#Alessandra Schade

[biglisbonnews]

Y2K Darlings Keltiey and Emma Rogue Get Thrifty Together Doll-faced Keltiey, the Houston-born co-signee of "Conceited" hitmaker Flo Milli, is dropping a Y2K-dreamland music video for her breakout single "Need," which went viral last summer after its July release. Co-directed by Keltiey and Lower East Side thrift store personality Emma Rogue, the nostalgia-core video, with a shaky DIY aesthetic, takes place in Rogue's namesake vintage boutique, a downtown hub for fashion influencers, micro-celebrities and the vaguely Dimes Square-type. Keltiey tells PAPER, "I wanted a throwback vibe so I linked up with Emma Rogue, who I knew would understand my aesthetic."With a powerful cameo from TikToker Laylo, the video's other standout supporting character is none other than the Rogue shop, Rogue's highly curated 2000s wonderland. The Stanton Street shop, adorned with magazine posters, industrial racks overflowing with colorful pieces and kooky decor like bulky landline phones and blow-up couches, is reminiscent of the quintessential popular girl's bedroom from early-aughts teen movies. "Keltiey’s pink grunge look was pulled directly from Rogue and shooting her inside the shop was such a cultural moment," Rogue explains. "It was a visual interpretation of how symbiotic and integral fashion and music are for each other and Keltiey is a perfect marriage of the two."The styling is also inspired by anime characters My Melody and Kuromi," famous for being Hello Kitty's best friends, as well as maximalist icon Aliyah's Interlude. From moon boots and fuzzy earmuffs to neon fishnets and streaky highlights, Aliyah's fashion presence can be felt in every look. The entire video is an eccentric, pink-tinged feast for the eyes, with no singular square inch of body or store space existing un-yassified. "The visuals reflect my playful mood as well as everything the track makes listeners feel joyful, happy, and empowered," Keltiey tells PAPER.Check out the PAPER premiere of the "Need" music video below.Photography by Paula Busnovetsky https://www.papermag.com/keltiey-emma-rogue-need-2659594891.html

[dustedandsocial]

Dustedandsocial Bestof 2021 part3

Pictured: Monokultur

01. Nape - Forum Freaks 02. Monokultur - Decennium 03. Aum Taeppers - Ferrio 04. Antoine Loyer & Mégalodons malades  Bégayer - Il y a d'autres chiens rasés 05. Bobby Would - Natural Killer 06. Some Exercise - Some Bias 07. Snake Union - Nattmara 08. Houschyar - Temassiz 09. Spivak - Bitumen Frenzy 10. Lili Putana - You are asked to feel at ease in a place where you will never belong 11. Wukir Suryadi - Sembilan 12. Froid Dub - Frozen Chips Sandwich 13. Schade - Pas assez 14. Véhicule - Poddema 15. CIA Debutante - Pier 16. Palo Alto & Richard Pinhas - The Tears Of Nietzsche 17. Alessandra Novaga & Stefano Pilia - Glimpse #9 18. Delphine Dora & Jackie McDowell - All This Struggle 19. Heta Bilaletdin - Varjoi 20. Sagat - Money Magic 21. Euphoria Echoes Of Inotai - Loops Of Hope 22. Roy of The Ravers - Day 7 in D# 23. Lostsoundbytes - Street Stalker 24. Mazut - Schtanza 25. Wendy Lavone - It's Faeces That Make The World Go Round 26. Ena - 51th 27. Miss Mårble & V. Luchansky - Bär 28. Saadet Türköz & Nils Wogram - Navel 29. François Dumeaux - alma 30. Claypipe - Yeah I Making Gold

Download: https://mega.nz/file/ONVkyBgJ#CfOap4wZm5KEVmbQRBfWf9MWQlsOVZFV11X7HTQJSlM (copy link url and paste if clicking on embedded link doesn’t work. “href.li” may delete key in url when it redirects from tumblr)

Dustedandsocial Bestof 2021 part4

Pictured: Teresa Winter

01. Amygdala - Synthetic Humans 02. Schulverweis - Blut 03. Teresa Winter - Hard Life In Plastic 04. Reymour - Cent Abus 05. Klara Lewis & Peder Mannerfelt - You Need to Be Kind 06. Tupperwear - La Costa De Cemento 07. Dame Area - La Doble Luna 08. Wulffius - I Am Weird 09. RM - Point 3 10. Human Koala - I'll Be Fine 11. Elena Colombi ft Ece Ozel - Pine Seedlings 12. Maenad Veyl & The Sarcasm Ensemble - Irreconcilable Differences 13. Taurus - Das autonome Wesen 14. Пурпурный Дядя - Taylak feat. Misha Sultan 15. Troth - Komodo 16. La Union Metalurgica - Control de Calidad 17. Dollkraut - Amoebe 18. S Olbricht - Beat Me Suzy Mango 18. Weith - Forever Today 20. The New Me - Dexter 21. Liliane Chlela - Charr 22. Yeulmaus - Mother 23. Kesa Getame - A1 24. gFFr - Haptic Feedback 25. Ambulance vs Ambulance - Colourful Ring Of Death 26. Merlin Nova - Big Heart, long time love 27. Heimat - Deine Frau 28. Boli Group - cottagecore crisis 29. Bolivian fireships - Sturm and Drang [JGSparkes reinterpretation] 30. YL Hooi - WO Love

Download: https://mega.nz/file/7YcShJZC#sumnis_EGNY2MaIolwilgNOSDIqiGm0PTGLzgoa6Oh0 (copy link url and paste if clicking on embedded link doesn’t work. “href.li” may delete key in url when it redirects from tumblr)

Dustedandsocial Bestof 2021 part5

Pictured: Mephisto Halabi

01. Electric Drywall Band - 3 02. Psychic Graveyard - Hijack a Star 03. NH Meth - Unknown Gen 04. YOR - Look At Me 05. Mephisto Halabi  -  Watch On The Orient part I 06. Pure Shit - A New Word For Love 07. Z.B. AIDS - Djerek Bailey 08. Dead Neanderthals - Scalp Wounds 09. Brigitte G. - Echoes 10. Jerusalem in My Heart - ‘Ana Lisan Wahad (feat. Farida Amadou & Pierre-Guy Blanchard) 11. Zeena Parkins, Mette Rasmussen, Ryan Sawyer - Begiunners, begges, beattle, belt, believers 12. Les Conférences Bunker - Girouette Amulette 13. Senyawa - Kabau 14. Jean-Luc Guionnet & Will Guthrie - The RUBDOWN 15. YLP - The Image of 36 16. Maximum Ernst - UFA-USA 17. Jérôme Noetinger x Lionel Fernandez - CALCUTTA 18. Offensive Defiant Disorder - Adversary 19. FS Massaker - Her Metal 20. Aaron Dilloway & Lucrecia Dalt - Demands Of Ordinary Devotion 21. ORCHESTRA OF CONSTANT DISTRESS - Dedication 22. Jaco - Las procesiones 23. Drop Zone - Tiny Towel 24. Laughing Gear - Flake 25. NP [Jad Atoui & Anthony Sahyoun] - Higgs Field 26. Al Karpenter - EYES WITHOUT FACES 27. Anji Cheung - Even Flowers are Black at Night 28. maurice lɔndɔn - of unsound mind 29. Skogar - Passing The Torch 30. Noiseboys - Power Machines (take 1)

Download: https://mega.nz/file/vIsCBQ6S#RZ0kc3c-oB7gbzz3lMttVzxUA5qEi4LqT-IeLd3peR8 (copy link url and paste if clicking on embedded link doesn’t work. “href.li” may delete key in url when it redirects from tumblr)

Dustedandsocial Bestof 2021 part6

Pictured: Theoreme

01. Panoptique - Slippery 02. Cosey Mueller - Antisozial 03. Double Job - Decouverte 04. Maraudeur - Le Couloir Du Soir 05. Mary Bell - Dog on a Leash 06. DIE A.R.D. - Laufband 07. Fake Last Name - Gadfly 08. Theoreme - Radionucléides 09. Hits - Linoleum Bureaucracy 10. Le Chemin de la Honte - Le traffic des cours 11. Kneeling In Piss - Return, Return _ Types of Cults 12. Los Pirañas - Sir de Gusano 13. Emily Robb - Saucer 14. Morświn - Stary skończony 15. Nusidm - Jealousy 16. Calamita - Sidi Mansour 17. Catalina Matorral - Grande Table 18. Gotou - WET背 19. Moin - No to Gods, No to Sunsets 20. Pays P. - Fureur 21. Katherine - Eye of the Beholder 22. Middex - Host 23. Princess Diana of Wales - Still Beach 24. Wadada Leo Smith & Bill Laswell - Tony Williams 25. Kris & Tavi - So, That Happened 26. Cynthia & Dupree - Future Plant Music 3 27. Ghédalia Tazartes & Rhys Chatham - Encore 28. Unda Fluxit - ( sunset rain) طلو و باران 29. April Magazine - Sugar Daddy 30. Amateur Hour - Baby You are all I want

Download: https://mega.nz/file/CQtUALoT#ktx2nRNh1QDG3wBrMRVRu60WOJ01iDFb5xwN81g7UUA (copy link url and paste if clicking on embedded link doesn’t work. “href.li” may delete key in url when it redirects from tumblr)

part1 / part2

[vsangelssparkle]

Meine Meinung zu The Road Ahead

Nach der Bekanntgabe der Segmente und der kurzen Beschreibung habe ich bei TRA ähnliches erwartet wie in Exotic Traveller und Ähnlichkeiten sind auf jeden Fall vorhanden. Es ist ebenso bunt, viele Muster und ausgefallene Accessoires. Es beginnt mit Gigi: Und gleich ein wirklich schönes, gelungenes Outfit. Über dem Unterwäscheset trägt sie eine türkise Jacke mit schönen Verzierungen, sie fällt nicht so sehr auf, aber sie gefällt mir sehr gut, davon würde ich gerne mehr sehen. Darüber trägt sie noch ein buntes Cape, das von außen kräftig in den Farben ist und von innen blasser, dort schimmert das Muster nur durch. Als Accessoire trägt sie einen Gürtel mit Perlen, Kugeln, Kordeln. Und ebenso auffällig sind natürlich die gemusterten Stiefel.  Alles ist unterschiedlich gemustert, aber es passt trotzdem zusammen. Ich finde, es ist eine gelungene Mischung. Das Unterwäscheset von Liu passt farblich zu den Schuhen, die sind noch ein wenig kräftiger. Das ganze Outfit ist kräftig in der Farbe. Mit Liu haben sie das richtige Model für das Outfit ausgewählt. Der Kopfschmuck, die Jacke, der Schmuck – das passt einfach alles zusammen. Und es passt ins Segment. Das Outfit von Ming ist ebenso kräftig in der Farbe. Die Stiefel sind farblich passend und verhältnismäßig schlicht für das Segment und die Outfits, aber damit lenkt es nicht vom Oberteil und dem Schmuck und den Flügeln ab. Da ist es vielleicht schon zu viel, ohne die Federn als Flügel wäre es vielleicht etwas ruhiger. Aber auch hier ist alles aufeinander abgestimmt. Der Kopfschmuck gefällt mir. Joan steht das Set wirklich gut, gerade farblich und die Stiefel passen super dazu. Mit dem Schmuck und dann statt dem Mantel ein schönes paar Flügel hätte mir das Outfit besser gefallen. Der Mantel an sich ist schon hübsch und er passt ins Segment, aber dann lieber mit schlichteren Stiefeln. Die gefallen mir aber zu gut zu dem Set, daher würde ich den Mantel eher tauschen oder vielleicht das Muster nur von außen. Maria hat wieder ein sehr ausgefallenes und auffallendes Outfit bekommen. Ein wenig hat es mich schon an Fireworks erinnert, auch wenn es farblich und auch vom Design doch ganz anders ist. Die Flügel sind ähnlich, wenn man den Farbwechsel vergisst. Sie fällt in dem Outfit sofort auf und man kann das Outfit nicht vergessen. Auf den ersten Blick wusste ich nicht, was ich von dem Outfit halten soll. Mein erster Gedanke war aber schon: Wow. Und ich finde das Outfit wirklich klasse. Es ist bunt, es ist ein interessantes und schönes Design und es steht ihr fantastisch. Auch hier haben sie auf alle Fälle das richtige Model ausgesucht. Ich finde, gerade mit ihren kurzen Haaren sieht es noch besser aus. Bei den anderen würden die Haare viel vom Outfit verdecken. Es hat auf alle Fälle Potential für meine Lieblingsoutfits der Show. Bei Daniela gefallen mir die Einzelstücke wirklich gut, aber die gesamte Kombination gefällt mir nicht so sehr. Die Hose passt zwar super zum BH und der BH passt super zusammen mit der Jacke und die Stiefel passen super zur Hose, aber alles zusammen gefällt mir nicht so gut, wie es die einzelnen Kombinationen tun. Ich hätte vermutlich die Hose ausgetauscht. Adriana hat einfach gestrahlt. Ihr Outfit ist sehr ausgefallen bzw. die Flügel sind sehr ausgefallen im Design. Die Farbkombination aus dem blau und gelb und bisschen rot finde ich klasse. Die Stiefel gefallen mir ausgesprochen gut. Wirklich ein tolles Outfit, es passt alles. Bei Lais gefallen mir die Stiefel auch sehr gut. Das Outfit ist auch sehr bunt, aber im Gegensatz zu Adriana oder Ming ist das Outfit nicht so kräftig in den Farben. Das finde ich schade. Ich hätte vielleicht den Bauch frei gelassen und das kleine Jäckchen zu dem Cape weggelassen. Dann würde die Kette auch besser wirken. Das Outfit überzeugt mich nicht komplett. Kendall hat natürlich wieder ein ausgefallenes Outfit bekommen und große Flügel. Aber darum geht es ja nicht. Das Outfit ist hübsch und vom Typ ist sie die richtige für das Outfit, es steht ihr. Es ist wirklich ein gelungenes Outfit, es passt alles zusammen, die Kombination der Farben und der einzelnen Stücke. Ich muss zugeben, ich habe bisher nur die Federflügel gesehen, der untere Part der Flügel ist mir gerade zum ersten Mal aufgefallen. Das hätte man auch weglassen können. Jasmines Outfit finde ich leider nicht sehr schön. Die Jacke ist schon hübsch und die Schuhe sind klasse, die Flügel sind auch okay und der Schmuck ist super. Aber das Outfit an sich wirkt auf mich eher traurig, trist, es fehlt einfach etwas. Cindys Outfit dagegen ist wieder farbenfroher, kräftiger. Die Stiefel finde ich wirklich klasse. Und am Oberteil sind so viele Details, die man erst nach genauerem Betrachten bemerkt. Die Farbe des Unterwäschesets hätte ich wahrscheinlich anders gewählt, aber die Blumen am Oberteil finde ich hübsch. Die Handschuhe mit den Knochen drauf sind interessant. Ohne würde es auch hübsch aussehen, aber sie fallen auf. Auffallen tut auch alle Fälle auch Devon. Ich war nachdem man die Zeichnung des Outfits gesehen hat, schon neugierig und dann als Devon es in dem ersten Video getragen hat und sie alles geändert haben, war ich noch neugieriger. Und ich finde das Endergebnis klasse. Auch wenn man nicht unbedingt erkennt, dass die Blumen die Knochen wiederspiegeln, wenn man es nicht weiß. Die Farbkombination ist super, so schön harmonisch. Für mich hätten diese immensen Flügel auch nicht unbedingt sein müssen. Die sind natürlich der hammer. Das Outfit werde ich sicher nicht so schnell vergessen. Taylors Outfit an sich finde ich eigentlich hübsch, aber die Farben sagen mir nicht zu. Die Stiefel finde ich hübsch, die Farbe gefällt mir auch. Den Kopfschmuck finde ich auch sehr schön, damit sieht sie wirklich hübsch aus. Aber das Gesamtoutfit mag ich so nicht wirklich, das liegt zum Großteil wirklich an der Farbkombination, den sonst ist es wirklich passend für das Segment. Alessandras Outfit gefällt mir sehr gut. Auch wenn es an sich recht simpel ist, braucht das Outfit auch nicht mehr. Den Body und die Flügel zusammen sehen toll aus, die Flügel finde ich sehr hübsch, ein schönes Design. Die Schuhe hätte ich vielleicht nicht in rot gewählt, aber ich mag das Outfit wirklich gerne. Elsa durfte die Show mit diesem ausgefallenen Outfit eröffnen. Ich denke, es ging nicht mir so, dass man sich zu Beginn gefragt hat, was man von diesem Drachen halten soll. Ich kann auch verstehen, dass nicht jeder begeistert ist von diesem Outfit. Aber gerade als Eröffnungsoutfit finde ich es gelungen. Die Farbkombination ist klasse und der Drache ist wirklich extravagant, da steckt viel Liebe im Detail. Den kann man auch nicht so schnell vergessen. Zu Marthas Outfit habe ich ja schon einmal etwas geschrieben bei einer Frage von einem von euch. Mir persönlich ist es too much. Die Stiefel mit ihrem Muster und das Outfit mit einem ganz anderen Muster. Mit anderen Stiefeln fände ich es schon viel schöner. Das Cape finde ich wirklich hübsch, das hat so schöne Details. Und auch die kleinen Accessoires sind wirklich toll. Aber das Gesamtoutfit gefällt mir nicht so gut. Zum Abschluss Barbaras Outfit: Ein Highlight für mich. Auch wenn ich das Unterwäscheset nicht mag, aber der Rock ist einfach hammer. Der Rock ist so schön verziert und dann noch die Bommel unten, Barbara hat auch toll damit gespielt. Zusammen mit dem Kopfschmuck und der Kette finde ich das Outfit klasse. Und auch bei diesem Outfit haben sie das richtige Model gewählt. Auch eins meiner absoluten Favoriten, es sind auch so schöne Bilder entstanden. Insgesamt hat mir The Road Ahead auf jeden Fall gefallen, es waren sehr schöne Outfits dabei und es gibt so viele schöne Details an den einzelnen Outfits.

[hittveu]

<

p style=”text-align: justify;”>Ruben Zeltner sichert sich bei seinem Saisondebüt alle Divisionsbestzeiten Markus Drüge verteidigt seine Führung im ADAC Rallye Masters Autodoc-Service-Park und Glück-Auf-Brücke als Mekka für tausende Rallyefans

Zwickau. Bestes Frühsommerwetter und tausende von Rallyefans zeichneten den dritten Lauf des ADAC Rallye Masters, die AvD Sachsen Rallye, aus. Zwölf schnelle und selektive Wertungsprüfungen (WP) über 125 Kilometer begeisterten die Rallyepiloten und Fans. Dabei feierten Carsten Mohe und Alexander Hirsch (Crottendorf/Tannenberg) als schnellste ADAC Rallye Masters-Piloten im Renault Mégane Maxi auf Gesamtrang sieben ein erfolgreiches Debüt. Eine weitere Premiere erlebten bei ihrer Heimveranstaltung Ruben und Thomas Zeltner (Lichtenstein/Österreich), die in dem neu aufgebauten Porsche 911 GT3 ihre Division gewannen und einen neunten Gesamtrang belegten. Ein dritter Platz in der Division 6 genügen Markus Drüge / Lisa Stengl (Hamm/Koblenz) im Suzuki Swift Sport, um weiterhin das ADAC Rallye Masters anzuführen. Der Autodoc-Service-Park auf dem Hauptmarkt in Zwickau und die Glück-Auf-Brücke lockten tausende Rallyefans an. Die Highlights von der AvD Sachsen Rallye zeigt n-tv bereits am Sonntag um 7:30 Uhr sowie eine Woche später am Samstagvormittag um 9:30 Uhr im Magazin “PS Die Deutsche Rallye Meisterschaft.” Weitere Informationen und die vollständigen Punktestände zum ADAC Rallye Masters und der DRM gibt es unter http://www.adac.de/rallye-masters und http://www.adac.de/drm sowie im ADAC Rallye Hub (www.adac.de/rallyehub).

Ruben Zeltner, Timo Rumpfkeil und Carsten Mohe begeistern die Zuschauer Zahlreiche Rallye-Fans freuten sich über das Comeback von Ruben Zeltner im neu aufgebauten Porsche 911 GT3, der wegen seiner Lackierung “Zebra” genannt wird. Nach einer längeren Pause kämpfte der Sachse mit anfänglichen Schwierigkeiten: So führten verschiedene Einstellungen am Fahrwerk zunächst zu keiner passenden Lösung. Darüber hinaus sorgte ein schleichender Plattfuß vor der ersten Wertungsprüfung (WP) sowie eine 60-sekündige Zeitstrafe für ein zu frühes Einfahren in eine Zeitkontrolle für Aufregung. Mit guten Zeiten kämpften sich beide Zeltners am Samstagmorgen eindrucksvoll zurück und sicherten sich alle Divisionsbestzeiten. “Unser Freitag fing mit dem Reifenschaden und einer Zeitstrafe nicht so gut an. Am Samstag haben wir im Laufe des Tages immer mehr in unseren Rhythmus gefunden. Trotzdem haben wir noch ein paar Hausaufgaben mit dem Setup vor uns. Ich bin froh, dass wir trotz einem leicht überhitzten Motor im Ziel sind – und noch einiges an Spaß hatten. Unser Zebra bietet noch viel Potential, das wir im Laufe der Saison noch ausschöpfen dürfen”, erklärte Zeltner im Ziel.

Ein weiteres optisches und akustisches Highlight erlebten die Zuschauer mit dem Mercedes 190 E 2.3 16V von Timo Rumpfkeil und Helmar Hinneberg (beide Magdeburg). Mit elf von zwölf möglichen Bestzeiten dominierten die Magdeburger das Geschehen in der Division 3. “Ein super Wochenende für uns. Vor so vielen Zuschauern mit unserem heckgetriebenen Benz auf Zeitenjagd zu gehen war ein tolles Erlebnis. Wir haben uns im Laufe der Rallye immer weiter gesteigert und sind zufrieden mit dem Ergebnis”, so Rumpfkeil nach der Veranstaltung.

Ein perfektes Wochenende erlebten Carsten Mohe und Alexander Hirsch bei ihrem Debüt im Renault Mégane Maxi. Bei ihrer Heimveranstaltung sicherten sie sich alle zwölf möglichen Bestzeiten und gewannen die Division 4. Auf der letzten Wertungsprüfungen lieferten sie sich sogar einen Kampf mit Peter Corazza um Platz sechs im Gesamtklassement, den sie nur knapp um 0,8 Sekunden verloren. “Wir hatten noch nie so viele Fans im Autodoc-Service-Park. Es ist toll, wie viele Menschen uns unterstützt und angefeuert haben. Wir hatten richtig Spaß. Auf den ersten Wertungsprüfungen haben wir nur 80% des Potenzials des Autos ausgenutzt. Trotzdem konnten wir ein sehr hohes Tempo mitgehen und immer mehr dazu lernen. Nach unserem siebten Gesamtrang freue ich mich riesig auf den Rest der Saison”, erklärte der Sachse im Ziel.

Citroen dominiert in den Divisionen fünf und sechs Ein interessantes Familienduell lieferten sich in der Division 5 die Brüder Tobias und Florian Just (beide Burgreppach). Beide duellierten sich in ihren Citroen C2R2 Max bis zur achten Wertungsprüfung. “Das Duell mit meinem Bruder war echt klasse und hat uns wahnsinnig viel Spaß gemacht”, erklärt Tobias Just, der gemeinsam mit Sabrina Türk (Himmelkron) unterwegs war. Aufgrund eines Elektronikdefektes mussten Florian Just / Marco Schönfelder (Neuhengstett) nach der achten Wertungsprüfung aufgeben. Ab diesem Zeitpunkt übernahm sein jüngerer Bruder die Führung und sicherte sich den Divisionssieg. “Schade, dass unser Zweikampf nicht weitergehen konnte. Wir sind äußert glücklich mit unserer Rallye, die Strecken waren super und die Leistung hat auch gepasst. So kann es weitergehen”, ergänzt Tobias Just im Ziel.

Auch in der Division 6 dominierte ein Citroen-Team. Nach vier Bestzeiten am Freitag festigten Marco Thomas und Alessandra Baumann (Kastel) ihren Vorsprung am Samstag mit sieben weiteren Bestzeiten. Über 30 Sekunden Vorsprung auf den Rest der Verfolger sicherte ihnen den Divisionssieg. “Eine tolle Rallye mit einem tollen Ergebnis. Wir sind super zufrieden mit dem Sieg hier in Sachsen und werden bei den nächsten Rallyes wieder voll angreifen”, so Thomas. Auf Rang drei kamen Markus Drüge und Lisa Stengl mit ihrem Suzuki Swift Sport ins Ziel. Ihr dritter Divisionsplatz reicht aus, um ihre Führung im ADAC Rallye Masters zu verteidigen. “Die Rallye ist für uns nicht ganz optimal gelaufen. Wir haben hier trotzdem wichtige Punkte für die Meisterschaft gesammelt und werden beim nächsten Lauf in Stemwede wieder um den Sieg kämpfen”, so der Suzuki-Pilot.

Gesamtergebnis der AvD Sachsen Rallye Pos.

Team

Fahrzeug

Zeit

1.

Kalle Rovanperä/Jonne Halttunen

Skoda Fabia R5

1:04:54,1

2.

Dominik Dinkel/Christina Kohl

Skoda Fabia R5

+ 1:07,6

3.

Sepp Wiegand/Anna-Katharina Stein

Skoda Fabia R5

+ 1:19,8

4.

Marijan Griebel/Alexander Rath

Peugeot 208 T16 R5

+ 1:38,4

5.

Christian Riedemann/Michael Wenzel

Skoda Fabia R5

+ 1:55,5

6.

Peter Corazza/Jörn Limbach

Skoda Fabia R5

+ 3:35,5

7.

Carsten Mohe/Alexander Hirsch*

Renault Mégane Maxi

+ 3:36,3

8.

Roman Schwedt/Henry Wichura

Peugeot 207 S2000

+ 4:50,5

9.

Ruben Zeltner/Thomas Zeltner*

Porsche 911 GT3

+ 4:56,2

10.

Hermann Gassner Jr./Ursula Mayrhofer*

Mitsubishi Lancer

+ 5:52,1 Quelle: ADAC Motorsport

Helfen Sie bitte mit, dass es Hit-TV.eu auch morgen noch gibt. Mit 12 € pro Jahr (1 € pro Monat) sichern Sie die Existenz von unabhängigem Journalismus. (weitere Infos unterm Menüpunkt Spenden) Spenden bitte per Paypal: hittveu@googlemail.com oder per Bank an: Hit-TV.eu IBAN: DE36 8707 0024 0047 7901 00  BIC: DEUTDEDBCHE (Deutsche Bank) Buchungstext “Spende”

Carsten Mohe begeistert Fans mit Premiere im Renault Mégane Maxi < p style="text-align: justify;">Ruben Zeltner sichert sich bei seinem Saisondebüt alle Divisionsbestzeiten Markus Drüge verteidigt seine Führung im ADAC Rallye Masters…

[biglisbonnews]

Finn Wolfhard on Playing a Narcissist in 'When You Finish Saving The World' Twenty-year-old actor Finn Wolfhard Zooms into our call from NYC's swanky Park Lane Hotel, wearing a vaguely iridescent purple button-down that shines as he thoughtfully reminisces on the complicated journey of playing the corny and egocentric character Ziggy Katz in When You Finish Saving The World. The film is actor-turned-writer-director Jesse Eisenberg’s directorial debut, hitting select theaters on January 20. The indie coming-of-age tale is clever and flippant, exploring the boundaries of lived and idealized politics through satirical, self-mocking characters whose blinding narcissism repels those closest to them. Wolfhard plays the delusional folk-rock music influencer, opposite Julianne Moore, his do-gooder mother, Evelyn, an NPR-and-Chopin-listening counselor who runs the local women’s shelter.Related | Finn Wolfhard Reacts to Millie Bobby Brown Saying He's a Bad KisserThe project began in 2020 as an audiobook, which was then expanded into a shrewdly understated feature script, with Wolfhard reprising his Audible role on screen. Produced by Emma Stone and Dave McCary, the film made its first splash at the Sundance Film Festival last year.Eisenberg’s signature dry wit and allegorical mini-scenes take the blundering characters on misguided misadventures, often ending in cringe-worthy scuffles. “I’m going to be rich and you’re going to be poor,” Ziggy shouts at his mother. Self-absorbed and deluded, Ziggy struggles to pick up on his peers' cues (or really anything happening in the world around him). In stark contrast, Wolfhard offers kind and articulate insights into the project, where he gave a stand-out performance — perhaps solidifying his career and proving his talents can translate to complex and character-driven roles.This will no doubt be a career-defining year for Wolfhard. Besides starring in this film, Wolfhard hopes to witness the release of his pet project (co-directed and co-written with WYFSTW co-star Billy Bryk), he continues to write and perform music with his band The Aubreys and he's gearing up to shoot the final season of Stranger Things.In a conversation with PAPER, Wolfhard shares what it was like playing the infuriating Ziggy and expands upon what happens after the climactic and ambiguous final scene of the film. Read our interview with the actor below.Ziggy is a really compelling portrayal of the chronically online, teenaged demographic. Where did you draw inspiration for this role?You'd be surprised how many kids my age are like this and have this skewed idea of who they are because of how powerful social media can seem when you're on it, but then when you're in your real life, it actually doesn't really mean anything. Do you relate with Ziggy at all? Are there aspects of his character you find in yourself?Definitely. I relate to his need to perform and find human connection. I find him to be a very funny character. I also have pity for him. I feel sad for him. I'm sort of laughing with him. But also, I want to kill him. I want to slap him in the face. And I've been trying to strike a balance between someone that you might hate but also someone you feel pity for. I also found him really likable at times. He's charismatic and self-assured. I know music is also really important to you in your off-camera life. How was it to play a character that shared your love for music?I was so pleasantly surprised that Jesse Eisenberg and Emile Mosseri, the composer, let me run wild with some of the songs. Jesse wrote the lyrics. Emile wrote the music. And at least for the song "Pieces of Gold," which starts and ends the movie, they just gave me the project file and were like, Alright, sing over it and add whatever instruments you want. It was so cool to be able to improvise a few songs in the film and write the music to one of the songs.That sounds so fun.It was so fun. For [Eisenberg and Mosseri], it added a level of authenticity to the role because I was making music in character. It made me feel more comfortable playing the character, too, because music has always been something that I do for myself. l can just escape to it. And Ziggy feels the same way. You have a long history as Mike Wheeler from Stranger Things. How was the transition from your character Mike, who cares so deeply about his friends and the people around him, to Ziggy, who, at times, really struggles to see outside of himself?Yeah, and he can't seem to care for anyone but himself. I cared about Ziggy almost as much as Mike cares about his friends. Someone who's loyal to themself to a fault. And the reason why he's so self-absorbed and obnoxious is that he doesn't really know how not to be. He's been in a house where he's not been supported in what he's been doing. All he wants is his mom to respect what he does. And it makes him so mad that she doesn't.And on top of that, he has this skewed view of himself, because on the internet, he's so loved, but then in real life, no one really cares about him. And so that comes out as a defense and an arrogance, because, in his mind, if no one's gonna be his champion, I guess he has to be. He actually is capable of caring for people, he just has a really weird way of going about it and at times doesn't know how. By the end of the film, he realizes that the world is bigger than him and that his mom actually does something really amazing. I was just going to ask you about what happens after the cameras stop rolling. There are a lot of conversations about wanting to be political versus actually doing the work to be political. And then there's this open-ended final scene. Does Ziggy end up doing "the work?" Should he do the work?By nature, Ziggy isn't very political. He likes making songs. He likes making money and being a capitalist. And his mother Evelyn has been trying to make him someone that he's not for years. But his mother realizes that he can't be who she wants him to be and that he actually does something pretty cool.He wants to be [political like his mother] deep down, but maybe that's just not who he is. But he can try. By the end of the film, he actually has more respect for his mother and social justice than he thought. And it gets him to think about what amazing things his mother has done. To me, after the cameras cut, there's the meet-in-the-middle thing where they both realize that they have been misguided and wrong for so long. It's a really beautiful end to a really self-centered movie.Are there any larger takeaways you had from working on this movie and existing in this world for so long where politics and identity are really at odds with each other? What did you learn from these characters?It's given me more empathy toward people. Anyone, including myself, that has said something selfish, or acted selfish, or done something wrong, or was arrogant or whatever: I've found more empathy [for them]. It's given me more humanity and more than anything has made me sad for people that are so lost.What was your favorite part about working on this project?I loved the crew so much, every single one of them. And working with Jesse as a director, he really got me as a person and as a performer. That made me feel really good. Jesse really humanizes being an actor. There's a lot of people that like to have acting be some mysterious thing and Jesse's just like, "Listen, we're all really scared and neurotic idiots and we're just trying to make stuff that we identify with and teaches us something about ourselves and other people." Also, acting with Julianne Moore every day and getting to act with one of the best people and best living actors was just the best. She really let me try stuff and vice versa. We had so much fun. My favorite scene to film was the scene where we're screaming at each other in the kitchen. I just remember thinking, This is so fun.You got to let loose a little bit.Exactly! We were really working some stuff out.Do you have any projects coming up? What’s next for you this year?Well, I directed a film. It's called Hell of a Summer. I co-wrote and co-directed it with Billy Bryk, who plays Kyle in When You Finish Saving The World.That's incredible. Congratulations!Thank you so much. So hopefully that comes out this year. And then I get to shoot the last season of Stranger Things which I'm really excited about. I haven't read anything yet, but I'm so excited.Is that like going back to camp?Basically! Yeah, it does really feel like that. Next is the last season so I guess that's like the graduation.Photo by Beth Garrabrant https://www.papermag.com/finn-wolfhard-saving-the-world-2659280745.html

[biglisbonnews]

Thoom Makes Downtown Grime Sexy in 'The Lights Are Falling Down' Sometimes you just need a messy make-out in Seward Park. For her latest single "The Lights Are Falling Down," Lebanon-born artist Thoom just wants to remind you "how fun making out is." With dirt-caked fingernails, furious ass-grabs and explicit tongue-heavy kisses, even the Dimes Square pigeons pecking meager scraps of garbage are cooing in excitement. New York-based Thoom lives for the downtown grime. Whether she's producing grungy trip-hop Soundcloud tracks in Chicago's DIY scene or smashing stages with New York's downtown club acts like the Frost Children and The Dare, Thoom's nose for offbeat energy and "the scene" is synonymous with her artistic brand. After releasing her debut album Pork in 2020, a nine-track amalgamate of stormy electronics and contemplative lyricism from her time in Beirut, Chicago and Berlin, Thoom's newest single "The Lights Are Falling Down" teases her forthcoming EP, Fantasy for Danger, due later this month. Inspired by the Safdie brothers' severe film Heaven Knows What, Thoom set out to capture the gritty carnality of spontaneous attraction. Crawling around Canal Street's Seward Park in her fur coat and undies, Thoom curates a relic from our Tumblr years, a mini-erotica whose mission is purposefully surface. "The documentation is the message," Thoom tells PAPER. "I’m just trying to express what I think is sexy and tell a story." The result is an intoxicating, psychosexual moment in time, existing for the feeling of something — a fantasy, a craving, a surrendering — and nothing more.Thoom's creative hand is potent and instinctively flippant, channeling her musical prowess with a penchant for chaos and experimentation. To listen to Thoom is to surrender to her dominion. "The Lights Are Falling Down" is as intriguing and intense as she is.Check out the PAPER premiere of the music video below, along with a behind-the-scenes look into the artistic creation of Thoom.Is your latest single “The Lights Are Falling Down” about love, lust or heartbreak?It’s about wanting something because it's bad for you. And maybe being a little turned on by it.The "The Lights Are Falling Down" music video is said to be inspired by the Safdie brothers' Heaven Knows What. Why was this a film that resonated with you?I love the Safdies so much. I just saw the make-out scene and I was like, that's exactly what making out feels like! That’s all you really need to tell a love story. Because the style you make-out in, how you use your hands, the clothes you wear and where you’re making out all tell the story on their own. I wanted the guy to look like Kurt Cobain and also vaguely resemble the classic Dimes Square mid-20s guy with medium-length hair that’s just drowning in pussy for some reason. And I want to remind people how fun making out is.Is there a personal story that also partially inspired “The Lights Are Falling Down”?My first boyfriend who was a car mechanic. That's why his fingernails were always dirty.You portray a hypersexual character in the video, filming intimate scenes in a public setting. Is this visual crafted using the lens of the female gaze, male gaze or neither?That’s hard to say because sometimes I look at girls as if I’m looking at them through a man's eyes. I directed the short film for myself, though. I love turning men into objects of desire. It gives me ultimate satisfaction.Can you elaborate on the various points of view you played with while directing "The Lights Are Falling Down?"I wanted it to be like someone sitting in the park with binoculars watching us. I wanted details of the make-out and ultimate sensuality. I love when you’re watching something and you feel like you can smell, touch or feel the image. I also just wanted it to be one thing. Barely anything else — only hints of a backstory.How have your frequent collaborators — like Club Eat, Frost Children and The Dare — influenced your sound or art practice?I’m totally a sponge. When I first moved to New York, I was going to as many shows as I could in every scene. That’s what I love about New York, you can just drift to all these different small cultures. I have to do that, otherwise I get bored quick. I remember one night I was going to see Harrison [The Dare] play. I called Ren [Club Eat] and was like wanna come see my friend play? He’s so good! At that time, different scenes didn’t really mesh like they do now. Now it’s a cesspool of artists, musicians, dancers, etc. Everyone’s feeding off of each other.You’ve described your work as “parodying the Western gaze.” What does that mean to you?I go through phases, you know? That's the nature of being an immigrant. Sometimes I feel very Arab, and ultimately that's who I am, but sometimes I feel like an American. I grew up in Lebanon and, during the war, me and my brother bought this Team America movie and we’d watch it and run around yelling, “Derka, Derka, Muhammad jihad!” What's next for Thoom?World domination!Photography by Francisco Russo https://www.papermag.com/thoom-2659638252.html

[biglisbonnews]

Harper Watters Pays Tribute to His Black Ballet Ancestors Harper Watters, the first queer Black First Soloist for the Houston Ballet and a TikTok starlet who is redefining ballet’s social media presence, pays homage to his dancer ancestors this Black History Month. Last year, he recreated iconic poses from transgender dancer Ashton Edwards, Matthew Rushing, "Godfather of Vogue'' Willi Ninja and Bill T. Jones. This February, he's teamed up with photographer Maxwell Poth to reimagine photographer Jack Mitchell's legendary shots of the Dance Theatre of Harlem from the '70s and '80s.Watters discovered Mitchell’s photographs as he explored the deep waters of the internet's annals of documented Black dancers, searching for inspiration for his annual BHM tribute series. “I want this to be a love letter and thank you note to the dancers in [Jack Mitchell’s photographs] because I stand on their shoulders,” Watters tells PAPER. Collaborating with photographer Maxwell Poth, the two recreated some of Mitchell’s most iconic works in a powerful portrait series.Below, witness the side-by-side recreations made by Poth and Watters as well as a PAPER behind-the-scenes chat with Watters about his self-reflective journey into the archives to honor Black dancers.How did you and Maxwell link up for this project?I messaged him and said: “PLEASE HELP MY VISION COME TO LIFE!" Without any hesitation, he was on board. I’m lucky to know Maxwell, beyond him being an incredible photographer, as a friend. One who I met many years ago, galavanting around WeHo. It’s always fun to be able to make art with creatives, but when they’re your friends it’s even more special.Why did you think Maxwell would be the right photographer for this? Maxwell has such an incredible eye and talent for capturing the body and capturing the body in movement. His work never feels one-dimensional. There is a calmness, attention to detail, and simplicity throughout his work that always makes for a strikingly beautiful finished project. He also is dedicated to highlighting queer people and their stories. So his artistic voice and commitment to working with marginalized subjects made him an obvious choice. What drew you to Jack Mitchell’s photos for this year's edition? I discovered the work of Jack Mitchell while researching for a previous series I did on IG Reels for Black History Month. The series involved me dancing into the images of black dancers who I work with or who inspired me along my journey. This year I wanted to challenge myself to dig deeper and discover more artists who I knew less about but deserved to have their flowers. This led me to Jack Mitchell and his series of photographs for the Dance Theater of Harlem. Like Maxwell, his work captured the physicality of the male dancers so beautifully. They were so regal and stoic, I was blown away by the poses Jack was able to capture. There is this indescribable feeling that happens in dance when you just feel compelled to move, whether it be the music, the choreography or your partner. I felt that with Jack's photographs and knew I wanted to recreate them and learn more about the dancers in the images. Did you face any challenges with this shoot, either in conception or in execution? I think the only challenge I faced was realizing how talented the Dance Theater of Harlem dancers were, because despite making the poses look so effortless, they were in fact super challenging. Maxwell was able to recreate the lighting so well, and I was impressed with how he could almost sculpt me into positions by correcting the angles of my limbs to replicate the images perfectly. My hope was to carry their energy through Maxwell's eyes and my body. What did you hope to highlight in recreating these photos? I want this to be a love letter and thank you note to the dancers in the original images because I stand on their shoulders, they paved the way for me to be able to dance the way I am today. I wanted to shed light on their careers and their accolades. I had a few dancers to look up to when I was starting out, but I truly lacked the visibility and knowledge of dancers like me, which forced me to believe I wasn’t meant to be a dancer. These dancers are my fuel to keep on dancing and pushing myself to be better. What is the through-line between your work and the Dance Theatre of Harlem dancers' work? Black dancers are beautiful. Black dancers are powerful. Black dancers matter.Photo by Maxwell Poth https://www.papermag.com/harper-waters-maxwell-poth-bhm-2659447847.html

[biglisbonnews]

Saint Levant Signs His Political Message 'From Gaza, With Love' Marwan Abdelhamid, the 22-year-old trilingual singer who records as Saint Levant (French for “holy rising”), released his debut EP From Gaza, With Love earlier this month. You may know the young artist from a viral snippet on TikTok that caught the attention of nearly 14 million viewers. The sultry rap clip features his 2022 single “Very Few Friends” and its seductive, baritone hook: "I wanna take you to Paris and spoil you," transforming Saint Levant's muscle-tank-and-mustached brand into one that relied heavily on sex symbols, both visually and sonically. Saint Levant, a child of the Palestinian diaspora, set out to prove that his artistic identity encompasses more than the flesh and blood carnality of his fans' favorite TikToks. "From Gaza, With Love is an ode to the place where I spent the first seven years of my life, a beautiful city by the sea filled with love, memories and unfortunately great pain, suffering and oppression," Abdelhamid tells PAPER.As the son of a French-Algerian mother and a Palestinian-Serbian father, the Gen-Z heartthrob spent his early childhood in Gaza before fleeing to Jordan with his family. He explains: "We are much more than the dehumanizing images you see in Western media. This song is a message to the world, and I sign it with love."Drawing on early-2000s R&B, Arabic trap music and Franco-Arabic rap, Saint Levant's title track "From Gaza, With Love" is a heartfelt homage to his culture with danceable, Middle Eastern flair that infuses the hook and song's thesis — “I came from Gaza with love/ (But I’d feel like a tourist if I ever went back)" — with multicultural soul. The project uses the chameleonic powers of his trilingual upbringing — having spoken English at school, French at home and Arabic in a Palestinian refugee camp — to invite global listeners to embrace the sensuous riches of his Middle Eastern culture.While advocating for Israeli-Palestinian peace has situated him at times within the sticky, no-win arena of public controversy, Abdelhamid invariably handles his politics with love and empathy. Abdelhamid doesn't shy away from imbuing his art with a political message. Check out the PAPER premiere of the "From Gaza, With Love" music video below, where Saint Levant serenades his viewers against a backdrop reminiscent of 1980s public access television. Photos courtesy of Saint Levant https://www.papermag.com/saint-levant-gaza-with-love-2659651735.html

[biglisbonnews]

Russel Tovey's 'Life is Excellent' Celebrates His Queer Artist Ancestors Russel Tovey, UK actor and producer, today released the trailer for his new project, Life is Excellent, a feature-length documentary chronicling the inimitable life of one of his heroes, David Robilliard — a radical queer poet and artist who died of AIDS at the young age of 36 in 1988. “As a 40-year-old queer man I feel the responsibility to make sure that [historical documents of existence] that matter to me and my kind, actually matter to everyone,” Tovey explains of this archival project. The documentary's subject, artist David Robbiliard, was igniting the queer art scene in London long before Tovey had even turned double digits, but as Tovey explores the fiery life of the man he never met, and "who [Robbiliard] drank with, worked with and shagged," Tovey uncovers the impact of characters you never get the chance to meet and the legacy of late 19th-century queer artists as trailblazers, cherished ancestors and ultimately, an unlucky generation whose stories were cut short by an unforgiving epidemic.Tovey embarks on this artistic mission in partnership with WePresent, the arts platform of WeTransfer, after the company’s successful year-long collaborations with artists Marina Abramović and Solange Knowles. Through this collaboration, Tovey and WePresent aim to bring attention to archival works while examining their resonance today.Tovey's guest curatorship with WePresent will include work on a total of three projects this summer, with Life Is Excellent being the first. Each project promises to share a culturally significant narrative from the LGBTQ+ community.Holly Fraser, editor-in-chief of WePresent, says: "[Tovey] shares WeTransfer’s belief that the power of creativity can truly change the world, and I hope that through this curatorship on WePresent and the projects that form it we can further the conversation around the importance of inclusivity and reflect on some of the great artists who have paved the way for this to continue in the industry.”Check out the Life is Excellent trailer below.Photos courtesy of WeTransfer https://www.papermag.com/russel-tovey-life-is-excellent-2659517371.html

[biglisbonnews]

Big Dumb Baby Invites You Into the Amusing World of 'Terrible Twos' "Have more fun!" Ashley Mayorquin exclaims as a way of introducing PAPER to the thesis of her newest project, Terrible Twos. Known to the Brooklyn music scene as Big Dumb Baby, the Nashville-born actor turned singer-songwriter, released her second EP today, a playful love letter to leaning into your silly side. The unhurried, thumping bass and glib lyrics that punctuate lead track "Jenny's Place" bring you into the amusing world of Big Dumb Baby. The alt-rock track offers a teasing but cheerful insight into the life of a Brooklyn 20-something — a wonderland of many, many roommates, city mice and dirty dishes.Describing her sound as "Shania Twain meets Pavement," the young artist infuses downtown indie-rock with a unique sunny Southern charm, proposing a distinctive and unfussy songwriting style that's reminiscent of Wet Leg and Soccer Mommy, with a cheerful Nashville twist.For the release of her fun-filled EP Terrible Twos, PAPER sat down with Big Dumb Baby for a behind-the-scenes look at the making of the project and how the Brooklyn music scene influenced her Southern sound. Tell me about your stage name.Initially, Big Dumb Baby was only going to be the title of my first EP, but I changed my artist name to it shortly after I released it. I love to laugh and have fun and be silly; the name Big Dumb Baby encapsulates this for me. The project and lyrics are written from my own personal experience, but it’s fun to tap into a persona just a little bit.What does this project mean to you?Coming from an acting background, I’ve always enjoyed the act of storytelling. However, for me, music is a much more accessible form of self-expression. Big Dumb Baby has been a way to share my experiences and connect with a wide range of people. Nothing makes me happier than hearing about how people relate to my songs.Is there a “thesis” to Terrible Twos?Have more fun! The first EP was a product of a much darker point in my life. However, these last few years have been really, really joyful. Terrible Twos is an expression of that.Terrible Twos is your second EP. What did you bring into this process that you learned from the experience of making your first EP?Oof, how to be direct. During my first EP, I was surrounded by a bunch of studied musicians and felt I lacked the vocabulary to communicate what I was hearing for my songs. Through playing shows and taking on the role of band leader, I’ve gotten more confidence around verbally formulating how I’d like things to sound, and in turn, I’ve become more hands-on in the production process.How has your sound evolved from the start of Big Dumb Baby?If you listen to my first EP, there's a lot of genre flipping. I was still figuring out how to blend my musical tastes in a way that was sonically cohesive. While all still distinct, the songs on Terrible Twos are more blended with one another. I think each song sounds like a Big Dumb Baby song, if that makes sense. I’ve tapped further into my own songwriting style, and I’m continuing to refine this in the new songs I’m writing, which is exciting!You describe your sound as “Shania Twain meets Pavement.” Can you tell me a little about what that means? Indie-rock is such a vague descriptor that can mean so many things, so I dislike referring to Big Dumb Baby solely as “indie-rock." If you’ve listened to my music, there’s no denying I’m very influenced by '90s indie rock projects like Pavement and Liz Phair, but underneath that, there are elements of pop and country (the Shania part). I’m from Nashville, Tennessee and grew up listening to pop-country radio every day on my way to school. While I don’t strive for this sound, I think it subconsciously seeps into my music and I’m totally okay with it.How does the Brooklyn music community compare to your experience in Nashville?The main difference is there is simply more of a variety of art being made in New York. Nashville is an incredible city for music, but my community here is much more expansive. My community here is not only made up of musicians but designers, writers, photographers, etc.How does the Brooklyn scene influence your music?The amount of talent here is mind-boggling. There are too many people to list, but for example: Shallowhalo, Precious Human, Grumpy and May Rio — not only insane writers, but they’ve all tapped into a sound that is so distinct to them. Everyone is doing their own thing and being really good at it. It’s pushed me to continue to explore and expand on what makes Big Dumb Baby different. I used to shy away from the theatricality of my writing because I didn’t want to be pigeonholed as the ex-theatre girlie, but being surrounded by artists who are unapologetic has given me more confidence to do the same.What artists are you really digging right now?Definitely all of the artists in my circle that already I’ve mentioned. In addition, my friends Carol (another NYC legend), Brennan Wedl and I.R. Michael have all written some of my favorite songs ever. Outside of that, I’ve been on an '80s deep dive. I can't stop listening to the albums Skylarking by XTC and Hats by The Blue Nile. Björk, Ted Lucas, J.J. Cale and Caetano Veloso are artists that also stay in rotation.What do you want people to know about you?I’ve been learning how to DJ with 19 friends in a rigorous training program we call “DJ Academy." Post-EP release, I’ll have more time on my hands, so someone should book DJ Academy for a weekly residency or something.Photography by Meghan Marin https://www.papermag.com/big-dumb-baby-terrible-twos-2659737896.html

[biglisbonnews]

Chiquitita's Night of Mugler at The Brooklyn Museum On Saturday, March 25, in the baroque gallery of the Beaux Arts Hall at The Brooklyn Museum, drag sensation Chiquitita, known to her downtown congregants as Miss Bushwig 2018, teamed up with the museum to celebrate drag culture, transgressive creativity and the iconic designs of Mugler. "Mugler’s designs celebrate women, while never undermining their power or reducing them down to their body type," Chiquitita says.Hailed as a fashion visionary, Thierry Mugler was known for his opulent, avant-garde pieces that existed as much for fashion as they did for the spectacle. But underlying the glamorous sheen of Mugler’s designs — the cheeky silhouettes, the mythic costumes and fearless use of unconventional materials (latex, vinyl, plexiglas) — was a marked alignment with fetish and kink communities that kept his designs feeling fresh and subversive to mainstream audiences, bringing the grit-and-sleaze essence of subcultures to the highest echelons of fashion. A NIGHT OF MUGLER featured The Brooklyn Museum’s acclaimed Thierry Mugler: Couturissime exhibit and an edgy lineup of some of New York’s most fabulous queer artists. The benefit also helped fundraise for public programming, ensuring that the tristate community can continue to experience the subversive universe of the French designer with low cost of entry. This is the second year of Chiquitita's partnership with The Brooklyn Museum, through which she's brought her community into prominent spaces that celebrate creative expression, artistic freedom and the vibrancy of queer culture.With DJ sets by Dee Diggs and Tito Vida, immersive photo booths by Victor G. Jeffreys II and Nico Kiray and live performances by artists from Brooklyn and beyond, the unforgettable night was a necessary reprieve from the assailment of this past year's anti-trans, anti-drag and anti-LGBTQIA+ legislation. Related | We Must 'Show Up In Force' Against Anti-Trans Legislation"To gather in solidarity with one another, taking up very public space in the Brooklyn Museum, goes beyond drag, music or fashion," Chiquitita tells PAPER.And like the complex nature of any hardship in life, A NIGHT OF MUGLER was more than just one thing: a protest, an homage and an absolute party. Check out our conversation with Chiquitita on the night to remember with chromatic SIDEWALKKILLA photos that immortalize the epic night in sparkle-and-flash pizazz.What was the inspiration for this evening at Brooklyn Museum? Many years ago, I used to do an event called the "Met Gayla" around Brooklyn in all kinds of little bars and spaces. I would take themes from previous Met Galas and give them to the people that know themes better than anyone -- queer people! [The Brooklyn Museum] gave us the opportunity to partner with them and their curators to design an event themed around an exhibit (last year Warhol, this year Mugler), while helping them raise money for their public access programs. It has been a fantastic partnership and I’m incredibly thankful to their team’s continued trust and support, letting us lead an event where we as queer people get to take up space!What did you wear? I had the pleasure of wearing two separate looks for the event. First off, for my hosting gown, I was able to collaborate with my extremely talented friend, Ryan Seminara. He created something I will treasure for the rest of my life! It was the perfect lavender satin dress, taking inspiration from Mugler's Angel [perfume] bottle. Secondly, for my performance look I wore a burgundy mesh gown made entirely by me that was rhinestoned head to toe, inspired by some looks in the exhibit itself.Do you resonate with Thierry Mugler’s designs? Personally, Mugler has always been a direct reference for me ever since I started getting into fashion. Mugler’s designs celebrate women, while never undermining their power or reducing them down to their body type. To me, this is something that many in the fashion industry fail to do. Clothes and fashion have such a strong impact on the way we present and view ourselves in the world. Mugler’s designs empower women in a world where often we’re put down or marginalized, and I love that!What does it mean for the drag and queer community to come together to celebrate drag, music and fashion?We’re being met with very, very trying times right now. The only thing on many queer peoples' mind is the onslaught of anti-LGBTQIA+ legislation and messaging, directly impacting me and my fellow trans siblings. This legislation being advanced- — forcing children to de-transition, denying access to hormones, taking parents of queer children's rights away, the ability to decide what is right for their child — rightfully has a lot of us very scared. To gather in solidarity with one another, taking up very public space in the Brooklyn Museum, goes beyond drag, music or fashion. We’re celebrating life beyond, and we’re remaining a beacon for those in the country who are fighting in the states that are the very front lines of this current political onslaught.What was the attendee response to the event? We hear a lot of comments from attendees that they love being invited to a space like the Brooklyn Museum for a big fancy party, where they have a chance to not only create but show off a fun look, check out some art and fantastic performances, all for a great cause! What were the performances at the event?For this event, we like to build on the theme of the associated exhibition, so we wanted things that echoed Mugler. We had live music, amazing pole artists, drag and ballroom performers — trying to give something for everyone!In light of the vicious anti-trans and drag rhetoric and legislation surfacing in the past few months, how important is it to find moments of community, joy and celebration? Legislation being advanced by an extremely loud minority in this country will not dampen our community and our joy. The queer community and drag performers, transgender people and those in every spectrum of identity, we’ve all been around since the beginning of humanity. If anything, what is happening in some parts of this country has only reaffirmed my commitment to bringing these moments to the forefront of contemporary culture, not only for local community members, but because I’ve realized that our community in Brooklyn and New York City acts like a beacon showing others we are here, we are loud, we are proud of ourselves, and we aren’t going anywhere!Photography by SIDEWALKKILLA https://www.papermag.com/chiquitita-night-of-mugler-2659695914.html

[biglisbonnews]

MisterWives Is Finally Angry in New Single 'Out of Your Mind' MisterWives, the New York-based indie rock band, is stepping into a new era of punk, angst and fury with the release of their single "Our Of Your Mind," a bloodthirsty breakup diatribe. It's fair to say the band is no stranger to love's dissolution. In 2020, just a few days before their third album SUPERBLOOM's announcement, lead singer Mandy Lee and percussionist Etienne Bowler disclosed their fresh separation after nine years together. Romantically, of course, as the band continued to rock on. And as MisterWives rebuilt their foundation in this tumultuous time, a new sound emerged from the rubble of their former selves — one that was a little bit angry.SUPERBLOOM, the band's 2020 album, captured a moment in time as Lee and Bowler grappled with their newfound relationship, one that was now solely connected through music. The catharsis can be heard in the soulful blend of pop, rock and funk as the band explored heartbreak and forgiveness, wrapping pain and uncertainty into danceable tracks. However, if "Out Of Your Mind" is any indication of the bands new trajectory, technicolor heartfelt bops are a thing of the past. As Mandy Lee rediscovers her voice, the band leans into what they're calling their "sacred anger." Mandy Lee tells PAPER, "Not masking uncomfortable feelings with arpeggiated synths and sweet progressions was a pivotal moment needed to let go of pain and anger that was no longer mine to carry, while also giving us creative freedom to not feel boxed in to what might be expected from us."Mandy Lee's vicious hook, "Blood on your hands it isn’t mine/ If you think I’ll lay down and die/ You’re outta outta outta/ You’re outta your god damn mind," infuses the pop-punk track with head-banging messages of empowerment. She confides to PAPER that the single "came from a time when [she] experienced devastating betrayal from people [she] trusted." Spiraling into self-doubt, Lee questioned whether it was time to give up music. "Instead of succumbing to the doubt, I finally began my journey with a new, emboldened sense of self emerged that fueled what became this album," Lee explains. Anger pulsates through the track’s music video with director Matty Vogel's keen eye to channel it. Partially inspired by Severance and The Matrix, the "Out Of Your Mind" video brings their punk sound to life. "Absolving yourself from doubt, fear and pain, and converting it into empowerment is a really transparent and honest representation of the journey she’s been on," Vogel shares. "It was important to show that your pain can become your power, which is the crux of this song and album," he adds.Check out Mandy Lee breaking shit in the blood-dripping music video for MisterWives new single "Out Of Your Mind," directed by Matty Vogel, below.Photography by Matty Vogel https://www.papermag.com/misterwives-out-of-your-mind-2659678349.html

[biglisbonnews]

Dimes Square Kid Blaketheman1000 Goes Bi-Coastal With 'Magician' Blaketheman1000 is officially bi-coastal in his two most recent singles "Traffic" and "Magician," the latter of which dropped today, infusing his signature SoundCloud rap sound with a sticky summer So-Cal twist.Blake Ortiz-Goldberg has made his mark in the underground New York art scene with Blaketheman1000, his inescapably downtown pop project. Since Blake’s move to New York in 2018, the 27-year-old artist has capitalized on his apparent savvy for networking and collaborating with other young talents on the rise.Related | Frost Children Are Spiraling UpwardWhile he’s probably joking when he calls himself the “Downtown Dimes Square Diamond” in his 2022 single “Dean Kissick,” his performance CV speaks for itself: headlining shows at popular insider venues like Honey’s and Ming’s Cafe, closing out Forever Magazine parties at Russian Samovar and KGB Bar, getting featured on New York’s cult-favorite substack Perfectly Imperfect and co-managing the Frost Children, the buzzy duo comprised of NYC-based siblings Lulu and Angel Prost. And even though he has yet to release an album, his well-attended live shows only prove that his New York community is eagerly awaiting more.Now, during a recent Los Angeles foray, he's come home with two videos directed by Sarah Ritter: “Traffic” and “Magician.” While both have a summery nostalgic feel, “Magician” leans into Blake’s post-internet aesthetic with heavy DIY production that transports you into the peak early-2000s MySpace era. Filmed in an ice cream truck near a local Disneyland skate park, you can taste the salty air and feel the sticky ice cream hands. "We shot the video at a skatepark in Anaheim, California with some pro bladers and some amateur skaters," Ortiz-Goldberg tells PAPER. "Parker Richardson, one of the pro bladers, did the motion graphics," he explains. From Good Humor’s Strawberry Shortcake pops to Blake’s mid-song 2010s autotune moment, the video radiates a kind of serotonin-filled nostalgia that can only come from grade school summer break. In capturing this feeling sonically as well, the result proves a summertime bop that strays from his Brooklyn rap sound.Whether you buy into the scene he’s repping or not, Blaketheman1000's rap-meets-electro-pop singles are catchy, with campy lyricism and light-hearted synths that are proven to get stuck in your head. Check out PAPER's premiere of Blaketheman1000's "Magician" video below.Photography by Sarah Ritter https://www.papermag.com/blaketheman1000-magician-music-video-2659625016.html

[biglisbonnews]

Joanie Channels Nihilistic Eroticism on 'Neurotica' London-based indie-pop artist Joanie just released her debut EP Neurotica via Permanent Creeps Records. A cult-favorite in the London live-scene, supporting alternative rock acts like Black Lips and The Moonlandingz, Joanie infuses the grit and punk ethos of sweaty basement rock into her glittery, glamorous orb. Jessica Winter, UK-based artist and producer, lays down stabbing, ominous synths that layer the four-track project with a spell-binding, dystopian edge.Joanie's lead track "Schadenfreude" shines as the apex of the project, its wicked and rapturous composition tottering between disco decadence and haunting apocalypse. "'Schadenfreude' interrogates the sickness of the modern age," Joanie tells PAPER​, "where the downfall of celebrated women is entertainment." The sickly sweet delivery of the impossibly grim is tantamount to Joanie's magic. "Kerosene," with its luxurious music video directed by Ash K Halliburton, takes on the melodramatic world of the iconic '70s film Pink Narcissus. The intoxicating result captures the "intoxication, obsession and escapism" of the homoerotic oldie.From camp anthems to nihilistic eroticism, Joanie's overt interest in first-world hedonism creates thematic anchors in the project, using pop culture as kitschy, ironic breadcrumbs for contemplation. Her biting commentary, satirical edge and catchy lyricism push the strobe-lit dance songs and glossy production into exciting territory. Read on for Joanie's track-by-track breakdown of her psychological and deliciously cheeky EP Neurotica below."Schadenfreude"Margaret Atwood said, “Men are afraid that women will laugh at them. Women are afraid that men will kill them.” In its crudest terms, "Schadenfreude" is concerned with the conundrum of patriarchal obsession that women are to be fucked or destroyed for fear they may become too powerful. This track interrogates the sickness of the modern age, where the downfall of celebrated women is entertainment, and I wanted to open up a conversation about that. Within the song, I reference fantastic women who society deemed crazy. It’s a pattern that keeps repeating from Marilyn to Britney."Kerosene"I wrote the lyrics to this song during a really transformative period of my life. I was working through a lot of neuroses — hence, the EP title Neurotica. Channeling those heavy emotions through upbeat disco sounds was a way of reclaiming the power of those feelings, whilst forcing me not to take myself too seriously."Your Kind Of Freak""Your Kind of Freak” is a camp anthem that celebrates the othered beauties in society. It is a celebration song of empowerment, joy and acceptance. Conformity is often celebrated as beauty — lip injections, leggings and Ugg boots. Walking through Soho, I see my kind of beauty, I see my kind of freak. I adore the strippers and the beautiful creatures who dare to live in their authenticity, dancing beyond claustrophobic norms. The throbbing disco beats in this song offer up a soundtrack to accompany the euphoric war cry that is living in one’s own truth."Casino"Casinos are strangely enticing, straddling the nihilistic eroticism that exists between glamour and tragedy. For me, the casino can be a metaphor for any tempting mistress who promises the world but strips you of it — an unavailable lover, a self-delusion, an addiction, a fantasy. The monotonous throwing of the dice and the clinking of the slot machine are echoed in the relentless driving bass.Photography by Deelo Arizona https://www.papermag.com/joanie-neurotica-2659565163.html

[biglisbonnews]

Dive Into the Cuddle Pit at Marshall Columbia and Club Carry's 'Femme Fantasy' Last month, the tristate area's femme talent, audience and lovers emerged from February's frosty winter hibernation, threw on their skimpiest mesh, fishnet and threadbare rave gear and listened to bewitching DJ sets in a pillowy cuddle pit on the floor of NYC's Knockdown Center. If you were there, you know it wasn't a fever dream — it was an artful Valentine's Day-themed celebration called "Femme Fantasy," hosted by Brooklyn-based party collective Club Carry and Brooklyn-based designer Marshall Columbia.Taking over the spacious Knockdown Center in Queens for a seven-hour party with two stages, "Femme Fantasy" celebrated feminine energy by featuring a stacked lineup of 18 trans and femme performers, with buzzy headliners Bbyafricka, Goth Jafar, Memphy and Club Eat. The diverse lineup ranged from Nola bounce and Baile funk to techno and house."Trans and femme DJs and performers are nightlife," designer Marshall Columbia tells PAPER. "They are the blueprint, and, without them, nightlife would not exist. These are the powerful people who inspire my work." Marshall Columbia, designer of his whimsical, namesake brand (whose designs you've probably seen on Instagram or carried by big-name celebrities like Dua Lipa or Doja Cat) opted for an experiential fashion week show that honored his shared community — and not solely his collection — during the otherwise downtown-obsessed craze of NYFW. Related | The Queer Designer Making Trippy Neon Clothes and Plush Bags"The Brooklyn queer community will always be at the center of the Marshall Columbia brand," Columbia explains. His eccentric designs that tap into zeitgeist trends are playful both in their architecture and in how seriously they're meant to be taken. And just like his designs, which play with social fads with an ironic twist, his move away from the traditional NYFW structure is equally intentional in its cheekiness. Instead of using the classic runway model, Marshall Columbia dressed the performers and DJs in head-to-toe Marshall Columbia looks while they took the stage at the Knockdown Center. Related | KRATER Brings Anti-Fashion to Bushwick for NYFWCo-hosted by Club Carry, a rave-based collective started by Brooklyn DJs Antpuke and Memphy, the event was one of a growing series from the depths of the Club Carry girls' imaginations. Their itinerant party series is flamboyant and highly produced, with the intention of building safer spaces within nightlife for queer people by encouraging community care, radical self-love and harm reduction."We realize that having an accessible platform and community within the nightlife community for queer and trans folk is extremely important and generally lacking within the rave and techno community in the US," says Memphy, a recognized presence in the downtown scene as a rising model and DJ. She continues: "We recognize that the mainstream nightlife scene often prioritizes cisgender and heterosexual individuals, and we are tired of the same old headlining acts."Nightlife and queerness have always existed in tandem with one another, with event spaces playing a critical role in queer and femme communities. These spaces have not only served as safe atmospheres for queer people to congregate and express themselves freely but also offer a place of play and experimentation, birthing diverse music genres, styles of dress and bending expectations and standards of dominant cultures. The events that Club Carry curates are "specifically for queer, trans, POC and anyone who wants to have fun," Memphy explains. "Most importantly, it's a reminder that no one is alone, that there are others out there who share their experiences and understand what they're going through."The party, which raged through the night of February 17th, was set with purple mood lighting, a teddy bear-encrusted DJ booth and a massive cuddle pit filled with mattresses, pillows, pink satin sheets and cushions thanks to set designer Evan Jean. "The cuddle pit was definitely the cutest moment of the party," Marshall Columbia confesses. "Seeing all the different groups of people lying there together was a wholesome moment for sure.""Femme Fantasy" was a night to remember for friends and guests who attended, and the Club Carry girls assure PAPER there will be many more events to come. Photography by Jean Toir https://www.papermag.com/marshall-columbia-club-carry-femme-2659557854.html

[biglisbonnews]

Russell Tovey's 'Life is Excellent' Celebrates His Queer Artist Ancestors Russell Tovey, UK actor and producer, today released the trailer for his new project, Life is Excellent, a feature-length documentary chronicling the inimitable life of one of his heroes, David Robilliard — a radical queer poet and artist who died of AIDS at the young age of 36 in 1988. “As a 40-year-old queer man I feel the responsibility to make sure that [historical documents of existence] that matter to me and my kind, actually matter to everyone,” Tovey explains of this archival project. The documentary's subject, artist David Robbiliard, was igniting the queer art scene in London long before Tovey had even turned double digits, but as Tovey explores the fiery life of the man he never met, and "who [Robbiliard] drank with, worked with and shagged," Tovey uncovers the impact of characters you never get the chance to meet and the legacy of late 19th-century queer artists as trailblazers, cherished ancestors and ultimately, an unlucky generation whose stories were cut short by an unforgiving epidemic.Tovey embarks on this artistic mission in partnership with WePresent, the arts platform of WeTransfer, after the company’s successful year-long collaborations with artists Marina Abramović and Solange Knowles. Through this collaboration, Tovey and WePresent aim to bring attention to archival works while examining their resonance today.Tovey's guest curatorship with WePresent will include work on a total of three projects this summer, with Life Is Excellent being the first. Each project promises to share a culturally significant narrative from the LGBTQ+ community.Holly Fraser, editor-in-chief of WePresent, says: "[Tovey] shares WeTransfer’s belief that the power of creativity can truly change the world, and I hope that through this curatorship on WePresent and the projects that form it we can further the conversation around the importance of inclusivity and reflect on some of the great artists who have paved the way for this to continue in the industry.”Check out the Life is Excellent trailer below.Photos courtesy of WeTransfer https://www.papermag.com/russell-tovey-life-is-excellent-2659517371.html