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#Amy Crider
stllimelight · 5 years
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'Charlie Johnson' Has Something to Say in Midnight Company's Solo Show
‘Charlie Johnson’ Has Something to Say in Midnight Company’s Solo Show
By Lynn Venhaus Managing Editor In The Midnight Company’s charmer of a one-man show, “Charlie Johnson Reads All of Proust” is a good match for Joe Hanrahan’s storytelling skills.
He plays an average Joe, 75, retired from insurance, whose mundane Midwest life includes Snappy Seniors activities and family to-dos. One day, Charlie doesn’t realize that a package of cookies as a snack at…
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Barbie: Princess and the Popstar REVIEW:
 Hello everybody, my name is JoyofCrimeArt and I hate myself. Barbie.
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 The Direct-to-DVD Barbie movies aren't something that I, and I assume many of you reading this, ever really thought about to much. They we're always that movie that you would see in the Wal-mart "five dollar" DVD racks. Or maybe you'd see a snip-it of one airing on Nickelodeon at like, twelve o'clock on a Sunday afternoon. Compared to, say, the direct-to-DVD Scooby-Doo movies the Barbie movies seem to be a lot less attention. Which is why it came to such a shock to me that there are SO MANY!  Thirty-six. As of the time of me writing this review there are thirty-six direct-to-DVD Barbie movies. And not only that, but they are divided into several different continuities and "seasons" as Wikipedia list it. The Barbie movies are a massive franchise! I just can't wait until their next film. Barbie: Infinity War. That one will make all the money!  So in order to honor such a long lasting franchise, I figured it was about time somebody gave Barbie the respect she deserves. The movie we're going to be talking about today, Barbie: Princess and the Popstar is the twenty-third entry in what I have titled the Barbie: Cinematic Universe. I had actually seen this one a couple of years ago on Nickelodeon. And it is, as of the writing of this review, the only Barbie movie that I have seen. Why did I choose to watch this movie oh so many years ago do you ask? Well, it was because of the title. Princess and the Popstar. Most Barbie movies have kinda dumb overly girly titles, but this one takes the cake. Princess and the Popstar! Somebody was PAID to come up with this!  And you wanna know the really crazy thing? This isn't even the first Barbie movie to be an adaptation of Mark Twain's "The Prince and the Pauper." There was another, I'm assuming more straight forward, adaptation in 2004. But I guess marketing decided that Mark Twain's classic novel just...didn't have enough pop stars to meet "Girls between the ages of 2-7" demographic.  But hey, maybe the film won't be so bad. I mean the film is directed by Zeke Norton, who directed both Scary Godmother films. And those films...exist. Anyway, no more stalling. Let's dive head first to Barbie: Princess and the Popstar.
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 The movie begins with a pop concert. And honestly, I can't imagine it starting any other way.  Famous pop star Keira (voiced by Ashleigh Ball.) is preforming a music tour in the fictional kingdom of Meribella, in celebration of the 500th anniversary of the countries founding. We see her preform her set. We then cut away the kingdoms princess, Princess Tori (voiced by Kelly Sheridan.) standing outside her castle's balcony, listening to the event from a distance.  And if those voice actresses names sound at all familiar to you that's because our two heroines are voiced by Applejack and Starlight Shimmer, respectively, from My Little Pony.
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UGH! As if I didn't already have enough reason to hate Starlight Shimmer! ... Starlight Shimmer is the one that everybody hates, right?  Princess Tori wants to go down to the concert, but she is stopped by her Aunt, Dutchess Amelia. And I want you to guess, purely from her design, what her personality is.
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If you said, stuffy old authority figure who's too focused on tradition and doesn't get the joke, than congratulations! You can predict a Barbie movie!  Princess Tori wants to go to the concert, but her Aunt forbids it because Tori has to write and preform a speech for the kingdoms five hundredth anniversary event. And she hasn't even started writing it yet. But Princess Tori isn't one for all this "traditional, princess stuff." She's goofy, mischievous, and a bit of a prankster. She's just too much of a rebellious free spirit for all this noise. Like all princesses in animation she dreams of something more. She dreams of being able to live her own life, free from all the rules and restrictions that being royalty presents. But, y'know, she still wants all the riches and glamour. Cause hey, that shit is sweet!  Meanwhile, Keira is busy dealing with all of her pop star duties. She's headstrong, and a bit of a workaholic. She runs every part of her tour, from lighting, costumes, to TV broadcast all herself. She doesn't even let her manager, Seymour Crider, do any of the work and ignores all of his advice. Keira is under pressure from her record label to write a new album. She says she's working on it, but with all the workload of running the music tour she just isn't feeling very inspired. And Crider is the one who has to deal with all the heat from the higher ups. Keira is just tired of all the pressure from the studio, and wishes she could not have all the responsibility of being a pop star. But, y'know, she still wants all the riches and glamour. Because, as we previously stated, that shit is sweet!  I can relate with Keira. The constant stress of deadlines and work on other projects can make ANYBODY feel uninspired. Sometimes people will become so desperate that they'll be willing to do any half-ass project in order to to stay ahead of deadlines. Like doing a lazy Q&A, or reviewing a Barbie movie.  ...  Wait....  So as you may have noticed by now, none of the characters in this movie are named Barbie! So already, this movie is clickbait. As it turns out, a lot of these Barbie movies don't actually star Barbie. Rather they star "characters portrayed by Barbie" which is all sorts of confusing. But hey, it could be worse I guess. They could be portrayed by Amy Schumer. But luckily we still got a few years before that happens.   Oh, by the way, magic exist in this world. Yeah, I know I bring that up pretty suddenly, but so does the film. Princess Tori has a magic hairbrush that changes her hair, and Keira has a magical microphone that changes her outfit. And nothing is really brought up about this. Like the characters in the film say that it's magic, but nothing else is really elaborated upon. Because outside of the magic, the world the film presents seems to more or less be the same as our world. It's not like it's some fairy tale kingdom or anything, it's set in contemporary times. It's never brought up where the magic comes from, it's just there. And it's even weirder because all they use there magic for is for changing there hair and outfit. Y'know, THINGS YOU CAN DO WITHOUT MAGIC!
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Either that dress has a very large pocket, or this scene about to get a lot more uncomfortable.    Anyway, the studio blames Keira's manager Crider for not having the album done already. Because like in the real world, pop stars don't have to suffer any responsibility for there actions. Crider is by far the best character in this movie. He is the most over the top, foppish gay man you've ever did see. We learn a bit about his backstory, as he was once a child star himself on this universes version of Alvin and the Chipmunks. But when puberty hit he fell from the lime light faster than Macaulay Culkin. So naturally he is not only bitter at Keira for having to be blamed for all her actions, but also because he is jealous of her fame. He's a great villain not just because of how over the top flamboyant he is, but also because he gives a refreshing breath of cynicism and bitterness that the movie is otherwise lacking. Also he's voiced by Rolf from Ed Edd'n Eddy. He doesn't sound like Rolf, like at all. But simply knowing that makes the whole film a lot more enjoyable.  He tells his bumbling sidekick Rupert (Because why wouldn't he have a bumbling sidekick? I mean have you seen the type of movie this is?) that he plans on meeting Princess Tori's Aunt Amelia during a PR event, wooing her, and then inheriting all her money when she eventually passes away.
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 Crider, Rupert, and Keira arrive at the castle the next day and Crider begins his plot to woo the duchess. Meanwhile, Princess Tori and Keira and immediately hit it off. They are both huge fans of the other, and become fast friends. Tori offers to give Keira a tour of the castle. They begin talking about the problems that they are both going through. This is where they hatch the idea to switch places, and do so using there magic hairbrush and microphone, in order to make themselves look exactly like the other.  Oh, and they also each have a dog. Because hey, little girls like dogs. There are some brief scenes we see between the dogs where they talk to each other in "animal language." but overall they don't contribute much to the plot, other than added marketability. Interesting side note, in the 2004 Barbie: Princess and the Pauper film they both had cats instead. Again, I guess dogs were just deemed more marketable.  Keira and Tori, now disguised as each other, continue there tour of the castle. This is when Tori decides to show Keira, the person she literally just met, the castles most valuable secret. A secret that only members of the royal family are permitted to know about. And this is where the movies gets WEIRD!  Okay, so they activates a secret passage and find a tree. And this tree, which only blooms once every five years, is a magic tree. That is guarded and cared for by a group of magically fairies. And the tree grows diamonds, which Tori says royal family uses the money from these diamonds to help the people! Though the fairies still give a diamond each to our protagonist. Again, it's weird because the world they create in this films universe SEEMS fairly real to our own. But then they just add random magical elements to it with no explanation. They could of at least included some backstory on where this tree came from. It feels like there just trying to check stuff off there "pandering to little girls" bingo sheet.
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AH! BINGO! I GOT BINGO!  
Unfortunately for our heroines, Tori FORGOT TO CLOSE THE SECRET DOOR PANEL BEHIND HER and Aunt Amelia ends up finding the two snooping around the secret garden. AND SHE DOESN'T CLOSE THE DOOR EITHER! How the heck has this secret been kept for five hundred years? She get's mad at Keira (Who's still disguised as Tori) and the three leave the chamber. But unbeknownst to them, since Aunt Ameila DIDN'T CLOSE THE FRICKIN' SECRET PASSAGEWAY Crider finds out about the diamond tree. And now he decides to change his plan from marrying into money, to just stealing all the diamonds for himself. But that conflict can wait, because we have pop songs to preform.
 This movie has a lot of pop songs. Like, about a third of the movie is pop songs. And I have to say...there actually really good. If you're into that kinda pop punk type of music that is. The voice actresses each have a separate singing voice in the form of Jennifer Waris (Tori) and Tiffany Giardina (Keira) and both singers really knock it out of the part. Not only that but there is also some really well done choreography. Not only that, but the film also really takes advantage of the CG medium, with some impressive camera angles and panning shots. I mean it's not the greatest thing ever or anything, but for a direct-to-DVD Barbie movie, I was pleasantly surprised. I feel like this is where the passion was when it came to making this movie. Like the story was second to the music.
 However, I would be lying if I said that the music didn't drag on a bit. Just due to how much is in the special. Not only that but several songs are used more than once, which isn't that bad because they sound really good, but it does make it feel a bit repetitive. That said though, I was suppressed by how good this aspect of the film was.
 So Tori and Keira both begin trying to fulfill the role of the others. However, the both seem to have a bit of trouble living up to the expectations of there new roles. Typical stuff you would expect from a
"Prince and the Pauper"
adaptation. Tori, now being disguised as a low class...world famous pop star....decided to take this opportunity to explore her kingdom beyond her castle without escorts.
(Because, yeah, a pop star TOTALLY wouldn't have escorts with her when she's walking through the slums of a foreign nation.)
And Tori ends up coming across something she's never seen before. Poor people!
 More specifically two poor little girls, who are taken a back by "Keira's" presence. We learn that, despite how glamorous the castle life is for the royal family, the kingdom itself is actually suffering. A major drought had occurred in the kingdom the year prior, and while the wealthy nobility we're not effected much the poor people are still suffering, and Princess Tori was completely oblivious to what was going on the entire time.
 So now that Princess Tori has finally
 Checked
 HER
CIS
 WHITE
PRIVILEGE!!!
 -she decides to try to do right for the people by holding a free concert for all the underprivileged children. (Since the kids she met weren't able to afford to go to the concert at the beginning of the movie.) Not only that, but the whole royal family would be in attendance, and the concert would be broadcast live on TV to help raise awareness for the issue. Though Tori and Keira agree that they need to make sure they swap back before the concert starts.
 Keira (disguised as Tori) begins to finally be able to relax without all of her pop star-ly duties. She begins to play and have fun with Tori's two little sisters, (who quickly figures out who she is.) And as it turns out, this break from all the stress of preforming and recording is what Keira needs in order to get re-inspired.
 The day of the concert arrives, and Keira tries to meet up with Tori to swap places before the show begins. But rut-row, Aunt Amelia shows up and finds that "Tori" never ended up writing her speech. And because of this, Amelia refuses to let "Tori" go to the concert and locks her in her room. I do like that Keira actually does try to tell Amelia about the body swap ploy, in order to get her to let her out of the room. But Aunt Amelia doesn't believe her, and heads out for the concert.
 As this is all happening, Crider and Rupert begin there plan to steal the diamond tree. They walk back into the castle claiming that the duchess sent them, and because plot the guards just let them in unsupervised.
 Meanwhile at the concert, the crowd begins to get restless, and Tori is forced to go on stage and preform as Keira. She get's onstage, and is nervous. She begins to preform, badly. But then, with the power of "doing it her way"...whatever the hell that's suppose to mean, she is able to give a performance good enough that nobody is able to tell who she is in a pop song performance that last a total of five minutes straight in this seventy minute film!
 The concert is a success. But wait, Crider and Rupert have successfully broken into the castles secret garden and have to face off against the fairies. Hey look, it's fairy vs fairy!
 ...
 Am I allowed to make that joke?
  Also Rupert brought bug spray to kill the fairies, which is pretty horrific for the villains bumbling side kick. Especially when you realize that this would be a Barbie movie that would have one of the villains using chemical weapons on his opponents. Granted, this doesn't happen, because Rupert accidentally bough hair spray instead, but still. It was his INTENT to use bug spray! Also, of course the villains of a Barbie movies use hair spray as a weapon.  
 Crider cuts the roots of the diamond tree all of the trees in the surrounding area begin to die. To which I have to ask....why? Is it like a redwood thing, where all the trees are actually just a part of this one organism? If that's the case than why don't all the tree's grow diamonds? Or is this a magic thing? Prior to this scene the tree was never implied to have any magical abilities besides growing diamonds. Was a jewel heist just not deemed an exciting enough climax, so they felt the need to raise the stakes here?
 Keira, with the help of Tori's dog, are able to find a secret passage way out of the room and she and Tori both notice the dying trees and run to stop Crider from escaping with the tree. They also switch back into there real identity, and I just now realize as I'm writing this that Crider does not question this very much. HE DIDN'T KNOW ABOUT THE WHOLE IDENTITY SWAPPING THING.
 Also, let me talk about something that bothers me. There was this character earlier named Prince Liam who's "potrayed by Ken." He had a few scenes early on with Keira (who was disguised as Tori at the time.) I didn't bring him up because he honestly didn't really do anything that was important to the plot. But then, suddenly in the climax, he shows up like he was a main character or something. And he's annoying. He feels really tacked on, like the producers realized that there wasn't a romance element to this film and decided at the hour mark that there needed to be one. Except that doesn't even work because he doesn't even end up with either girls. With I admit was a pleasant surprise, that neither girls in the movie end up with a love interest. But it makes Liam's existence even more worthless. Also he's kinda misogynistic, talking about saving the "damsels in distress." even though they save themselves. All Liam does is take down Crider's sidekick.
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 Crider runs to his limo, but is blocked by the dogs. Cause y'know, a pug and a King Charles spaniel just COMPLETELY BLOCK THE ENTIRE PATH!  So he ends up be stealing a horse drawn carriage in order to make his escape. Tori get's into Crider's limo and we get a kinda fun car/horse drawn carriage chase striped right out of the end of Ouran High School Host Club.  How is it that I've reviewed two things with that very weird and specific climax?  Anyway, they cut off Crider's carriage, but he has an ace up his sleeve. Turns out his leopard print tuxedo is also a GLIDE SUIT and he jumps off a cliff to make his dramatic escape! And that's why Crider the best character in this movie.  But then Keira just zaps him with her magic microphone and turns his suit into a dress. And Tori zaps his hair to make it look more feminine.    The villain is defeated, but the tree is still dead. But Tori has an idea. They suspect that maybe the diamonds that grew off the tree could act as the trees seeds. They go back to the garden and take the diamonds that the fairies gave them earlier and plant them into the ground. The fairies use there magic and at first it doesn't look like it'll work. But then, the tree begin to regrow and all the life returns to all the other trees all over the castle. This is actually a clever twist, except for the fact that the tree still has diamonds on it, even though they specifically say that it takes five years for the diamond to bloom.  BUT WHO CARES ABOUT THAT, WE HAVE A CONCERT TO FINISH! Yeah, Tori kinda just bailed in the middle of that. Tori and Keira both show up on stage, and preform together. Tori writes her speech and and talks about making changes to the kingdom's irrigation and social serves system to help the people harmed by the drought. Tori learns about responsibility and Keira kinda learns to relax...I guess? And the movie ends on a pop song. Y'know, a good book end.
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Puffy Ami Yumi?...  So that was Barbie: Princess and the Popstar! Overall what do I think of it?  Well, to be honest, I'd be lying if I said I wasn't kinda checking the time while watching it. Heck, I'd be lying if I said I wasn't even a little bit tired of thinking about it while writing this review. The main problem is the basic premises. Princess and the pop star. The whole point of "The Prince and the Pauper." is that it's a rich person with a lot of responsibility and a poor person with no responsibility changing places. But here, it's a rich person with some responsibility swapping roles with....another rich person with some responsibility. There's no real contrast, and because of that we only get the bare basics of character development or an actual moral. The overall animation is...okay. You can see there's ambition, but the lack of budget really makes it look like a Sims 3 machinima. The main villain is fun, but the rest of the characters are pretty basic. And the pop songs, while being extremely catchy and well choreographed take up somewhere between a third and a half of the film. And I feel like if the film used more of that time on more important things than maybe it would of been better.  If you want a movie with some so bad it's good elements (some actual good elements worked in) you MIGHT enjoy this film. But you  have to have the patience to get through some of the more tedious bits. Also I feel like a REALLY little girl might like this. I know people say "Kids deserve good things too." and there not wrong. But it's important to remember that kids have different taste than we do. When I was a kid I loved the Pokemon and Yu-Gi-Oh! anime, so that should be evidence of that. But if you want a GOOD girl power type of show or movie....there's plenty better out there. Steven Universe, My Little Pony, Star vs, Hanizuki, the list goes on and on. Those shows are girly AND can be legitimately enjoyed by anybody, young or old. This really can't.  That was my review of Barbie: Princess and the Popstar. If you've seen the movie by some...odd chance...tell me what you think of it in the comments down bellow. I would love to start a conversation. Anyway, see you next time for hopefully something better. Have a great day. (I do not own any of the images or videos in this review all credit goes to there original owners.)
https://www.deviantart.com/joyofcrimeart/journal/Barbie-Princess-and-the-Popstar-REVIEW-744926224 DA Link
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aktionfsa-blog-blog · 5 years
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Edward Snowden auf der OrgCon19
OrgCon19
Data and Democracy -Daten und Demokratie
Digital Privacy - Digitale Privatsphäre
Online Censorship & the Role of Algorithms - Online-Zensur & die Rolle von Algorithmen
Surveillance - Überwachung
OrgCon 19 am 13. July 2019
London, Friends House, 173-177 Euston Rd, London NW1 2BJ Friends House befindet sich im Stadtteil Euston, direkt gegenüber der Euston Station, fußläufig erreichbar von King's Cross und St Pancras Stations.
ORGCon wird von der Open Rights Group veranstaltet. Wir stellen das Massenüberwachungsprogramm der Regierung in Frage, schützen die freie Meinungsäußerung im Internet und setzen uns für einen besseren Schutz der digitalen Privatsphäre ein. OrgCon schreibt: Erleben Sie mit uns einen Tag voller Diskussionen, Debatten und Aktionen. Hören Sie einige der weltweit führenden Experten für Daten und Demokratie, freie Meinungsäußerung und digitalen Datenschutz. Hören Sie Edward Snowden*, ehemaliger Geheimdienstmitarbeiter im Bereich Cybersicherheit für die NSA, CIA und DIA und Whistleblower sprechen über staatliche Überwachung und Überwachung durch private Unternehmen.
Edward Snowden ist ein ehemaliger Geheimdienstmitarbeiter, der der CIA, NSA und DIA fast ein Jahrzehnt lang als Fachexperte für Technologie und Cybersicherheit diente. Im Jahr 2013 enthüllte er, dass die NSA die privaten Aufzeichnungen von Milliarden von Personen speicherte, die alle nicht wegen eines Fehlverhaltens verdächtigt wurden, was zu den bedeutendsten Enthüllungen der US-Überwachungspolitik seit 1978 führte. Er wurde für seinen Mut, seine Integrität und seinen Einsatz für die Öffentlichkeit ausgezeichnet und vom Magazin Foreign Policy zum weltweit führenden Denker des Jahres 2013 gewählt. Heute arbeitet er an Methoden zur Durchsetzung der Menschenrechte durch die Anwendung und Entwicklung neuer Technologien. Im Februar 2014 wurde er in den Vorstand der Freedom of the Press Foundation berufen.
Weiter werden die folgenden RednerInnen auf der OrgCon vertreten sein
Ravi Naik
Cori Crider
Noel Sharkey
Nighat Dad
David Kye
Jack Poulson
Silki Carlo
Areeq Choudry
Steve WoodEdward Snowden
Louise Ferguson
Amy Shepard
* Edward Snowden ist Ehrenmitglied von Aktion Freiheit statt Angst.
Mehr dazu bei https://orgcon.openrightsgroup.org/2019/ und https://www.aktion-freiheitstattangst.org/events/2511-20190713.htm
und https://www.aktion-freiheitstattangst.org/de/articles/6912-20190713-edward-snowden-auf-der-orgcon19.htm
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