#2 story draperies

[ulrikmyrtue]

Transitional Living Room - Living Room

Living room library - mid-sized transitional enclosed light wood floor living room library idea with gray walls, no fireplace and no tv

[saltverk]

Family Room in St Louis

[skinmerchant]

Family Room in St Louis

[danaportwood]

Family Room in St Louis

[lumimarjan]

Family Room in St Louis

[vigilantedelmaule]

Family Room in St Louis

[chandleredwards]

Family Room in St Louis

[ephemeraltime]

Family Room in St Louis

[romerocarley]

Family Room in St Louis

[duffmckaganfc]

Open Family Room in St Louis Mid-sized transitional open concept family room photo

[garfinski]

St Louis Family Room Picture of a medium-sized contemporary open-concept family room

[beellette]

Family Room in St Louis Example of a mid-sized transitional open concept family room design

[toms-cherry-trees]

"Look After You" || Tommy Shelby x Reader

Summary: Time and distance cannot break certain promises

Word count: 4.2k

Tags: Mentions of war, mental asylums, unjust imprisonment, mentions of controversial mental health treatments, cross dressing (?), implications of violence against women, illness, no betareading we go in raw

Author's note: You might have seen this post where I mention the life of Dorothy Lawrence. Well this is very loosely based on her life mixed with Tommy's story. Left it very open to a part 2 if people like the premise.

(Yes my people watch me put together moodboards instead of choosing gifs)

Requested tag (hope not to disappoint) @brummiereader @emotionalcadaver

The asylum stood tall and imponent before Tommy’s gaze, its towering central dome and flanking turrets framed by the bright sun rays of a cheerful spring afternoon. The radiant gardens contrasted dramatically with the derelict state of the building itself; rusty and broken drainpipes hanging from the roof, rotten wood frames and shattered window panes, missing chunks of brick on the walls, revealing the inner framing and plaster. Nothing about that place inspired trust to those who crossed its threshold, let alone hopes of betterment. The lamentable exterior stood like the perfect match of the decadence within.  

The smell of rot assaulted him the second he entered. The paint had started to peel off, and moisture stains crawled across walls and ceiling. Most windows in the main hall were shuttered, and the incandescent light bulbs did little to cut through the darkness, casting a sickly shadow over the room. The orderly that welcomed him in the entrance had an embittered face, and he questioned Tommy on his name, whom he was visiting and his reasons to. He patted him down and overturned his pockets, making him leave behind anything that could be used to harm or be harmed. Cap, cigar case, lighter, sleeve garters and shoelaces stayed behind while another orderly led him through long hallways and endless locked doors towards the morning hall where he’d meet the purpose of his visit.

Finally, they stopped before a wide set of oaken double doors with panels of rubbed glass, which allowed him a faint peek of what happened on the other side. The orderly barely opened the door enough to enter himself and told Tommy to wait outside, as if he feared something may escape from within given the chance. After a few minutes he returned, leaving the gap open for Tommy to pass through.

 “Sister Janice will take you to her. Don’t look at other patients. Don’t talk to other patients. If they come to you, ignore them. Don’t take anything they give you”

Perplexed, curious and mostly annoyed by all the delays, Tommy ducked under the orderly’s arm while he held the door open. As soon as he stepped inside the orderly let go, and the door closed behind him with a heavy click.

The sudden brightness hurt his eyes after the unceasing darkness, and Tommy had to squint briefly as his pupils grew accustomed to his surroundings. An ample hall stretched before him, arch windows spanning from floor to ceiling lining the west and north walls. Moth eaten draperies of blue velvet had been drawn back to allow sunlight in, in hopes of insufflating some life into the gelid heart of the asylum.

The room had surely once been a magnificent ballroom, but had now been reduced to the sad, dirty, abandoned alcove where the non-aggressive patients spent most of their waking hours, some engaged in the very few activities offered to them, others dragging their feet and mumbling to themselves like lost souls, their gazes absent and their appearance unkempt. Not one person appeared to have a coherent thought there, and Tommy wondered if it was due to their own ailments, or due to the medicines the nurses forced down their throats to keep them tame and peaceful, albeit stupid. 

As Tommy walked past, he couldn't help but notice the way his presence drew attention from them. The patients stopped in their tracks to stare at him as if he were the most marvellous wonder they had ever seen. They pointed at him, uttering incoherences and laughing at jokes no one else heard. Some tried to get close but were forced back with a sharp gesture by the nun accompanying him, whom only now Tommy noticed, carried a mean looking leather strap, hanging side by side with a rosary from her cord belt.

At long last, she came into view. Slouched on a rocking chair facing the windows, a ragged purple cardigan thrown over a white, floor length dress, resembling more a nightgown than any sort of decent clothing. A white linen cap covered her hair, and Tommy noticed that the ties had been removed, as had been from the rest of her garments. She looked thinner, thinner even than she did in France. She gave no indication that she had noticed their presence, her dulled eyes fixated on the gardens outside.

 “I have it from here, sister” Tommy dismissed the nun with a wave of his hand, dragging a nearby stool to sit next to the woman.

 “I’m sorry Mr. Shelby, but I cannot allow you to be unsupervised with a patient. She seems tame now, but who knows what atrocities a woman of sin like her might commit”

Tommy wanted to snort. She barely looked strong enough to hold herself in the chair, how could she harm anyone?

“She won’t attack me sister” Tommy insisted “Now step back, and I will make sure the asylum is handsomely rewarded for your troubles.”

The nun opened her mouth, ready to argue, but then chose against it. The asylum could do with some extra coin, after all. She straightened up and smoothed her habit, perhaps a way to reinstate her authority that Tommy had so brazenly challenged. 

“You have half an hour” She stated at last before walking away towards a group of patients who were seemingly arguing over a doll.

Tommy’s gaze returned to the woman in front of him, who continued to be absent from the world around her, and who gave no sign of life other than the steady rising and falling of her shoulders with each breath. Thomas allowed the pause to linger between them a few seconds longer, but he didn’t want to waste his allotted time. He wouldn’t put it past these people to drag him out like that; the laws of men did not apply in these sorts of places.

He called her name softly, in a nearly soothing whisper. Once, twice, thrice, yet it did not do to her more than the drafts howling through the broken panes or the maniac laughs of the patients around them. He didn’t want to touch her and risk startling her, but he didn’t want to spend his visit staring at her left cheek. He took his last chance, using this time a different name, a name he had not pronounced since 1915.

“Private Anders”

The name stirred something in her mind. Her back straightened a bit and her features quivered in recognition. Slowly, stiffly, she turned towards Tommy, her eyebrows first furrowing in confusion then rising in surprise.

“Sergeant Major?” Her shock could not be disguised, and she readied to rise and salute, but Tommy motioned for her to remain seated.

“At ease, private” 

~

Tommy recalled perfectly the first day he saw her. They were stationed near Albert, digging up a new front line as they tried to gain terrain from the Germans. The troops from the British Expeditionary Force and the 179th tunnelling company consisted mostly of coal miners, all turned sappers whose task was to ready up the land for battle. The clay rich soil basically melted between their fingers when it rained, making the digging of trenches and shelters a never-ending battle. The dampness crept up their legs and seeped into their bones, and Tommy had seen one too many soldiers whose feet rotted inside their boots. Even the strongest men, used to work from sun to sun in the depths of the coal mines breathing dust and methane, would sometimes succumb to the elements. 

Tommy worked paired with Tom Dunn, a man as thick of back as he was of skull. He could easily lift an adult man and throw him across the field like a sack of potatoes, and legend has it he pulled the coal carts in the mine when the horses couldn’t. If left to it, he could probably dig out the trench with only his hands and his helmet.

He had been the one to introduce Tommy to her. Dunn had hidden that little lunatic in an abandoned cottage, not too far from where the troops were stationed. Somehow, she had obtained a uniform, which she had padded with cotton wool to flatten her curves and broaden her shoulders. Her hair had been cut in a military style, scrapes on her cheeks simulated a shaving rash, and potassium permanganate attempted to sharpen her jaw and cheekbones with dark shadows. 

She slept in a damp mattress, with little more than a threadbare blanket to keep her warm; she had no means of acquiring something better, nor could she light a fire in the dusty hearth for fear of being discovered. Dunn had been feeding her with whatever he could spare from his own rations or snatch from others, which meant she had been eating the minimum for survival, since the woods offered nothing but naked branches at that time of year. 

Tommy had been left thunderstruck, far too much to react properly. A million questions came to his lips, and a million died there as his mind couldn’t exactly put into words what he wanted to know. His gaze flickered between them both, who looked at him pleadingly like a couple of children asking their parents to stay up late. His first instinct was to call up their superior and hand her over to them, for her own safety, but then he thought about it better. The things that could happen to her if he handed her over to the war office…and that’s it, if they handed her over in the first place, or chose to make justice themselves.

No, for the sake of her safety and his conscience, he would play along with them for now.

“What is your name?” He inquired, a simple question to cut through the gelid silence that had befallen them.

For an answer, she handed Tommy papers and a matching dog tag. Forgeries, most likely, and very good ones, which meant she spent money on those. Paying from her own pocket to go to war

They held each other's gaze for endless seconds. At long last, Tommy offered a handshake.

“Welcome to the 179th tunnelling company, Private John Anders. I’ll look after you” 

~ 

Tommy hadn’t been able to stop thinking about the meeting. The person who sat before him, hunched and dirty and completely lost to the world, bore no resemblance to the fiery, and perhaps a little unhinged, woman that had gone through every length to infiltrate herself in the front line. Years of memory seemed to have been erased from her mind, but she recalled vividly everything she went through in her time in France. She did not know the day and year she lived in but could easily recite the names of every man she met from the 179th, as well as every technique they implemented to dig out the clay.

Tommy was sure that, if he were to put a shovel in her hands, she would unconsciously start digging. 

He had partly placated his worries by placing a nurse in the asylum, one handpicked by Polly and paid out of his own pocket, to look after her. But that solution felt like not enough. Not by a mile. What that place did to her, what they were turning her into…Killing her bit by bit, stripping away her sanity to erase from her any memory she held of those weeks in the front. He still recalled the tunnel collapse, when the rain-soaked clay began to crumble over them like cold tar, obscuring their vision and sticking their feet to the ground. How the men dragged out each other, coated from head to toe in the reddish paste. She had tripped, her foot had gotten stuck, he couldn’t tell anymore. All he knew was that she had been left behind, and he had re-entered the tunnel for her. Feeling his way through the darkness, keeping an eye on the entrance, calling her name out; her fake name, for even in the face of danger he had the mental fortitude to remember the importance of her cover up. How she dropped her own facade, her fearful voice calling him as she stretched her arm towards him.

Tommy, Tommy, Tommy

“Tommy!” Billowed an angered female voice, dragging his thoughts back to the present time. 

Tommy squeezed his eyes shut for a moment, attempting to dissipate the fogs of the past that laid over them. Because he was not in the tunnels, nor in the Western front. He was sitting in his office, behind his desk, nursing a whiskey in his hands and with Polly sitting across him, equally angered and perplexed at her nephew’s inattention.

“You know I don’t appreciate my words being wasted”. It sounded like a threat, but half of the things Polly said usually did “If you had no interest in this briefing, you could have rescheduled our meeting”.

“You hate your time being wasted” Tommy pointed out.

“Which is exactly what you’re doing now” She remarked.

Silence lingered in the office while Polly lit a new cigarette and Tommy downed his drink, which had already begun to warm in his hands. He stood to pour another, which he finished almost immediately.

“So” Polly began, exhaling the smoke in an elegant blow “Will you tell me what’s on your mind?” As usual, Polly could see through him as easily as one would do through a clean glass. It unnerved him sometimes, to be laid open so vulnerably under her watchful gaze.

“It’s nothing” Tommy sat before the fire; hands laced behind his head in an attempt to seem relaxed.

“There’s been many things on your mind, Tommy, and nothing has never been one of them”. Polly’s slender fingers ran across the glass bottles on the bar cart before settling on gin, pouring herself a more than generous serving.

“You’re thinking of her”.

Tommy immediately thought of denying it, but what was the point? When Polly knew, no one could tell her otherwise. And as much as he hated others meddling in his business, the words came tumbling before he could hold them back.

“I’m just worried. She’s not the same she used to be. I don’t know what they do to her in that place, but she’s changed. Those medicines they give her, and who knows what else they’ve done. You know the treatments” He shook his head, as if to dismiss everything he said “Just worried” 

“It’s been many years since you last saw her. Everyone changed after the war. God knows you did”.

“This is not the same. They’re killing her there” Tommy stared up at the ceiling, as if hoping to find a solution to his problems in the plaster. Polly only watched him, pondering over her next words carefully. She only hoped she would not regret whatever her nephew chose to do next.

“If her wellbeing worries you so, you have to do the right thing”

He frowned, turning to look at her with confusion clear in his eyes. Polly sipped the gin, swirling it around her mouth as she gave it a last thought. This was one of the far and few times in which Tommy proved he had a heart, and that softened her as well.

“If you are worried, you act. If they’re killing her in there, you get her out”

~

The sun had finally shone upon the soldiers after nearly a week of bad weather, when rain and fog had turned the living conditions in the trenches into nearly inhumane. The soldiers were happy, for they would no longer shiver until their bones ached, and they would at last be able to put their clothes and themselves to dry. The tunnellers were less than pleased, for the sun had dried the clay into a solid wall, forcing them to exhaust their muscles to dig out chunks the size of their heads while the sweat ran down their temples and backs. Their comrades kept them supplied with water, but it felt like pouring water on a bottomless bucket. 

Tommy worked side by side with her. Him. Her. Her identity still got tied in his mind, and he had to think through every word addressed in her direction for fear of blowing her cover. He watched her out of the corner of the eye as she swung the pickaxe with a strength and determination he never expected to see in a woman. Despite her resilience, Tommy worried about her, and kept a watchful gaze for any sign of exhaustion. She could not afford to be taken ill or injured, for a trip to the medical tent would be enough to unravel all her carefully crafted lies. He had to take care of her.

They both worked in the very end of the trench, and the sounds around them would conceal any hushed conversation. Tommy’s curiosity was stronger than his willpower

“Why?”

She didn’t react at first, and Tommy thought she either didn’t listen to him, or chose to ignore him, both of which were valid. But before he could ask again, she whispered back, keeping her manly tone

“Why what?”

“Why come here? What sane person would come here, on her own free will, to be forced into coldness and starvation? Risk your life, and for what purpose? Couldn’t find good places to dig back in England?”

She snorted, the sound quite lighter than any man’s laugh, so she concealed it by clearing her throat

“I wanted to serve my country, same as you. Is there any sin on that?”

“Is that what you tell yourself at night to sleep?”

She stopped digging for a moment, leaving the pickaxe embedded in the clay. She sat in the upturned bucket they used as stool, wiping the sweat from her brow with her sleeve. She couldn’t work shirtless, and their uniforms had been made to shield from the cold only. Tommy offered her water; she drank a sip and poured the rest on her head. He noticed her hair had grown again, and curled behind her ears. He made a mental note to give her a trim after nightfall.

“I just wanted to see what it was like. What it really was. They don’t tell us the truth back home. The newspapers make it sound as if the front is almost peaceful and the men are just laying back eating turkey while the Germans fall a hundred a day. I wanted the truth, and I want to write about it. Make a book of all the lies they fed us home.”

Her reasoning didn’t sit well with him. All that effort, that trouble, that risk, just to figure out if war was as bad as she thought? Mad, mad in the head this one.

“And what does your family think you’re doing away from home?”

She scratched her chin, in the same way Tommy did when he got a shaving rash from his blunt razors. She had picked up male mannerisms quite fast, particularly his own

“Not much family left to care what I do or stop doing. I said I’d come to France to volunteer as a nurse, but they most likely think I came as a camp follower. If they knew what I’m up to, they would have me committed to the closest madhouse”

“The madhouse is where you belong” Tommy replied, albeit jokingly, as he stopped his work to pull out a cigarette from his pocket. But he was interrupted by a ball of clay being tossed at his face with masterful precision, dampened for maximum effect.

“Shut up, Sergeant Major”

 ~

Blue skies and a pleasant breeze welcomed them at the gates of Arrow House. Tommy chose to drive this time, taking the advice from the doctor who would oversee her care, who suggested she be exposed to the least amount of people possible during the first days as she adjusted to life outside. Only Tommy, Frances and the nurse who would be her primary caretaker.

She stared at the world around her with such wonder, like a blind whose sight had been restored. Every tree, every bird, the very landscape that surrounded his manor brought such wonder onto her face, like a child with a Christmas tree. Her happiness almost managed to convince him that this was, in fact, a good idea. 

When Polly told him to get her out, he knew she meant to put her in a home of her own, with a caretaker, and allow her to have a life of her own. And Tommy considered the idea, for a while. To place her in a nice neighbourhood, in a house with a garden and a balcony where she could enjoy the sun, with a nurse and maids and a car. But it didn’t sit right with him. She had been alone ever since they took her. Imprisoned until the war ended, and then released only to be taken to the madhouse at first chance. Not one familiar face around her for nearly a decade. No, Tommy wouldn’t take her out of a cage just to put her back in a smaller, prettier one. She needed someone to protect her. And for better or worse, that one could only be Tommy. 

When the car came to a halt, she was the first one out, gaping at the imponent state which Tommy owned. 

“Is this where you live, Sergeant Major?” The wonder was palpable in her voice. But the only thing Tommy noticed was that after everything she still couldn’t find it in her to call him by his name.

“2000 acres of land, of which 12 are just garden, and 750 acres of farming land”

She cocked an eyebrow, and in the amused twinkle of her eyes Tommy saw a glimpse of the one she used to be.

“Are you a farmer now, sir?” She disguised her laugh behind the handkerchief she insisted on carrying, looking down like a bashful schoolgirl.

Tommy pulled out a cigarette; he felt the corner of his lips pulled into the shadow of a smile, pleased to see her spirits lifted.

“My business is more focused on progress and modernity, but I wouldn’t reject the idea. Perhaps one day it’ll come in hand to have crops and cows”

“That would be the bloody day” She didn’t even try to hide her laughter this time “Our mighty Sergeant Major, dressed in overalls and with mud up to his knees shovelling cow shit”

“I find myself more interested in horse shit these days. Come on, I’ll show you around” 

Tommy gave her a complete tour of the house and adjacent grounds, both to show her everything that would be at her complete disposal, and also as a way to show off how far he had come since they were both in the trenches, hunched over a meagre fire lit inside an empty can and sharing a homemade cigarette made from tobacco leftovers. Her eyes were wide with wonder, her fingers running over tapestries, leathers and carved wood with childlike wonder

He saved her room for last. A wide bedroom at the very back of the house, situated in a corner with plenty of windows. It had a view of the back of the state, so she could enjoy the gardens, the horses and the surrounding woods. In the corner with the most sunlight Tommy had placed a writing desk, supplied with paper, pens, ink and a brand new typewriter. Amidst everything sat a bunch of old and worn pages, all of different sizes and materials, kept together nicely with leather cord. She picked it up gingerly, running her thumb over the first page. Even though the paper was stained and dusty, the words could be read as easily as the first day she wrote them.

Tears flooded her eyes, and she hugged the improvised diary to her chest like it was a most prized possession. And perhaps it was. She turned towards Tommy, a mixture of bewilderment and eternal gratitude plastered on her features

“Where did you get it? I thought they would have had it destroyed when they locked me up”

Tommy only smirked, pulling out a cigarette from the golden case he carried “Remember what I told you? Always make sure someone owes you something”

That gesture, so small yet so meaningful, shifted something inside her. Her eyes brimmed with tears she attempted to fight, but they won in the end. She practically jumped into Tommy’s arms, hugging him with the eagerness of a person who has been denied a caring touch for far too long.

“How will I ever be able to thank you enough, Sergeant Major?”

His free arm circled her frame, returning the gesture

“You can start by calling me Tommy”

~

Worry crept up Tommy’s spine as the higher ups did their rounds to inspect the work on the freshly dug trenches. It had been three days since she last showed up, and he would soon run out of lies to cover up for “Private Anders’” absence. 

As much as she tried to deny it, finally the harsh conditions had caught up to her. Her health had gone down a slippery slope with the arrival of winter. First it had been just a fretless dry cough, easily softened with pine tea. But then came the bone pains, the headaches, the constant fatigue. The dampness of her safe haven had seeped into her bones and caused some sort of rheumatism. Tommy noticed the swelling of her hands as they struggled to grip the pickaxe. Her hair began to fall out in clumps.

The shivers and the fever had finally knocked her off her feet. She had been unable to leave her cottage, which in turn worsened her condition even further. Tommy had tried to bring her something more substantial to eat, but she seemed unable to eat more than a few bites of stale bread dipped in some coffee the Americans had given them. Dry, suffocating coughs racked her body until she had to gasp for air, her teeth and lips speckled with blood.

“This is the end line” She had mumbled weakly during the third night, while Tommy tried to desperately convince her to light a fire to warm and dry the place

“No. You are not going to die. I won’t allow it. I told you I’d take care of you” He stated firmly, sitting on the floor by her side with her hand in his, his other one cupping her feverish cheek. He had been in a similar spot, not too long ago. Watching life fade away from a young woman’s eyes. He refused to let her die, not like that, not there where he would have to dump her body in the river.   

“I am not going to die” She stated with a conviction her current condition didn’t match “But to survive, I have to turn myself in”

The idea of handing her over to the war office filled Tommy with panic

“No, no you cannot do that. Do you have any idea what they could do to you? Your best prospect would be to be thrown in jail, to be given 10 years for impersonating a soldier. And that’s if the higher ups are feeling compassionate” He shuddered at thinking what those wolves would do to her “Listen, I get leave tomorrow night. I’ll go to the nearest town, get some medicine, maybe I can pawn some things and get you a new blanket. You-”

“No” With great effort, she propped herself up in one elbow. Tommy couldn’t help but notice the strands of hair left in the pillow “I’ve implicated you long enough. The excuses and lies you have made for me are enough to have you dishonourably discharged and tried. You have done everything you could for me, and for that I am  forever indebted to you, Sergeant Major. This next chapter in my life, I have to write it alone”

She sounded dejected and disappointed, as if she had failed some unwritten expectation of her adventure. But Tommy thought quite the opposite. He only felt admiration for the things she had put herself through in order to tell her story. He still thought she was mad in the head, but in a completely different way

“Will you mention my name when you write your book?” He asked jokingly, helping her lay back down slowly, pulling the ragged blanket up to her chin

“Only if you want to be jailed next to me for helping an intruder” She laughed, but the sound was cut short by another fit of coughing “I’ll dedicate it to you, Sergeant Major. Everything I write and do will be because of you”

~

Tommy awoke with a startle. His eyes were wide open, darting around the room as he tried to locate the source of the disturbance. Everything seemed to be calm in his room. And then it happened again. A dry thud in the wall, followed by a muffled scream.

In a heartbeat he was out of bed, gun in hand. He followed the noises, which seemed to grow louder the closer he got to her bedroom. The door was ajar, allowing a sliver of moonlight to project in the floor, in which Tommy could see two shadows moving.

He stormed inside, gun ready to fire. But he didn’t find an intruder, no. Just her, on her knees, banging her fists against the wall as she screamed. Her nurse stood by her side, amidst a disaster of clothes and books and other objects, unsuccessfully trying to coax her back to bed

“Miss, please. The hour is quite late. You need sleep”

“No, no. The walls are coming down. We have to get out, the roof’s collapsing!” She yelled desperately, clawing at the wall trying to dig herself out of some dark place that only existed in her head. He saw her nails tear the wallpaper with ferocity. And then he noticed the nurse unlocking a cabinet and pulling out a syringe

“No” He said almost immediately as he put a firm hand on the nurse’s arm “Go to bed. I have this”

“But Mr. Shelby!”

“I said go. Leave me with her”

The nurse doubted, holding his gaze, but chose to exit the room, closing the door behind her.

Tommy walked towards her slowly, afraid he would startle her. He gingerly touched her arm, but his presence went as unnoticed as a speck of dust. He called out her name, again and again, without success. The mud had seeped deep in her brain, as it had done his, and blocked her senses from the outside world. In order to get through, Tommy had to get into the mud with her

He stood tall, in martial position, hands behind his back

“Private Anders!”

Quick like a lightning bolt, she stood up and saluted in a firm position. Tears streaked her face and her entire body quivered like an autumn leaf

“Sergeant Major sir!”

“At ease, private. You are relieved of your duties. Time to go back home”

Like the lifting of a spell, her eyes glossed over as she blinked slowly, looking around her from the bed, to the things she had thrown around in haste, and finally towards Tommy. Her lower lip quivered

“What is happening to me?”

Her knees faltered. Tommy lunged forward before she could hit herself, coming down to the floor with her held in his arms. She burrowed herself in his chest, her fingers clinging to his shirt as she wept, her body racked by sobs. Tommy shushed her quietly, his fingers carding through her hair

“Don’t cry. I’ll take care of you”

[midnightblues444]

Forbidden fruits

Ares! Toji x Aphrodite! reader

Summary: Toji the god of war, has conquered every battle he's ever fought in with great strength and brutality so when he wants something he's sure as hell gonna have it.

Content warnings: cheating, going according to the myth, degrading, mildly explicit

Part 2

Long overdue hope we enjoy♡

Your husband is a good man, you can admit that. Always making you gifts and showering you in compliments Hephaestus was the perfect man to marry…on the surface.

In reality the romance of your union slowly died as time passed. Your husband either traveling extensively or too focused on his work, treating you like you barely exist. You tried to keep the romance alive, truly you did. Hoping to excite him you'd cover yourself in the most immodest drapery you could find, and wait for him with legs spread on your marriage bed.

But still the most he gave you was one round of lazy unenthusiastic thrusts until he passed out, not caring if you're satisfied or not. His neglect became degrading and honestly tortuous, filling you with shame as you silently humped your fingers while he softly snored beside you.

To make matters worse, facing the other gods. Zeus would host his many mixers and events that you'd be forced to attend alone,dreading having to mingle with the more happily married goddesses. It was truly embarrassing for you, the goddess of love known for her other worldly beauty, routinely leaving alone to return to your unsatisfying husband.

Ares better known as Toji , the feared god of war on the other hand , also dreaded these events. Although he barely shows up to them, on the days when he’d attend he could be found sipping a beer in the corner and after finding a maiden or two, he'll leave with them. And that's about it with his appearances.

Tonight however is different, tonight he sees you. You look gorgeous, which is obviously expected, he notices the way you’ve done your hair and the way your drapes sit on your curves, he also cant help but notice you're alone. Once again. You're always alone when he's here, and he cant seem to understand why.

When Toji approaches, you cant deny his attractiveness with his tall stature, dark hair, light eyes, huge arms and the smirk gracing his lips, you feel butterflies everywhere. Conversation was easy, youd come to learn about his charms and he's a very direct man, not hesitant when asking about your husbands whereabouts. Although usually you muster up a false story, you find yourself being honest with him.

The look he gives you, makes you weak at the knees, he’s truly listening to every word. You're on your last leg when he lets out a chuckle, commenting on how if you were his wife he'd never let you out of his sight.

You expect him to say something corny like "you're too perfect to be alone" but instead he says it’s because he'd be too busy fucking you to let you go anywhere. That's all you really needed to hear before you leave with him, clutching his much bigger bicep you’re giggling as you exit the hall.

---

The feeling is thrilling, as you stumble into your home, lips crashing . Your pawing at the others clothes, blindly navigating through the halls, you feel his hands travel to your ass as he lifts you in one swift motion wrapping your legs around his waist instinctively as he carry’s then lays you on your marriage bed, hovering over your frame, kissing your jaw, going down to your neck.

He's a tease, he knows you're desperate for him that's why he chooses to kiss you everywhere except where you need him the most. The whines you let out amuse him. He lowers himself to your thighs, kissing his way down, thick fingers disappearing inside you, curling in all the right places. You're back arching in response.

Sensitive girl, he thinks

Suddenly removing his fingers, he places your thighs over his shoulders, smirking menacingly at you from down there, chuckling darkly.

"Yer husband's a real sucker, gorgeous". Unconsciously you shove his head closer to you, effectively shutting him up.

"Don't wanna hear bout him" you whine, forcing yourself to pretend that Heaphestus doesn't exist and this bed you're currently getting the oral of your life on isnt your marriage bed.

That's a thought for tomorrow right?

[blackmoonlightexpress]

TTEOTM Easter Eggs Part 3 - Costume and Makeup Details

I love beautiful costumes, but even more when they tell a story! Here are a few of my observations. Did you spot anything else? (Spoilers!)

(1) The two outfits Ye Xiwu gifted Tantai Jin are both quilted. The purple costume is particularly unusual in that it's constructed like a blanket. In contrast, all his clothing in the hostage prince arc are not quite thick enough for Sheng kingdom's harsh winters. Ye Xiwu is literally bringing warmth to his life.

(2) TTJ and YXW wear similar costumes in their two love scenes - (1) Ep 2 - YXW's imagination of the drugged affair which led to their marriage and (2) Ep 39, where they finally consummated their marriage on screen. YXW wears the same pink costume. TTJ in different but identical-looking mustard yellow costumes.

(3) Some viewers have criticized Ye Xiwu for not taking off hair accessories before going to bed, chalking it up to lazy filmmaking. This is not necessarily the case. In ancient China, upper class women did sleep with their hair-do and manage to keep elaborate designs in tack. How? By resting her neck, not her head, on the pillow.

Ye Xiwu / Li Susu does go without hair accessories in a few occasions: when she is traveling, ill, depressed, and in mourning. It is most likely a creative choice to create a contrast between moments where her character is in control and powerful vs. vulnerable.

(4) All of Tantai Jin's female lieutenants wear red, from Pianran (after she starts working for him) to Siying and Monu. In fact, so does Tantai Minglang's lieutenant Fuyu. Red appears to be the career woman's color in this world!

(5) After Mingye falls in love with Sangjiu, he adds the red waist scarf belt that's part of his wedding dress on top of his normally blue outfit.

(6) The costume that Cang Jiumin (left) wears when refining the Dragonheart Shield echoes Mingye's costume (right) through the red/blue colors and collar design, reinforcing the connection between the two characters.

(7) The costumes in Bo're dream hint at the characters' true forms:

Mingye (dragon): dragonscale armour & patterned clothing

Sangjiu & Sangyou (clams): pearls & shell motifs

Tianhuan (snake): gold serpent hair crown & bracelets

(8) Throughout the drama, only characters in the Upper Immortal Realm go full Dunhuang Feitian style, characterized by bandeaus, scarves, layers of drapery, sleeveless (similar to Indian clothing).

The style is used in formal occasions or to confer power or godliness. For example, Sangjiu goes Dunhuang with sleeveless draping outfits at her wedding and after she goes dark.

Similarly, when Susu and Tantai Jin become gods at the finale, they also take on a new Dunhuang-style outfit. In fact, the multi-color drapery of Tantai Jin's outfit seem to be an amalgamation of the fabric used in the twelve gods' outfits.

(9) Members of the Moon Tribe all wear long wavy hair, chunky metal and coin ornaments, and hair braiding.

Tantai Jin follows the dress code when he stays with the Moon Tribe before entering the spiritual dimension.

Guess who also loves his wavy hair, metallic accessories, and leather? Of course it's the Ancient Devil God, again reminding viewers of his connection to the tribe.

Bonus: Luo Yunxi mentioned in an interview that his characters (hostage prince, emperor, Mingye, Devil Gods) all have different hairpieces/wigs. He had to take off and reglue his hair between scenes.

[allgirlsareprincesses]

Love At First Sight (2023)

Okay, we’re going to talk about the new Netflix romance directed by Vanessa Caswill, Love At First Sight, because I’m seeing almost no chatter about it and that cannot stand. Full disclosure, I’ve never read the book on which this movie is based, The Statistical Probability of Love at First Sight, so I’m reacting only to the film (which I’ve now seen 4.5 times in 2 days).

The Surface Reading

It’s a perfect, tight, adorable little RomCom that’s heavy on the Rom and light on the Com, with a wrenching dash of angst and the most hair-twirling chemistry between two leads that has graced our screens in years. Truly, if all you want is 90 minutes of two actors being saccharine precious cinnamon rolls, look no further!

There are simple takeaways here, like that chance can only take you so far, but in the end you have to choose to love. Or that change and loss are part of life and you can’t run from them. Or that London is a massive labyrinth of eccentric people that probably looks 400% cooler onscreen than it is in reality (I wouldn’t know, I’ve never visited, so this and the 90s Parent Trap are the extent of my knowledge about the city, sorry).

Anyway, I adored how straightforward the story was - that the narrator (played brilliantly by Jameela Jamil) tells you directly in the first two minutes that it’s a story about love, fate, and statistics. She then repeatedly describes every development as it is happening, the characters’ histories and internal monologues, and all the context you need to follow the thin but fast-paced plot. The writing, performances, and production design are all solid, allowing the audience to get lost in the romance as it unfolds.

BUT if you’re slightly unhinged like I am and you’re always looking for more layers in your media, HAVE NO FEAR! There is in fact more going on in this little movie than you might expect.

Color Theory

For starters, the use of red and green in the film is fascinating. Yes, I realize the action of the story takes place a few days before Christmas, so you might assume it was just a seasonal aesthetic choice, but if you look closer, you can see very carefully selected shades of red and green repeating throughout the film. The red is a cool, deep rose color, sometimes pink, while the green is cool and dark, like oxidized bronze rather than emerald. Further, while they appear over and over, these hues are rarely used in a purely decorative or festive way. Instead, they play a role in the separation and coming together of the couple. On a color wheel, red and green are complements, perfect opposites that are never adjacent but always joined in the middle.

The title card during Hadley’s introduction is literally a green stripe over a red stripe, then the hallways of the airport are green, and of course Hadley’s ever-important backpack is a rosy red. As the couple grow closer on their flight, the light turns pink. Once in London, a green van takes Oliver one way while a red taxi takes Hadley the other. At her father’s wedding, Hadley is dressed in red (“the color of a bruise” she calls it), contrasting beautifully against her green jacket. Upon realizing Oliver’s true purpose, she chases after him on an iconic red double-decker bus. Meanwhile at the living memorial, Oliver’s father is dressed in red while his mother wears a faded green, as if to say she is already beginning to fade away. The event is decorated with green drapery and streamers, and there are even stacks of red and green chairs in the stairwell where Oliver begs his mother to receive treatment.

Hadley gifts her red and green bouquet to Tessa, and when she is driven away, a green-clad narrator returns the red backpack to Oliver. Wandering London alone, Hadley exchanges her painful red heels for a pair of green trainers (“sneakers!” she insists), and tries to call her dad first in a red phone booth and then on a phone from a stranger sitting in a cluster of red chairs. Finally, Oliver chooses to pursue Hadley to the wedding reception which is lit in pink, and where they finally share the long-awaited kiss.

There are many more examples, but in general we see that green indicates separation and loss, while red symbolizes joining, intimacy, and (what else?) love! It lends the film a gorgeous, subtle aesthetic without being garishly festive, and shows the lovers’ emotional journey from lonely childhood to vulnerable, loving adulthood.

Death and Rebirth

Speaking of which, there’s plenty of rebirth imagery too! When Hadley and Oliver meet, they are both still children, struggling with the impending loss of parental security through divorce and death. Thus, when they board the plane, it is as if they enter an underworld or womb, separated from their families and remade as new adults. They emerge on the other side into a hallway (read: birth canal), as each must still confront their own dying childhood before they can join as full and equal partners. Hadley journeys to a bright, red-strewn celebration of life, while Oliver must enter a dark green commemoration of death, his fear driving him deeper to hide in another hallway. Here his mother comes to find him, begging him to emerge into life, but Ollie still can’t confront her death alone.

Thankfully, Hadley travels to this underworld to find him, bursting into the memorial like a bright red flower. Even the bruise metaphor works, acknowledging the pain they are both experiencing at the changes in their lives. But Oliver still refuses to face his fears, trying to take a shortcut around death to life with Hadley. Still, she knows he’s not ready (likely because she’s not yet, either), and gently pushes back. And so, Oliver returns to the underworld, and Hadley walks off alone until she descends barefoot through a soggy riverside tunnel (birth canal again!). Finally, she calls her father and admits she is “lost.” When he arrives, Hadley at last gathers the courage to ask why he ended their old life, and to tell him how much it hurt her. But as Oliver predicted, she forgives her dad and even begins to accept his new bride.

Back at the memorial, Oliver is reminded by Hadley’s red backpack - his unaddressed emotional baggage - to be honest about his pain. In at last openly mourning his mother and his own childhood, Ollie takes a step into adulthood, just enough for his family to nudge him that extra bit to go after Hadley. And so, the family delivers him to his bride, who has meanwhile learned to dance again, even through her heartbreak. With one last confession, the two consummate their love with a kiss, bathed in pink light before an open door.

Happily Ever After

There’s so much more, with the hand-holding, numbers, Shakespeare, Dickens, the music, and beyond, but the point is that this cute, charming little romance is actually very deliberately constructed. It follows timeless patterns and motifs which we instinctively understand through visual and auditory language. And the narration plays a huge role in this as well, not unlike the prologues and epilogues of the Bard’s plays in that they state the story’s lessons plainly: that we cannot always be prepared for unwelcome surprises, but that we can make the choice to love every day.

Anyway, Vanessa Caswill deserves all the flowers and if you haven’t seen her gorgeous adaptation of Little Women (with all due respect to the marvelous Greta Gerwig and Gillian Armstrong), please do yourself a favor and watch that after you finish this!