#70-200 f2.8 S

[steve7wang]

Lumix S 70-200 F2.8 #lumix #pansonic #lumixs5 #camera #lens #cameralens (at Haikou) https://www.instagram.com/p/Cn4UUMzrgXa/?igshid=NGJjMDIxMWI=

[fabian-huesser]

GOLDEN LIGHT Diesen Ausschnitt fotografierte ich bereits das letzte und vorletzte Jahr schon einmal. Jedesmal mit einer völlig anderen Lichtsituation. Faszinierend, wie der Nebel schleicht und von oben die Sonne reinstahlt 🤩 Camera: Panasonic LUMIX S1 Lens: LUMIX S 70-200/f2.8 Settings: f/16 | 2s | ISO 100 | 184 mm | RAW | with tripod #fabianhüsser #lumix_ch #lumixS1 #lumix_de #surealphotography #mistyfoggymilkymoody #naturephotographer #naturephotography #splendid_nature #splendid_earth #loves_united_landscape #foggyforest #foggyweather #mistymorning #fog #landscapephotography #lumixherbst #suissebook #superswitzerland #landscapelovers #raw_foggy #pictascollective #igpodium #blickheimat #autumnvibes #autumniscoming #sunbeam #longexposurephotography #got_greatshots @lumix @lumix_de @lumix_ch @igpodium @srfmeteo @printolino (hier: Canton of Solothurn) https://www.instagram.com/p/Ck0-NZHs2_Z/?igshid=NGJjMDIxMWI=

[fisherken]

Moonset at Graswangtal by Bernhard Thum Via Flickr: This picture with the setting moon was taken with 135 mm focal length so we can see more of the valley and the mountains. I had luck that the mountains are not that high and far enough away. I tried to take similar shots in the evening of that day in the other direction with the rising moon. 45 min after official moonrise it came finally out but contrast was already much to high because of the higher mountains which were covering the rising moon to long.

[conormcdonnell]

I haven’t done a kit pic in a while. Got some new gear recently so here it all is! If you could pick just 3 which would you pick? Nikon d850 x3 Nikon Z7 Nikon Z6 x2 Nikon DF Nikkor 8-15mm f3.5-4.5 Nikkor 14-24mm f2.8 Nikkor 50mm 1.8 Nikkor 105mm f2.8 Nikkor 24-70mm f2.8 VR Nikkor 24-70mm f2.8 Nikkor 70-200mm f2.8 VR Nikkor 200-500mm f5.6 VR Nikkor 180-400mm f4 VR Nikkor S 24-70mm f4 x2 Nikkor S 35mm f1.8 Nikon AF-S 1.7x teleconverter Nikon SB-5000 speedlight Nikon coolpix A900 @nikonuknordic @nikoneurope — view on Instagram https://ift.tt/2wlXPB4

[aidanhnd1bphoto]

Catch Me If You Can

SPORTING EVENT..RESEARCH

Adults running about a field chasing a ball, or running very fast, jumping over things of varying heights, throwing things, catching things, hitting various things with a stick. In a small confined space punching each other. Or swimming up and down and up and down. Sitting on the back of a running horse.The list is almost endless. This world of needless physical exercise is called Sport...and is full of drama and emotion, both for those who do it and those who watch it...apparently!!

In this project I will show a selection of these people, both participants and spectators in the “moment”, engaged in their chosen activity.

Using a variety of photographic techniques I will attempt to make a visually appealing assortment of images....So here goes, first things first...

How to do it!

With every sport there will be a differing set of challenges facing the photographer.. The size of the area, is it the size of a boxing ring (for two people punching each other) or the size of a football field (for 22 people kicking a ball) or even bigger.

How close can you get to the action 

How many people are taking part..just two or a whole lot.

Is it indoors or outdoors

Natural lighting or specially constructed lighting specifically for the sport in question.

All of these different scenarios will dictate what kind of equipment the photographer will need and the way the camera should be set up.

So before you can really start it’s helpful to know what sport you will be photographing. Sometimes you will just have to learn quick and work it out on the job.

SOUND ADVICE FROM PEOPLE WHO DO THIS FOR A LIVING

Having just read a google’s worth of ‘Top ten essentials for sports photography’ and for the basics there seems to be a general consensus with the preferred functions on the camera. The main factor for professionals is continuous burst speed with some of the present crop of top the range sports oriented DSLR’s shooting 14fps or more. With the speed of the action things are changing in those fractions of a second and having the ability to be able to follow those changes so closely is a highly sought after function. With most prosumer cameras these days the ISO capabilities are becoming increasingly impressive with ISO32000 in the native range of the camera becoming the norm and with that also stunning reductions in the noise at these high ISO levels. These ISO levels really assist in reaching the shutter speeds used in a lot for freezing this high speed action. Starting at 500th of a second and going up. 2000th of a second is not unusual. Along with high ISO the next thing to assist in these high shutter speeds is the next topic of general agreement....

Lenses.....lenses should be fast, as fast as can be. The aperture of a good lens for sport if using a zoom is f2.8. It’s not uncommon for a professional sports photographer to have 3 camera bodies.The most common, and most versatile, setup for most professional sports photographers is to start with the trio of 16-35mm ƒ/2.8, 24-70mm ƒ/2.8 and 70-200mm ƒ/2.8 lenses. These three options provide all the coverage needed to shoot everything from wide-angle shots of a packed stadium through any action happening up to midway down most sporting venues. Though these lenses are not cheap, when it starts to get to the bigger fast primes that will allow you to see the action close up at the other side of a stadium or football field they can cost the same as a nice family car. For those beginning their sports photography there are some great lenses that along with the high ISO capabilities just talked about it will do a great job without having to be so wide open. A 70-300mm f4-5.6 or even 150-600mm f5-6.3 will do a great job of covering that far away action.

Another piece of advice where there is general agreement is in positioning. Get to the venue early and have a good look at all the potential spots and make sure you’re good to go with your settings before the action starts....But don’t stay in the one place and don’t just focus on the action. In the audience there is as much drama as on the field of play, or after some high point of action...the reaction. There are winners and losers and both have equal visual weight and potential to produce the image that encapsulates the moment and the whole event.

Another is ..You are a photographer first and foremost, the subject is sport but the intent is a striking image with light and shadow, composition, balance, colour, story all fundamentals.

WHERE TO SHOOT.

If you are not inclined to sports then it is apparently very easy to block it out of your daily experience and be blissfully unaware but as it happens, open your eyes to sports and its everywhere, EVERYWHERE!

Local newspaper for local events, google to check out what's on in your local area and further afield. Amateur or professional. Check out sporting arenas, sports and athletic clubs, football stadiums. If there is a particular sport you are interested in you can refine your search. If you’re not to bothered which sport to start with then prepare a general polite letter asking whether you can come and take photos. Send it out to as many events as you can find. Cast the net far and wide and the chances are you would be spoiled for choice.

Here we are about two months later...It’s taken a while to get access to sports, longer than I had at first thought but now I have I’m hoping for a variety of sports to shoot. I made contact with Glasgow University Sports Association which is the umbrella organisation for more than 40 sports clubs at the University. The Association has recently been actively seeking Photographers to shoot all the club games. 

Seeing as time was running out on the brief I took the first possible opportunity to shoot. It was an inter-university fencing tournament Men and Women. Men against Bath University..cant remember the women's opposition University.

As soon as I was confirmed to shoot I started to watch some YouTube videos on the rules of the sport, the moves and the scoring.

It was quite a challenging shoot. It was in a large, bright gym hall. A long (14m) rubber mat with the essential markings for the game was rolled out and taped to the floor about two meters from the wall. Too close to the wall to be able to shoot from the wall side, just too near the swishing blades. The problem was that this wall was one vast mirror reflecting not just those fencing but the spectators and myself. This made for a challenge to minimise the distraction of everything else in the reflection.

In fencing the action is fast. In Olympic sports second fastest behind shooting I was told by one competitor. I was set to f4 and to get the quick exposures  I needed to freeze the action (1/1000th/s) the ISO was pushed up to 6400.

Saturday 8th March. 9am-5pm. Glasgow Caledonia University. Today I shot a trampolining tournament with all Scottish Universities competing. It was in a large high gym hall with what looks like big halogen spotlights. There’s about 200 people in the hall, mostly either competing, judging or organising. Its not open to the public. After some shots my exposure settings settle at 1/320th f4 ISO6400. I didn’t want to push the ISO much higher and had to make a compromise with shutter speed. In many of the images there is movement in the feet of the athletes. I made a decision based on the aesthetics. I liked this slight movement in many of the images, a suggestion of movement. There was no high vantage point so I made do with standing on a chair. It gave me enough of a height advantage to clear the images of the people walking about in the hall. They really didn’t add to any of the images. I did include one or two all the same that didn't distract from the action.

 I’m much happier with this set of images than with the fencing from the previous sports shoot. With that shoot the large wall mirror behind the 🤺 that ran the length of the hall was so distracting..reflecting everything in the hall..the fencers, the other competitors...and me! It made it almost impossible to get simple, strong images being much too busy. 

This time around it was a far easier shoot to get a more aesthetically pleasing result. Often against a background of a large plain wall with few distractions and with lighting that also had a dramatic quality.

Overall i’m extremely pleased with the results. There are some possible portfolio contenders. 

Third and final set of photos for the brief. This time it was outdoors, in the evening, cold and pouring of rain. Bellahouston outdoors ski and snowboarding center. Again it was an inter universities event sponsored by Glasgow Taxis. 

It was a difficult shoot. Unevenly lit, there were pools of light and areas of dark. The area was large and the athletes were going at speed. This demanded several skills. The most challenging was to get a handle of the AF system on my  new camera. Sports are generally demanding on AF and this was no different. Using 2 camera bodies..Canon 5dmk3 and 5dmk4  with a 24-105 f4 on one and a 70-300 f4.5-5.6 on the other. 

The action started just as it was beginning to darken so the exposure needed to be adjusted over the first half hour or so until well after sunset and the only light was artificial. Because of the layout of the slope and the nature of the contest there wasn’t much variety of movement and routes taken down the course. At the end of the ski tournament there was some snowboarding a ski freestyle which promised a lot more exciting images but unfortunately the heavens opened as this began and the rain poured down. Having been out in the bitter cold with no gloves for 3 hours (lesson learned) and the lenses not being weather sealed to a Scottish downpour level I decided to retreat.

This has been a thoroughly enjoyable brief, much against expectation. There have been challenges at every event that I would like to think I have dealt with and overcome to produce many images I'm very happy with. I have become more aware of the reasons why sports photographers need that extra quality in their gear. Proper weather sealing and fast f2.8 lenses are just near essential for any professionals working in this area. Knowing something of the sport you are shooting helps. Getting to the venue early and checking it out, finding where the good light is, also helps enormously. And moving about to get different points of view. 

There have been many photos taken for this brief-in total probably near 5000. Of those I have whittled it down to 500 or so. The final challenge is to choose the final 6 for printing and submission. 

Of the 3 sports I shot for this brief the trampolining was by far the most enjoyable and i’d say successful. Producing the most images I was happy with. Well lit venue with not too many visual distractions and the sport itself was so conducive to aesthetic interpretation.

The time spent has been quite considerable for this brief with two full days and one half day of shooting and then because of the huge number of shots another 3 full days of choosing, deleting and optimising the images. That said, there has in fact been very little optimisation in post. In all three sessions I have used lens correction, in some a tweak of white balance. And in very few a touch more, lightening shadows or reducing highlights but very little else.

On revising everything I see that after 5000 photos I've forgotten one of the requests of the brief..to have a panning shot!!! This is bad news. Time is very short and to shoot some more sports is a days worth of work. First getting some sports to shoot, shooting and then picking and processing. For not reading the brief properly I’ve lost a day at a very crucial point in time where I need every second. One big lesson learned. Less than 2 weeks to go.

SOURCES .. So Far

https://artsandculture.google.com/exhibit/the-art-of-sports-photography-from-prints-to-images-1835-2017-the-olympic-museum/MwKStrCJtolhKg?hl=en

https://www.amateurphotographer.co.uk/technique/how-to-shoot-action-and-sports-photography-625

https://photographylife.com/getting-started-with-sports-photography

https://improvephotography.com/52236/15-tips-get-started-sports-photography/

https://petapixel.com/2018/12/06/6-simple-tips-for-getting-started-in-sports-photography/

https://expertphotography.com/complete-guide-sports-photography-87-tips/

[amarcusclevelandme-blog]

Ryan Vickers hard on the anchors into Park corner at Cadwell Park BSB 2019.

Canon 5D mk1

EF 70-200 f2.8 is L

f/6.3

1/250's

iso-100

#britishsuperbikes #canonphotography #cadwellpark

[earthstory]

Original caption:

Switzerland In Miniature - A Short Timelapse Film If you're in the mountains, looking down, you see so many things happening. Especially in places like Lucerne or Schwyz where course ships sailing back and forth through the lake, fishermen trying to catch something and cars crawling up and down the steep roads. I wanted to portrait this like you are watching an ants hill, which gives such a funny perspective on things. Enjoy.

Film by Pirmin Henseler pirmin-henseler.ch

Music by Tiny Music premiumbeat.com/artist/tiny-music

To answer some photographers questions. The film is shot on a Sony A7III in 6K with the Canon EF 70-200 f2.8, Rokinon 135 f2 and Sigma Art 20 f1.4. Interval 1 image p/s with an intervalometer. Images were processed in Adobe Lightroom and LRTimelapse, while the film was edited in After Effects and FCPX.

Big thanks to all my friends who I was allowed to accompany and photograph during their different free time activities and Oliver for borrowing me the Canon Lens.

[rueckenfigur-i-am]

Get to know me meme

Tagged by @ashes0909! Thank you so much for tagging me, dear! And in such august company whoo-hoo!

I’ve kind of been super quiet on here, except for the occasional reblog of something ... term has really kind of swallowed me whole, what with all the trips it seems to include this time round ... but it’s a public holiday today, so time to catch up with all kinds of online admin things - and also some fun like this! Yay!

So, here we go ... :-)

rules: answer the following questions and tag 15 blogs.

~ What movies do you wish you were a character in?

As in, it’s not real and I get to go home in the evening ... hmm. I think I’d like to get a glimpse behind the scenes at a large production, so like a MCU or Star Wars or LotR movie ... big crowd scenes, costumes, green screen, things like that ... I think I would enjoy having some job other than actor a lot more though, tbh - I really enjoy figuring out intricate logistics, making sure people are where they are supposed to be when they are supposed to be there, etc.

~ Create your dream fragrance; what would be the ingredients and the name?

hahaha nope. I am really not one for fragrances/perfumes. Most give me a headache. So ... I guess: “unobtrusive and doesn’t give me a headache” would be the name ... and in it? very little. generic clean and subtle deodorant, that’s all I smell of, usually.

~ As a siren, what bewitching song would you sing to lure people to their doom?

Summer & Fall, “The Siren Song”

~ *Clicks shoes together three times* Anywhere in the world (fantasy or reality) where would you go?

in this world? if I can grab super heavy weather gear, an expert on surviving there, weather proof camera equipment, and a guaranteed way back first ... Antarctica!

~ Similar to Harry Potter, if you could reside in a painting, which one would you choose?

I would not want to do that - certainly not forever! But to hang out for a while ... one of those landscapes that picture Provence, with the beautiful golden sunlight on a warm summer’s day, with the lavender in bloom and the Med in the distance ... I could use a quiet, warm and sunny getaway like that ... .

~ Like the symbols associated with the Greek gods and goddesses; what would be your chosen symbol/s to embody you as a person? (eg: some symbols of Aphrodite are dove and sparrows)

Nikon D 7000 with the big 70-200 F2.8 lense, paintbrush, generic pen

~ If you were to create your own met gala theme, what would it be based on?

waves and sunlight on the ocean

~ What seven objects would you choose to hide a fragment of your soul in? (The horcruxes)

digital camera, paintbrush, Turner’s “Norham Castle Sunrise”, a copy of Margaret Atwood’s Oryx & Crake, my guitar, a random Byzantine coin, my Iron Man rug

~ You’re whistling while you work, what animals would you like to come and join you?

to help me out? ... nah, can’t think of any that would actually be useful. Imagination fail, sorry. Or, oh, do fellow humans count?

~ Like the story of Swan Lake; what mythical creature/beings from folklore would you like to transform into by day?

a crow - they’re pretty smart, there’s enough of them to not stand out, and I could fly around

The five people I tag are… @neverthelessthesun, @tracionn

[728group]

【中古】(ニコン) Nikon Z 70-200/F2.8 VR S (大阪府) カメラのナニワ なんばマルイ店 レンズの買取 下取 販売はナニワグループオンラインにおまかせください https://ift.tt/3upxVoC #nikon #lens https://instagr.am/p/CNRgdtqgrHg/

[fabian-huesser]

FOGGY Mich fasziniert Nebel immer wieder aufs Neue. Innert Sekunden verändert sich die Landschaft und mit ihr auch die Lichtsituationen. Dann kommt es schon mal vor, dass ich vor lauter Staunen, vergesse abzudrücken oder so viele Szenen wahrnehme, dass ich mich kaum für eine entscheiden kann. Ich freue mich bereits wieder aufs nächste Nebel-Abenteuer. Es naht 🤩 Camera: Panasonic LUMIX S1 Lens: LUMIX S 70-200/f2.8 Settings: f/16 | 10s | ISO 100 | 200 mm | RAW | with tripod #fabianhüsser #lumix_ch #lumixS1 #lumix_de #nebelwelle #mistyfoggymilkymoody #naturephotographer #naturephotography #splendid_nature #splendid_earth #loves_united_landscape #fogwave #foggyweather #mistymorning #fog #landscapephotography #lumixherbst #suissebook #superswitzerland #landscapelovers #raw_foggy #pictascollective #igpodium #blickheimat #autumnvibes #autumniscoming #longexposureoftheday #longexposurephotography #got_greatshots (hier: Switzerland) https://www.instagram.com/p/Ckv8z9Us7T4/?igshid=NGJjMDIxMWI=

[jamesmitchell5]

Speed Demon : : From a recent shoot during @sebastiankienle ‘s training session at @playitasresort : : A classic slow shutter speed pan shot with the new Canon R6 and EF 70-200 f2.8. Shot at 1/60th/sec. : : #repost @sebastiankienle ・・・ First time ever I‘ve taken a TT bike to Fuerteventura. With almost no races in 2020 I spent very little time on the „cabra“. I have to say, the Island is a superior testing ground. Windy, rough roads & all sorts of terrain. A good place to become „one“ with the new @bikeonscott #plasma6 📷: @jamesmitchell5 #noshortcuts #bikeonscott #hepsportsteam #cycling #timetrail (at Playitas Resort) https://www.instagram.com/p/CMHOgrzhcTb/?igshid=1o4bpkzhyx65k

[earthstory]

Original caption:

“Excuse me... Excuse me... I just wanted to ask a question. What does God need with a starship?” -Captain James T. Kirk

When you visit the Trona Pinnacles, sometimes it feels like you are on another planet. Which is probably why it has been used as a filming location for many science fiction movies and television series like Planet of The Apes, Battlestar Galactica, Lost in Space and Star Trek V.

This dry ancient lake bed, located 20 miles or so from Ridgecrest, CA has more than 500 tufa spires scattered across the landscape. These pinnacles, similar to to the much more recent tufas that are found up at Mono Lake, range in age between 10,000 and 100,000 years old and were formed when calcium-rich groundwater and alkaline lake water combined to form porous calcium carbonate deposits. I had visited Trona many times before, but it was always for a very short day trip. I never spent any considerable time shooting there. On a recent trip I decided to spend some time in the pinnacles and really explore the area.

While I was there, a massive film crew for HBO’s Westworld descended on the main section of pinnacles where most people shoot and that forced me to explore some of the other, less visited, areas. I was really happy that I did leave the main area, because I found some really amazing compositions in those other sections.

Trona is not an easy desert. It’s brutally hot in the summer and very cold in the winter, especially at night. Other than the odd shrub, there is little plant life. There are no paved roads. And there isn’t a smooth rock in the entire area - just jagged and sharp rocks to cut yourself on. But it is beautiful in its own harsh way and if you spend any time there, it will steal your heart.

Equipment: DJI Phantom 4 Pro+ Sony a7R III Sony a7S Sony a6500 Canon EOS 6D Sony 10-18 f4 Sony 16-35 f4 Sony 24-70 f4 Sony 70-200 f4 Rokinon 14mm f2.8 Rokinon 24mm f3.5 T-S Rokinon 35mm f1.4 7artisans 25mm f1.8 7artisans 35mm f2 Canon 16-35mm f2.8 Canon 70-200mm f2.8 Canon 300mm f4 Emotimo TB3 Black 3-Axis Motion Controller Dynamic Perception Stage-R Pan/Tilt Modular Digital System w/NMX Motion Controller Dynamic Perception Stage-One Plus Slider

Software: Adobe After Effects CC Adobe Lightroom CC Adobe Photoshop CC Adobe Premiere Pro CC DaVinci Resolve Final Cut Pro X GB Deflicker LR Timelapse 4 Photo Ninja Neat Noise qDSLR Dashboard

Website: aaronkeigherphotography.com Timelapse City, LLC: timelapsecity.net Facebook: facebook.com/akeigher Instagram: instagram.com/aaronkeigherphotography

[amarcusclevelandme-blog]

Richard Cooper hitting the first apex at Hall Bends, Cadwell Park 2019, competing in the National Superstock 1000 championship for Buildbase Suzuki. Canon 5Dmk1 EF 70-200 f2.8 is L 200mm @ f2.8 Shutter Speed - 1/1250's iso-100 #buildbasesuzuki #cadwellpark #Canon https://www.instagram.com/p/B5xUhJ5g-mU/?igshid=1oi1j7mdz1fc3

[whatisaccesscontrol]

Types of lenses for landscapes cameras

Canon Lenses for Landscapes Photography:

In order to get high quality pictures for your Colorado landscape photography, you need to get the best cameras for landscape photography, that fits you, here are some options:

Canon EF-S 10-22mm f / 3.5-4.5 USMCanon EF-S 10-22mm f3.5-4.5 USMAn ultra wide angle zoom with dynamic expression capability for all EOS cameras with EF-S mounts; exceptionally small and lightweight for maximum mobility.

Canon EF 24-105mm f / 4 L IS USMCanon EF 24-105mm f4 L IS USMWhen maneuverability is important and the quality of the lens is crucial, the EF 24-105mm f / 4 L IS USM series lens L stands out as a professional light standard objective.

Canon EF 24-70mm f / 4 L IS USMCanon EF 24-70mm f4 L IS USM A versatile L-series lens of 24-70 mm f / 4 with macro mode for magnification up to 0.7x. Ultrasonic AF provides a fast and almost silent focus. Aspherical and UD elements offer exceptional image quality.

Canon EF 17-40mm f / 4.0 L USM Canon EF 17-40mm f4.0 L USM The EF 17-40 mm f / 4 L USM model is an ultra-wide-angle Canon EF zoom lens. It is especially recommended for use with digital EOS SLR cameras with a conversion factor of focal length greater than 1.

Canon EF 70-200mm f / 4 L IS USM Canon EF 70-200mm f4 L IS USM High performance zoom telephoto lens. The EF 70-200 mm 1: 4 L USM offers excellent image quality in a variety of situations. Its compact and lightweight design make it the perfect travel companion.

Canon EF 24mm f / 1.4 L II USMCanon EF 24mm f1.4 L II USM The new EF 24mm f / 1.4L II is a high-performance angular lens, which thanks to its maximum aperture f / 1.4 and its UD elements and Aspherical, it offers exceptional image quality.

Nikon Lenses for landscape photography:

Nikon 18-200mm f / 3.5-5.6 G ED-IF AF-S VR DXNikon 18-200mm f3.5-5.6 G ED-IF AF-S VR DX Objective zoom 11.1 magnification of DX format very versatile and use extended. Equipped with the Nikon Vibration Reduction (VR II) system and the exclusive Silent Wave Motor (SWM), it offers unbeatable performance in low light and provides stable images both in the viewfinder and in the viewfinder. sensor; It also has a fast and silent autofocus.

NIKKOR 24mm f / 1.4G EDNIKKOR 24mm f1.4G EDO wide-angle lens NIKKOR, leader in its class, with ultrafast diaphragm. The superior optical design provides images of extraordinary sharpness, even in low light, and incorporates a Nikon nanocrystalline coating that greatly reduces ghost images and glare.

NIKKOR 16-35mm f / 4G ED VRNIKKOR 16-35mm f4G ED Ultra-wide-angle zoom lens from NIKKOR, designed for use with Nikon FX-format SLR cameras. The world's first ultra-wide-angle lens that includes vibration reduction and offers stunningly stable images on both the sensor and the viewfinder. The superior optical design offers extraordinary performance and provides excellent resolution and contrast in various conditions.

NIKKOR 14-24mm f / 2.8G EDNIKKOR 14-24mm f2.8 Extreme wide-angle wide-angle lens with a revolutionary optical design. This outstanding professional lens features a nanocrystalline coating that reduces the effects of phantom images and glare and provides sharpness at the edges that can exceed that of equivalent fixed focal length lenses.

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[jadroher]

Panasonic Lumix S Pro 16-35 mm F4 y 70-200 mm F2.8 OIS, nuevas ópticas de tipo profesional para las mirrorless del sistema L-Mount https://ift.tt/2PRY7qL

[fabian-huesser]

MISTY MORNING Die Bedingungen waren top, damit fliessende Nebelwellen entstehen konnten. Also früh morgens los, zusammen mit @fredi_brunner auf die Nebeljagd. Kleine Wellen entstanden zwar. Aber die vermasselte ich mit Manipulationsfehlern. 🙈🙈Nachdem ich meinen Fehler bemerkte, wollte der Nebel natürlich nicht mehr fliessen und das Licht wurde sowieso zu hart. Es wurde Zeit zusammenzupacken. Wenn schon mal der Wurm drin ist, dann richtig. So glitt mir mein 2fach-Telekonverter aus der Hand und rollte die Böschung über den Felsen hinunter. Nach ein paar Sekunden hörte ich dann den Aufprall… 🙈😤 Läuft halt nicht immer 🤷🏻‍♂️ Camera: Panasonic LUMIX GX8 Lens: LUMIX S 70-200/f2.8 Settings: f/14 | 1/5s | ISO 100 | 70 mm | RAW | with tripod #fabianhüsser #lumix_ch #lumixS5 #lumix_de #naturephotographer #naturephotography #splendid_nature #splendid_earth #loves_united_landscape #fogwave #visitswitzerland #sunrise_sunset_photogroup #mistymorning #fog #landscapephotography #lumixherbst #suissebook #superswitzerland #landscapelovers #sunrise #pictascollective #igpodium #blickheimat #autumnvibes #autumniscoming #sunrisephotography #got_greatshots #lamdschaftsfotografie #sunflare (hier: Switzerland) https://www.instagram.com/p/CkoMpnkM2Za/?igshid=NGJjMDIxMWI=