#Bollywood melody voice

[jules-has-notes]

Mission: Jingle Bells — VoicePlay music video

After the events of "Panic! in 4 Minutes" (and its prequel "Trapped" that they hadn't filmed yet), you might think the VoicePlay guys would be more vigilant against being abducted. But no, they've gotten kidnapped and tied to a circle of chairs again. At least this time their captor isn't actively trying to kill them. He just wants a private performance… or else.

Details:

title: Mission: Jingle Bells

original songs / performers: theme from Mission: Impossible; traditional American carol "Jingle Bells"; rap verse inspired by "Dopeness" by the Black Eyed Peas

written by: Mission: Impossible theme by Lalo Schifrin; "Jingle Bells" by James Lord Pierpont

arranged by: Layne Stein

release date: 21 December 2018

My favorite bits:

the group being awakened by Earl, Eli, and J.None singing in three part harmony

Geoff busting out that iconic bass line

the extra bindings securing Earl's beefy legs (and the gift bow on the end of his beard)

J.None singing those happy lyrics to the M:I minor key melody

the lovely bell chord for ♫ "laughing all the wa-a-ay" ♫

the increasing concern on Geoff's face as their captor puts him through his bassy paces

J figuring out a loophole by speaking to the beat

Layne's percussion under the rap switching from resonant wood block sounds to quick high hats to ramp up the tension

the cautious ♫ "Time… to… get… out" ♫ from Eli inspiring everyone to pull against their bonds

Earl hitting that sky-high ♫ "jingle BEEELLS" ♫

the syncopated harmonies from Eli and J

that crisp diction in the final chorus

"Someone's coming to untie us, right?" 😟

Trivia:

○ Like most of the spoken dialogue in VoicePlay's music videos, the kidnapper is voiced by Eli. The mystery person at the computer equipment is Kathy.

○ The guys have never released a conventional version of "Jingle Bells", but they have done serveral creative things with it:

They performed a fun remix as a commercial bumper during the Sing-Off season 4 finale.

They did a Bollywood-inspired version on their 2012 holiday album, "Peppermint Winter".

And, of course, they included an excerpt in their "Most of the Songs" holiday medley that they performed at seasonal shows, including their three annual residencies at Disney World for Mickey's Very Merry Christmas Party.

○ VoicePlay later included the Mission: Impossible theme in their "Aca Top 10 – Movie Themes" countdown with guest Rob Lundquist from Home Free.

○ The fellas made some festive hostage-note-style promo posters that they posted to their individual social media accounts. (Though I can't find J.None's anywhere.)

○ This video was commissioned by Paramount Studios as part of the advertising campaign for the home media release of Mission: Impossible – Fallout, the sixth movie in the series.

○ Instead of a note in the YouTube description, they posted a comment reading: "MERRY CHRISTMAS! This video was sponsored by Mission: Impossible – Fallout — If you're looking for something INCREDIBLE to watch this holiday season with all of your fav secret agents, 😎 👉 http://paramnt.us/Get.Fallout. Today (This comment will self destruct in 5 seconds)."

○ The video won a 2019 Clio award, the industry awards for advertising. The coordinating agency, Think Jam Inc., took home a bronze in the Home Entertainment: Original Content category.

○ Earl got a little lost in the sauce when he picked up breakfast for the guys and their crew on the way to the filming location.

[the-reclusive-writer]

A to Z MP3 Old Hindi Songs Free Download is a comprehensive collection of timeless melodies from the golden era of Bollywood. Featuring iconic tracks spanning various genres like romantic ballads, soulful gazals, peppy dance numbers, and classical compositions, this archive offers nostalgia and cultural richness. From the enchanting tunes of Lata Mangeshkar and Kishore Kumar to the legendary voices of Mohammad Rafi and Asha Bhosle, each song evokes memories of bygone eras. Accessible for free, this treasure trove of musical heritage allows enthusiasts to relive the magic of vintage Bollywood, preserving the essence of India's cinematic musical legacy for generations to come.

[singing-classes-in-delhi-ncr]

I love teaching music classes to my students in my Music School in Delhi

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[mywifeleftme]

299: Aaarti Mukherjee // ভোরের তারা আধুনিক বাংলা গান [Morning Star]

ভোরের তারা আধুনিক বাংলা গান [Morning Star] Aarti Mukherjee 1988, His Master's Voice

Far be it from me to claim any expertise on Bengali music, but I love this little late ‘80s compilation of songs by Aarti Mukherjee (listed on the cover as “Arati” Mukherjee) whose title translates to Morning Star. It’s from a fairly obscure series from the Indian bureau of His Master’s Voice for the domestic market called Bengali Modern Songs—a few volumes are listed on Discogs, but I had to add this one myself. Mukherjee is best known as a playback singer whose prime stretched from the ‘60s to the ‘80s, providing the vocals for a generation of leading ladies to lip-synch to in the Bengali-language film industry (Tollywood). As with her peers in the better-known Hindi-language Bollywood system, Mukherjee was insanely prolific, having recorded something like 15,000 songs over the course of her career. Morning Star has only uh eight of those, but they’re all wonderful. Eloquently orchestrated (mostly synth, to my ear), with percussion that sways and wobbles like dub, the approach to melody seems clearly derived from a classical, almost operatic tradition, yet these are also pop songs. Opener “কোথাও একটা পাখী ডেকে চলছে” (“Somewhere a Bird is Calling”) almost sounds like samba, kissed with shakers, synth strings, and quirky whistles, a brief sitar bridge that gives way to a flourish of acoustic guitar. “তুমি কৃষ্ণচূড়া ফোটার দিনে” (“You Are the Day of the Black Peak”) is even better, with one of those smiling through tears melodies the subcontinent seems to specialize in, a perfect showcase for Mukherjee’s precise diction and songbird’s warble. “ভ্রমরে গুঞ্জরে সুরে বিভোর” (“There is a Buzzing Sound,” possibly) has a courtlier disposition, with a snaky rhythm that reminds me of Ottoman classical music, Mukherjee crooning over a sweet sitar riff that fills my head with every sandswept Orientalist trope an Occidental pud can imagine. I really can’t say where Mukherjee stands in the firmament of Indian music, or even where these particular songs stand amid her own unfathomably vast catalogue. But for whatever a recommendation is worth coming from someone only just beginning to explore the genre, Morning Star is superb.

299/365

[impossibleconversations]

A to Z MP3 Old Hindi Songs Free Download offers a treasure trove of nostalgia, featuring timeless melodies from the golden era of Hindi cinema. This collection spans decades of musical brilliance, showcasing the soulful voices of legendary artists like Lata Mangeshkar, Mohammed Rafi, Kishore Kumar, and Asha Bhosle. From enchanting romantic ballads to energetic dance numbers, each song resonates with emotion and cultural richness. With easy accessibility and no cost involved, this platform invites music enthusiasts to immerse themselves in the enchanting world of vintage Bollywood music, where every tune narrates a story and every note evokes a myriad of emotions.

[novimnet]

Step into a world where melodies echo emotions, and lyrics are poetry—welcome to the timeless realm of old Hindi songs. These musical gems, spanning the golden era of Bollywood, possess an enchanting ability to transport listeners to an era of simplicity and romance. From the soulful voices of Lata Mangeshkar and Kishore Kumar to the poetic genius of Gulzar and Sahir Ludhianvi, each note carries a narrative that transcends generations. These songs, with their orchestral arrangements and meaningful verses, provide a soundtrack to the nostalgia of yesteryears, encapsulating the essence of love, longing, and life. As the years roll by, old Hindi songs remain eternal, weaving a tapestry of emotions that resonates with hearts across time.

[secretearthquakecheesecake]

🎩 Hats off .. for World's most melodious voiced singer 'Bharat Ratna' Lata Mangeshkar ji

Music By : Ram Laxman

Lyrics: Dev Kohli..

"Duniya maange apni muraadein...

Main to maangoon saajan

Rahe salaamat mera sajna..

Aur sajna ka aangan.. "

Remembering one of the biggest LEGEND of Bollywood, May her mellifluous voice linger in our ears.

🌼𑜞᭄with ℒℴѵℯ 🌹💞

[bollywoodirect]

Birthday Greetings to Sudha Malhotra, one of the most mellifluous singers of the golden era of Hindi film music (30/11). Her melodious voice captured the hearts of listeners right from the beginning. Sudha Malhotra also acted in some films. She sang in many famous Bollywood and Marathi movies of the 1950s and 1960s, including Arzoo, Dhool Ka Phool, and others. She began her career as a child artist under the guidance of music director Ghulam Haider. Sudha stopped working in movies in 1960 after marrying businessman Giridhar Motwani. However, she continued to sing for albums, including for Jagjit Singh and the 1982 movie Prem Rog. Her last recorded song was for Prem Rog. In 2013, the Indian government honoured her with the Padma Shri award. Over her career, she sang 264 songs in 155 movies. What are your favourite Sudha Malhotra songs?

[suvarnarekha]

Bollywood songs from Late 90s and early-mid 2000s were something else, especially the Original ones. They had this vibe that really transported you to the song itself.

Listening to Chudi jo khanke is being in the hostel room

Listening to Bhool Bhulaiya track is finding yourself in that castle

Listening to Ashiqui mein Teri is being in China town at midnight

Listening to Dhoom again is seeing the warehouse in front of your eyes

why am I saying this? Lets just say that I went for the dimly lit club in Chakna chakna and didn’t realise that it has been an hour of me teleporting from aesthetic to aesthetic until I was already in the rainy streets from Laga Prem Rog😌

A taxi winds up on the mountain road of Kasaol. It’s been a long journey from Nizamuddin railway station; a peaceful drive to the hotel would be nice. But the cabbie is in the mood for songs of bitter love.  “Ab tere bin ji lenge hum. Zahar zindagi kaa pi lenge hum” Kumar Sanu's nasal voice playing on a scratchy tape recorder fills the car.

"I can learn to live without you. Life would be like drinking poison but what's the big deal if one heart breaks,"

Says this hit song from Aashiqui. It seems churlish to tell him to stop playing the music because-- it hits you suddenly-- that you don't really want peace. You want sookun, a feeling of love. And who better to grant that, other than Sanu da's heartfelt high notes.

An imaginary anecdote starts to weave relentlessly in your mind. As the driver switches songs to Bol Na Halke Halke. Your brain paces back to a gorgeous Preity Zinta, mistaking Abhishek Bachchan for a coolie, filling your heart with a flawless warmth.

The tape recorder booms again. This time, with the ever so magical voice of Mohit Chauhan in Tum se hi. Your consciousness reverts to the moments of Aditya and Geet, pouring out their hearts in rain.

The classic Falguni Pathak melody, Meri Chunar Udd Udd Jaye, makes your heart leap out of you in elation. The entire dance of Ayesha Takia with the lady in the painting evokes nostalgia which you can’t get over.

Dil Dooba blares next on the tape, Oh you cannot contain anymore! You break into crooked hip hop steps on the back seat, trying to imitate Akshay Kumar and Aishwariya Rai’s jhakaas dance moves from Khakee.

[what-if-nct]

hiiii today's reminder is that tiktok about Patrick stump and Br*ndon Ur*e was so brave yet so very true. which brings me to my controversial opinion: hitting/holding a high note does not necessarily equal great vocal technique. don't get me wrong, it's a skill, and definitely impressive esp in men, but to me it just doesn't come close to people who know how to use their voice to sing. for context, i grew up learning a style of indian classical music called carnatic music, which is very heavy on tonal embellishment and very intricate riffs. and this definitely bleeds into mainstream music here. for context here's a song i love that leans into classical elements while still being pop https://youtu.be/zWEOx7TSM6I?si=WEfPpre6FvkrR4WR and this guy is one of the best in the industry, but you do need a very high entry level of this kind of skill to get in. and I love k pop music, i truly do, but there's a definite difference in the level of vocal technique I expect in a k pop song vs a bollywood song, even in the vocal forward ballads. all of which is to say while I do appreciate people who hit the high notes at the end of the bridge, there's people (here's a non-exhaustive list: onew, jonghyun, suho, taeyeon, taeil, doyoung, dokyeom) who know how to use their voices to their best. who know how to play with a simple melody to make it interesting while still keeping it at a level where it remains a balanced group song (which is precisely why I will fight for solo albums for all of these people). and they're all very expressive singers, which I think is the most important part. could they all do carnatic riffs? probably not any time soon, it would take years of training.

i had a point but I think I forgot what it was trying not to offend people oops. anyway listen to onew's album circle to understand what I mean about skill. that is it, good night

Hiii, Oh, Bangchan also said something similar to that and I do agree, holding a high note is definitely a skill within itself but it's not the sole indicator of a great vocalist. Like vocal control and knowing how to work with your voice is really important. I went to a magnet school in elementary, in 5th grade you get the chance to spend the final hour in an elective. So even though I really really wanted dance, I was too self conscious and chose music. And they did not go easy on us 5th graders. So there's so much that goes into vocal practice and training. And you can really tell when someone really mastered their voice as an instrument such as Sir Patrick Stump, vs Brandon who just goes "hey look what I can do". Also like with the singer you sent you can tell that years of training went into creating the control he has on his voice. Also I got so invested in the music video it was all so wonderful. I want to bring up Felix who yes is more of a rapper but his vocal range is unbelievable. Since his voice naturally is very deep the way that he can manipulate it depending on what is needed is amazing. deeper voices tend to not be as versatile. But his is, I would love to see what more vocal training and focus on singing could do for him. I love Onews voice, I love Onew. He's my favorite little guy. SM does have amazing vocalists. I totally understood what you meant, Goodnight. Sleep well.

[salmankhanholics]

★ Amaal Mallik says he is 'indebted' to Salman Khan, talks about their Kisi Ka Bhai Kisi Ki Jaan song!

February 24, 2023

Amaal Mallik made his debut as a music composer in Bollywood with Jai Ho. The year was 2014, when he entered the world of showbiz with the Salman Khan film. Recalling his first Hindi film as a music composer, Amaal feels he didn't deliver well. However, he learnt a lesson, went through another year of hard work and delivered chartbuster songs.

After collaborating with Salman on Jai Ho, Amaal reunited with the superstar for his upcoming film, Kisi Ka Bhai Kisi Ki Jaan. In an exclusive chat with IndiaToday.in, Mallik spoke about his upcoming track with Khan.

AMAAL MALLIK ON SALMAN'S KISI KA BHAI KISI KI JAAN SONG

Speaking exclusively with IndiaToday.in, Amaal Mallik opened up about his reunion with Salman for Kisi Ka Bhai Kisi Ki Jaan. He also revealed an unknown fact about his track with the superstar.

"Now, eight years later, we are doing a heartfelt song together. Last we collaborated on Main Hoon Hero Tera and now we are coming together and I hope people love it. I can only say that it is a track about romance and love. It is something I made as a composition in 2012 and he remembered that tune as he had it in his recording. He remembers songs and has them on his phone. He said, 'I am doing this song and you have to start working on it.' That's what we are doing right now," said Amaal.

He added, "As we speak, tomorrow, we have recordings for it. The melody is something that I made in 2012 and the whole arrangement, production and beats I am doing now. So my 2023 ka mind is going to work on 2012 ka brain. It is a nostalgic feeling. He had like 4 to 5 songs, out of which Hero was released. He also liked this song. Today, I am doing it for his film. I hope all listeners, Amaalians and Salman Khan fans are ready for a song that is about falling in love and being in love. It is another love song by me, but this time it is with Salman Khan."

'I OWE MY BEGINNING TO MR SALMAN KHAN'

Going down memory lane, Amaal recalled how he got his big break in Bollywood with Jai Ho. He expressed gratitude to Salman and said, "I owe my beginnings to Mr Salman Khan and sir is someone who believed in me that I could be a composer at 23. And I remember, during Jai Ho, I was asked what credit would go. So I said you can give the credit as music produced or beats by Amaal Mallik. He looked at me and said, what kind of credit is that? Music composer banna hain ya nahi banna hai? He was like, otherwise, don't give me the song. I was thrown into this industry like that. Of course, struggles are there. It was not easy to reach him. That is another chapter of life. But once he liked it, he gave me such a big platform to debut on. He took Armaan (Malik) as a vocalist and Salman Khan's voice was Armaan's voice when he was 19. He took a big risk for both of us. And I personally felt I didn't understand much about what to do. I was young and didn't deliver well in Jai Ho. Later, when I did a song with him, Main Hoon Hero Tera, which created history, by then I understood what his fans also like about him and what kind of music they like. In the first film, you don't know, whatever you have been guided about - you try your best."

Before signing off, the music composer stated, "He loved EDM music. That's why we did songs likeTumko Toh Aana Hi Tha, Love You Till The End and the Jai Ho title track in the film. There were EDM-driven club anthem kind-of productions. But his audience is very massy and commercial. They love to see him in either beautiful songs like Teri Meri Prem Kahani (from Bodyguard) or Character Dheela and Dhinka Chika. So, these two spaces are something fans love about him. Even though Salman sir listens to different kinds of music, he is aware and he knows what works for him, but he also knows what works for his fans and they will love it. That surety which he has helps a music composer know what to do. By then I understood where I went wrong with Jai Ho. I am glad that my first film, in spite of it being the biggest launch, I didn't deliver well on music. It taught me a lesson and made me go through another year of hard work so that I could do something like Main Hoon Hero Tera and Sooraj Dooba to take my career forward. I am indebted to him for believing in 23-year-old Amaal Malik, who thought he would debut as a composer at 32 or 33. It was his belief that I became this."

[mmorgmetrics]

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[my-music-1460]

Women in Indian Music: Popular Female Artists on Spotify

Women have always been at the forefront of India’s vibrant music industry, shaping its soundscapes and contributing to its diverse legacy. In recent years, with the rise of streaming platforms like Spotify, female artists have found more creative freedom and wider audiences than ever before. From playback singers who dominate Bollywood charts to indie voices that redefine the sound of Indian pop, female musicians are making waves globally. When we look at popular Indian artists on Spotify, women are not just a part of the conversation—they are leading it. Let’s dive into the stories and music of some of the most successful and influential female artists currently thriving on Spotify.

1. Neha Kakkar: The Pop Sensation

Neha Kakkar has become one of the most sought-after playback singers in Bollywood. Known for her peppy dance numbers, her tracks consistently top Spotify charts. With her energetic voice and catchy tunes, she has created a unique niche for herself, appealing to both young listeners and Bollywood fans alike. Whether it’s the foot-tapping “Dilbar” or the soulful “Mile Ho Tum,” Kakkar’s versatility is key to her enduring popularity on Spotify. Her rise from a humble background to becoming a pop icon is nothing short of inspiring.

2. Jonita Gandhi: The Modern Fusion Artist

Born in India and raised in Canada, Jonita Gandhi has successfully blended her classical Indian roots with modern Western influences. Her ability to seamlessly shift between classical, contemporary, and even Western pop makes her one of the most popular Indian artists on Spotify today. Tracks like “The Breakup Song” and “Gili Gili Akkha” showcase her versatility. Gandhi’s YouTube covers have also attracted millions of fans, proving that her talent transcends the typical boundaries of Bollywood.

3. Shalmali Kholgade: Pioneer of Independent Pop

Shalmali Kholgade is a name that not only resonates in Bollywood but also in the indie music scene. Kholgade rose to fame with the chart-topping song “Pareshaan” from the movie Ishaqzaade, but she has since diversified her music portfolio. Shalmali’s independent releases like "Ruka Ruka" showcase her creative freedom, blending soulful lyrics with upbeat rhythms. On Spotify, her songs span across genres, and she continues to experiment with indie pop and R&B styles, making her one of the leading voices among popular Indian artists on Spotify.

4. Raja Kumari: The Indian-American Rap Star

Raja Kumari is redefining what it means to be a female rapper in India. Known for her fusion of traditional Indian music and modern rap, she’s built a unique soundscape that sets her apart. Her tracks “City Slums” and “Shook” are bold, unapologetic, and speak to her experiences growing up in an Indian-American household. Kumari’s confidence and creative expression have earned her a significant fan base not just in India, but globally. As one of the few female rappers among popular Indian artists on Spotify, she is breaking barriers and paving the way for future female artists.

5. Tulsi Kumar: Bollywood’s Melodious Queen

Tulsi Kumar is synonymous with Bollywood’s romantic ballads. Daughter of legendary music producer Gulshan Kumar, she has created a distinct identity for herself. Known for her soothing voice, her chartbusters such as “Tum Jo Aaye” and “Paniyon Sa” have been widely streamed on Spotify. Kumar’s ability to evoke deep emotions through her vocals makes her one of the most beloved female playback singers. Whether it’s a romantic number or a sad melody, Tulsi Kumar’s presence on the streaming platform continues to grow, making her a prominent figure among popular Indian artists on Spotify.

6. Shreya Ghoshal: The Evergreen Icon

No discussion about Indian female artists is complete without mentioning Shreya Ghoshal. With a career spanning over two decades, Ghoshal has earned numerous accolades, including national awards and millions of loyal listeners on Spotify. From “Teri Ore” to “Agar Tum Mil Jao,” her voice is a symbol of excellence in playback singing. Ghoshal’s classical training gives her an edge, allowing her to perform a wide range of songs, from classical to contemporary. Her consistency and exceptional talent continue to captivate audiences globally, and she remains a firm favorite among popular Indian artists on Spotify.

7. Dhvani Bhanushali: The New-Age Pop Princess

Dhvani Bhanushali is a rising star in India’s pop music landscape. Her songs like “Vaaste” and “Leja Re” have amassed millions of streams, making her one of the youngest female artists to achieve such success on Spotify. Bhanushali’s youthful energy and pop-friendly melodies resonate with a younger audience, positioning her as one of the fastest-rising female voices in the Indian music scene. Her chart-topping hits have not only ruled Bollywood playlists but also made her a household name among Spotify listeners worldwide.

8. Sunidhi Chauhan: Versatile and Dynamic

Sunidhi Chauhan has been an unstoppable force in Indian music for over two decades. Known for her powerful voice, she is one of the most versatile singers in the industry. With hits ranging from the upbeat “Sheila Ki Jawani” to the emotive “Bhage Re Mann,” Chauhan has carved out a space for herself where few can compete. Her dynamic vocal range and energetic performances make her a frequent feature on Spotify’s top Bollywood playlists. Sunidhi continues to evolve, keeping herself relevant in an ever-changing industry, making her a standout among popular Indian artists on Spotify.

Conclusion: The influence of female artists in Indian music has never been more apparent than it is today, especially on platforms like Spotify. These artists have not only dominated Bollywood charts but have also explored new genres, making significant contributions to the global music landscape. As we’ve seen, the list of popular Indian artists on Spotify is incomplete without these remarkable women who continue to break barriers and redefine the Indian music scene. Whether through independent music or mainstream hits, they have shown that Indian female artists are not just following trends but are shaping them.

[djfloops]

90s Hits Hindi Songs Of Alka Yagnik & Udit Narayan | 90s Evergreen Love Songs | Hindi Songs Jukebox

“Get ready to relive the romance of the 90s with the magical voices of Alka Yagnik and Udit Narayan! This jukebox features evergreen love songs that will take you on a nostalgic journey through Bollywood’s golden era. Tune in to experience timeless melodies and unforgettable moments!” Stay updated with the latest videos from Tips Official, Subscribe on the below…

[mywifeleftme]

294: Nashenas // Life is a Heavy Burden

Life is a Heavy Burden Nashenas 2022, Strut (Bandcamp)

Nashenas is one of Afghanistan’s most beloved twentieth century singers. Born in Kandahar in 1935, he was raised in Karachi, British India (now Pakistan) before his family returned to Afghanistan during his adolescence. By his early 20s he had become a popular vocalist, with a weekly national radio slot singing traditional poetry, adaptations of popular Bollywood songs, and (with increasing frequency) his own compositions in Dari and Pashto.

Most of his work is in the ghazal tradition, a form of Arabo-Persian poetic ode (classically a simultaneous address to an absent lover and to God) that has remained popular in the East for nearly 1,500 years. The songs have a meditative consistency of rhythm, his vocals carrying the melody as he accompanies himself with drones on the harmonium while a tabla player supplies percussion, verses broken by instrumental refrains that answer the vocal melody. Nashenas has a panged yet resigned style suitable to the form, never leaning into cheap emotional theatrics. He spools out his words patiently, great feeling leavened by enlightened reservation. I picture him with his eyes closed, sitting cross-legged as he hums and croons the words that billow from the incense burning within him till the room has filled with it. Despite the focus on his voice though, this is quite dynamic music: the drumming on songs like “Life is a Heavy Burden” provides a raw, intense counterpoint to Nashenas’s steady vocal, while the blissful harmonium drone of “I Am Happy Alone” finds a common note with the primary colours of music made by children, outsider folkies, and the untrained.

Physical media wasn’t common in Afghanistan when Nashenas was establishing himself, and radio broadcasts were the primary outlet for performers. What recordings he did make were largely for radio archives, and many of these were apparently destroyed in the wars that have ravaged the region for decades. As a result, little of Nashenas’s prime is well-documented, and prior to this compilation virtually none of what does exist had been released in the West. Life is a Heavy Burden: The Songs and Poetry of Nashenas collects highlights from a brief run of Iranian 45 pressings of Radio Afghanistan recordings from the late ‘50s. The liners elaborate:

Although hard to fully confirm, it appeared these records were part of an arrangement between someone in Radio Afghanistan and Royal, one of the major labels in Iran. …Recordings were presumably supplied to the pressing plant in Tehran to be manufactured and then sold to the Afghan diaspora in the country, or exported back to Afghanistan. It was ultimately unsuccessful, with a few singles released by Nashenas, Zaland, his wife Sara, and others such as Ustad Mahwash, Ghulam Dastagir Shaida, and Ahmad Wali. Whoever arranged it apparently did not inform the artists themselves!

You’d never know how screamingly rare these pieces are, or that they were not sourced from masters, from the job Strut Records has done with Life is a Heavy Burden. The fidelity is brilliant, clearly of another epoch in terms of technology but unmarred by the dust and rough handling endured by near-70-year-old second-hand discs. I’d recommend this one to anyone with an interest in mid-century music from the Middle East and South Asia, or its influence on Western pop and experimental music from the ‘60s onward.

294/365

[chutneymusic]

90s Hits Hindi Songs Of Alka Yagnik & Udit Narayan | 90s Evergreen Love Songs | Hindi Songs Jukebox

“Get ready to relive the romance of the 90s with the magical voices of Alka Yagnik and Udit Narayan! This jukebox features evergreen love songs that will take you on a nostalgic journey through Bollywood’s golden era. Tune in to experience timeless melodies and unforgettable moments!” Stay updated with the latest videos from Tips Official, Subscribe on the below…