Troupes finlandaises et allemandes avec un char soviétique T-26 aux couleurs finlandaises – Guerre de continuation – Tuulos (aujourd'hui Hämeenlinna) – Finlande – 5 septembre 1941
Hello I have Good Omens Brainrot like the rest of us, and I had a spare afternoon, so here is
Crowley and Aziraphale's Canonical Chronological History
(watching-guide with media timestamps so you can watch it all develop in order)
It's long so it's going under the cut. Let me know if there are errors beyond being out by a second or so. Also speedrunning two series of this show in an afternoon made me So Unwell (emotionally). I would absolutely recommend it.
I've broadly only included only clips that featured either one or both them as a focal point, or where the events would have informed their relationship, plus the option of the S2 finale in its entirety.
**Before the beginning, nebula** S2E1 0:00- 6:20 (up to opening credits)
**Just after the beginning, Garden of Eden, 4004BC** S1E1 1:55 (or 3:25 to skip Adam and Eve)-6:04 (opening credits)
**Noah's Ark, mesopotamia 3004BC** S1E3 0:00-2:47
**Job, 2500BC** S2E2 0:00-5:35, 22:30-40:01, 44:10-46:49 (end of episode)
**Crucifixion of Jesus, Golgotha, 33AD** S1E3 2:47-4:28 (continues directly to)
**The Antichrist, near Tadfield airbase, "11 years ago" ~2008** S1E1 7:32(post credits)-14:24, (optional baby drop off with Crowley) 19:24-20:14, 25:59-29:59, 30:14-32:24, 33:35-35:04 (continues directly to)
**Antichrist upbringing, "5 years later" ~2013** S1E1 35:04-39:30
**6 days before the end of the world, Monday, 2019** S1E1 40:45-43:19 (continues directly to)
**3 days before the end of the world, Wednesday, 2019** S1E1 43:19-44:08, 44:38-45:52, 48:01-49:11(to end credits)
**2 days before the end of the world, Thursday, 2019** S1E2 0:00-3:56, 21:16-23:33, 26:24-27:54, 31:04-32:10, 34:14-44:40, 45:36-46:21, 48:05-54:01 (to end credits)
**1 day before the end of the world, Friday, 2019** S1E3 30:07-31:14, 35:27-36:49, 38:48-41:30, 43:39-45:51, 49:41-49:53, 50:39-53:11
**The last day of the world, Saturday, 2019** S1E4 4:01-5:42, 8:15-9:28, 29:06-29:48, 33:29-42:00, 48:47-54:06 (to end credits)
**5 Hours and 48 Minutes to the End of the World, 2019** S1E5 0:00-1:32, 3:17(after credits)-4:17, 6:11-8:49, 11:01-13:25, 17:47(or 20:18 to skip the spirit of Ron)-21:00
**1 Hour and 43 Minutes to the End of the World, 2019** S1E5 21:00-21:21, 22:28-25:07, 26:49-31:43, 36:59-37:31
**17 minutes to the end of the world (and the rest ofbthat day), 2019** S1E5 46:24-49:25 (end credits), S1E6 1:53(2:35 to skip repeat section)-4:39, 8:19-9:49, 10:44-12:49, 14:02-27:10
**The very last day of the rest of their lives, 2019** S1E6 27:10- 28:07, 31:02-32:58, 0:00-1:46, 32:58-36:26, 42:33-45:45, 48:40-52:17
**London, present day (S2E6), ~2023** S2E6 0:00-4:52(to opening credits), 6:20-(optional 21:06-27:31 for Gabe and Muriel memories, otherwise continue to)end of ep
01 - Ruth Etting - Ten Cents A Dance (1930)
02 - Helen Ward - Blue Moon (1935)
03 - Maxine Sullivan - Spring Is Here (1938)
04 - Helen Humes - Sing For Your Supper (1939)
05 - Bea Wain - I Didn't Know What Time It Was (1939)
06 - Adelaide Hall - The Lady Is A Tramp (1940)
07 - Helen Forrest - Bewitched (1941)
08 - Lena Horne - Where Or When (1941)
09 - Hazel Scott - Dancing On The Ceiling (1947)
10 - Lee Wiley - Manhattan (1950)
11 - Betty Carter - I Could Write A Book (1955)
12 - Helen Merrill - Wait Till You See Him (1955)
13 - June Christy - You Took Advantage Of Me (1956)
14 - Peggy Lee - It Never Entered My Mind (1956)
15 - Jeri Southern - He Was Too Good To Me (1956)
16 - Ella Fitzgerald - A Ship Without A Sail (1956)
17 - Sarah Vaughan - A Tree In The Park (1956)
18 - Abbey Lincoln - This Can't Be Love (1956)
19 - Carmen McRae - Isn't It Romantic? (1958)
20 - Billie Holiday - Glad To Be Unhappy (1958)
21 - Blossom Dearie - To Keep My Love Alive (1960)
22 - Anita O'Day - Johnny One Note (1960)
23 - Nancy Wilson - Little Girl Blue (1962)
Bonus Tracks:
24 - Mary Lou Williams (piano) - Lover (1954)
25 - Dorothy Ashby (harp) - Thou Swell (1956)
When DJ Cab Calloway drops a fire track and the entire club loses its collective mind on the dance floor:
"[Bring The Noise], Ain't That Somethin' " - a Beastie Boys/Stormy Weather (1943) mashup.
Previous episodes:
15. Beyonce + Cabin In the Sky (1943) 14. Usher + Bye Bye Birdie (1963) 13. Quad City DJs + Nicholas Brothers (1941) 12. Ginuwine + The Pirate (1948) 11. Benny Benassi + Seven Brides For Seven Brothers (1954) 10.Post Malone + Fred Astaire (1970) 09. House of Pain + Singin’ In the Rain (1952) 08. Missy Elliott/Ludacris + Sound of Music (1965) 07. Dr. Dre + Thoroughly Modern Millie (1967) 06. Missy Elliott + Singing in the Rain (1952) 05. Missy Elliott + Sound of Music (1965) 04. Jay-Z/Kanye + Mary Poppins (1964) 03. Flo Rida + The King and I (1956) 02. Kstylis + Darling Lili (1970) 01. DJ Khaled/Rihanna + My Fair Lady (1964)
1630(?)年荷蘭人在「一鯤身」(現在的安平)建立熱蘭遮城(Zeelandia),在此設置臺灣政廳,派臺灣太守(Governor and Director of the State of Tayouan and Formosa)。1652(?)年現今的台南建立赤崁城(Provintia 或 Providentia),將政廳遷移到Provintia。
不但《毛澤東選集》沒有提及,甚至連1941年以前的任何由中國共產黨所編之中國共產黨史中,都看不出中國共產黨主張將臺灣以「中國」領土而「取回」。1936年,在延安的中國共產黨主席毛澤東,曾對史諾(Edgar Snow)言及 中國共產黨支援朝鮮獨立,「同樣的立場適用於台灣」。此一發言,經過毛的校閱,記述在史諾的The Red Star over China中。
It is the immediate task of China to regain all our lost territories, not merely to defend our sovereignty below the Great Wall. This means that Manchuria must be regained. We do not, however, include Korea, formerly a Chinese colony, but when we have re-established the independence of the lost territories of China, and if the Koreans wish to break away from the chains of Japanese imperialism, we will extend them our enthusiastic help in their struggle for independence. The same thing applies for Formosa. As for Inner Mongolia, which is populated by both Chinese and Mongolians, we will struggle to drive Japan from there and help Inner Mongolia to establish an autonomous State.
(Source: Edgar Snow, Interview with Mao Tse-tung, quoted in "Red Star Over China", New York:Random House, 1948, pp.88-9)
«...Мы помним вас, вы с нами вечно»
Обелиск Победы неразрывно связан с историей нашего города, с воспоминаниями о Великой Отечественной войне.
Возле Обелиска мы празднуем День Победы, от Обелиска стартуют эстафеты, сюда приходят поклониться павшим за Родину, здесь назначают свидания, влюбляются, гуляют, знакомятся. И никому не нужно объяснять, где находится Обелиск - это знает каждый асбестовец: и стар, и мал.
А между тем на свет памятник истории появился почти случайно и своим рождением обязан Александру Михайловичу Никифорову, фронтовику, в прошлом - главному идеологу Асбеста.
...Родился Александр Михайлович в селе Ушаково Катайского района в 1916 году. В восемь лет он потерял отца, а семья, где воспитывался маленький Саша, была многодетная. В четырнадцать лет Александр уже пахал, боронил в поле на лошадях, обрабатывал землю, вел хозяйство. «Золотые руки», - говорили про него соседи. Затем были колхоз, учеба, работа бухгалтером. Через несколько лет Александра забрали в армию, в Тихоокеанский флот, где его и застала война. В июле 1941-го флот бросили на освобождение Маньчжурии от японских империалистов.
Подробнее: https://asbestgid.ru/news/my_pomnim_vas_vy_s_nami_vechno/2023-05-09-3595
Soi kèo Inter Milan vs AS Roma, 23h00 - 01/10/2022
Trên sân vận động San Siro, Inter Milan sẽ đối đầu với AS Roma trong trận cầu tâm điểm vòng 8 Series A sẽ được tổ chức vào thứ Bảy. Theo dõi bài phân tích soi kèo sau đây để dự đoán và đặt cược cùng chúng tôi tại nhà cái Bong88.
>> Theo dõi kèo tại: https://bong88pro.com/keo-nha-cai/
Soi kèo bóng đá trận Inter Milan vs AS Roma, 23h00 ngày 01/10/2022
Trong 5 giải đấu hàng đầu châu Âu, cuộc đua đến chức vô địch Serie A là cuộc đua cạnh tranh nhất. Hơn nữa, 3 trong số 4 đội dẫn đầu, bao gồm cả nhà vô địch AC Milan hiện không có mặt trong top 4. Vì vậy, mọi trận đấu giữa bảy đội hàng đầu hiện có tầm quan trọng cực cao. Trong hoàn cảnh đó, AS Roma của Jose Mourinho sẽ hành quân đến San Siro để đối đầu với Inter.
Inter Milan kém AS Roma 1 điểm vào lúc này, các học trò của Simone Inzaghi đã thua ba trận, nhưng tất cả đều gặp các đội hàng đầu và điều đó cũng diễn ra trên sân khách. Tuy nhiên, danh sách lịch thi đấu của Nerazzurri lại là một điều tàn nhẫn khi họ sẽ phải đối mặt với 4 đội đứng đầu trong tám trận đấu đầu tiên của họ. Tuy nhiên, không giống như ba lần trước, trận này diễn ra trên nhà San Siro.
Inter (-9) và Roma (-8) là hai trong ba đội ghi được ít bàn thắng nhất so với bảy trận đầu tiên của mùa giải Serie A vừa qua, cùng với Verona là -9. Nerazzurri đã ghi 13 bàn vào năm 2022/23 so với 22 bàn ở năm 2021/22 trong khi Giallorossi có 8 bàn ở mùa giải này so với 16 bàn ở năm 2021/22.
Phong độ thi đấu gần đây của Inter Milan vs AS Roma
1. Phong độ của Inter Milan
18/09/2022 Udinese 3-1 Inter Milan
14/09/2022 Viktoria Plzen 0-2 Inter Milan
10/09/2022 Inter Milan 1-0 Torino
08/09/2022 Inter Milan 0-2 Bayern Munich
03/09/2022 AC Milan 3-2 Inter Milan
Inter chỉ biết thắng 2 lần trong 5 trận gần đây.
2. Phong độ của AS Roma
18/09/2022 AS Roma 0-1 Atalanta
16/09/2022 AS Roma 3-0 HJK Helsinki
13/09/2022 Empoli 1-2 AS Roma
09/09/2022 Ludogorets 2-1 AS Roma
05/09/2022 Udinese 4-0 AS Roma
Roma tại 5 trận gần đây chỉ có 2 lần ca khúc khải hoàn.
3. Lịch sử trận đấu giữa Inter Milan vs AS Roma
23/04/2022 Inter Milan 3-1 AS Roma
09/02/2022 Inter Milan 2-0 AS Roma
05/12/2021 AS Roma 0-3 Inter Milan
13/05/2021 Inter Milan 3-1 AS Roma
10/01/2021 AS Roma 2-2 Inter Milan
Inter toàn thắng Roma ở cả 4 trận gần đây đụng độ nhau.
Tỷ lệ chấp trận Inter Milan vs AS Roma: 0.5 trái
Inter bất bại trong 10 trận Serie A gần nhất trước Roma - chỉ trong khoảng thời gian từ 1935 đến 1941, họ có chuỗi trận đấu dài hơn trước Giallorossi (12 trận trong trường hợp đó). Trận thắng gần nhất của Roma trước Nerazzurri ở Serie A là vào tháng 2 năm 2017 (3-1 tại sân vận động Meazza).
Inter đã thắng bảy trận sân nhà gần nhất, giữ sạch lưới bốn trận trong giai đoạn này - Nerazzurri chưa bao giờ có chuỗi tám trận thắng liên tiếp trên sân nhà dưới thời Simone Inzaghi ở Serie A nhưng họ sẽ thắng kèo chấp 0.5 trái ở link Bong88 trong trận này để làm điều đó.
Dự đoán: Inter Milan 2-1 AS Roma
Tỷ lệ tài/xỉu trận Inter Milan vs AS Roma: 2.75 trái
Inter đã thắng nhiều trận ở Serie A hơn (75) và ghi nhiều bàn thắng hơn ở Serie A (290) vào lưới Roma so với bất kỳ đối thủ nào khác trong lịch sử. Inter Milan, dưới sự dẫn dắt của HLV Simone Inzaghi, đã 9 lần đưa bóng vào lưới trong 6 trận trước đó nhưng họ cũng nhận tới tổng cộng 9 bàn thua trong cùng khoảng thời gian đó giúp ai đang xem kèo tài xỉu bóng đá trận này cực kì dễ nổ Tài khi chơi tại Bong88.
Dự đoán: Tổng số bàn thắng 3_ chọn Tài
Dự kiến đội hình ra sân thi đấu
Inter Milan: Handanovic; Skriniar, De Vrij, Bastoni; Dumfries, Barella, Brozovic, Calhanoglu, Darmian; Martinez, Correa.
Roma: Patricio; Mancini, Smalling, Ibanez; Celik, Cristante, Pellegrini, Spinazzola; Zaniolo, Dybala; Abraham.
Từ bài soi kèo Inter Milan vs AS Roma 01/10 thì Andrea Belotti của Roma đã ghi bốn bàn vào lưới Inter ở Serie A, tất cả đều tại sân vận động Meazza - kể từ năm 2016, anh là người ghi nhiều bàn thắng nhất trên sân khách vào lưới Nerazzurri ở Serie A nên hãy kỳ vọng anh sẽ ghi bàn danh dự cho Roma trận này.
Read the full article
01 - At The Christmas Ball - Bessie Smith (1925)
02 - Santa Claus, Bring My Man Back To Me - Ozie Ware (1928)
03 - Papa Ain't No Santa Claus - Butterbeans & Susie (1930)
04 - It's Winter Again - Isham Jones & His Orchestra (1932)
05 - Jingle Bells - Benny Goodman & His Orchestra (1935)
06 - There's Frost On The Moon - Artie Shaw & His Strings (1936)
07 - I've Got My Love To Keep Me Warm - Mildred Bailey (1937)
08 - Christmas Morning The Rum Had Me Yawning - Lord Beginner (1939)
09 - Winter Weather - Fats Waller & His Rhythm (1941)
10 - Santa Claus Is Coming To Town - Bing Crosby & The Andrews Sisters (1943)
11 - Have Yourself A Merry Little Christmas - Judy Garland (1944)
12 - Let It Snow! Let It Snow! Let It Snow! - Connee Boswell (1945)
13 - Boogie Woogie Santa Claus - Mabel Scott (1948)
14 - Baby, It's Cold Outside - Pearl Bailey & Hot Lips Page (1949)
15 - All I Want For Christmas - Nat King Cole Trio (1949)
16 - What Are You Doing New Year's Eve? - The Orioles (1949)
17 - Midnight Sleighride - Sauter-Finegan Orchestra (1952)
18 - Silent Night - Dinah Washington (1953)
19 - White Christmas - The Drifters (1954)
20 - Rudolph The Red-Nosed Reindeer - The Cadillacs (1956)
21 - Warm December - Julie London (1956)
22 - Love Turns Winter To Spring - June Christy (1957)
23 - The Secret Of Christmas - Ella Fitzgerald (1959)
24 - The Christmas Song - Carmen McRae (1961)
25 - A Christmas Surprise - Lena Horne (1965)
26 - Santa Was Here - Lorez Alexandria (1968)
2021.06.05 DIR EN GREY SOGAI at Tokyo Garden Theater
01 DOZING GREEN - acoustic version
-Intro-
02 絶縁体・Zetsuentai
03 空谷の跫音・Kuukoku no kyouon
.
04 人間の被る・Ningen wo kaburu
05 Devote My Life
06 CLEVER SLEAZOID
07 DIFFERENT SENSE
.
08 赫・Aka
09 Ranunculus
-inward scream-
10 谿壑の欲・Keigaku no yoku
11 The World of Mercy
12 朧・Oboro
13 かすみ・kasumi
ENCORE
en14 Followers
en15 OBSCURE
en16 落ちた事のある空・Ochita koto
en17 Sustain The Untruth
en18 激しさと・Hageshisa
my report under the cut ↓
Today felt so weird at first. Getting ready it felt like I was going to another screening event, it took some time for it to sink in that today it's going to be different, that it's going to be an actual live concert. That they will be playing on the stage.
Even already waiting in my seat it still didn't feel real.
The venue, Garden Theater, is amazing. I was on the 2nd floor balcony B, so quite on the left (shimote), but the view was amazing. I mean it was not close to the stage, but the round shaped audience and steep steps between rows were designed really well. And I was lucky to be at the end of the row so I had a higher barrier to grab when headbanging. I made a proper use of it!!!! 😆
Around 4:45ish many of the venue staff came to hold the black curtain hiding the stage firmly, not leaving any chances we could have a peek?😅 Anyway, the walls, ceiling and curtain were all black with white 疎外 projected on it.
People were still coming in a bit past 5,
The PA table was ready but still relaxed. I had a quick look at the leaflets left for us at our seats. We were all sat separated with an empty seat even if you got 2 tickets together.
Finally at 5:13 the lights went off and the curtained opened. We were greeted by the sound of acoustic guitar first... three band members sat on chairs, Kaoru, Toshiya on the left and Die on the right, Kyo was standing, Shinya in the back on drums. The lights were quite dim with gentle spotlights on the members.
Acoustic DOZING GREEN. It was sush a magical start! It set the mood for 'no singing or shouting' policy. I loved this take so much🖤
And it finally felt real. A real live performance😭❤️
Btw there were so many cameras they definitely have plans to release the footage from tonight's show somehow, we should all just pray they will include all songs🙏
...and speaking of cameras, Shinya had a small camera riding around his drum set, from afar it looked like a model train set😂
After the acoustic song the staff quickly picked up the chairs to take them off the stage and the band members changed the instruments for the rest of the set.
In the background the intro for SOGAI was playing. I can remember a figure with their arms raised towards the sun or sky like in a prayer (the figure appeared later in one more video but I can't remember which song) and that DIR EN GREY 疎外 appeared as letters made of ice.
Kaoru had his hair slicked back, wearing dark/black clothes. Toshiya had the jacket with gold elements. Shinya white shirt and pink hair. Die had a long red jacket with a black spiraly pattern.
Kyo had very light blond hair and wore make up including two larger dots on his forehead, and a gold chain. He wore a jacket in the beginning, with a white shirt underneath. At first I thought he had a scarf but later on the front of his shirt and his chest was all red with (fake) blood so I think it was blood from the start.
We clapped when 疎外・SOGAI appeared on the screen and as they were to start. There was movement in the audience from Zetsuentai, we could wave our hands, headbang and so on, but it was so different not being able to sing and shout... but Toshiya definitely was doing great with all the back vocals and shouts that were usually done by us...I don't remember hearing him so clearly until today😆
Kuukoku followed and we listened.
After a short break when the four standing band members waited turned came Ningen wo Kaburu and a change of mood. We did great staying quiet but still staying active during the song.
The clapping between songs was fierce and often!
And OMFG the start of Devote! I gasped when the screen showed a gold Tokyo Olympics logo! But then the footage started to show the logo melting, multitude of gold coins, running in a race giant gold babies (like a disturbing image of a baby that seems like an adult made of gold) who then started to march like an army and held firearms, fighting, terrorizing, and then coins again and the gold Olympics logo again and it kept changing. And "価値が欲しい/ 生きる価値が欲しい / 残酷なお前が・I want to have a worth / for my life to have a worth / cruel you" had us all raising our fists. It was a very powerful performance. And then they followed that with CLEVER SLEAZOID. The setlist tonight was 💯👌
One of the videos had various scenes of war and fighting, even the dates 1941, 42, 43 and 44 with some descriptions under them, but they showed so many conflicts it was more as if to show that humans just keep fighting same wars over and over again...
Starting from Aka the mood changed again, they continued on the route to grab, tear and stab our hearts... was it all this time without hearing Kyo live or was it all this time for Kyo not singing live with dir... the raw emotions delivered cut really deep. The inward scream was just crying at first, gasping for breath, then Kyo stood up holding the mics wire, the mic bumped loudly against the stage and the crate, then Kyo returned to the crate and crouched on the top while he continued to cry. Keigaku tonight was one of the darkest performances of the song I've heard. And Kyo changed the lyrics at least partially in the beginning, at first was something about a birth? (I want the footage from tonight so bad)
The World of Mercy was just... so miserable. So unhappy. And by this time I had no doubts about the red on Kyo's shirt.
For Oboro they used the footage from the pv in the back and red lasers on the stage as well. In the beginning there was only one set on Kyo, who stood with his arms raised as in wanting to grab the red lines. Two more red laser sets were added to the sides, one on Die and other on Kaoru and Toshiya. They looked like lava or fire at times, especially when catching on things. Oboro was amazing live, it's such a strong song to pull us from where the World of Mercy has left us a moment before.
Also, Kyo's stand was updated with Oboro theme: the stand itself is quite plain but there's a big bloody pregnant belly with legs bend at its sides under the crate... it looks quite grotesque, like being tucked under a staircase or ...under the tatami.
They closed the main set with Kasumi. It was so wonderful to have Oboro and Kasumi back to back.
And then we clapped and clapped and clapped until they came back.
We got very powerful encore as well. To me Followers was to help us pick up the heart pieces and put it back together. And then the other 4 songs were to pump us with the energy. The headbanging, the ...hand-scream-pumps! And they all kept asking for more! All four of them started to walk to the other sides of the stage, coming to the edge of the stage. Ochita is a mighty song, we can respond so much now, I can only imagine what it will become in the future!!
The energy got so overwhelming, the energy we couldn't shout out, I couldn't help but start crying as we were still headbanging and raising and waving our hands.
Before Hageshisa Kyo kept shouting 'last song! Last song!! LAST one' and hitting the mic on his chest. We went mad.
They couldn't throw anything like they used to, but I think they stayed a bit longer on the stage because of that. They all had a good look at the audience before they left, Kyo first, waving us goodbye as he jumped down from his stand. I kept clapping and the rest of band members left one by one, Shinya, Toshiya, Die and then Kaoru last. Kaoru took a pick from his stand and saluted us as he was leaving. But I was crying too much at this point to notice more.
It was incredible.
It was like noticing what was missing when your life gradually started to grow dull but it happened so slowly you haven't realized it was happening. That energy, just, woah.
And then they announced the autumn tour! The video showed a dirty, polluted river and a boat with people in safety suits on it. And then the title came up and dates.
for a couple of years, i have been very interested in the relationship between uranus' current station in taurus and the increasing focus on what's occurring with earth's climate. i was also hoping to make some predictions as to what we are going to see over the next several years given this relationship. so, i decided to compile those findings here for you guys to take a look as well!
i want to note that this survey is very U.S. and western-centric, and i welcome any discussion that take into account broader global trends or even just ideas you guys have about the topic!
part i. the pattern
i first took a look at the previous cycle to try and understand a little bit more about the cultural patterns and key events surrounding uranus' movement through the signs, starting with...
uranus in taurus (1934-1941): the great depression; sandwiched between ww1 and ww2, most countries were struggling financially, with the stock market crash of 1929 kicking off the great depression. the financial strain on germany is a significant cause of actions leading to the second world war, which began toward the end of this cycle. out of this crisis came the New Deal, which would completely revolutionize the U.S. economy and financial system.
some relevant info/aspects:
10/24/1929 - aries uranus bi-quintile virgo neptune 0°31' (the confident speculation and attitude of the roaring 20's brought on by uranus crumbled as the stock market bubble burst when neptune entered virgo and reality set in)
09/01/1939 - aries jupiter semi-square taurus uranus almost exactly (considered the day ww2 began, sudden change of luck for the worse with taurus representing the economy and aries war)
late 1941 - taurus uranus trine virgo neptune (a lack of scrutiny towards hitler allowed him to continue accruing power)
05/03/1942 - taurus saturn exactly conjunct taurus uranus at 29° (fateful, the beginning of a very dark period of suffering, restriction, and fear)
uranus in gemini (1941-1948): the holocaust + ww2; ww2 was in full swing at this point, and the holocaust began in 1941 after the nazi regime took hold in germany. the holocaust began after a systemic and calculated effort to scapegoat and smear jewish people through the media and government of the time. this was a period of deep unrest and uncertainty, ended only when the war came to a close in 1945.
some relevant info/aspects:
uranus was opposite of sagittarius, known for open-mindedness and acceptance of other cultures, ethnicities, etc.
late 1941 + early 1942 - cancer jupiter semi-square gemini uranus (a negative shift of luck)
late 1941 + early 1942 - gemini uranus trine libra neptune (once again lack of scrutiny towards leaders, but this is more favorable for them to manipulate the masses through media, communication, and diplomacy due to the influence of air signs)
1943-1945 - gemini uranus sextile leo pluto (positive transformation is beginning, specifically in relation to new technologies and a societal shift)
01/01/1945 - gemini uranus sextile leo pluto -0°14' (the conclusion of germany's final offensive, where they lost and the war was largely coming to an end with germany's defeat becoming clear)
mid-1946 - libra jupiter trine gemini uranus (a period of good luck and peace post-war)
late 1947 - leo saturn sextile gemini uranus (economies shift towards stability as industries like television, automobiles, and consumer products begin to take center stage; commercials get their start during this year)
from just these two time periods alone, some interesting patterns appear to be emerging. from here on out, we will just examine the meaning of the sign uranus sits in:
uranus in cancer (1948-1955): the baby boom; finally, with the war over marked a distinct and significant shift in attention to the homefront. there was a need to focus on revitalizing the economy and on domestic life. and with that came the baby boom. during this time, the largest number of babies was born. there was also an influx of new household appliances and pastimes at this time.
uranus in leo (1955-1961): the civil rights movement; during this cycle there was a huge shift in focus on the rights of black people in America, who were unfairly treated. famous figures like rosa parks, martin luther king jr., and malcolm x rose to fame as they pioneered change, socially and legally. this laid the groundwork for several other civil rights movements to follow.
uranus in virgo (1961-1968): women's liberation movement; birth control, women's rights in the workplace, and second wave feminism were all relevant issues in the public. the vietnam war also begins, with its popularity highest during uranus' time in this sign.
uranus in libra (1968-1974): anti-war sentiment and peace movements; there is a shift away from blind patriotism as opposition to the war grows. during this time, there is emphasis on peace and harmony, with the hippie subculture beginning to form. tensions between superpowers were also cooled off by this time.
uranus in scorpio (1974-1980): a sexual revolution; during this time, there were several things going on, from abortion rights and new forms of birth control, to the beginning of the aids crisis, to gay rights. complete liberation for many groups came during this time, with revolution and rebellion on many people's minds.
uranus in sagittarius (1980-1988): laissez-faire capitalism; ronald reagan pushed for trickle-down economics, which saw tax cuts for the rich. this was an explosion of culture, too, with many of the most iconic pieces of media being created at this time. conservative politics began its rise during this time as well, with religious freedom mixing into politics.
uranus in capricorn (1988-1995): rebellion against power; the themes of the last two uranus signs culminated during this time, with a shift towards rebelling against power and figures of authority. there was a slow development of technology like video game systems, as well as an influx of companies started by ambitious individuals.
uranus in aquarius (1995-2003): the rise of the internet; during this time, the internet became part of daily life for people, who could now connect with anyone across the world. google, amazon, social media, etc. all got their start during this time. people were able to express themselves and learn new things in entirely new ways.
uranus in pisces (2003-2010): the market crash; this is the second economic downturn during this cycle, which occurred due to the housing bubble bursting. wall street received a bailout, but many businesses went under and people were forced into desperate situations as a result.
uranus in aries (2010-2018): the #metoo movement; during this time, several movements from third-wave feminism to lgbtq+ rights to blm rose to notoriety, and all for good reasons. the injustices of the system were put under a hot spotlight for all to see as illusions of true equality broke down. there is a shift in focus to individual rights and what some may call "identity politics," where there was a move to respect everyone's identity and rights.
in part 2, we will look specifically at uranus in taurus and what it means for us over the next five years. stay tuned!