#BUT I GUESS ILL HAVE TO TALK ABOUT IT ANOTHER TIME

[lightlycareless]

omgggg, that Toji x reader (*plus* Naoya) was incredibleee, ignore me if you want, I know you made Toji chosing to keep distance from reader and Megumi permanently BUT what if one day he ends up finally seeing Megumi, either personally or by pictures/videos 🥺 We know Megumi it's the spitted image of him, I mean, Gojo's face when he saw him for the first time said it all 😅 And also knowing his baby has the Ten Shadows technique (I cant stop thinking about how proud he was in the canon manga/anime 🥺 he always KNEW from the start Megumi was blessed/gifted, since his first breath, the fact Toji named him is not random) making the entire Zenin clan eat their shit

Heya anon!!

I'm so glad you liked it heheheheheheh a oneshot that I didn't intend to write but it just happened!! aren't we glad it did? lol

I didn't mean to ignore you, I was only focusing on other things first 😅 oof, I still have lots of request to go through, which I plan to do it slowly but surely...

Anyways, I might've not gone down that route, however... why not something angsty? I mean 😏I've had this in my mind so... yeah 😏😏😏😏😏😏😏

Warnings: mentions of infidelity. Pregnancy. Naoya is, unfortunately, a prick. this is the oneshot anon is talking about. 100% read that first hehe. this is an AU from that, so the second part doesn't count??? I guess. excuse the proofreading. also I haven't written toji that much so please excuse my oocness as well ahahahahha :')

Happy reading!

As much as the three hoped to ignore the bases of your pregnancy, behave as it didn’t rise from an adulterous act, a direct transgression to the principles of the Zen’in, and keep it a secret, it wouldn’t take long before the guilt in each other’s mind began to weight heavy on their mind, ultimately betraying them and revealing the truth to the light, excusing the angered elders to finally get rid of two birds with one stone.

“Where—Where does this accusation even come from?!” You gasp, blood turning cold at the implication—at the notion of the truth. “Do you know the gravity of such words?!”

“Better than you of the act, it seems.” Another accuses. “We were quite aware of the rumors surrounding your ill-fitting behavior, but we never believed it would actually extend to this point!”

“I—I won’t tolerate neither of you disrespecting me!” you cry. “Nor will Naoya for that matter!”

But calling for his aid would no longer prove sufficient, for Naoya, too deep in his own insecurities by that point, had come to the disheartening conclusion that this situation had gotten way out of hand for a simple diversion.

A supposed act of mercy.

He shouldn’t have let this happen in the first place, should’ve respected what you and your marriage represented, what meant to him, and discard his pity for Toji—the man has been alone most of his life, what difference would that make that now?

But he didn’t, he allowed you to go to Toji—no, he handed you over to him, thinking he was doing something right for his cousin, or perhaps something deep inside him was allured by the sick idea of you being with another man and now, he was suffering the consequences.

Consequences he did not like, not one bit—because it got too real for him: you were now pregnant, with Toji’s child, and not his.

And this only highlighted what he considered the pitfalls of this relationship, a strike against his ego and the supposed inability to beget children, a rumor that grew bigger and bigger by each passing day, spreading like wildfire to the point where even outsiders became aware of it.

Which, for a prideful man like Naoya, was only a nightmare.

He loved you, he really did—Naoya never envisioned spending the rest of his life with anyone else…

But he loved his pride more, and when his clan began to actively confront him about it, he couldn’t take it anymore.

And thus….

“…Naoya?”

“This marriage was broken before it even started.” Your husband would say, unexpected words that pierced straight to your heart. “My family advised me well in avoiding you, but I falsely believed I could achieve differently.”

“What—what are you even saying?” you breathe. “What do you mean by—by differently?”

And… where does everything you lived with him stand?

The time you spent with him, the sweet nothings he’d whisper into your ear, to love you both swore to one another, reminding each other that there was no one else that compares…

And that you were the only woman who has ever made him feel this way—loved— and would do everything in the world to make happy…

Was it… all … a lie?

All for… nothing?

Or were you the only one that actually believed the other’s words?

“I cannot look past these transgressions.” Naoya continues. “You’ve left me no choice.”

“But you—you made me do this!” you gasp. “I never—I never wanted to be with anyone else! All this time, my heart only belonged to you!  How could you—how could you abandon me after all we’ve gone through together?!”

Naoya doesn’t say anything else anymore, instead, he simply turns around, exiting the room to leave you in the hands of the vengeful elders who did not hesitate to do what they had long desired—banish you from the estate.

Swiftly yet cruelly, you wouldn’t be able to take anything with you, not even a change of clothes or even money (you didn’t even ask for much, just enough to survive the week) as you were forced to face a new life of your own—alone, pregnant.

Going back to your family was also out of the question; the shame that you’d bring upon their name was one the Zen’in didn’t not waste time to remind them of—at the end, there was only so much your father and siblings could do against the invasive ways of the elders, and perhaps, a part of them deep inside, were also disappointed that you’ve succumbed to such foul thing.

And so, you were tossed onto the street, with nothing more than the clothes you were wearing, whatever you had for savings throughout the years, managed to take it out before either clan could close your account—but most importantly, with a broken heart you believe will never heal, not after the grave wound your husband’s indifference inflicted on it.

The pain you couldn’t even mourn properly due to all the things you had to worry about now.

The first thing you did was search for a place to stay, though getting one was proving to be an almost impossible task.

Thankfully, you were allowed to keep one other thing, maybe it eluded their minds when all this was happening, but you’re not going to question why when it was going to help you pay for a roof.

Naoya’s ring, your wedding ring, was something many would consider expensive, the kind of flashiness expected from a prestigious family like the Zen’in.

You remember a time when any kind of ring would’ve been enough for you to marry him. You didn’t need anything extraordinary to commit your life and heart to him.

That’s nothing but a far cry from what you felt now.

It still hurt to pawn it, but it was the only way you could accommodate yourself and the unborn child inside you, in the only area you could afford with what you got, for even then many suspected that your ring… well, had dubious origins.

When was the last time you even had to worry about the costs of living? Food, clothes, water…?

Many years—it had to; ever since you got together with Naoya, he’s been the one that took care of you.

You just had to say the word and he’d disappear all of your worries—even from the simplest of wants, Naoya indulgingly obliged.

It was a happy life you eventually considered for your child—imagining how happy they’d grow to be without a single worry, solely focusing on what they’ll have to play that day, or how to escape their over doting parents.

A long-gone dream, tossed to the side as a nightmare quickly took its place.

…

Did Naoya ever mean the words I love you?

Or was he doing all this just to keep you there, complying, just in case someone better came along, just like his clan wished would happen?

There mere thought of his devotion being nothing but an act tightens your heart with sorrow once more, gifting you the tragic notion that perhaps, all this time, you never knew your husband…

Maybe ex-husband, by this point.

All that was left from those moments, the slightest semblance of that marriage was this baby, created from what you thought your unconditional devotion to him, turning out to be your very own downfall.

The only one that would know of these struggles would be your baby, the one to accompany you through the darkest point of your life, hopefully to a brigther dawn.

And yet… you’ve never felt so alone.

Time surprisingly, went quicker than you anticipated, though not as easy as you would’ve wanted.

Life in your new home was still very difficult to get used to, even when it’s been months since… that.

But with the job you managed to get (whatever place hired pregnant women—they’re supposed to be at home, some would say, you didn’t care.) and some extra jujutsu work you did on the side, you managed, enough to give you a, not exactly comfortable, but just enough lifestyle.

As long as you sacrificed all the things you once considered granted and turned them into luxuries: such as warm showers, take out, and the sweets you liked to indulge once in a while; your pregnancy has been horrible because of that, and that’s without considering the medical bills you’re struggling to pay as well.

But if that wasn’t enough, your noisy neighbors presented issues of their own as well.

You’re not going to deny that your presence there was like moths to a flame, starting from your somewhat suspicious acquisition—all cash—of the small house you were living in.

From there, your loneliness, alongside your pregnancy; single mothers were unheard of, or rather, highly criticized, thus, all eyes were on you, down to your smallest movement.

Yet, even then, as annoying as they were, you were ok as long as it meant you never get to see those that hurt you ever again.

However, what you want isn’t necessarily what’s going to happen, and that would be reminded of one fateful night with an unsuspecting knock, just after you were getting ready to go to bed.

It wouldn’t be the first time someone came to bother you, but it would be the first time someone did so at this hour, and with such insistence that far from worrying you, it made you angrily storm at the entrance, ready to demand who’d be so inconsiderate enough to visit you so late at night!

And you’d get your answer soon enough, in the most shocking, horrifying, if not sorrowful manner you could’ve possibly anticipated, prompting you to close the door as soon as you saw his face, or attempted to, his reflexes much faster than yours.

“Get—get away from me!” you shrieked, hands trembling as you did your best to hold the door shut against his overwhelming strength— but even your husband has admitted that in terms of power, he excels like no one else.

“Y/N—” he breathes, somewhat amused that you’d been able to hold him off as much as you could, though eventually he was able to break free from your grasp and enter your home, you step away from him soon after.

“What are you even doing here?!” you gasp. “No—that doesn’t matter! I don’t want to see you! I’m not going back!”

“I’m not here to take you back” He quickly responds, eyes falling down to your stomach, making his face soften at the subtle bump evident through your clothes—with this sight, he knows he can’t take you back.

“Then—then why are you here, Toji?”

Perhaps Toji needed to see through his own eyes, what the whispers went on about at the estate regarding your absence.

He wasn’t there when it happened, promised himself to be far away from you as soon as your pregnancy was announced to the estate.

Toji would’ve normally taken this opportunity to act on retribution against his family, rub it on their face that the future of the clan came from him, a low life.

But he couldn’t bring himself to do so when you cheerfully paraded around the halls, happy to finally be forming a family with your beloved husband, even though it wasn’t of his making.

For the first time in his life, he thought himself to be too cruel for having planned such atrocities against the only person that has never been rude with him, always welcoming him with a smile on your face, or at least whatever you permitted when not following Naoya around like a lost puppy.

And the baby… well, he won’t deny that he was glad that his child would have a vastly different life from his—with you as his mother, it couldn’t be any other way.

Or so he believed.

Even when promising to keep away, he still attempted to check in on you, especially now that you were pregnant, whenever he had to go to the estate that is. That day was no be no exception, begrudgingly coming back to see what else he could scam out of his family to ensure his living outside.

Toji’s slyly scanned the hallways for your figure, the briefest indication of such, either through your giggle, staff, or even his cousin’s annoying voice—there were moments where he imagined how delightful it must’ve been to have you by his side, instead of Naoya’s; to be receiver of your laughter instead of that man who clearly didn’t deserve you.

But even if it was with him, he still found comfort in the fact that you were around, there.

Not like now, gone from Naoya’s side.

In fact, you were nowhere to be seen! Not with your staff, not eating by the gardens, or even indulging in one of your husband’s idiocies.

Nothing.

And no one had seen you either.

Or more like didn’t want to say, that much became evident when he stomped his way towards a nearby staff member, demanding your whereabouts, only to be responded with a fret falsely feigning ignorance, or foolish diplomacy.

At the prospect of your disappearance, Toji felt his blood run cold, almost like the estate lost whatever little warmth it had, worsening each time he asked another servant, and he’d get the same answer.

The implications behind your absence were growing heavier in his mind, to the point it sunk his heart to his stomach…

And propelled him to the one person who would undoubtedly know where you were.

“Naoya—Where is Y/N?!” Toji commands the moment he sees the heir, the young man instinctively flinched at the sight of his angered cousin, almost as if he knew what was running through his mind and attempted to make a run for it, only to be stopped by the collar, dead on his tracks. “Do not run away, coward! Answer me!”

“She’s—she’s not here anymore.” Is what Naoya manages to squeak, but Toji doesn’t need to be reminded the obvious.

“Where. Is. She.” He hisses, the worst of his assumptions slowly becoming a reality. “What have you done to her?!”

“What—what needed to be done!” Naoya gasps. “I—I couldn’t allow it!”

Toji doesn’t remember much after Naoya told him that the clan decided she was better off on her own—only that the heir was on the floor, bloodied and whimpering while attempting to cover his face, either trying to control the throbbing of his skin, the blood from spilling anywhere else, or perhaps even shame.

No. It couldn’t be the last. To have done something like what he did required a shameless man to do so.

Nonetheless Toji didn’t bother to find out nor to be reprimanded, quick to assert what needed to be done and heading out the estate; he couldn’t even bother cursing those that had done nothing but the worst after the worst, each time a new low, for his mind solely pertained in finding you.

It took him a while to do so, as expected, but he knew it was only a matter of asking around for a woman that simply didn’t fit to do the job—and such, here he is now.

“I want—needed to see you.” Toji takes a step closer.

“Get—get away from me.”

“No, I’m afraid I can’t do that.”

“You were fine doing that before—what’s so different from now?” You spat.

“This is different, Y/N. You’re alone—and you need me.”

“I’m not alone—I don’t need you.” You gasp. “Get away from me or I’ll—I’ll call the police!.”

“If you don’t need me, then the baby does.”

It’s like he struck a nerve with his words, because soon after tears would begin to fall down your cheeks, revealing that the sight you attempted to portray, the strength you so fiercely put up against him, was nothing but a façade, a way to hide the fact that indeed, you needed help.

Exhausted from facing all these uncertainties on your own, afraid.

But not anymore, not when Toji was here, more than willing to step in, as seen in the way he swiftly holds you in his arms when he sees you almost faint from distress, attempting to comfort you as you continued to cry.

“Get— get away from me…!” you’d say again, still fighting against his hold. However, he doesn’t fight it, he simply allows you to vent, taking in all the pain and hatred your heart harbored from the moment you were kicked out of the estate. “Don’t touch me!”

“I’m not leaving” Toji insists, he feels you trying to squirm your way out from him, but his strength doesn’t allow it. “You can struggle all you want, but I’m not leaving you on your own—”

“What difference does it make to you? Your family abandoned me to my luck! And even forced my family to do the same!” you breathe, Toji’s eyes widen—he did not know that; his fury for the Zen’in grows, but this is not the time to deal with that. “They don’t care if I die on the street!”

“I know.” He murmurs, holding you tighter against him.

“And I—And I tried my best to—to move on, but I can’t! I can’t do it!” you sob. “I’m so alone, and scared, and—and ashamed! I don’t want to live like this anymore!! I don’t want to die!”

“…I know.”

“Why—why is this happening to me?! All I ever wanted was for—was for Naoya to love me. I never wanted anything else! I never wanted money, I never wanted to hurt anyone either! I just—I just wanted to live a happy life with him, to make him happy!

But then he—he tossed me away, at one thing he didn’t like, he acted like I didn’t even matter! He didn’t even put up a fight to defend me! he just—he just let them hurt me, like what we had was—a lie!

 Did he never—did he even love me?”

Speechless, all Toji could do is continue holding you as you kept on pouring out your feelings, hearing the heart wrenching sound of your sobs that just kept reflecting how wounded you were by Naoya’s betrayal, the transgressions of his family, and the disappointment of yours.

And all because of something you didn’t even suggest in the first place. It was him who made his way into Naoya’s mind, and eventually, it was Naoya who pushed you into it, regardless of what happened later.

He wanted to do it; you know?

He wanted to go back there and murder them for all they’d done against you.

But when he left that place one last time, he promised he would stop thinking about himself, and start doing what is right—what was needed.

If Naoya wasn’t to step up and be a man, then he would.

Toji would gladly throw away his own pride, his own anger and thirst for vengeance, just to see you safe and happy once more.

Things your husband, could simply not—but he… he’d do it in a heartbeat.

“I promise you.” Toji would reassure you once carefully placing you down to the bed after tiring yourself from crying, followed by a gentle kiss on the top of your head.

 “I swear, Y/N— I will not let my family do the same things they’ve done to me to our child. Even if it costs me my life, I will do everything in my power to keep the two of you safe.”

And unlike your husband, he means it.

Yes, a second part is coming :) just gotta put this one out first hehe.

Anyways, it's not exactly what you asked but I think it's going there??? I mean Toji STEPPED UP and was like OK imma take care of my baby mama. also, here Naoya .I. put it where it fits. ugh, can't say we're done with him...

agihajkgksa I'm excited for what's to come, I haven't written this level of angst in a while!! oof!!!

Thank you so much for your patience and for sending this ask :> I'm super happy you've like my oneshot so much!! I hope you'll be able to like this too!!

Take care, and see you soon! ❤️❤️

[katieaki]

My ✨ post-apocalyptic Lesbian Cowgirl Mailman choose-your-own adventure✨ has just updated! Read it here for free on my Patreon and vote in the poll! There is a summary of the first part, here, the second part, here, and the third part, here. They have everything you need to know about Lou, her requited-but-complicated love, the religious assassin who just beat the tar out of her, the worst person she's ever met, and the ill-advised journey she is on! There is also now a discord where Pony Express readers from all across god's green internet can gather, here! Lou really flexes her incredible acting skills in this one. I guarantee you'll be impressed. We also get some teen content, if only just a little. Close readers who've also read my other work may also be rewarded with an accent-related detail that says something about another irritable country dyke in my lineup.

Read the update for free on my patreon & vote on what happens next! Excerpt below the cut.

“Are you from like, Travertine, Devil’s Elbow, Cloverleaf way?” Artie asked, gesturing with three fingers to indicate the cluster of towns. They were barely towns, really, more like loosely grouped homes, farms, and rural industry that were large enough to each have their own shrine, pantry, schoolhouses, and Pony Express stations, but not much more.

“Yeah,” Lou said, surprised into letting the ‘curse’ talk lie. “How did you know?”

“Your accent,” she said.

“I don’t have an accent,” Lou said. She involuntarily covered her mouth with her hand. “Y’all have accents.”

“Wait, don’t tell me which one. Let me guess,” Artie said, excited. She pushed her hair out of her face and thought hard for a moment. “Okay. What does a bird lay?”

“An egg?” Lou said.

“‘Aig’,” Artie repeated.

“That’s— that's not what I sound like,” Lou protested.

Artie ignored her and continued. “The feeling when you wanna go to sleep?”

“Sleepy,” Lou said. She knew what Artie was trying to get her to say, but she didn’t want to play along anymore. Artie was having too much fun with it and Lou was beginning to feel cross-grained.

“Come on,” Artie said, looking over the top of her new, cursed sunglasses at her.

“Tired,” Lou said, begrudgingly.

“‘Tarred,’” Artie repeated. 

“Okay, stop making fun of me,” Lou said. “I get it. I’m country as a turnip green.”

“I’m not making fun. I’m investigating,” she said. “Besides, I like it. Your accent. And I like turnip greens.”

Lou didn’t say anything, just lifted her hat, smoothed her sweaty hair back, and put it back on her head. They were quiet for a while and Lou hoped Artie had decided not to pursue the question any further.

“The thing you write with? The ink one?” Artie said finally, with a little smile.

Lou heaved a heavy sigh and glared at her. She just smiled back, looking at her with those huge, dark eyes. “Pen,” she said, finally.

“‘Pin’,” Artie repeated, visibly delighted that Lou was still playing along. “Cloverleaf?”

Lou’s eyebrows raised involuntarily. How did she know that? “You had a one in three chance,” Lou huffed.

Artie leaned back with a big grin. Lou instinctively looked away from her teeth. “Anyway, don’t be embarrassed about being a country girl. Johnny Knives is inaka, too.”

“How did you know?” Lou asked.

“About you? I don’t know. I’ve been all over the place and I like hearing people talk. And my dad is from near Travertine,” Artie said. “I guess, me too, but. It’s complicated. Anyway, you got a stronger accent than her. So it was easy. I feel like the pin-pen thing is so Cloverleaf. Oh, and how you say golly like that all the time. ‘Gol-lee’. Very Cloverleafian.”

[seariii]

Hum...

[kidfoundonstreets]

I DONT HAVE THE IMAGES IRGHT NOW BUT YOU UNDETRNSAD?? YOU GET ?? YOLU GET? IM MADLY I NLOV WITH YOU TIWLIGHTRCADE MY GOOD FRIEND MY COMRADEMY RIDE ROD IE

[suncaptor]

there's something specifically inside my head that is closing up that makes trusting anything so hard. i have to manually keep my mind open to the potential of anything being significant. i am so used to things being bad and things hurting and things not working and being powerless that it takes an exorbitant amount of mental energy to make sure I don't let myself shut down possibility. and I do it because I never want a certainty inside of me besides love to rule anything. but I want my brain elastic again. i want it open like breathing. it doesn't erase the unfairness or the critique or any of the bitter-built philosophy.

[butnobodycame627]

🦾 a disability headcanon

&

😭 A headcanon about the worst thing that happened to them.

For Luz Noceda plz :)

hooo boy

hmm I don't really have any disability headcanons for Luz I don't think. But this got me thinking about maybe almost getting petrified that one time could have had some kind of lasting effect, that might be interesting. Not sure what specifically but I imagine that would really mess with her body so.

The worst thing that happened to Luz I feel like is losing her dad, but she's had a lot of bad things happen to her so there's some competition there I think. I don't have too many headcanons about that specifically I guess, and I don't want to think about it too much because I'll probably get really upset.

[puppyeared]

weird that the shape of love is two beating hearts glued together and not two hands holding each other

[strwbrymlkshake]

Why can't I be satisfied with everything? It needs to be perfect to me and I can't accept anything otherwise :(

[jvzebel-x]

🦋

[todayisafridaynight]

Firstly, thanks so much for your patience with my ramblings haha, it's always an absolute pleasure to read your responses even if I get more unhinged with each one of mine! Of course, I'll continue to do my best with the wiki! (Actually, I think it's because of you that I noticed Daigo's age(s) were a year off haha, so thank you for that as well.)

I think you hit the nail on the head, and I adore how his relationships were executed in Y7 as well! I was initially a little bit apprehensive when trailers for 7 were coming out since RGGJo (and Mine, of course) were my favorite antagonists, and Jo is by far the character who's changed the most between games, but I can safely say both… Joes… are right up there for me.

I think a strong early subversion/conversion/something is that RGGJo really does just go and shoot up a rival office for attacking Arakawa (even though Arakawa was fine?). With Y7Jo, even though he's covering for Masato, the fact that's still the story Ichi gets told and he doesn't question it sort of speaks to Y7Jo having a similarly "protective" streak even if it's not actually what happened in that instance. That's also demonstrated in The Eye Scene as you mention later.

Like, I think that story is fairly clearly something he and Arakawa discussed. Masato got in contact with Jo first, and the mess Ichi tries to clear up when he comes in the morning after is indicative of a very long, stressful conversation between two people. Given Masato absolutely should not be smoking, process of elimination would suggest it's Jo. And it's a story they would've aimed to make as believable as possible, so the fact it is believable (Ichi being a bit gullible notwithstanding) says something to me.

For two characters who hardly even speak to each other onscreen (criminal btw), there's a lot to dig into when it comes to Arakawa and Sawashiro's relationship. That aside, I'm super excited to see you analyse Jo's psyche, and I can't wait to read it! I've been reading Japanese psychology texts myself and noticing a number of concepts that apply to Mine, but may apply to the Arakawas as well. There's a great deal I want to share once I get my thoughts in order.

I totally agree Mine's influence on RGGJo was the strongest of the three! I mean, y'know, that's why I acquired brainworms for RGGJo/Mine specifically. (Still 1000% going to commission you by the way when I've got my refs together + am not in danger of being unable to afford Gaiden and 8 lol). Sort of like with Masato and Daigo, I think characters who are clearly based on each other work quite well together even if it's seen as crack. You can come up with pretty compelling ideas trying to rationalize those similarities from a Watsonian perspective.

The devotion is absolutely the strongest point (having the exact same relationship tag for Arakawa and Daigo respectively + similar wording for it in the 15th anniversary book is a nice touch), but for me it's also what's done with it in terms of presentation. For both Mine and RGGJo you're supposed to believe they're actively working against Daigo and Arakawa's interests for most of the story.

And they probably kind of are, but they're convinced the pros outweigh the cons (as with the resort gambit, which you're remembering correctly!) Though it may not have the same effect nowadays for various reasons (spoilers, plot points becoming predictable on account of other games, etc), the devotion was originally supposed to be a twist.

There are other things, of course; they're both the "treasurers" of their respective organizations, they're both third-in-command of the Tojo and Omi, they're both talented people who possess overwhelming strength and influence and are regarded as geniuses (despite scenes to the contrary). If I wanted to reach design-wise, they've got mirrored ahoges, and Mine's "Legend" costume is probably based on characters like RGGJo and Nishiki. Their first cards were even officially stated to have synergy on account of their very similar skillset.

You end up noticing a lot of things like that if you're clinically insane like I am, but the one thing that's really stuck with me is that the render used for RGGJo's office is specifically a new render the Hakuho Clan office. It's missing the stuff that's supposed to be missing, the stuff Kanda broke, but only that. Mine's art collection, which is very personal to him as is also revealed in RGGO, is preserved in full.

There are a number of newly-rendered locations in RGGO and they could've just done that, or they could've picked any location that's not (imo) one of the most iconic, but I don't know why they didn't. And I don't know whether it was just convenience, whether it's simply meant to be reflective of them having similar tastes without being the same office, or whether it's just honest to God the same office. I mean, it's not like there's any reason to acknowledge it in-game.

But I think, in a weird way, that this is one of the things that carried over to Y7Jo alongside the devotion and The Eye Scene. A lot of people don't notice because there's so much going on in Y7's finale, but the Arakawa Family office the finale takes place in is specifically Y7Jo's office. And if you examine the Hakuho Clan office and the Arakawa Family office as spaces Mine and Y7Jo have created for themselves, there are very few aesthetic similarities other than being pretty tasteful two-storey offices, but both are, in their own ways, designed for companionship.

There is the obvious fully-stocked bar and main seating area in both, but that's sort of whatever, that's entertainment and hospitality. What really catches my eye, at least on the first floor, is that every piece of gym equipment in Mine's office comes in pairs; similarly, there's the pair of armchairs that are just by themselves behind Y7Jo's desk.

The second floor of Mine's office basically consists of only a TV, a table, and a set of couches, but I think the second floor of of 7Jo's is the more telling of the two. You walk upstairs from this very snazzy, richly decorated first floor (btw, like Mine's gym equipment and art, I would like to think the fact it's decked from top to bottom with books isn't just for show) to a second floor that consists of… absolutely nothing.

Nothing except another pair of armchairs, echoing those on the first floor, facing out into this gorgeous (RGGJou would--and has--said "romantic") view of Kamurocho. Maybe it's just to have this dramatic, spacious arena for the very last fight, but I just think that visual is potentially such a strong bit of storytelling via set dressing.

I also think with RGGJo being split into Y7Jo and Masato, some of the Mine influence kind of ended up with Masato too, specifically as Aoki. At least insofar as all the catastrophizing about not truly being cared-for despite evidence to the contrary, and I kind of felt like the moment where he shoots at and narrowly misses Ichi's head, then throws his gun away for a good ol' fistfight was Something.

Completely agree on your assessment of the link to Nishiki as well! There's the surface level design similarities with young RGGJo back when he had long hair and accessorized less, but yeah, no notes. I definitely think Y7Arakawa's line applies perfectly to the dynamic they were going for, too.

I thought the implication was that Masato wouldn't have survived at all in RGGO on account of Arakawa being unable to open the locker, but it's super interesting to think about how things might've turned out otherwise! A Masato who's Just A Guy and treated sort of like RGGO Mitsu's offscreen wife and kid is such a concept.

I really do hope there's a continuation to the story; as it stands, it literally ends with Jo in a coma lol. But I'm grateful RGGO is still accessible and actively updated, in comparison to the previous mobile titles, which also had original stories that are all gone now.

Jo was actually in a very recent event, even. The event spent its whole runtime talking about how cats are sensitive to smell, and evidently, according to the ending, Jo is incredibly sensitive to smell himself. I'm not sure which Jo it was even supposed to be since he was offscreen, but uh, catboy confirmed? Nyawashiro…? It's fun trivia.

Mentioning Arakawa's "sons" line in such close proximity to talking about Tsutsumi reminds me! There was this Y7 interview with all three actors (that has since been privated and that I kick myself every day for archiving) where Nakai and Tsutsumi were talking about how they usually play father and son.

So there's this very, very long history of them co-starring (as I'm sure you're aware lol), like from way back when Tsutsumi's voice was actually higher. And I think the casting choices absolutely are informed by the history and context there, both as individuals and as co-stars, both in terms of filmography as you say and not.

One particular anecdote that just Gets Me is that this was Tsutsumi's first time voice-acting, and he honestly wasn't even sure he'd take the role, but he accepted once he heard Nakai was on board. And he went on to actually enjoy it so much he read the rest of the (gargantuan) script, far beyond his own dialogue, and ended up forgetting the lines to the play he was doing at the time.

He also went on to voice-act a second time in The Deer King, where he plays… another iintimidating man with a violent reputation and a "soft"/deeper side (who is of course a reluctant father), actually. I actually have seen most of his other roles, and Jo really is almost one-of-a-kind. Though it's hard to find any one character he's "like," I can absolutely see what you mean with regard to Oda Nobunaga and Kanda.

I think that actually really works with regard to audiences having an idea of what to expect from his character and to an extent from Y7 if you look Jo as more of a culmination of Tsutsumi's career up to that point. In addition to what you've mentioned already, I also detect a lot of Koda (Good Luck!!) and Ogata (SP)'s themes with regret and making amends and vengeance in particular.

There's a little bit of Appare (Kagerou Touge) and Shibata (Keiho) too, I think, in terms of presenting yourself as worse than you actually are. And I think Tsutsumi's own struggles with mental health lend a lot of gravitas to characters like Ishigami (Suspect X) and Jo, who you can't really argue Isn't Depressed, especially at present.

And of course, y'know, he's played yakuza (to great effect), he's played dads (to great effect; btw, I would say the worst fathers/father figures he's played are probably in Fable II and My Blood & Bones in a Flowing Galaxy, Jo somehow doesn't even compare lol). Also, pretty much every Tsutsumi character either ends up dead or in jail, being a villain in an RGG game notwithstanding. There are often very strong critiques of police and politics present in his work as well, Y7 being no exception.

It's similar with Nakai, maybe to an even greater extent than with Tsutsumi, since Y7 borrows more heavily from his works and his personal life aligns surprisingly well with Arakawa's. They're both actors who are sons of actors, lost their fathers at a young age, were raised by abusive mothers, and ended up with a sort of unlikely father figure in adulthood. So I think it's sweet that Nakai ended up enjoying Arakawa as much as Tsutsumi did Jo. It's kind of funny being more or less typecast as a dad without actually having any children (unlike Tsutsumi), though.

I touched on it a tiny bit before but that's a really insightful take on RGGJo's splintering, as well! And you're most welcome. I've always found it fascinating just how closely their backgrounds tie in to who they end up being. I completely agree having his dad around did a lot for Arakawa in terms of having the confidence to stick to his guns.

But yeah, you know, it's just tragic. I think it's also one of the less talked-about ways abuse can perpetuate itself. Because Jo treating Ichi the way his father may have treated him is sort of the tip of the iceberg when it comes to the topic, but Jo's learned avoidance also goes on to make Arakawa a scapegoat for Aoki's abuse.

I'm always a fan of your takes and insights, so I don't mind the wait: thank you so much for writing as much as you have, it's really wonderful being able to discuss Jo and RGGO v. Y7 as a whole! (I have to be embarrassed about the Daigo's-Age bit though: I'm glad I was able to help point it out, but I remember being so sassy and rude in the post where I mentioned it 😭)

It's great that despite their differences, both Jo's are still incredibly enjoyable; the roles each Jo fulfills, although different, are still executed in ways that keep the character in a close beat with each other, but of course effectively fill out their new purposes in new interesting ways!

As a bit of an aside, I've always been curious and nosy about the full details about New Years Day, 2001 and what happened after that. Anything I can say about the night tiptoes more into theory territory than anything solid, but if we're to go off the notion Masato really did head straight home afterwards, then it is fair to assume Jo had to have met with Arakawa that same night not long after the call in order for Arakawa to be ready to talk to Ichi the same morning (it must have been the biggest shock afterwards for Masato to hear he's gotta run to America if the three of them didn't talk about it together- which I'm assuming is what happened since, as you said, Masato shouldn't be anywhere near cigarettes, and the ash tray is definitely indicative of a stressful discussion). BUT Jo's preexisting devotion to Arakawa (plus the nod to/rework of RGGJo actually attacking a rival gang) nonetheless definitely helped in making their story digestible to the people they had to tell.

The fact Jo and Arakawa interact so little on screen really is unfortunate, even if it's understandable as to why. At the very least, I'm grateful there's so many bits of context clues through the game/s that can at least offer a peak into their dynamic! Segwaying away from that though, I can't lie I was already thinking of some bullet points regarding Jo's brain as I was falling asleep, so it's definitely something I want to put to paper when I get to: I'm glad to hear I have your interest on it when I write it! In that same vein, I'd be more than happy as well to hear about these notes you've seen that can apply not only to Mine, but to the Arakawa family. As you note later on, Mine and Aoki share similar philosophies, so I'd love to see your full take on that if you get to it!

About Mine though, it was really hard for me not to joke about the two being similar whenever the chance arose: I mean, two men who lose their fathers (admittedly, Jo chose to leave his dad but Dad Lost is still a bullet point on the venn diagram... that now I actually feel like taking the time to make later...) turn out to become their respective clan's most trusted asset (and handler of assets) who are volatile when it comes to the ones they care about (I don't have to clarify Mine, but as for Jo, aside from The Eye Scene and even the book wording, he definitely overreacts to Ichi having Masato's money. Of course, part of his anger could be due to his belief in the honor of being a yakuza, but I wouldn't say it's a reach to also assume that the idea of Ichi pestering Masato- if not assuming the worst for whatever reason from Ichiban of all people- might have irked him) and ironically act out in ways that would go against what the ones they care about want (more so strictly about RGGJo, of course)- it's hard not to see the notes borrowed from Mine to make Jo. In that, I do really enjoy their devotions being twists; even if that twist might not work nowadays as efficiently, I'll still enjoy it for what it's able to provide and how it can deepen a character.

To continue on to visual similarities, I actually did notice RGGJo's office being the same as Mine's (I stopped reading for a bit just to make a mini thread about it on my private Twitter)! Whether it was intentional or a simple reuse of assets, it's a great nod to Mine's influence on his character.

As for Y7Jo's office in comparison to Mine's- if I may accidentally go on a bit of an analytical rant- it's a little funny how different they are despite being tangential in wanting a space for companionship (like you mentioned for Jo's case, it might have been for dramatic purposes, but it wouldn't hurt to try and examine the room at face value for a second).

Mine's office is comparatively brighter and more apparently inviting, and it's not just due to the nighttime setting of Jo's office as his office's walls are painted black- but at the same time, the contrast almost feels intentional. Mine's apartment, even if spacious, has the social pieces close to each other, especially in relation to his personal desk. On the flip side, Jo's desk is considerably isolated away from the grand table in the side of the room. In these differences, I think it does lead to a great representation of their relationships with people and what they wanted out of life: with Mine, despite wanting people to be close to him and in his proximity, he's ultimately alone and by himself. On the contrary, Jo appears satisfied with- at least- only having Masato in his life, the second chair undoubtedly being honorary to Arakawa in a similar vein. He isn't too concerned with getting close to anyone else, thus no need for his table set to be so nearby. I could just be talking about nothing though- yet I think these differences is a great way to show how despite inspiration from Mine, they divide off into different characters still (honestly I might steal from this ask and make a separate post about this because now I've gotten myself invested in set design- it can go in the same post as my venn diagram I guess lmao).

Nevertheless, RGGJo and Mine borrowing from each other design wise is also another fun bit- it's as if Yokoyama's grabbing people by the shoulders and practically begging us to realize Jo's influenced by him (don't worry Mr. Yokoyama, I see you). Ergo, Y7Jo and Masato being split from RGGJo is such an interesting take of the two characters: it not only helps highlight Jo's traits it really also heightens Mine's extended influence on Masato (their inability to shoot people standing still is probably going to be a new favorite comparison I hadn't noticed before LMAO).

Moving on though, that lost interview with Nakai and Tsutsumi's going to haunt me now: I'd love to be able to see it, I love actor interviews, especially when the actors featured are already so familiar with each other! It's so sweet how connected the two are- it's what makes it a little more unfortunate that we didn't get to see Jo and Arakawa on screen together more. On that note though, I actually had a similar conclusion that Jo was a solid representation of Tsutsumi's career thus far: his ability to play deep and sentimental characters that have a rough exterior while also possessing some action to the role that he initially sought after in his career really encapsulates his ability as an actor! All in all, I'm glad that Nakai and Tsutsumi were able to have strong connections to their characters in Y7- and I can't really argue against Nakai's dad-typecast: there's just something about him that screams 'father' to me even if, ironically as you said, he isn't a father to any kids.

[opens-up-4-nobody]

...

[sambambucky]

Rules: in a new post, show the last line you wrote and tag as many people as there are words

tagged by @livingincolorsagain @saryasy & @jonkentt ! tytyty !!!

One that comes fast and sparkling - a lightning strike of heat and light from his lips that sizzles down through the tips of his fingers - gone as soon as it occurs to him to react.

babey idk 35 people... BUT! tagging with love and zero pressure: @crepuscularqueens @mbbmdymm @lesbians-love-samwilson @cobrafantasies

[haemosexuality]

these past few days i have been uncharacteristically. emotionally open. w my friend and it has me thinking about how truly for all of my life i just did not expect anything from anyone

[cosmicrhetoric]

want 2 comment on random chains of discussion on my mr post so bad but also i dont.....i need to mute notifications cause as much as i enjoy seeing people be funny abt maladict in the tags i cannot handle seeing misinterpretations of tone lmao

[arklay]

runs in here

[n0ct0urn1quet]

@raiden-metal-gear-rising sorry this is a gaypos for u but it mite be more of just a rant because i am fuming (not rly i am just frustrated bc . u know why <3)