Aang gives her the chance to have fun and go on adventures and in turn, Katara is his fiercest supporter from the very beginning, something that he really needs after he lost all his people AND has to find out that the world thinks the war is sort of his fault. In turn, the journey to the North Pole is as important to Katara as it is to Aang, because it is her dream to learn waterbending properly. That’s what she literally says when Sokka & Co try to banish Aang: (Sokka: Where do you think you’re going? Katara: To find a waterbender. Aang is taking me to the North Pole.) In that way, they are friends who give and take equally and are equally taken care of. They even have the last Airbender/ last Southern Waterbender status that connects them. The few times they have a fight, Aang does something in the end to redeem himself (perform some heroic feat) and Katara sees that she is right to believe in him.

Aang has this very sweet crush on her and it will be very sweet and wholesome when Katara will return his feelings at the end of their adventure after he has hit puberty. On the other side, there is also some heavy shipbaiting with Zuko: I save you from the pirates. The betrothal necklace. June and her excellent shipping taste. But in the end they are enemies, they barely know each other and, come on, it would be too dark and intriguing! There is no real threat against friends to lovers Kat*ang, the soft heart of the story. It’s very straightforward and there are a lot of simple “the hero saves the day” scenes for Aang but that’s fine! It’s not really my kind of ship but that’s not the point, it works for the story they want to tell.

End of Book 1.

In my - probably harsh- opinion, everything you really need to know about the Kat*ang relationship has been told by this point. If you want to be really mean, already by Book 1, episode 3.

That explains maybe why many (not all! but many) pro-KA arguments sound as if their shippers have not watched Book 2 and 3 at all. The Book 1 synopsis also perfectly sums up Bry*ke’s quote above. But then Book 2 and 3 are still there and I don’t know what happened but it seems as if they somehow decided that the Kat*ang story does not need any new and lasting input. Maybe because they were afraid that too much new development and change would stray too far away from their original Kat*ang vision. But there are still 2 more books and more adventures and Kat*ang somehow has to be kept apart until the finale.

So the tension in their potential romance is based largely on the question whether or not Katara will return Aang’s feelings. In general I don’t have a problem with that will-she-won’t she-technique. It works well in books where the love interest is not a POV or in shows/ movies where the love interest is not one of the main characters. But Katara is not only the female lead but also arguably the narrative voice of the whole story! As a result, this kind of writing makes Katara look as if she doesn’t have any agency in their relationship, which is not surprisingly a very popular anti-KA criticism.

Additionally, since her dream - learning waterbending - has been fulfilled by the end of Book 1, the relationship work becomes a bit one-sided. Of course Aang is the hero and his journey is the heart of the story. But in order to highlight their special connection it would have helped to give Katara another personal agenda, which Aang could have supported in some way. She is still the last Southern Waterbender and he the Last Airbender but this is not really explored in the Kat*ang relationship. And her other personal agenda, her mother, is already reserved for the Zutara arc.

Instead, in Book 2 and 3 the Kat*ang story is somehow all over the place. Of course there is new conflict and a few romantic scenes as well. But obstacles are either introduced too late or just dropped when not needed anymore, conflict is not resolved and their flirty, romantic moments never lead anywhere- and if they do, they lead to more conflict that is not resolved (yes, I am looking at you, EIP Kiss!).

Take for example Katara’s very sudden argument that they cannot be together now because there is a war going on. We hear her saying that for the first time in the very last episode (EIP) before the 4-part finale. That is too late to have any impact! That she has these kinds of thoughts was never even alluded to before. Not once.

Or the pattern Aang runs away/ is flaky - Katara is upset - Aang comes back and does his hero thing - Katara is relieved. In regards to their relationship arc, nothing changes here between Book 1 and the finale, only the stakes for Aang’s heroic performances get higher.

Or Katara being the one who is able to calm Aang down when he cannot control the Avatar state (which, in my personal opinion, is neither romantic nor healthy). This is also connected to the problem with the seventh Chakra, that Aang needs to let go of his attachment for her. I will be angry forever with how they wasted this for a possible relationship development! That Aang has to decide to either do his duty or save his forever girl (because let’s be fair, he did try to let go and only ran when he had the vision of Katara in danger) - that’s a fantastic setup!

But no, it doesn’t have any real consequences for Kat*ang at all. Instead there were only half-baked attempts – Aang does lie about his failed practice with Guru Pathik but the ultimate reason why his chakra is blocked is Azula, not his decision to run. Aang does try to let go of Katara for a little bit but then Azula shoots him. Nothing in Book 3 shows any change in his feelings that could have been a result of his instant let-it-go. If anything, he gets weirdly obsessive - which could have been used as a side effect of his blocked chakra but – again, no, nothing happens.

I suspect the whole thing was just introduced to create temporary drama for poor Aang, but it is never explained why Katara holds him back, what aspect of the attachment is blocking him or what would happen if he did let her go. Maybe they tried to make a statement about how love is more important than Avatar rules – which would have been fine but it’s also never properly explored. Instead, as soon as that plot point becomes inconvenient it’s simply dropped like a random rock™.

Compare all that to the Zutara arc, where both characters’ feelings about each other are always very much in the open, and where every interaction causes lasting effects in their relationship. Yes, it is unfair to compare that to Kat*ang, because up to the end of Book 3, Zuko and Katara almost never meet, while Aang and Katara spend almost every episode together – of course they cannot do meaningful things all the time. But on the other side, with Kat*ang, there would have been a great chance to show a subtle, gradual build-up instead.

It also doesn’t help that the Zutara arc seems hellbent on sabotaging every romantic moment Aang is allowed to enjoy:

There is Kat*angs first maybe-kiss in the dark before the background of the Oma and Shu legend. But it does not lead anywhere. Instead, Zuko and Katara almost reenact the legend itself in the Book 2 finale as two real enemies to almost-friends, including a glowy rocks-backdrop and the right costume colours, just so nobody misses the message.

In Footloose The Headband, Aang and Katara have a really sweet dance together, and everybody can see how they almost intuitively know each other's moves. This could be a great hint on how well they will fight together in the finale. But is it plot-relevant? No, because the final tag team is Katara and Zuko! While Aang gets paired off with random rock™.

Then there is Aang’s riding off to battle- kiss in DotBS, which Katara is not even allowed to enjoy, because keeping her feelings vague is apparently more important than character development at this point. It is the only romantic moment that gets mentioned again, but in a way that sinks the former cute and wholesome ship into the deep ocean, and the reason is - Aang is jealous of Zuko!

If all of this was only done for the sake of shipbaiting, then it really went out of control at some point.

In the end, the showrunners still had their reasons to choose Kat*ang, maybe because that corresponded more to their own vision, and there are still enough people out there who agree with them. Which is absolutely fine! In the end, what matters most is how you personally connect to the characters and nobody needs to defend their personal taste. But the typical anti-ZK claim, that all the Zutarians with their crazy analysis and rambling meta essays are reaching and delusional and that they desperately try to construct something that isn’t there, is not only a very lazy argument but simply not true.

And I’d claim that in spite of the canon choice, Zutara is technically the better written relationship. By far.

[dent-de-leon]

hey, anon, I hope you’re having a good day too! For one thing, I think it’s important realize a lot of the “Keith and Shiro can’t date!! They’re practically family!” mostly comes from antis, and is purely headcanon. In no way shape or form does it factor into canon. It’s based entirely out of one line taken out of context, while completely ignoring the fact that everyone on Team Voltron is portrayed as found family. And if people want to stick to the narrative that you can’t ship sheith because of the found family dynamic, then by that logic, they also cannot ship kl/ance, sh/allura, ka/llura, all/urance, ha/nce, pid/gance, and so on

See this excerpt here from one of my other metas: 

Now, let’s go back to that one line a lot of people seem stuck on. “Calls Shiro his brother.” He doesn’t though?? He says Shiro is like his brother. You know, like how before that Holo-Shiro says, “We’re all the family you need.” We as in all the paladins. Shiro is just as much a brother to Keith as Lance and Hunk. It’s really transparent when people take that one line from Keith out of context, but completely ignore other lines like–Hunk throwing his arms around Keith and Lance and literally going, “We’re brothers.” Yet people still ship k/l, h/l, k/h and so on.

Or how about Allura saying she’s come to think of Keith and the other paladins as her “family?” She tells Keith, “But in time, I’ve grown to consider you and the paladins my family.” No one batted an eye or said k/a was dead like sheith. If you’re going to say sheith can’t be canon because of a found family relationship, then you can’t ship any of the other paladins either. Because they’re all found family.

Moreover:

In friends to lovers relationships, going through a period where someone mistakenly thinks of the other as being like a brother or sister is actually really common. “This is a Y7 show, there’s nothing left to interpret from that.” This in itself is actually really ironic considering…well, you probably know Studio Mir also made Avatar and Korra right? Yeah, so…you’ll probably also remember that the main ship in Avatar, Aang and Katara–that was also textbook friends to lovers. And you know what? They also went through that phase where Katara thought of Aang as just a brother. Here’s an excerpt from The Ember Island Players:

Aang: “Did you really mean what you said in there?…when you said I was just like a brother to you and you didn’t have feelings for me?” Katara: “I didn’t say that. An actor said that.” Aang: “But it’s true, isn’t it?”

Again, this idea you can’t ship sheith because of the found family dynamic is entirely fanon. Like the bi Lance headcanons, like the black paladin Lance headcanons. There’s no real basis for it. Even more damning, the staff themselves have outright supported the ship. Josh himself came up with the ship name sheith, and you can see this list here of a bunch of support staff has shown for the ship. I don’t think Lauren would’ve liked that sheith fanart of those two making out she got so much backlash for if shipping sheith was somehow wrong or immoral. The way staff ships sheith should be enough of a clue that Shiro and Keith’s relationship is radically different from Matt and Pidge’s. I think that much should be obvious. 

And besides that, Jeremy himself has said the Keith and Lance are like brothers-- “I love their respect and friendship, it’s almost like they’re brothers to a certain extent,” (source). Yet no one insistent on the “bro/ganes” thing has said you can’t still ship kl/ance. So to me, it really seems like a lot of times this is just an anti shipping thing. For further indication of how sheith being “immoral” is fanon, I’ve also seen people say that Lance thinks of Allura as a sibling, even though he flirts with her in canon. 

It was even popular for quite a while for there to be Altean Lance au’s where he was Allura’s brother so that she didn’t “get in the way” of kl/ance and Lance no longer viewed her in a romantic light. Basically, I think that’s the approach a lot of antis are taking when they write or view Shiro and Keith as actual brothers when that’s clearly not the case. It’s a way for them to rationalize how “Shiro and Keith have the closest relationship,” (Joaquim, source) without acknowledging the possibility of sheith. 

Never mind how much this “they’re brothers!” headcanon would ruin Keith’s whole character arc of Shiro accepting him despite his galran blood--and that even though he had no blood relations, he could still take solace in found family. He could still find love. Literally all that would be rendered insignificant, and for a lot of people like myself who have unsupportive families, it would be a big slap in the face to know you’ll never find your own family, you’ll never find other people who care about you. Everything just has to revolve around blood. 

Because I have seen people who seem to think it will add something meaningful to Keith’s life for Keith and Shiro to be related, and I can’t express how much that hurts. Sometimes you’re just alone and you don’t have family or at least family you can trust. Sometimes it’s good to know you can still go out and surround yourself with people who care and build your own family. That means something, and it’s very much an overarching theme of Voltron. Allura saying she’s come to see the paladins as her new family, Holo-Shiro telling Keith all of Team Voltron is his family, Lotor breaking away from his parents and trusting only his team of generals, ect. 

But again, I think the staff know their characters better than the fandom. And I don’t think the director, writers, animators, or VA’s would be publicly shipping it if they were brothers like antis seem to think. Dreamworks woudn’t approve of that. 

As for sh/allura, I’m sorry, but I personally just don’t see it. As in, I don’t think they’ve had any romantic development?? Allura doesn’t grieve Shiro’s loss the way Keith so desperately does, and she never latches onto him like Keith. She wasn’t the one who tended to him at his bedside like Keith when Shiro refused for anyone else to see him. Even now that “Shiro” is “back on the team,” all her significant romantic buildup has still been with Lance, and she and Shiro hardly seem to interact. In seasons 3 and 4, it’s Lance who’s there first when she’s hurt, Lance who gives her pep talks, Lance who she opens up to, and Lance who helps her realize her full potential. As for sha/llura, I just don’t really see it, sorry! But again, you don’t need canon proof to just enjoy your ships you know? And everyone will have their own interpretations anyway so just enjoy what you like.