#AND THE CHOICE BETWEEN NEBULOUS VILLAINY AND FAMILY HE LOVES
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I’m sorry I have to speak my truth lmao it’s a little bit hilarious that kingpin is stylistically offered such flourish and creativity, when writing wise he’s so fucking generic.
#another day ANOTHER POST OF ME BEING ANNOYED FUCKINGGGGG KINGPIN IS GIVEN ROOM TO BE A THREE DIMENSIONAL CHARACTER AND AARON GETS SUBTEXT#AND THE CHOICE BETWEEN NEBULOUS VILLAINY AND FAMILY HE LOVES#LIKE IM SORRY BUT EVEN W HALF THE EXPLORATION AARON IS MORE THAN TWICE AS INTERESTING AND YET WE HAVE LIKE. THREE SADMAN KINGPIN MOMENTS#IM SORRY SPIDERVERSE THIS IS THE ONE AREA I THINK WASNT THAT. INTERESTING. GIVEN HOW FRESH AND REVITALISED EVERYTHING ELSE FEELS#LIKE. COULD WE GET JUST A SMIDGE MORE INSIGHT INTO WHAT LED AARON HERE? SO WE KNOW WHAT HE GIVES UP FOR MILES?#LIKE IT WAS ALWAYS GOING TO BE MILES I *LOVE* THAT ITS MILES BUT ITS LIKE#DEVOID OF TENSION BECAUSE WE HAVE ONLY DEVELOPED THE DIMENSION OF AARON IN REGARDS TO HIS FAMILY#LIKE DID HE GET IN TOO DEEP WAS THIS A SECURITY THING HOW LONG HAS THIS BEEN HAPPENING WHERE THE PROWLER DOESNT BLINK AT BEING ASKED TO KILL#A CHILD#AGH#tunes talks critical#tunes talks spiderverse#I don’t even dislike kingpin lmao (I don’t rlly think anything of him beyond the fact I’m glad miles kicks his ass) I just think it’s almost#a bit of a waste that stylistically he’s interesting and fun to look at and watch be animated but writing wise he’s so generic#he provides nothing new to the trope motivation he’s embodying#the story his actions set into motion is interesting. the actual character is like. just stylistically interesting execution of a trope that#is just not that emotionally compelling for me. esp when nothing really NEW is being done w it
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