Isn't it about damn time we discuss whatever the hell Jack was doing in this scene?!
This man straight up said "I understand it’s not easy for you to be sociable" and then adjusted this poor boy's glasses while they were on his face and then asked "So, where do you fall on the spectrum?" If Will wasn't on it before, he sure as heck is on it now after that little interaction like Jack why?!?
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Gideon in *Antipasto* is an absolute force, and it’s such a delicious irony that he, the man with no limbs and nowhere to run, has Hannibal completely on edge. Gideon’s presence is the ultimate power move. Every word, every utensil tap is a challenge, a reminder to Hannibal that he’s no longer the puppeteer pulling all the strings.
Hannibal’s reaction when Gideon refuses to be cowed—his fumbling “you still have to eat”—is not just desperate; it’s telling. Hannibal, who thrives on control, is visibly rattled by a man who’s supposed to be powerless. And when Gideon taps those utensils, it’s like a slap in the face, a reminder that Hannibal’s carefully crafted world is slipping through his fingers. Gideon’s sharp “Why do you think I’m allowing this?” slices deeper than any knife, and Hannibal’s empty response shows just how lost he is—because Gideon’s not just sitting there; he’s indulging Hannibal’s pathetic need for an audience, for companionship, in the most twisted way possible.
Hannibal’s arrogance has always been his defining trait, but this scene strips him down. Compare it to *Aperitif*, where Hannibal is reveling in his solitude, dining on his secretary’s offals, radiating superiority. It’s all gone now. After Will Graham shattered his defenses, exposed his weaknesses, and took a sledgehammer to his heart, Hannibal’s left grappling with a stark new reality. He’s reduced to this shadow of himself, sharing joyless, empty meals with a man who’s more interested in psychological warfare than in the food. Gideon hurls truths at him like weapons: that Hannibal’s dining games are nothing but a sad parody, a hollow echo of his former grandeur.
Gideon’s relentless needling cuts through Hannibal’s pretense, exposing a rawness we rarely see in the cannibal. Gideon knows he’s living on borrowed time, and he uses every second to tear into Hannibal’s ego. He’s not just some victim; he’s a mirror to Hannibal’s own emptiness. And let’s not forget the meta-layer here—Gideon’s awareness of Hannibal’s desperate need for an audience mirrors the way Hannibal manipulates others but can’t handle it when the tables are turned.
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NBC's Hannibal really Did That and created the most compelling and beautiful allegory for coming out in a world that is inherently violent towards queerness and treats it as horrifying, disgusting, and psychotic.
top of mind right now is Will's Becoming, started in S01E01 and fully completed in S03E13. buckle in folks, this may end up being a long one.
following the allegory, both episodes feature Will and Hannibal sharing a queer experience with one another.
in the first, Will (at this point, deeply closeted and in denial) engages with GJH in an effort to protect Abigail. Hannibal (also closeted, but more out of self preservation, certainly not out of shame) isn't directly involved, merely a passive observer, but he did orchestrate the experience by calling GJH to warn him they were coming. obviously, his actions at this point are driven by curiosity. what will GJH do? and what about Will? clearly, Hannibal has clocked Will as similar to himself (aka queer), but can see that Will is in deep denial and terrified of his urges.
and it's just so powerful to see that Will's first explicitly queer experience is within the context of self sacrifice for the good of someone else. he wouldn't have chosen it, but he had to do it. at this point, this is the only way his psyche will accept his queerness. this scenario also gives him plausible deniabilty about his reasons for engaging GJH. it allows him to admit to Alana that he feels "good" after the whole event, claiming that he feels good because he saved Abigail. even though we know at least part of the reason he feels good is that he finally got to indulge this particular urge.
but even so, the whole point of season 1 is Will struggling with his guilt. he has nightmares. he thinks he's a monster.
(side note: i also think it is just so perfect that it takes Will ten shots to get GJH, like of course our sweet baby queer boy having his first queer experience isn't very experienced. i can hard relate)
fast forward to the series finale, we find Will and Hannibal having yet another queer experience with one another, but this time they are equal participants and it is Will, not Hannibal, who ultimately orchestrated this encounter.
and what is so wonderfully interesting to me is that a (very) small part of Will seems to remain conflicted about what his role will be in this scenario right up until it is actually happening. will he walk away, leaving Hannibal and the Red Dragon to their own devices, and return to his heteronormative family? will he be an active participant with Hannibal? will he simply be a passive observer? the moment Will decides he's going to participate is so clear and this is the moment he fully, 100% comes into himself and arrives at full self acceptance.
and then, when it's finally over, and Hannibal holds him while saying, "see? this is all i ever wanted for you. for both of us." and Will, his eyes quite literally shining with joy and love says, "it's beautiful" while clutching Hannibal and resting his head on his chest, enjoying the embrace (do NOT get me started on Hannibal's expression of pure ecstasy, i will explode).
and to wrap it all up, we see Will quite literally take a leap of faith in the arms of his most beloved before tumbling off the cliff. together.
like. that is so fucking beautiful???? and i don't think there is ANY piece of media that will ever have this type of impact on me again?
anyway. congrats if you made it this far and stay tuned for more ramblings as i get my thoughts in order lmao i just really fucking love this entire show.
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