#anti kataang

[amirazat]

I’ve seen a few K@taang fans say that Aang telling Katara to forgive Yon Rha in The Southern Raiders is a parallel to Katara helping Aang leave the Avatar State. I really don’t like this take, for a simple reason:

The Avatar State is a supernatural uncontrollable rage. Katara’s anger is not.

On multiple occasions, Aang states that he regrets his actions while in the Avatar state, and he doesn’t like feeling out of control in that way. We even see his rational spirit’s reaction to the Avatar State when it detaches from Aang’s body to speak to Roku in “The Avatar State”.

Aang wants to be stopped when he is in this state. When Katara reaches out to him, she is not trying to change his mind, she is trying to allow his rational mind to regain control. She is giving him agency, not denying him agency.

By contrast, while Katara is angry in The Southern Raiders, we’re never told that her rational faculties aren’t still operational. She’s determined. Not possessed.

At no point does Katara say that she regrets acting in anger. Instead, we see her exercise judgement and mercy even when face to face with the man she saw kill her mother.

This is not someone who is out of control.

(Not that she necessarily would have been out of control if she did kill him.)

The fact that Katara wasn’t out of control and didn’t need to be stopped is further reinforced by the fact that, unlike Aang who agonises over his actions in the Avatar State after the fact, Katara doesn’t express regret at her actions or relief that she didn’t kill Yon Rha. Instead she re-states her initial position that she will not forgive him.

All of this makes Katara’s anger at Yon Rha very different from the Avatar State. She is in control of her actions and does not want or need to be stopped. Trying to stop her isn’t helping to reassert her own control over her actions, it’s questioning her active decisions. It’s denying her agency instead of enabling it.

An emotional woman is not the same thing as an irrational or out of control one.

[starlight-bread-blog]

The Fortune in The Fortune Teller

This is an isolated look into this specific episode.

The Fortune Teller is the 14th episode of book 1 of Avatar: The Last Airbender. It is famous for supposedly developping the show's romantic subplot between Katara and A\ang. The episode does two things: A\ang attempts to flirt with Katara, and Katara is finally willing to consider him as more than just a friend.

However, I believe that this episode could have masterfully foreshadowed the pair not getting together in the end. In this essay I will detail how each step the episode takes towards a Kat@ang endgame is actually foreshadowing the opposite.

1. Katara and the Nature of Destiny

In the beginning, the Gaang meets a person getting attacked by a bear. He is acting incredibly passive, simply dodging the bear's attemps at his life. Then, A\ang and Appa interfere to help the man. When the Gaang questions him on why he was so passive, he says it's because the Fortune Teller told him he'd have a safe journey. They then have the following exchange:

The man's logic is obviously flawed. If the Gaang didn't interfere, if the man continued to passivaly dodge, the bear would have attacked him. Fortune and destiny come from agency – from actively shaping them.

However, Katara is delaited at the prospect of seeing the future. Her and the Gaang go to meet the Fortune Teller, Aunt Wu. Aunt Wu tells her she'll marry a very powerful bender. Later, she comes back asking more details about her future husband. Remember her excitment, fantacising about her future husband:

After that, Katara becomes somewhat reliant on Aunt Wu's prophecies. She goes as far as to ask her what she should eat.

And she obeys her "prophecy", despite not wanting to. She became like the man from the beginning. She knowingly follows the fortune even though it doesn't make sense. She had given up on forging her own destiny.

Although by the end of the episode, she is no longer in this state of reliance, she still believes in the prophecies. Then, Sokka says that A\ang is a very powerful bender. This reminds her of what Aunt Wu said about her future husband. I don't want to cherry pick, so I took 4 different pictures of her face when she realizes A\ang might be the powerful bender she is to marry:

With the look in her eyes, with her mouth tilted down and with the ominous music, this could easily be read as disappointment. Especially when remembering how she fantacized about the powerful bender earlier in the episode. She doesn't smile, but looks concerned. As if she doesn't want this. Earlier in the episode, she says this:

A\ang is like the papaya. The fortune says he's right for her, but Katara doesn't want him. Now, she isn't like the man, passively dodging the bear attacking her. She shouldn't sit and wait for the prophecy to come true point blank. She has the agency to shape her own destiny and not to choose A\ang as her future husband.

2. A\ang, Meng, and First Crushes

In this episode we're introduced to a girl named Meng. Aunt Wu told her she'd end up with someone like A\ang, and so she developped a one sided crush on him. Throughout the episode she attempts to talk to him, all to no avail. Because A\ang is not interested in her.

Interestingly, her one sided crush is directly paralleled to A\ang's crush on Katara.

Exhibit A:

Exhibit B:

Exhibit C:

Please note that in exhibits B and C in particular, there is an emphasis on the other party not reciprocating their feelings.

In this parallel the show draws, A\ang is Meng, the younger, shorter one the one who is in love; and Katara is A\ang, the older, taller one who... *checks notes*... doesn't reciprocate.

But in the end, A\ang and Meng have a heart-to-heart.

Sometimes you'll like someone, and they aren't going to feel the same way, and even though it's hard, it's okay. They're young, just kids having a crush. A\ang responds to this with "I know what you mean". Because he, just like the audience that watched the parallels, knows that Katara likely doesn't return his feelings.

———————

In conclusion, The Fortuneteller could have been brilliant foreshadowing to Kata\ang not being the endgame couple, and it would have done so through beautiful, mature lessons about first loves and destiny. Thank you for reading.

[the-badger-mole]

What is your NUMBER ONE headcannon for each person in the Gaang (Katara, Zuko, Aang, Toph, Sokka, Suki [and Appa and Momo if you feel so inclined])

Katara: After the war, she goes back to the NWT to train with Yugoda and becomes a master healer as well as a master of the NWT fighting style. From there, she goes back to the Foggy Swamp Tribe and masters their bending style, too. With the help of Sokka, Zuko, and (in some headcanons) Hama, she also rediscovers SWT waterbending and not only masters it, but teaches it to the new benders in the SWT. By the time she leaves the SWT, there has been a school established where all bending styles are available for study. She's one of the few who actually has mastered them all, though.

Sokka: He is eager to return home after the war. He throws himself into infrastructure and policy revamps, and he almost singlehandedly staves off the soft colonization attempts of the NWT. Under his efforts, the SWT rebuilds and reestablishes parts of its culture that had been lost during the war. With the discovery of oil on SWT land, he is also instrumental in establishing eco minded extraction techniques, and in trade ties with the rest of the world (although he is very much helped by his sister's deep ties with the Fire Lord). It's a surprise to no one when he's chosen to lead the SWT after Hakoda retires.

Toph: She does not become a cop. Instead, she goes back home and takes over the Earth Rumble, taking it from an underground even to a world wide phenomenon. She eventually allows benders of other elements to join, and the Earth Rumble becomes pro bending. She does also establish a metal bending school. In the end, she is wealthier than her parents, but because she couldn't really care less about money, she keeps enough to live at the standard she wants, and gives the rest away to causes that interest her...like the guy who wanted to set the record for the biggest bao bun ever, and needed funding for an oven big enough to cook it. She also establishes a halfway house for runaway teens.

Zuko: During his tenure as Fire Lord, he establishes a robust social services program that includes subsidized healthcare, education, and housing for the lowest income families. Under his reign, the Fire Nation becomes home to some of the earliest pioneers of mental health. At his wife's advice, he also makes paid maternity leave standard across the nation, and includes several programs to help single parents stay afloat. Taking inspiration from the SWT, Zuko makes some changes to how his advisory staff is selected. Instead of choosing from among the nobility, Zuko has the different provinces elect a representative to speak on their behalf. A lot of the nobles hate this, blaming his wife's influence, but the people adore their monarchs and despite their best efforts, there's little the nobles can do except start campaigning in their home provinces. It's not a perfect system, but it does open the door for the Fire Nation to end the monarchy within a couple of generations.

Suki: She continues to lead the Kyoshi Warriors for a few years after the war. She also helps train troops around the world as they pivot from active war service to more local work. She helps establish something like the coast guards for several different countries. Eventually she retires from that to help her husband run the SWT. She and Sokka make a wonderful team as he handles the domestic policies and she handles foreign affairs. She often jokes with her sister in law, Fire Lady Katara that they ended up with the same job.

Aang: I'll go with my most optimistic headcanon for him. He's an okay Avatar. Not great. Not the worst. After the war, he tries to take part in rebuilding efforts around the world, but he finds his help isn't needed much. He turns his attention back to salvaging what's left of the Air Nomad legacy, and discovers that there are actually airbenders still around. A few of them are even interested in learning to live like the Air Nomads. Many of them aren't, though, and after learning how to actually use their powers, they go off and do their own thing. To Aang's shock and dismay, eating meat has no effect on the strength of their bending, He does learn to deal with it and enjoy his time with the air benders who embrace the Air Nomad culture. He does go on to have kids, and he still favors the benders over the nonbenders. Ultimately, his legacy as Avatar boils down to taking Ozai's bending, and that's it.

[fanfic-lover-girl]

Dear canon shippers

Just because you can't appreciate subtext and beautiful narrative themes, it does not make fanon shippers delusional. It just makes you blind. And probably boring too if you think shipping should be solely based on canon. Some of us don't kiss the creator's backside and want better than the terrible canon ships shoved in our faces.

[jana2071]

I find it hilariously stupid when some K̶a̶t̶a̶a̶n̶g̶ s̶h̶i̶p̶p̶e̶r̶s̶ undermine the maturity gap between Katara and Aang by saying: "Oh I love that Katara is taller than Aang, and Aang is short cuz it breaks societal norms"

IT'S NOT LIKE AANG WAS BORN SHORT AND KATARA IS BORN TALLER,

Aang is shorter than Katara In This PARTICULAR AGE PHASE because He's A 𝙋𝙍𝙀𝙏𝙀𝙀𝙉, he still hasn't hit puberty yet, meanwhile Katara is already a teen and older

To examplify that, me and my brother who have the same age difference as Katara and Aang respectively, when he was 12/13 I was taller than him, but when he started to hit puberty he drastically changed and even became Taller than me

In fact when Aang grew up, he became Taller than Katara, as seen from the photo of Aang and Katara as adults which destroys the argument that "Aang is short"

The "Shorter dude/Tall gal couple" only applies to Zaheer and P'li because when they're both grown adults (*given also that Zaheer is older) P'li is taller than him

What's even funny is that Zaheer himself is actually tall (he's 6'1) but P'li is just a giraff

[rifari2037]

I found this thread on Twitter and it's so refreshing to know that Zutara fandom actually has strong allies.

Zuko - (my captain) Dante Basco

Katara - Mae Whitman

Sokka - Jack de Sena

Toph - Michaela Jill Murphy

Azula - Grey DeLisle

Uncle Iroh - Greg Baldwin

(even) Cabbage Man - James Sie

It's funny because this fact made me suddenly create a headcanon :

Of course Zuko and Katara shipping themselves, they fell in love with each other.

Then almost all the members of the Gaang except Aang (we don't know for sure about Suki) also ship Zutara because they know Zuko and Katara are secretly making out, while Aang denies it because well, you know why…

Sokka as Katara's brother approve their relationship!

Then Uncle Iroh, he must've ship Zutara since stubborn Zuko asked Katara to help him defeat Azula.

Uncle Iroh as father figure for Zuko definitely approve their relationship!

Azula shipped Zutara? She must've known that Katara meant a lot to Zuko, otherwise why would she direct the lightning at her? She know that either Katara would lose or Zuko would sacrifice himself for her.

I can say, that's the way Azula as Zuko's sister approve their relationship!

And the Cabbage Man. This time I didn't expect it. Maybe he really is a Zutara shipper. Maybe he was the one who told the Ember Island player director that the two of them had a special relationship? (I'm making things up this time) 😂😂

Okay, back to Zutara fandom who has strong allies from the ATLA writers too.

John O'Brian (the one who confirming that they talked about Zutara endgame in writing room)

Joshua Hamilton (the one who fight alongside John O'Brian to make Zutara endgame)

I'm sure the list won't end there

I also wont forget that Zutara fandom has great writers and artists with fanarts, fanfics, video edits, meta and analysis, etc., which makes Zutara never boring. Thanks to y'all 💙❤️

They did get canon, but I can still enjoy the victory!

[empressofthesunwriter]

Change the Narrative

If people knew the truth, they would call her a selfish monster.

But Katara had sacrificed anything for the world, for an ungrateful husband!

This time she would always choose herself first!

Here is a little one-shot of my anger about what happened to Katara in canon.

I want to give her the end she deserves, so I hope you enjoy it!

Katara knew it was time for her to die.

She felt it in her old bones.

Alone she lay in her bed at the South Pole and watched how the snow was falling.

At least she would die seeing the beauty of her homeland.

It was a good death.

The old woman blinked tears away and tried to be positive about her nearing death.

She would see Sokka, her father, her mother and Gran-Gran again.

It was good.

She had lived a long happy life.

Something burning and unsettling spread through her chest as she thought this.

Was it a happy life?

How often did she and Aang argue over simple things?

How often did she beg him not to play favourites with Tenzin? Yes, their youngest was an airbender, but what about Bumi and Kya? They were his children too.

But no!

The Air Nomad legacy was more important than their two oldest children and their pain.

Once upon a time when she was a young girl and fantasized about the man and family one day she would have, she never would have guessed how she became the kind of mother, who didn't fight for her children.

Who didn't call out her husband for his wrongdoings?

However, she had so with Aang. Since she had met him, she always had mothered him, shielded him from things which didn't fit his narrative.

He was the Avatar, the only hope to end the war, with a track record of running away.

They couldn't lose him, so she had protected him the best she could.

And she did so to her children.

No wonder Bumi and Kya didn't even visit her and Tenzin didn't have much of a relationship with her.

Where did she go wrong in her life?

When did she become a shadow of herself in the name of love?

Why did she even choose Aang?

Was it because of Aunt Wu's prediction, she would marry a powerful bender or because she had a feeling Aang...deserved her?

He loved her and had ended the war.

Was it so bad to give him a chance?

Sadly after sacrificing her best years for him and being rewarded to die alone without her children, grandchildren and great-grandchildren around her, it may have been the most stupid decision she ever made.

Spirits, was she a bad person to think that?

She loved her family, really she did, but deep down she had to admit...she wouldn't do it a second time.

Katara wouldn't sacrifice herself, her ideals, and her dreams for Aang's dream.

She had her whole life given and given and was now at the end of it rewarded with nothing.

Tears streamed down her cheeks, as she slowly closed her eyes.

Soon she would join her loved ones...

Just...

If she could...

If the spirits were so kind...

If dear Yue heard her...

She wanted a second chance.

She wanted to live a life for herself and herself alone.

Katara had given in this life all and more...was it so bad that she wished for a second chance to get it this time right?

Was she selfish?

Maybe.

Surely.

But anyone had a point in their life where they had to put themselves first.

Her only regret was that she did not realise it sooner.

Katara closed her eyes and felt the last beats of her heart.

Never noting how the moon was shining brightly down at her...

***

She felt pain in her head.

Katara hissed and touched her forehead.

Why did she get a headache?

Where was she?

She blinked to banish the shadows before her eyes.

Slowly she could see.

Ah yes.

She was outside General Iroh's tea shop in Ba Sing Se.

The waterbender had seen Aang walk out and wanted to join him.

It was high time that she gave Aang her answer about them being a couple.

She had been unsure a few days ago, but now with the war over...why shouldn't she give him a chance?

He was standing at the balustrade watching the setting sun, it was the perfect moment.

As the waterbender made her first step towards him, an avalanche of emotions and vision filled her whole being.

Katara gasped quietly, trying to make sense of this.

It was too fast and also too slow...however, she felt it in her bones...whatever she had planned kissing Aang and getting together with him...it would be the worst decision of her life!

No, she didn't want what she had seen.

How could she sell herself, her principals, and her honour for a guy?!

How could she be together with someone who would play favourites with their children?!

No, absolutely not!

Whether this was a vision from the future to save her from this faith Katara didn't know, but what she knew she wouldn't make the same mistakes twice!

So angry she walked up to Aang and tapped his shoulder.

The Avatar turned smiling towards her. He seemed so happy and hopeful and looked at her like she had hung the stars and the moon.

For a second she flatter, which only made the vision come forth again and made her anger tenfold.

Oh no!

Not with her!

"Aang.", she began. "I don't love you and I never will! Stop pestering me about us being a couple! If you don't accept my feelings I will waterwhip you do your next incarnation, do you understand me?!"

To say he was shocked was the understatement of the century. She could formally see the heartbreak in his eyes and how he tried to speak up, maybe to guilt trip her, however, she wasn't having anything of it.

"Nothing you will say and do will ever change my mind! So don't even try. I will go back with Sokka to the South Pole and rebuild my home. That's where I belong!"

Dramatically she turned around and entered the tea shop again.

The others tried their hardest to seem like they hadn't listened in, yet Katara saw through them.

She sends them all an annoyed look.

"What?!"

No one said anything for a few seconds before Toph snickered: "Oh sugar queen, I hoped you had it in you."

This makes Katara smile.

***

The next months of her life Katara rebuilt with her father and Sokka their home. 

The Nothern Watertribe had tried to turn the South into a second North, except Katara was having none of it.

As a war hero, master waterbender and daughter of the chief she used all her power to stop this chances.

She was a force of nature!

No one had a chance against her.

Her family was so proud of her and she was satisfied with herself.

Yes, this was where she belonged.

Helping people and not being the soulless, passionless arm candy of Aang!

Katara was happy.

A voice inside her told her how she deserved it.

***

A year later found Katara as ambassador for her people at the first peace summit.

She was happy seeing Zuko again, they had written to each other, yet seeing each other in person was much better.

He had become her best friend.

And her wall against Aang.

As Avatar he was at the peace summit too. Of course, he tried to talk with her. Tried to sway her, saying he missed her and wanted to be friends again.

She saw right through him. Aang still wanted her.

Thank the spirits for Zuko having her back and distracting Aang.

When they enjoyed together a cup of tea in General Iroh's tea shop she thanked him for his help.

Awkwardly he waved it away.

It was nothing.

He and Mai had broken up and the black-haired girl wasn't happy about it.

Even if she and Aang weren't exes, Zuko knew how frustrating it was to have a person follow you like a shadow and demand to be together again.

In comfort, she petted Zuko's hand and told him he did the right thing to end things with Mai.

If she couldn't accept a no was she a good girlfriend?

A little crooked smile formed on Zuko's lips, and her heart stopped for a second, as he thanked her for her words and friendships.

Then he asked her to join him in the search for his mother.

***

Being with Zuko on a life-changing field trip again was... exciting.

They still worked flawlessly together, like when they had hunted down the murder of her mother, but now they were friends.

It changed a lot of interactions.

They were playful with each other.

Zuko was the only one who ever laughed at her jokes.

They were there for each other.

In the long days when they hunted down one clue after another and Zuko seemed to lose hope, Katara reminded him to never give up.

They shared the workload.

It was amazing not mothering someone and having someone help her around camp.

They were getting closer to each other.

They shared things they never told anyone.

Zuko told her how he got his scar and Katara hugged him, wishing Aang had killed Ozai.

Wishing Ozai was before her and making him pay for hurting her best friend!

Sometimes they just stared at the stars, inventing constellations, their hands inching closer.

Something new was born between them.

Katara didn't know what it was, but she would enjoy it.

It made her feel good.

After weeks on the road, they finally found Ursa.

And also a society of hiding airbenders.

Katara couldn't help but laugh in utter glee.

***

Was it really that surprising that Katara and Zuko fell in love with each other after their journey?

When she kissed Zuko for the first time, it was like coming home. 

Warm, welcome, familair, intim.

It was the best sensation in the world.

Something inside her told her this was how it was supposed to be.

After two years of dating and being the ambassador of the Southern Water Tribe in the Fire Nation, they married.

All their friends and half of the world were invited.

Yes, even Aang.

Aang was so grateful to Katara and Zuko for having found his people and was busy with the air nomads to rebuild their society, and seemed to finally let go of Katara.

Now they really could be friends.

***

Katara of the Southern Water Tribe, master bender, war hero and Fire Lady became a living legend.

Not only the people in the Fire Nation adored her, but she used the power she wielded to make the whole world a better place.

She was the one who came up with the idea of Republic City, a place where all nations could live in harmony.

She revolutionized the art of healing with her bloodbending.

She installed fountains and aqueducts everywhere she could, so people had clean water.

Statues were built and universities, streets even neighbourhoods were named in her honour.

Katara taught new generations of waterbenders like her daughter Kya and people formally fought over to learn from the Fire Lady.

When their oldest daughter Izumi became Fire Lady, Katara and Zuko retired to Ember Island to live out their twilight years in peace.

They often had visits from their friends and families.

Their son Lu Ten, a nonbender, had married a waterbender named Mizuki and had with her five children.

So the proud grandparents helped their son and daughter-in-law raise the rascals.

It was fulfilling.

As Aang then died and was reborn as Korra from the Southern Water Tribe Katara and Zuko moved to the South to teach the new Avatar.

Korra loved Katara and Zuko like grandparents and loved hearing about their adventures.

After Korra goes to Republic City to learn airbending from one of Aang's sons he had with one of the hiding airbenders, the pair returns to Ember Island.

Zuko died a few months before her.

Katara followed him after the birth of their third great-grandchild.

Both died surrounded by their big and bustling family.

As Katara died, her oldest great-granddaughter, who was named after her held her hand, she couldn't help but feel happy.

She had lived a long and wonderful life.

Soon she would be together again with her beloved husband and her family.

And so the greatest and most beloved Fire Lady died in peace with no regrets in her heart, her story being told for thousands of years to come.

***

The Legend of Katara became a tale which young girls loved.

From a simple waterbender to a master, war hero and ruler over a nation, who changed the world only a few ever could.

It showed all girls, that they could do anything they wanted.

They could reach their goals and go even beyond.

This was Katara's legacy.

As it should have been.

If you liked this one-shot and want more Zutara, a badass OC, personal growth for Aang and the Gaang being amazing check out Yin and Yang! 

Click on my profile and leave a comment.

I hope you liked this little One-Shot!

Let’s now scream together in the comment section how Katara deserved better and if it’s not canon we will give it to her in fanon! :D

[allnewalldifferentwildspider]

The reason I'm so vulgar in regards to Aang's crush on Katara is that his crush on her is very superficial. He thinks she's pretty and nice, but he makes no effort to get to know or understand her. He doesn't accept the parts of her that he doesn't like.

We get the male gaze from him a couple of times at Katara. He clearly finds her attractive. Katara is confirmed to be considered attractive in universe. She gives him emotional support. And then...that's it.

Aang doesn't care to find out what happened to Katara's mom, one of if not the most single important event in her life. He always gets surprised when she gets mad at something. He hates the food and culture that she loves so much. He doesn't respect her boundaries and kisses her twice without her consent. He keeps trying to talk for her when she's angry. And he expects her to do the work for their "relationship." After he kisses her, he's upset that SHE didn't talk to HIM about their "relationship."

Just because he kissed her without her consent once, he thinks they're exclusive. He's a literal child who doesn't have the maturity to handle a romantic relationship.

Aang wants the beautiful image of Katara. He wants that pretty face, those big blue eyes, that body, those long legs, those hips, the chest, and the hair that is just so manageable.

He has no interest in the complex, strong, hurt, angry, and caring person that Katara actually is.

I'm calling it like I see it. Aang doesn't actually like Katara; he's just really horny for her. There's a difference.

[illycanary]

Katara's Story Is A Tragedy and It's Not An Accident

I was a teenaged girl when Avatar: The Last Airbender aired on Nickelodeon—the group that the show’s creators unintentionally hit while they were aiming for the younger, maler demographic. Nevermind that we’re the reason the show’s popularity caught fire and has endured for two decades; we weren’t the audience Mike and Bryan wanted. And by golly, were they going to make sure we knew it. They’ve been making sure we know it with every snide comment and addendum they’ve made to the story for the last twenty years.

For many of us girls who were raised in the nineties and aughts, Katara was a breath of fresh air—a rare opportunity in a media market saturated with boys having grand adventures to see a young woman having her own adventure and expressing the same fears and frustrations we were often made to feel. 

We were told that we could be anything we wanted to be. That we were strong and smart and brimming with potential. That we were just as capable as the boys. That we were our brothers’ equals. But we were also told to wash dishes and fold laundry and tidy around the house while our brothers played outside. We were ignored when our male classmates picked teams for kickball and told to go play with the girls on the swings—the same girls we were taught to deride if we wanted to be taken seriously. We were lectured for the same immaturity that was expected of boys our age and older, and we were told to do better while also being told, “Boys will be boys.” Despite all the platitudes about equality and power, we saw our mothers straining under the weight of carrying both full-time careers and unequally divided family responsibilities. We sensed that we were being groomed for the same future. 

And we saw ourselves in Katara. 

Katara begins as a parentified teenaged girl: forced to take on responsibility for the daily care of people around her—including male figures who are capable of looking after themselves but are allowed to be immature enough to foist such labor onto her. She does thankless work for people who take her contributions for granted. She’s belittled by people who love her, but don’t understand her. She’s isolated from the world and denied opportunities to improve her talents. She's told what emotions she's allowed to feel and when to feel them. In essence, she was living our real-world fear: being trapped in someone else’s narrow, stultifying definition of femininity and motherhood. 

Then we watched Katara go through an incredible journey of self-determination and empowerment. Katara goes from being a powerless, fearful victim to being a protector, healer, advocate, and liberator to others who can’t do those things for themselves (a much truer and more fulfilling definition of nurturing and motherhood). It’s necessary in Katara’s growth cycle that she does this for others first because that is the realm she knows. She is given increasingly significant opportunities to speak up and fight on behalf of others, and that allows her to build those advocacy muscles gradually. But she still holds back her own emotional pain because everyone that she attempts to express such things to proves they either don't want to deal with it or they only want to manipulate her feelings for their own purposes. 

Katara continues to do much of the work we think of as traditionally maternal on behalf of her friends and family over the course of the story, but we do see that scale gradually shift. Sokka takes on more responsibility for managing the group’s supplies, and everyone helps around camp, but Katara continues to be the manager of everyone else’s emotions while simultaneously punching down her own. The scales finally seem to tip when Zuko joins the group. With Zuko, we see someone working alongside Katara doing the same tasks she is doing around camp for the first time. Zuko is also the only person who never expects anything of her and whose emotions she never has to manage because he’s actually more emotionally stable and mature than she is by that point. And then, Katara’s arc culminates in her finally getting the chance to fully seize her power, rewrite the story of the traumatic event that cast her into the role of parentified child, be her own protector, and freely express everything she’s kept locked away for the sake of letting everyone else feel comfortable around her. Then she fights alongside an equal partner she knows she can trust and depend on through the story's climax. And for the first time since her mother’s death, the girl who gives and gives and gives while getting nothing back watches someone sacrifice everything for her. But this time, she’s able to change the ending because her power is fully realized. The cycle was officially broken.

Katara’s character arc was catharsis at every step. If Katara could break the mold and recreate the ideas of womanhood and motherhood in her own image, so could we. We could be powerful. We could care for ourselves AND others when they need us—instead of caring for everyone all the time at our own expense. We could have balanced partnerships with give and take going both ways (“Tui and La, push and pull”), rather than the, “I give, they take,” model we were conditioned to expect. We could fight for and determine our own destiny—after all, wasn’t destiny a core theme of the story?

Yes. Destiny was the theme. But the lesson was that Katara didn’t get to determine hers. 

After Katara achieves her victory and completes her arc, the narrative steps in and smacks her back down to where she started. For reasons that are never explained or justified, Katara rewards the hero by giving into his romantic advances even though he has invalidated her emotions, violated her boundaries, lashed out at her for slights against him she never committed, idealized a false idol of her then browbeat her when she deviated from his narrative, and forced her to carry his emotions and put herself in danger when he willingly fails to control himself—even though he never apologizes, never learns his lesson, and never shows any inclination to do better. 

And do better he does not.

The more we dared to voice our own opinions on a character that was clearly meant to represent us, the more Mike and Bryan punished Katara for it.

Throughout the comics, Katara makes herself smaller and smaller and forfeits all rights to personal actualization and satisfaction in her relationship. She punches her feelings down when her partner neglects her and cries alone as he shows more affection and concern for literally every other girl’s feelings than hers. She becomes cowed by his outbursts and threats of violence. Instead of rising with the moon or resting in the warmth of the sun, she learns to stay in his shadow. She gives up her silly childish dreams of rebuilding her own dying culture’s traditions and advocating for other oppressed groups so that she can fulfill his wishes to rebuild his culture instead—by being his babymaker. Katara gave up everything she cared about and everything she fought to become for the whims of a man-child who never saw her as a person, only a possession.

Then, in her old age, we get to watch the fallout of his neglect—both toward her and her children who did not meet his expectations. By that point, the girl who would never turn her back on anyone who needed her was too far gone to even advocate for her own children in her own home. And even after he’s gone, Katara never dares to define herself again. She remains, for the next twenty-plus years of her life, nothing more than her husband's grieving widow. She was never recognized for her accomplishments, the battles she won, or the people she liberated. Even her own children and grandchildren have all but forgotten her. She ends her story exactly where it began: trapped in someone else’s narrow, stultifying definition of femininity and motherhood.

The story’s theme was destiny, remember? But this story’s target audience was little boys. Zuko gets to determine his own destiny as long as he works hard and earns it. Aang gets his destiny no matter what he does or doesn’t do to earn it. And Katara cannot change the destiny she was assigned by gender at birth, no matter how hard she fights for it or how many times over she earns it. 

Katara is Winston Smith, and the year is 1984. It doesn’t matter how hard you fight or what you accomplish, little girl. Big Brother is too big, too strong, and too powerful. You will never escape. You will never be free. Your victories are meaningless. So stay in your place, do what you’re told, and cry quietly so your tears don’t bother people who matter.

I will never get over it. Because I am Katara. And so are my friends, sisters, daughters, and nieces. But I am not content to live in Bryke's world.

I will never turn my back on people who need me. Including me.

[ecoterrorist-katara]

the anti-Zutara criticism that “Zutara shippers are teenage girls who only like the ship because they self-insert as Katara” is actually so funny because how does that delegitimize the ship? So…girls who relate to Katara like Zuko, and they think Katara would like Zuko, and that’s bad because…girls are wrong? Girls are shallow? Girls don’t know what’s good for them? Anyway if I were a grown ass man who created a fictional teenage girl that lots of real teenage girls relate to, and these girls believe she would like character B instead of character A, I hope I’d have the humility to say to myself “hmm I wonder why people who relate to this character’s feelings and motivations think she would react this way” instead of jumping straight to “these girls are doomed to like toxic relationships”

(And I know Zutara shippers like the ship for many different reasons, and self-insert is not the most popular by a long shot, I’m just saying that the criticism of self-insert stems from dismissal of what teenage girls like, and that feels kinda misogynistic to me)

[burst-of-iridescent]

i will always hate that katara never came to terms with her bloodbending. especially given that it’s a symbolic representation of her own “darker” side, the fact that she was never able to find the good in it and accept it as just another aspect of her element, instead outlawing and demonizing it forever, makes me so sad because it perfectly encapsulates the person she herself ended up as: the shallow, shining trophy wife on aang’s arm, locking away everything he didn’t want and was never able to understand to become his perfect, flawless forever girl for the rest of her days.

and it’s so much more frustrating knowing that zuko — who knows exactly what it feels like to wield an element that can be destructive and violent, whose own arc about the duality of fire would have made him the perfect person to help katara understand that there is no such thing as inherently good or evil bending, only the bender who makes it so — was right there! yet instead of letting them have even one conversation about it, we got bloodbending being villainized till the heat death of the fucking universe and katara left forever unable to accept the complexity of her bending (and metaphorically, the complexity within herself) even though she had the exact person she needed right at hand to help and support her through the process… god it just drives me mad

[yourhighness6]

"Zuko and Katara would argue all the time if they ever had a romantic relationship"

Are

you

absolutely

sure

about

that?

[starlight-bread-blog]

My Interpetation of The Southern Raiders: Part 1 – A\ang

Warning: The views expressed in this analysis will be very critical of Aang. If you aren't critical of him in this episode, you aren't going to enjoy this post. This is your chance to leave. I probably won't have a debate for personal reasons.

——————

The Southern Raiders is probably one of the most discussed episodes in the fandom. Everyone knows Zuko Alone is great, but the discussion surrounding this episode is a war zone. In this essay I will try to answer every question posed in the discourse. This is part 1 out of three. In this part, I will discuss A\ang. I believe that understanding both Zuko and Aang's decisions in this episode will give us great insight into Katara's. Because the this episode is hers.

——————

1. Is Aang's philosophy of forgiveness valid?

(1) "Revenge is like a two-headed rat viper. While you watch your enemy go down, you're being poisoned yourself".

(2) "You do have a choice: forgiveness". // "It's easy to do nothing, but it's hard to forgive". // "Forgiveness is the first step you have to take to begin healing".

This philosophy is indeed morally sound. Revenge comes from rage, a negative emotion that causes harm in the long run. Forgiveness is letting go of that rage, which is healing. I cannot write a full thesis, this essay is not about that. But on paper, I do agree with A\ang. He's right to say that letting go of rage is a better alternative than getting consumed by it. (However, his philosophy might not help some).

——————

2. Was A\ang being insensitive when talking to Katara?

First I must reiterate, a lot of people frame the conflict of the episode as one regarding the ethics of murder. In my interpretation, it is not. During this episode Katara was in a deeply emotional place. Her rage stemmed from intense grief and those around her should treat her as a mourner - with great sensitivity.

Now, was Aang being this sensitive with Katara? Well, in my opinion, very much so.

Imagine a scenario where A\ang just happens to meet Haru, and he's about to go on a quest to find revenge on who imprisoned his father. He tries to help him with the following sentences:

(1) Um ... and what exactly do you think this will accomplish?

(2) Wait! Stop! I do understand. You're feeling unbelievable pain and rage. How do you think I felt about the sandbenders when they stole Appa? How do you think I felt about the Fire Nation when I found out what happened to my people?

(3) I don't think so. I think it's about getting revenge.

(4) Haru, you sound like Jet.

(5) The monks used to say that revenge is like a two-headed rat viper. While you watch your enemy go down, you're being poisoned yourself.

(6) Haru, you do have a choice: forgiveness.

(7) No, it's not. It's easy to do nothing, but it's hard to forgive.

(8) You did the right thing. Forgiveness is the first step you have to take to begin healing.

Everything makes sense, right? The pieces fit.He just talks about his cultura\personal values, nothing about what Katara needs at the moment. He could have had this exact conversation with Haru without changing a thing.

Therefore his lines are impersonal and thus preachy. In this conversation he doesn’t show signs of trying to convince Katara not to end her mother’s killer because she is, fundamentally, a good person and couldn’t live having committed murder. He shows signs of trying to make her obey his cultural ethos. This is highly insensitive. Katara was in a very emotional place, filled with rage and grief. And his response was, intentionally or not, to impose his own cultural principles onto her.

But his lines weren’t insensitive just because they were preachy, some of them were judgmental and even harsh. When A\ang is first confronted with Katara’s intentions, he says:

A\ang: Um ... and what exactly do you think this will accomplish?

You can tell from his tone and how the rest of the conversation plays out that he does know what Katara thinks this will accomplish. He asks the question as a form of disapproval - that he thinks that going after Yon Rha won’t accomplish anything. He’s not being genuine, he’s casting judgment on her. He’s almost looking down on her and Zuko, looking down from a moral high ground and sarcastically interrogating the two. Another line that sticks out is

A\ang: Katara, you sound like Jet.

He says she sounds like the man who wanted to flood an entire village full of innocent civilians. He’s insulting her, and greatly so, all the while wanting to keep a moral high ground. This is incredibly rude and condescending.

In the next scene, right after the intense argument concludes, it appears as though A\ang comes around to the journey Katara was about to go through.

A\ang: I wasn't planning to. This is a journey you need to take. You need to face this man.But when you do, please don't choose revenge. Let your anger out, and then let it go. Forgive him.

While he’s still discouraging Katara, it’s not outright condescending. But it’s as clear as day that he’d just preferred if she didn’t go on the journey at all. When he sees Zuko and Katara taking Appa to find Yon Rha, he says:

A\ang: So you were just gonna take Appa anyway?

Clearly disapproving of Katara. He doesn’t want her to go on the journey to find inner peace, he wants her to forgive the man who killed her mother right here and right now. He couldn’t change her mind on the subject, so he’ll advise her the next best thing. It is worth noting that in the beginning, before he advises her, he cracks a joke.

A\ang: It's okay, because I forgive you. [Pauses.] That give you any ideas?

Overall, A\ang’s behavior is unsympathetic and callous.Instead of placing his focus on Katara’s wellbeing, he preaches about Air Nomad teachings and goes as far as insulting her. Even when he comes around, it’s not because he realized his mistakes, it’s because he knew he couldn’t change her mind. And then he makes a humorous remark while giving him his supposed new found advice. The answer is: Yes. Aang was very insensitive when talking to Katara.

——————

3. Did A\ang know what Katara needed?

I don’t think he did. A\ang thought Katara needed to forgive Yon Rha, and as we previously established, without going after him. But even if we look at his second advice, she still doesn’t follow it.

A\ang: This is a journey you need to take. You need to face this man. [Katara situates herself on Appa's head.] But when you do, please don't choose revenge. Let your anger out, and then let it go. Forgive him.

Katara explicitly didn’t forgive Yon Rha, and yet the whole point of the ending is that she’s in a better place now. No matter what Zuko says, A\ang didn’t know what Katara needed. And considering that his lines in the episode were as impersonal as they were, it isn’t a surprise.

——————

In conclusion, A\ang’s behavior in The Southern Raiders is questionable at best. He might have had pure intentions, and had a good message, but the way he put out the message was degrading and preachy. And in the end, he didn’t know what was the right thing for Katara.

[the-badger-mole]

1. Have you always hated Aang? If you can remember, what specific scene really sparked your hatred for his character?

2. Do you ever regret joining the atla fandom and having to fight tooth and nail for a ship? What’s kept you going all this time?

I've never liked Aang, but my hatred didn't start until the post series canon when I saw how for some inexplicable reason Bryke decided to go ahead and continue making Aang the worst main character and punish Katara and the others for it. The fact that they wasted all of that Zutara potential for a relationship that was somehow AS bland as it was toxic is what made me actively hate Kataang. Even though I never shipped it, I could have just ignored it, and lived happily in my fanfic bubble until I saw what they did to my girl. The fact that they stripped Katara in particular of everything that made her so awesome in order to make her and Aang's relationship believable and then unironically defended Aang for being a negligent parent, was what drove me all the way into the Aang is a Villain, Actually camp.

I don't regret joining the ATLA fandom. I have had, and am still having a great time. I'm also not fighting tooth and nail for my ship. I have my opinions and people can take them or leave them. If people get upset, that's got nothing to do with me. That's not my business. My only problem is when they bring their issues to me directly. If they deliberately tag incorrectly, or they jump into my asks, or reblog me, or leave hate comments on my fic, they can get the business until I'm bored with them. And then they can get blocked. I deliberately don't give them any serious answers, too. I don't argue with stupid anymore. I'm also not here to change anyone's minds on Zutara, Aang, or any other thing I mention.

[longing-for-rain]

Look I know people love to act like Zuko is the most dangerous, toxic, and temperamental character… but there is exactly one (1) male character Katara was canonically responsible for calming down from violent, destructive tantrums at risk to herself and it wasn’t Zuko… 🐸☕️

[darklinaforever]

Katara could have ended up with Haru, and Zuko could have ended up with Jin, which I would have been happier with than canon Kataang and Maiko. The added irony that Zuko and Katara both flirted with people from the Earth Kingdom.