#Amlitzer

[stinkybreath]

Legend of the Galactic Heroes episode 15, “The Battle of Amlitzer Starzone”

[logh-icebergs]

Episode 15: The Battle of Amlitzer Starzone

October 10-15, 796/487. To the surprise of absolutely no one with any common sense, Reinhard’s admirals make quick work of several of the Alliance fleets, killing a bunch of redshirt admirals in the process. Unable to swallow the humiliation of withdrawal, Lazzll orders the remaining forces to gather in the Amlitzer starzone, where with their powers combined they can...I dunno, kill slightly more people on their way to defeat I guess. Any lingering dreams of a miraculous turning of the tides are crushed when Kircheis uses the newfangled technology of directional Seffle particles to destroy a minefield and bring his fleet of 30,000 ships to the battle as reinforcements.

Poplan!

Olivier Poplan showed up way back in “My Conquest” in the role of a rather dopey comic relief character, one of the tools the movie used to show us a variety of perspectives on the ongoing battles. We’ve glimpsed him once or twice since, but in this episode for the first time we get to focus on him a bit more; and the first thing that the OVA wants us to know about Poplan is that he’ll take any opportunity, even the twenty seconds before his Spartanian fighter is about to launch into battle, to flirt with a cute girl:

To be fair, she is indeed really cute…

There is a lot to say about this incredibly brief interaction. What Poplan actually says is “na, ii darou?” which translates most literally to “hey, isn’t it okay/good?” There are a couple factors that make this incredibly vague phrase feel like a flirtation or come-on: the way he leans toward her with a slight smile; the lowered voice. Her response reinforces this read by treating his actions as inappropriate to the current situation. (What she says is “komarimasu, tai-i, konna toki ni”—”that would be troublesome at a time like this, Lt.”) Is she reading him correctly? Could his question have actually just been about the progress of the repairs on his ship?

Well, yes, it could have been, but the accompanying body language and tone are flirty enough that at the very least there’s innuendo built into his words. Of course as she points out, this is a ridiculous time for him to be propositioning anyone; their interaction is immediately interrupted by an officer berating him for being the last plane out, Poplan takes off, and (spoiler!) we never see this woman again. What on earth, then, was the point of that twenty-second scene?

I’ve mentioned that Cazellnu plays an important role in the show by embodying some of the heteronormative structures of Alliance society: Not only does he himself have a picture-perfect wife and kids (we’ll see them soon I promise!), but we’ll also hear him explicitly voice views about the righteousness of marriage and procreation. Poplan plays a similar and complementary role, giving voice to another side of heteronormativity: the pressure for men to constantly pursue women as sexual conquests. His introduction in this scene emphasizes that sex is so constantly on his mind that he can’t resist flirting even as he flies into battle—and of course that very idea, of men as sex-obsessed and unable to control themselves around women in any situation, is another widespread norm. True to this introduction, Poplan discusses sex constantly: bragging about women he’s slept with in the past; teasing other characters about not sleeping with enough women; pontificating about the virtues of sleeping around (with women). This potentially puts characters who don’t relate to this sort of hypersexualized straight masculinity in somewhat uncomfortable situations.

There’s another angle to Poplan’s strange timing here: The fact that his ambiguous proposition is guaranteed not to go anywhere at the moment makes it entirely performative. In fact if you pay close attention to Poplan (and we will!), something around 95% of what we see involves performing or projecting heterosexuality rather than, well, actually enacting it. Obviously that doesn’t mean that the stuff he says is insincere or false, but ambiguity is always worth keeping an eye on in this show.

...and Konev!

No discussion of Poplan is complete without talking about Ivan Konev, the other star Spartanian pilot of Yang’s fleet and Poplan’s constant companion. When Poplan discovers that the firing sights on his Spartanian are misaligned, Konev covers for him to help get him back to the relative safety of the ship, leading to in my opinion the most intense scene of the whole episode.

We’ve seen Poplan and Konev deal with the stress of battle by treating it like a game: betting on the outcome back in “My Conquest,” and generally keeping up a running tally of their respective kills for bragging rights. But these are in fact life and death battles, not some video game; and faced with malfunctioning equipment that put his life and the lives of the rest of his squadron in heightened danger, Poplan’s fear and frustration come out as anger against the officer in charge of maintenance. It’s Konev who intervenes. 

Poplan’s expression and posture soften the moment Konev puts a hand on his shoulder. Just that one instant establishes Konev as a grounding presence and someone Poplan has a deep connection with.

The unguarded fear that flashes in Poplan’s eyes for just a second here gives me chills.

Shit has gotten serious, and Konev’s words don’t soften that reality; but his steady expression and touch quell Poplan’s rage and help him channel his emotions into renewed focus on the battle.

Interestingly, this exchange comes to us entirely courtesy of the anime team. In the novels it’s Schenkopp who pulls Poplan off of the other officer, in a much more abbreviated version of the same scene. (Poplan actually holds a grudge against Schenkopp for stopping him before he could more thoroughly teach the guy a lesson.) The anime writers made a specific choice to change and expand this scene to show us this different side of Poplan and Konev’s dynamic. Of course we’re not here to catalogue all of the slight deviations from the novels; but a change like this suggests to me that Poplan and Konev’s relationship is one they’re particularly interested in developing, so we should be paying attention.

War

This sentiment echoes Yang’s tea speech from episode 6; finding themselves in this battle, his main goal is to find a way for as many people to survive as possible.

Zooming out from Poplan and Konev’s struggles in their little corner of the fight, the overall battle seems to go exactly how Reinhard drew it up and exactly how Yang and some of the other Alliance commanders feared. Yang places himself on damage control duty as much as possible, knowing from the beginning that their whole fleet is at a huge disadvantage especially after Reinhard’s successful strategy to tax their supplies.

During the various scattered battles we get some fun peeks at the different fighting styles of Reinhard’s admirals, for example when Mittermeyer swoops so swiftly into the midst of an Alliance fleet that he actually has to back up a bit before they can effectively fire at the enemy ships...

...While meanwhile Kircheis just stands on the bridge of his extremely red flagship like the badass he is and calmly encourages any Alliance forces that come near to surrender.

After retreating to minimize losses against Kempf’s fleet, Yang finds himself facing Kircheis and outnumbered four to one; avoiding the temptation to surrender, he concocts some sort of plan involving a U-formation and trying to attack Kircheis’s forces from three sides at once, but since he’s ordered away to Amlitzer in the middle of that fight we’ll never know what the outcome of this tactic would have been. 

This gif is interesting for two reasons: one, everyone’s utter shock at Yang admitting out loud that if it weren’t for concern for the other remaining fleets he’d be tempted to surrender; and two, the ridiculous redraws that keep switching back and forth—Yang’s character design, as well as the entire background, change repeatedly in the course of these few seconds. What the hell.

The main point I want to make about this battle is, well, actually how uneventful it is. LoGH is about understanding cause and effect, inevitability, ways of thinking that lead to different outcomes. We’ve known for several episodes that the Alliance went into this invasion underprepared and for the wrong reasons, while Reinhard has carefully taken steps to weaken the Alliance forces and give himself even more of an upper hand. There are no shocking twists here: The invasion is a disaster, as it should have been, and Reinhard’s (and Oberstein’s) strategy is rewarded with a convincing victory.

Right, Bittenfeld, that's...pretty much what I said.

Stray Tidbits

This brief interaction between Reinhard and Oberstein near the end of the episode is a nice microcosm of the dynamic we’ve seen develop in previous episodes: Oberstein being kind of baffled by the concept of Reinhard fretting about one of his admirals more than the others. Hang in there Oberstein, maybe someday you’ll underst—nah, actually, probably not. Reinhard’s “damn you caught me” expression as he tries to claim he was “just checking” is too cute. 

Don’t worry Reinhard! Kircheis just has to gaze at Alliance commanders with those calm blue eyes and they surrender to his every whim, you know that.

If you’re watching on Hidive, I hate to say it but for once I’ve got to score one for the fansubs: As far as I can tell what Yang says here (after Frederica reminds him that Julian has told him to cut down on drinking) is just “so you two have joined forces?” (The verb is 連帯する, rentai suru, “to have solidarity/share responsibility.”) Cute (if a bit weird) as the Hidive version is, it's a definite stretch.

And while we're at it, here's the original laserdisc version, complete with random blue tube in the background.

Hidive subbers, I would read your fanfic but for the official translations let's stick to what they actually say...

Am I a terrible person if this gif just makes me laugh? 

[marxism-leninism-utenaism]

episode 82 works so well. (under a cut b/c im gonna allude to extremely spoilers, go watch legend of the galactic heroes)

its such a dramatic shift in tone from the rest of season 3, which was the most willing to lean into reinhard’s “war as noble confrontation of the finest minds and strongest people in the galaxy” bullshit.

the deaths of farenheit, fisher, etc. were very impersonal but also, like, noble? like, you stand and salute the noble sacrifice of your friend and comrade as their flagship burns up in space, but its the kind of death that’s expected and justified in the narrative and the genre.

and then episode 82 happens. its grimy, its brutal, its pointless, its unfair, its everything that war is and that death is and the people you care about (and a lot of people you don’t) die for no good reason and without anything to show for it. it comes back, hard, to themes that were present in the series all along (20 million dead at amlitzer, for example) but had been neglected in the way that the narrative focused on the yang-reinhard Final Battle as this sort of airy theoretical thing that only barely had anything to do with politics anymore

and then yang bleeds out in a dark hallway on a tiny ship, shot by an assassin who could barely handle his gun.

its such a good episode

[recentanimenews]

Main Characters Confront in Legend of the Galactic Heroes 2nd Season New Visual

    The official Japanese website for the TV anime The Legend of the Galactic Heroes: Die Neue These is updated with a new main visual for its upcoming second season "Seiran" (Stellar War) featuring its principal characters from the story's two major interstellar states, the Galactic Empire and the Free Planets Alliance. The visual suggests the beginning of the forthcoming Battle of Amlitzer Starzone, and a new tagline reads: "That Clash is a Door to the New Era."

  The second season of the new anime adaptation of Yoshiki Tanaka's sci-fi novel series will be screened in select Japanese theaters in three chapters with four episodes for a limited time of three weeks. Shunsuke Tada (Kuroko's Basketball) serves as director again at Production I.G, alongside his Kuroko's Basketball partners: series composition writer Noboru Takagi, character designer Yoko Kikuchi, and chief animation director Takayuki Goto.

  Screening schedule: 

The first chapter: September 27, 2019 (Fri) 

The second chapter: October 25, 2019 (Fri) 

The third chapter: November 29, 2019 (Fri)

        【メインビジュアル解禁】 銀河帝国軍＆自由惑星同盟軍の登場キャラクターの中心でラインハルトとヤンがたたずむ、「星乱」第一章のメインビジュアルが解禁！帝国軍と同盟軍が対峙する新ビジュアルは、アムリッツァ会戦の幕開けと両軍の激闘を彷彿！いよいよ上映まで１ヵ月‥！#ノイエ銀英伝 pic.twitter.com/DWDl1pv5rE

— 銀河英雄伝説DieNeueThese (@gineidenanime) August 17, 2019

   "Seiran" first chapter long PV:

  【???? 各章 3週間限定上映 】 ????『銀河英雄伝説 Die Neue These 星乱』の上映日をおさらい！ 第一章:9月27日（金） 第二章:10月25日（金） 第三章:11月29日（金） OP曲▶︎SawanoHiroyuki[nZk]:Uru /「Binary Star」 ED曲▶︎SawanoHiroyuki[nZk] /「Tranquility」 #ノイエ銀英伝 pic.twitter.com/ns4ORqpJbs

— 銀河英雄伝説DieNeueThese (@gineidenanime) July 12, 2019

      The first season "Kaikou (Encounter)" based on the novel's first volume "Reimei-hen/Dawn" was aired for 12 episodes from April to June 2018, and has been also available on Crunchyroll for its members in USA, Canada, South Africa, UK, Ireland, Australia, New Zealand, The Netherlands, Norway, Denmark, Sweden, Finland, Iceland, and Central and South America. 

      Source: "The Legend of the Galactic Heroes: Die Neue These" official website / Twitter 

  © YOSHIKI TANAKA/SHOCHIKU, Production I.G 

  By: news+feed@crunchyroll.com

[logh-icebergs]

Episode 29: One Narrow Thread

Early 798/489. Adrian Rubinsky meets with Bishop Degsby of the Earth Cult to discuss his plans to aid Reinhard’s forces in capturing Iserlohn and then assassinate Reinhard to seize power for Phezzan. Degsby points out that under this scheme the Earth Cult’s investment in setting up a puppet government on Heinessen would be a wasted resource, but Rubinsky plans to use his financial control over the Alliance government to manipulate them into backing Yang into a corner. Degsby reminds Rubinsky that he owes the Grand Archbishop for his current position and had better tread carefully. Rubinsky sends his minion Kesserling to Remschild to propose a scheme that will ensure that the Empire and Alliance continue to fight each other, while Admiral Kempf attempts to perfectly sync twelve warp engines to avoid trapping all of Geiersberg fortress in null space. ….....Meanwhile back in the actual show we’ve been watching, Yang loses at 3D chess, Julian attempts to drink wine, and Hilda visits Kircheis’s grave.

A Quick Language Rant

“Words are like icebergs floating on the ocean called ‘heart.’” This quote provides the guiding philosophy for this project: LoGH is a text that uses the nuances of language, in concert with facial expressions, body language, symbolism, etc., to point the viewer to deeper layers of meaning in the story being told. As a close reading of the queer narratives in LoGH, this blog attempts to tease out and expose these slightly hidden layers. But…..we are writing in English. You’re reading this in English. The gifs we reference have English subtitles and no sound. And uhh, how do I put this diplomatically…

Every English translation of LoGH sucks.

...Okay that’s a bit harsh. Translation is fucking hard, especially of such a complicated work, and everyone who’s put hours and hours and hours into bringing LoGH to the English-speaking world deserves a hell of a lot of gratitude and credit. We never would have been able to watch the show without them. But. When we get into the nitty-gritty details of analyzing a scene, the fact that often none of the existing translations matches the nuance of the Japanese gets in the way. I’d much rather be plunging into yelling at Cazellnu right now than writing this note, but the conversation between Cazellnu and Yang in this episode is a mess in both sets of subtitles that I have access to, so here we are.

Let’s start with the fansubs, on the left—notice a couple whole clauses that aren’t in the official Hidive subs at all? Care to guess where they come from? That’s right, they come directly from the novels, as does the word “perfect” in Yang’s “perfect parent” line. Hey, I totally get it, fansubbers, the novels are a fantastic resource for figuring out the kanji or double-checking words that are hard to hear. But the dialogue in the anime is not in fact lifted verbatim from the novels; and while not every difference is super meaningful, we are interested in the intentional choices made by the anime staff, and that makes deviation from the books especially ripe for analysis.

The official subs, which are generally quite reliable, are also unsatisfying in this scene. As I’ll discuss below, the word that Yang uses replacing the novel’s “perfect” is 人並みに, hitonami ni, an adverb meaning “like others/as much as anyone else.” The official sub translation makes it sound more like “under normal circumstances” than “like normal people,” and while that’s not a life-altering difference, the nuance is relevant to my analysis. And they got the grammar of the sentence in the last gif here backwards; indeed, neither subtitle translation understood what I believe Yang is saying in those lines, but the English translation of the novel agrees with my interpretation. (Not that the novels don’t have their own translation problems, which is outside the scope of this blog but also frustrating…)

Phew. What all of this means is that before we can even start writing a post, we have to go through a whole process of triangulating all of the slightly different translations of any scene we want to analyze in detail, making sure that we understand the nuances of the language and can convey them accurately. (Not to mention checking the original LD version to make sure no significant changes were made to the animation in the DVD remaster!) In the case of the conversation between Yang and Cazellnu, the subtitles used in this post are my own synthesis based on the fansubs (modified to reflect the actual anime dialogue) and the translation in the novel (where I believe it to be more accurate).

With that out of the way, we are now ready to plunge into the main battle of this episode, so buckle up for....

Yang vs. Cazellnu!

That’s right, we’ve seen Yang battle Imperial fleets to improbable stalemates at Astate and Amlitzer, outsmart the commanders of Iserlohn to capture it from the inside, and annihilate one of his own nation’s fleets on his way to defeating the military coup; but how does Yang the Magician handle the most intimidating of all battles: having dinner with a married friend?? I’ve said before that Icebergs is not a relationship advice column, and nor is it, usually, a tips and tricks guide for dealing with pressure from peers to conform to heteronormative expectations, but hey—when we have the chance to learn from a Master Tactician, we should take it, right?

...Hmm.

...Well in any case, what’s fascinating and important about this conversation is that it does have the back-and-forth tension of a battle, with multiple strikes and counterstrikes: Yang employs a wide range of different strategies tactics to parry the various arguments that Cazellnu makes in his quest to convince Yang of his duty to marry. This conversation is key to understanding both Yang’s attitude toward marriage and family, and the way that Cazellnu often speaks explicitly in the voice of the normative pressures society puts on people to fit into the “married with kids” box. The dynamics of the entire interaction set Yang and Cazellnu up as opponents, and the sum total of Yang’s resistance to all of Cazellnu’s different angles of attack paints a clear picture of his current reluctance to see himself in the role of husband or father.

Yang does indeed provide the first opening to be scolded about marriage, when he takes offense at Charlotte using the suffix -ojichama (an affectionate “uncle”) in contrast to -oniichama, “big brother,” for Julian. Keep this moment in mind; I’ll be coming back to it in…*checks calendar* about eight months.

Immediately Cazellnu frames marriage as a societal obligation, and failure to marry as a “luxury.” Aww Cazellnu you romantic you.

In the previous episode we saw Mittermeyer pushed toward a normative marriage by subtle, insidious pressures—his upbringing within the context of a traditional family and the (possibly unspoken) expectations from his parents that he’d follow that model; the preponderance of visible heterosexual romance in his society. We’ve seen Yang swept along passively into romantic situations in which he was obviously uncomfortable. But Cazellnu’s line right here is the first time that a character has actually given voice to the institutional heteronormativity of society, actually advocated for it in so many words, actually leveraged it to criticize someone’s deviation from that norm.

Bantering with a friend in the abstract is way less uncomfortable for Yang than being thrust directly into a potentially romantic/sexual situation—unlike when Lapp pushed him to dance with Jessica or when Jessica threw herself at him, here there is no immediate danger, no specific person to reject or offend. This is an intellectual battlefield. And so Yang does fight back actively, starting with Tactic #1: appeal to historical precedent.

Note that while in his initial grumbling Yang said he wanted to be called oniichama while *still* a bachelor, now that he’s talking in the abstract rather than about himself he’s taking the even stronger stance that people can be productive members of society while *never* getting married. This line of argument makes sense; history is where Yang feels like an authority, and even the syntax of his “shall I make you a list?” reinforces his expertise here.

If Cazellnu’s thesis were that marrying is the only way to be an asset to society, Yang pointing out the existence of plenty of queer people—er sorry, “lifelong bachelors”—making contributions throughout history would be an effective rebuttal. (No, I don’t think that Yang is consciously talking about queerness, but yes I do think the creators are, through him.) But Cazellnu’s thesis is that participating in marriage and reproduction is an obligation on top of whatever other accomplishments someone might have, and Yang bringing up historical precedent opens the door to Cazellnu pointing out that not only is marriage the norm right now, but it has been for much of history. 

In case you think I’m just being overly cute with all the battle analogies, it comes directly from the source material: The narration in the novel here contains lines like “And the point goes to Cazellnu, Julian thought” and “Yang didn’t attempt another counterstrike.”

In the anime, however, Yang does attempt one more counterstrike here, which is important because it’s the closest he gets to just saying “but I don’t want to.” 

For Tactic #2, Yang complains that he didn’t pass thirty on purpose; in other words, Cazellnu may think he’s at an age where he ought to be married, but on the inside he doesn’t feel ready for that role. In case there was any suspense about Julian’s feelings on the matter, he is in no rush for Yang to decide he has to get married—keep this line in mind too, as I’ll be coming back to it in a mere six months.

Cazellnu switches the issue from Yang’s feelings to his outward appearance—a subtle but symbolic shift. If only Yang would suck it up and play the proper role, he would become (outwardly at least) a true adult. The issue of Yang’s desires is casually brushed aside.

This entire exchange is good-natured banter—Cazellnu’s intention here, at least on the surface, is to tease Yang, not to seriously condemn him for his choices. But the framework in which people joke is telling; and Cazellnu’s teasing is framed around the assertion that Yang is selfish for neglecting his duty to play the part of husband. Stage one of the battle is interrupted at this point for dinner, and for stage two, during a 3D chess match after dinner, Cazellnu’s joking tone is gone. The topic at issue this time is not just marriage but also parenting; when Cazellnu casually (but correctly) criticizes Yang’s parenting skills, Yang defends himself with Tactic #3: appeal to special circumstances.

Notice that Julian is paralleled to Hortence here in the role of caretaker to the girls. He’s simultaneously being included by implication in the younger generation—as Cazellnu and Yang discuss Yang’s pseudo-parental role in his life—and acting as an adult vis-à-vis the younger kids. At the risk of becoming a broken record...keep this moment in mind, as I’ll be coming back to it in the future.

The key to what Yang’s trying to say here is that adverb I mentioned earlier, hitonami ni, which is a deviation from the dialogue in the novel and therefore something the anime staff thought about explicitly. Hitonami is an adjective meaning average or ordinary (literally “in line with people”), so the adverb form means “like other/most people.” Yang is situating himself as fundamentally outside of the norms that Cazellnu is so fond of imposing: He couldn’t be expected to be a parent like normal people, because he didn’t grow up with a model of a traditional family and because he’s single.

His upbringing is in the past and outside his control; but being single is (on the surface) a choice that he has made—between the tables full of love letters, and Jessica being none too subtle about her continued interest, and everyone on all of Iserlohn knowing that Frederica has a thing for him, it’s always been clear that he’d have options if he were interested. It’s not that his point here doesn’t stand—I agree, the fact that he’s a bachelor who lives alone and has zero interest in or experience with kids did make him a strange choice for Julian’s guardian. But tactically, within this conversation, this was a huge blunder: It opens the door right back up for Cazellnu to continue the marriage guilt trip that was interrupted earlier. And sure enough...

This is such an obvious error that it seems revealing; in Yang’s subconscious, when he’s thinking about why he can’t be expected to be a parent “like most people,” his status as single might feel like something more innate about himself than a temporary circumstance or choice. His shock here is overdone considering the earlier banter. Tactic #4, blaming the ongoing war, is presumably one he’s used before, as Cazellnu is expecting it and doesn’t bother engaging with it directly at all, instead…

...finally delivering his thesis statement on marriage and reproduction clearly. And well, it’s a doozy.

A human being’s greatest duty is to bring forth new life. Damn Cazellnu. The use of the word “duty” (Japanese: 義務, gimu) echoes what Poplan started to say to Konev and Julian about a man’s “duty” to have sex with women; within the first three episodes of the season we’ve had two different characters explicitly describe heterosexual sex and/or reproduction as an obligation. (And throw in the slightly more coded discussion of Mittermeyer’s parents’ “expectations” about his role in society that preface the depiction of his marriage, as well as Reuental’s discussion of his own parents’ unhealthy and unromantic marriage that we haven’t even had time to talk about yet…..hmmmm is it possible that a theme is being established here?)

I can’t emphasize the importance of these lines enough: This is not passive, silent, subtle heteronormativity. This is Cazellnu voicing a view of the main purpose of human life that positions essentially all queerness as not just unusual or different, but specifically a deviation from the greatest duty of human beings. He is not joking. He’s not bantering. This is his worldview.

...And it pisses Yang off. Leaning forward in his seat, setting his brandy glass down with a noticeable thud, furrowing his eyebrows—this is more visibly angry body language than we usually see from Yang. As for the actual content of Tactic #5, well, as much as I love Yang I have to accuse him of a bit of an obnoxious-Reddit-poster argument style here, completely avoiding what Cazellnu actually said and deflecting the topic to something he’d rather be arguing about instead.

Yang: “Yo can we please go back to talking about how much war sucks? I thought I signed up to be on an anti-war show, not to be lectured at about heteronormative social structures…”

The best I can do to relate this reply to what Cazellnu said is that Yang’s either implying that his own record of causing death as a commander morally disqualifies him from being worthy of participating in the whole creation of new life thing, or possibly questioning the wisdom of bringing new life into the middle of a war. Cazellnu seems to take it to be about Yang’s sins, as he counters with—somehow—an even more obnoxious view of the point of reproduction. 

“Okay little Timmy, I’ve caused the deaths of approximately three million soldiers in war, so just be a good boy and go do enough good to compensate for that so Daddy doesn’t go to hell, okay?”

Yang is done with this crap by now, and the next gif is a tactical three-for-one: First he points out that for this specific point of Cazellnu’s, about passing along one’s unfinished ambitions to the next generation, there’s no need for one’s protégés to be biological children (#6); then without giving Cazellnu time to respond (perhaps by pointing out that this doesn’t address his original argument about biological imperative to create life), he adds that this whole discussion is moot in the case that there isn’t unfinished ambition to pass along in the first place—again positioning himself as outside the scope of Cazellnu’s arguments (#7); and finally…

...the ultimate maneuver to win any difficult argument: Tactic #8: get up to go pee.

If you’re keeping score, I’d say that the great undefeated Admiral Yang loses this battle badly. Cazellnu is constantly a step ahead, turning Yang’s arguments back around on him and taking advantage of every opening. Yang is a scholar and a brilliant logical thinker, but you can’t fight convictions like “humans have a duty to reproduce” or “being a bachelor is anti-social behavior” with the kind of logic that Yang is practiced in. Heteronormativity is, for Yang, a more difficult opponent than the Imperial army.

Julian

hey-did-we-mention-Julian-has-dual-identities-of-soldier-and-caretaker.gif

The first episode of season two was all about Julian beginning to grow up as a soldier; this episode forms the natural complement by focusing on Julian’s more domestic roles. Back when Julian was first introduced I mentioned that he’s one of the only male characters who embraces more traditionally feminine roles, and in this episode that side of his personality is emphasized—from happily puttering around the kitchen doing laundry and cooking dinner, to helping look after Charlotte and her little sister (henceforth known as Demon Child Cazellnu, D.C. for short, until someone gives me a better explanation for her namelessness…). 

Did I say Yang vs. Cazellnu is the main battle of this episode? I should have said it’s second after the epic clash of Gensui vs. the Roomba.

Fun fact: 1600 years in the future everyone has finally gotten over being pedantic about calling it “Frankenstein’s monster”!

It’s not played up in the anime except in background shots like this, but from Julian’s diary it’s clear that, along with Yang, Schenkopp, Poplan, etc., Hortence also serves as a role model and mentor for Julian—he speaks admirably of her ability to quickly turn her new Iserlohn quarters into a true home, and eagerly seeks out new cooking ideas and tips from her.

Julian is by nature a caretaker and nurturer; it’s as much a part of his identity as his urge to fight to protect the things he cares about. I can’t express how fucking cool it is that one of the main protagonists of this show is a teenaged boy who’s completely comfortable putting on an apron and making stew while the washing machine whirs in the background, who looks up to both soldiers and housewives, who spends the evening playing with two little girls until they fall asleep on his lap. The landscape of fiction is generally not filled with men who are defined by empathy and nurturing. It’s so badass and so important that Julian embraces these sides of himself, without feeling the need to somehow reject or outgrow them in order to become a Real Man.™

.....Okay Julian yes you are a badass but please dear god learn how to hold a wine glass.

...and Yang

Icebergs Canon: The reason Julian’s suit and Yang’s pajamas are the exact same color is not the animators being lazy, it’s that both items were gifts from Hortence, who clearly bought them at the same store.

Oooh what is this? Actual backstory about what the fuck Julian is even doing in Yang’s life? One keyword of the storytelling style of LoGH is “patience,” and the show has taken its sweet time offering any real explanation of their whole deal. From episode 3 we know that Yang is Julian’s “guardian,” that Julian’s father was also a soldier, and that the military has paid for Julian’s schooling, but in typical LoGH fashion we’re forced to try to piece the details together ourselves. Here, finally, we’re given a few more snippets: Julian was sent to live with Yang four years ago, when he was twelve, and the person who had the brilliant idea to entrust Yang with a child was none other than…

This is the one skirmish of their battle in which Yang is clearly victorious. Even Cazellnu can’t come up with a defense of this decision. Seriously, Cazellnu…..why.

Poor baffled Yang has absolutely no clue what to do with this small human who showed up at his house and immediately started cleaning up. I love that Yang appears to have repeatedly gotten frustrated while writing something and strewn crumpled drafts all over the room...wtf Yang.

This flashback, which takes place earlier in the episode, complements and reinforces Yang and Cazellnu’s discussion of Yang’s total lack of parental instincts: Although he’s come to care about Julian a lot, he had no enthusiasm for this arrangement when Cazellnu first foisted it upon him. He’s Julian’s guardian not because he wanted a child, but because Cazellnu, tasked with managing supplies of all kinds, had a surplus of war orphans needing housing and pressured his friend into taking one in.

Back in the present, Julian continues to stress about Yang’s disapproval of his military career, leading to my third-favorite failure of the Yang-Bechdel Test:

Julian’s main reaction to his promotion is to wonder how Yang will react; his pout shows that, doing a bit of Icebergs-style analysis himself, he reads between the lines of Frederica’s words to understand that Yang did not act pleased.

This tension is underscored again when Yang, rather than toasting to Julian’s promotion, toasts his safe return. Geez Yang, kinda passive aggressive.

This episode is all set-up, laying out clearly the main themes of Julian’s arc that will continue to develop through the season: 1) He’s awkwardly between child and adult—offered wine but unable to drink it smoothly; playing together with the girls but in a caretaker role; promoted for his heroics in battle but insecure about Yang’s reaction. And 2) his dynamic with Yang is evolving, with question marks about how exactly they’ll relate as he grows up and about how Yang will deal with the reality of his becoming a soldier.

And of course, we’ll be keeping an eye on Gensui’s evolving dynamic with the Roomba as well.

Stray Tidbits

This breathtaking scene in which Hilda visits Kircheis’s grave is one of the first key signs of how seriously the show takes Reinhard’s grief and the hole that Kircheis left in his life going forward. Naturally we’ll be coming back to this moment in the future, so for now I’ll just say, god damn, I have chills.

Worldbuilding alert! Yang’s fleet may be currently stationed on Iserlohn, but lest we forget that it was originally constructed by the Empire, the incredibly fancy paneling of the living quarters is here to remind us. The animators really live and breathe this world and it shows in these details.

I’d be off-brand if I didn’t comment on Hortence Cazellnu finally getting more than a few frames of screen time; but other than being a cheerful hostess and more or less actually knowing how to hold a wine glass (unlike anyone else at the table—I made fun of Julian but in fact he’s just imitating Yang and Cazellnu!), she remains an enigma. Patience, the Hortence Discourse will come.

And then there’s Phezzan, back on its anime bullshit... Seriously wtf is this guy and what’s wrong with his eyes?? I’m scared.

[logh-icebergs]

Episode 16: A New Tide

Fall 796/487. The Battle of Amlitzer Starzone wraps up as a big win for the Empire and a big loss for the Alliance—though not for Yang’s fleet, which is able to escape mostly unscathed. Reinhard decides to punish Bittenfeld for fucking up royally, but Kircheis convinces him not to, much to the sinister Oberstein’s chagrin. Then, twist! The Kaiser dies of a heart attack! There’s no direct male heir, so a bunch of vaguely related randos jockey for position before it’s decided that the throne will be awarded to Frederich IV’s grandson, the five-year-old Erwin Josef II. Over in the Alliance, Yang is appointed Commander of Iserlohn, where he immediately hires all his misfit friends and co-conspirators to help make Iserlohn the best party fortress in the galaxy. Meanwhile, Reinhard and Kircheis touch each other a lot (in the past and in the present), and Reuental and Mittermeyer, unable to go on a date during an actual battle, FaceTime instead. Annerose actually gets to be happy for once.

Reinhard and Kircheis

There is SO MUCH telling body language in this moment: their hands simultaneously reaching for each other, Reinhard’s lingering touch on Kircheis’s shoulder, Kircheis’s tiny head tilt down... It’s unfair that they can’t just kiss onscreen, isn’t it?

It’s been a couple episodes (and at least a few in-universe weeks) since our central couple have been in the same place at the same time, and you’ll recall they parted on complicated terms. But as has been the case in the past, Reinhard and Kircheis are nothing if not good at compartmentalizing. Kircheis may not approve of Reinhard’s Oberstein-inspired methods of late, but that doesn’t stop him from carrying out his orders to the letter and looking forward to a happy reunion. And Reinhard’s concerns about the tension between them at this point seem only to heighten his relief at Kircheis’s safe and successful return home.

Even during this period of uneasiness between the two of them, Kircheis’s mood at the prospect of seeing Reinhard again is unambiguously positive. And very sweet.

Of course, Reinhard’s public display of intimacy with Kircheis upon his return, however restrained, has the sinister Oberstein on edge, which only increases when Kircheis unabashedly follows Reinhard into his private quarters following his harsh reprimand of Bittenfeld.

Mittermeyer clearly also notices Kircheis unsubtly walking after Reinhard, but he minds his own damn business. (That’s kind of Mittermeyer’s thing, as we’ll see much more of later on.)

But luckily for us, Kircheis cares about what Oberstein thinks exactly as much as is warranted (not at all), so he’s about to exercise some special privileges, and we get to watch.

Influential Kircheis

We’ve heard a lot about Kircheis’s ability to influence Reinhard—Annerose has encouraged it; Oberstein has been wary of it—but until now Kircheis has been almost entirely agreeable, even when he doesn’t agree. If he really does have significant sway over Reinhard, it seems like he’s been playing it pretty close to the vest. Actually, it turns out he’s just been saving up his Influence Reinhard Chips to spend on something worthwhile: what he sees as Reinhard’s callous treatment of a subordinate.

Whenever we get glimpses into the inner workings of Reinhard and Kircheis’s relationship, it’s worth an in-depth examination, and the episode 16 Bittenfeld conversation is a doozy, so get comfortable.

After his first request for Reinhard to reconsider his punishment of Bittenfeld is met with indignation, Kircheis abandons that line of inquiry and moves onto something less direct but more uniquely accessible to him: Reinhard’s emotions.

Yes, it’s a conversation about feelings! There are a few things about this whole scene that make it something only Kircheis can do—the setting, the straightforwardness, his eventual successful persuasion of Reinhard to his way of thinking—but the most pronounced is definitely its subject matter. It’s safe to say that, with the probable exception of Annerose, Kircheis is the only person in the entire galaxy who could initiate a conversation about feelings with Reinhard von Lohengramm and live to tell the tale.

The trouble with dating in the workplace: Once Kircheis has made clear the level of intimacy necessary to having this conversation, Reinhard gets annoyed that he’s still using such an official form of address (kakka).

Of course Kircheis being Kircheis, the least formal address he can muster is Reinhard-sama, but here at Icebergs we don’t believe in kinkshaming. Let your freak flag fly, Kircheis!

Kircheis proceeds to perform some highly accurate armchair psychology on Reinhard, and posits that the true object of Reinhard’s anger is not Bittenfeld but (gasp!) Reinhard himself. This, of course, pisses Reinhard off but only because of how true it is, proving yet again that he is among the most relatable characters in LoGH.

Reinhard’s adorably self-contained mini-tantrum, above, fazes Kircheis literally not at all, which I find to be super touching—Kircheis says something that he knows will get under Reinhard’s skin, and then makes it clear that it’s safe for Reinhard to process that emotion openly in his presence. He’ll wait. Also worth noting is that, while Reinhard expresses anger and frustration in public quite frequently (as we’ll see far more of in the future), usually whoever is unlucky enough to be standing near him at the time becomes anything between wary and downright terrified, as can be seen in these moments from episode 15:

It’s to be expected that the random low-level officer above on the left would flinch spectacularly at Reinhard’s, um, amazing line there, but even the pathologically stoic Oberstein is not immune to standing slack-jawed in the presence of Reinhard’s fury. Kircheis, who has been Reinhard’s constant companion for a decade, knows what to expect from Reinhard and is not even a little bit afraid of him. I imagine Reinhard must find that very comforting.

When Kircheis gets to the point of why he followed Reinhard in the first place, he does finally lose his composure a bit—and for Kircheis, as I’ve discussed, a bit of lost composure goes a long way.

Kircheis’s general affect is one of carefully controlled size and strength. This is only the second time we’ve seen him lose his cool, and just like when he did in episode 9 (below), his impassioned movement fills the screen far more than his usual calmness does.

Emotionally unrestrained Kircheis can barely be contained by your TV screen.

Whether it’s his unleashed passion or his reasoning that does it, Kircheis is able to convince Reinhard, and after letting the anger flow through him for a bit, Reinhard calms down enough to admit that Kircheis is right, and he shouldn’t punish Bittenfeld. Reinhard starts to walk away, then turns back to ask Kircheis something, and we are blessed with what is definitely one of the top ten softest moments in all of LoGH:

Soft-eyes Reinhard is a gift among gifts, we are not worthy. This exchange is just so sweet and pure, I love these two boys.

Supportive Kircheis

Episode 16 is All About Kircheis... with respect to his relationship with Reinhard, of course. We’ve already seen how Kircheis is able to exercise his much-talked-about Influence Over Reinhard, and now it’s time to delve deeper into another aspect of their dynamic: Kircheis as emotional protector.

Given the toll Kaiser Friedrich IV has taken on Reinhard’s life, you might expect for him to be happy when the Kaiser suddenly drops dead of a heart attack, but this is Reinhard, so you’d be wrong. Instead, Reinhard is profoundly frustrated that he doesn’t get to deliver some kind of appropriately cruel killing blow himself against the man who bought Annerose ten years ago. Kircheis, too, is frustrated, but for a different reason.

Kircheis’s nod here is ambiguous: At first glance he obviously agrees with Reinhard because of Annerose’s mistreatment at the hands of the late Kaiser. But his feelings are more complicated that that because, as always, he filters them through his feelings for Reinhard.

In response to Reinhard’s angry musings, Kircheis has a brief but frankly kind of incredible memory in which he fails the Reinhard-Bechdel Test so dramatically that I again feel kind of awful for intruding on what are clearly very private thoughts. Kircheis’s memory fills in an apparent blank in the episode 4 flashback, and is below basically in its entirety:

Contextually, it would make sense for Kircheis to be remembering the 15-year-old Annerose being taken away to become the Kaiser’s concubine—it’s what Reinhard was just talking about, after all. But Annerose only gets just enough screen time to confirm that yes, she’s the one in the car that Reinhard and Kircheis are chasing after.

Instead, both the camera and Kircheis are focused on how devastated Reinhard is. Kircheis doesn’t flash back to losing Annerose—he remembers supporting Reinhard (physically, even!) through the trauma of him losing Annerose. Of course Kircheis is angry at the Kaiser for what he did to Annerose: Annerose was basically family for the short time that they were neighbors, and besides, it was a really objectively fucked up thing that happened to her. But the emotion that shows on his face when Reinhard bemoans his missed chance to personally murder the Kaiser is not about Annerose; it is, as always, about Reinhard.

And when Kircheis accompanies Reinhard to his long-awaited reunion with Annerose, the camera again tells us what we already know: Kircheis’s emotions, conveyed via a close-up of his tear-filled eyes, are in response to Reinhard finally getting his sister back.

Iserlohn, assemble!

Meanwhile, elsewhere in the galaxy, people are actually having fun instead of being sad, angry, and vengeful. We’ll learn a LOT more about the ins and outs of life on Alliance-occupied Iserlohn, but suffice it to say that I (Elizabeth) want to live there, and specifically if anyone can figure out some way for me to go drinking at a gay bar with Dusty, I would ask that you please let me know.

Anyway, newly-minted Admiral Yang is now officially in charge of Iserlohn, so it falls to him to appoint all the usual suspects to important positions under his command—Dusty, Schenkopp, Frederica, and of course Poplan and Konev all get special mention.

Work it, Poplan!

Earlier in the episode, we see Yang and the, uh, gang seeing Cazellnu off at the airport—despite it not actually being his fault, he’s been banished to a remote frontier planet as punishment for the Alliance falling victim to Reinhard’s aggressive starvation tactic back in episodes 13 and 14—and Yang takes the opportunity to casually ask his friends to work for him in an official capacity when they get to Iserlohn.

We also see some great (as usual) Alliance streetwear, as well as Cazellnu’s wife, Hortence, who has finally blessed us with her presence. Rebecca is sure to talk more about her in the future. Possibly more than is strictly necessary.

There’s a nice little bit of exposition in the background of this scene that’s conveyed, like so much else in LoGH, through facial expressions: Listening to Yang start to fill out the roster of people he’s taking to Iserlohn, Julian’s face betrays his fear that he might not be among them.

This isn’t the last time Julian telegraphs his emotions to the viewer without saying anything, so make sure to keep a close eye on his expressions, especially when the camera makes a big point of it like it does here.

This potential drama is resolved off-screen, but seeing the worry on Julian’s face at the airport makes the reveal that he did get to come along after all a really sweet moment.

Julian and Gensui are ready to be photographed for the Winter 796 Sears Christmas Catalog cover.

Stray Tidbits

What the hell kind of anime bullshit is going on in Phezzan?? I neither know nor care.

These buildings look like they were designed by Dr. Seuss.

Two things: First of all, I love that Reuental and Mittermeyer check in with each other after a battle. We don't see anyone else do this for non-essential reasons, and it's adorable. Second of all, the loop on this gif cracks me up. Mittermeyer is 5+ inches shorter than Reuental; you can't just copy and paste their chairs!

So did Mittermeyer get a tiny chair in order to make him look Reuental's height, or did Reuental get a huge chair to make himself look small? Future historians can only guess.