#Adelaide Labille Guiard

[pintoras]

Attributed to Adélaïde Labille-Guiard (French, 1749-1803): Portrait of the Countess de Lameth, née Marie-Anne Picot (via Sotheby's)

[granstromjulius]

Adélaïde Labille-Guiard

[ghw-archive]

PORTRAIT OF WOMAN Adélaïde LABILLE-GUIARD (1749-1803) circa 1787

[nancydrewwouldnever]

Adélaïde Labille-Guiard, Self-Portrait at the Easel with Two Students, Marie Gabrielle Capet and Marie Marguerite Carreaux de Rosemond, 1785, oil/canvas (Metropolitan Museum of Art, NYC)

[digitalfashionmuseum]

Oil Painting, 1795, French.

By Adélaïde Labille-Guiard.

Portraying Joachim Lebreton in a brown coat, red striped waistcoat and white cravat.

The Nelson Atkins Museum of Art.

[ghw-archive]

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PORTRAIT OF WOMAN

Adélaïde LABILLE-GUIARD (1749-1803)

circa 1787

Louise Élisabeth Vigée Le Brun (detail)

[diioonysus]

bows in art

[peoplematchingartworks]

[oldsardens]

Adelaide Labille-Guiard - Die Malerin An Der Staffelei

[frozenwolftemplar]

Self-Portrait with Two Pupils, Marie Gabrielle Capet (1761–1818) and Marie Marguerite Carreaux de Rosemond (died 1788). (1785). Adelaide Labille-Guiard.

Those fabric folds...👀

[granstromjulius]

Adélaïde Labille-Guiard

[canis-majoris]

[nancydrewwouldnever]

Adélaïde Labille‑Guiard, Portrait of Madame Adélaïde, ca. 1787, oil/canvas (Speed Art Museum, Louisville)

Adélaïde of France (1732 – 1800) was the daughter of King Louis XV and the aunt of King Louis XVI. In the French royal family, she was ranked second only to Queen Marie Antoinette. In this formal portrait, she stands in a grand hall at the palace of Versailles, surrounded by objects that attest to her devotion, piety, and noble heritage. Holding a porte-crayon (an instrument designed to hold a stick of chalk), she is posed before a medallion on which she has depicted her late parents and brother. High on the wall, a relief sculpture commemorates her selfless visit to her father as he lay dying of smallpox, which she contracted. Architectural plans for a convent that she sponsored lay unfurled on the footstool behind her. In 1787, Labille-Guiard, who was Madame Adélaïde’s official court painter, painted the first version of this portrait which now hangs at Versailles. She then painted this second version and kept it in her possession throughout her life.

[eva-2k]

Adelaide Labille-Guiard. Marie-Aurore de Saxe. 1777. Musée de la Vie romantique, Paris