#Breakdown No 42

[disconnected-dragon]

miles g strikes me as the kind of person who's all "whatever. i don't care. i don't care. im a badass, im a motherfucker, don't fuck with me, bitches" while not realizing that everyone can see he's abt one bungled mission away from breaking down and sobbing in the street

[dirtytransmasc]

y'know how siblings will fight all day, and then like, one of them falls asleep (typically while in the car) and the other huffs and puffs but lays them down on their lap/shoulder and totally doesn't play with their hair and they pretend they are fine but inside they're gonna cry, cause their sibling is just their little baby and they would die for them and they regret being mean all day and get themselves so close to crying....

that's Miles², no I will not be taking criticism.

like, Milo (miles 42, using the little nickname for the sake of ease) and Miles going back and forth all day, being mean, teasing each other, calling each other names, being REAL mature, but the second the other falls asleep, it's done, over, they will go to the ends of the earth to make sure the other stays sound asleep, is comfy, and is not in any way disturbed. Milo will SHOOT you, if you dare breathe too loud when his brothers sleeping, he will not move a muscle for hours if his brothers sleeping on him, and the whole time he's teary eyed, trying to pretend he's not doing the little thumb thing on Miles's hair. same with Miles, he's just actually crying, he's drafting a heartfelt apology, he's fighting the urge to hug Milo as tight as he can, he's normally curling up next to/around Milo and going to sleep himself cause he's a wreck at that point.

they're brothers, better yet, twins, your honor, I love them.

[thedawningofthehour]

ahhhh! i'm nervous about the end of book 2, do you think you'll make it to 40 chapters in the end?

by the way, i don't forget that you promised a battle between Draxum and the fam, i really hope he gets his ass kicked.

*squeeze this every time you want to see Draxum get his ass kicked*

. me:

also me latelly:

...it may be 41.

I'm gonna really try to put the next two chapters into two chapters. Everything is plotted out, I just...don't know if it'll be too much by the time I'm done writing it out. And just some of the vibes for a few scenes, it might flow better for them to be in separate chapters.

But we'll see. Two or three, there shouldn't be much of a wait between them hopefully.

Also, where you getting half a year? I've been trying really hard to avoid hinting how long it's going to be in-fic. I think the most I've done is mention that the Book 2 finale was supposed to take place in August, and it's currently late June/July so it's still pretty close.

[symbioticsimplicity]

@harrgrove Got me thinking about something I almost never see but now have a voracious craving for.

Consider, platonic soulmates Jonathan and Billy.

It would take them a hell of a lot to start talking, and even if they did, they’re both awkward as all hell so it wouldn’t be immediate like it was for Steve and Robin. It’s a little more hard won, but once they start talking, they quickly find they have so much in common it’s frankly ridiculous they haven’t talked before.

Imagine them finding they have incredibly similar outlooks and they think almost the same way. They quickly fall into that pseudo mind-reading thing, and they’re able to tell at a glance how the other is feeling even if no one else is able to see past their fronts.

Billy helps Jonathan learn to be a little more assertive where he needs to be, or if he’s around he’ll just do it for him since he has no problem sliding into that role. Jonathan helps Billy learn how to calm the hell down, how to handle the anger he lives with. They balance each other in a way neither realized they needed until it happened.

Of course, the obligatory understanding between them due to their shit dads. Something something, Billy is spiraling about it, something something Jonathan takes the first step to show vulnerability by showing him one of the scars Lonnie left on him, something something, Billy becomes fiercely protective of him while also seeing him as a safe place to be vulnerable about how badly Neil has hurt him. Jonathan helping him through the process of unlearning all the shit Neil beat into him, and in turn Jonathan feels a part of himself healing along with Billy.

Why pit them against each other when we could have this??

[rivrsong]

..

[boopbopbeep3]

*takes a deep, cavernous, and criminally loud inhale*

Mmmmmgood tumblr crack how you fuel my soul

[starsandwriting]

Now im having stress dreams about exams goddammit

[doyoulikethissong-poll]

Linkin Park - Waiting for the End 2010

"Waiting for the End" is a song by American rockband Linkin Park, released on 1 October 2010 as the second single from their fourth studio album, A Thousand Suns. The track features minimal distorted guitar and differs from many previous Linkin Park singles. It features reggae-style verses by Mike Shinoda followed by both chorus and verses sung by Chester Bennington. The breakdown of the song uses remixed portions of Bennington's vocals.

"Waiting for the End" reached number 42 on the US Billboard Hot 100, remaining 23 weeks on the chart. It has also obtained number 2 on the Rock Songs chart, and gave the band their tenth number 1 song the Alternative Songs chart. During a Twitch stream in 2020, Mike Shinoda revealed that "Waiting for the End" is his favourite Linkin Park song. It is one of the available Linkin Park songs for the rhythm video games Guitar Hero: Warriors of Rock and Rock Band 3.

"Waiting for the End" received a total of 58,9% yes votes. Previous Linkin Park polls: #63 "Bleed It Out".

[whateverisbeautiful]

♥️Reveling in Richonne - TOWL

#42: The Fuel (1.04)

gif cred: @kimwexlersponytail

Even when everything crashes down around them, Richonne's love always prevails. 🥹

And now that they’ve recentered on what truly fuels them, Richonne then gets every type of fuel they need to finally go home. So we gotta close out this masterpiece of an episode with the breakdown of ep 4's final glorious moments. 👌🏽😇

The fact that we were really spoiled from literally minute one to the final seconds of Episode 4 - I have to thank Danai one million times for writing this thoughtful Richonne love letter episode and forever thank Andy & Danai for performing every part impeccably 🙏🏽💐...

After deciding to go home together in such a well-earned way—which, that's another thing - the fact that Danai didn’t even need an extended episode to convincingly craft an arc where Richonne could start off more at odds than they’ve ever been, and then not just beautifully, but also believably and organically, bring them back together by the end, leaving them feeling more bonded than ever before. She’s an illustrious talent. 🤩

So now Richonne is ready to head out because this building is on its last legs. And as they walk, Rick is finally out of the CRM gear and in casual apparel for the first time with Michonne. And I loved seeing that. The hold the CRM had on him is finally removed. 😌

The temp controller announces another malfunction and says the elevator only has ten minutes of reserve power left. Which hearing that...it’s wild Rick and Michonne still used that elevator…even tho I’m glad they did. 😏

As they make their way to the door, they stop for a moment and I love the way it’s filmed with us being able to see them between the panels. Rick gets his blade ready and then he looks at the real source of his strength Michonne.

And then you already know I absolutely adore that Rick leans in for them to share a kiss before they head out of this place. It’s the sweetest thing. 🥰And it immediately lets you know Richonne really is back.

gif cred: @ricksmarlene

That kiss is pure gold and highly ranked for me, y'all. Like as quick as this moment is, it’s still so special and romantic. I appreciate any and every reminder that Rick and Michonne are each other's baby and that kiss was definitely giving that.

Also, I just have to reiterate that Danai wrote such a quality episode of television. I love how at the top of the ep we see Michonne first exit the apartment alone and in pain, and then later Rick exits the apartment alone and panicked, and then at the end they show Richonne leaving the apartment together and healed because they’re finally operating like the honest unit they’re meant to be.

And again, it’s impressive how earned it all feels with Richonne starting the ep more at odds than ever and then truly being on one accord and one being again by the end of the hour.

It's sweet that as they’re about to re-enter the walker-infested world they want this reassuring and comforting moment of connection as this kiss just communicates that they’re in it together no matter what they face outside these walls.

Then he whispers ready and she nods and Rick opens the door for Michonne to go through first. Bye, Apartment 👋🏽, you were very very good to us, chile. But now it’s time for Richonne to go home. Won’t He do it. 🙌🏽

So then once they enter the hall they have one of my favorite action sequences. I love the way it's choreographed for them to be so in sync through this whole thing. This action sequence said let us remind you who are the two baddest to ever do it. 😌

gif cred: @kimwexlersponytail

I love the way it really is like they’re killing these walkers as one in the way they’re tag-teaming. Michonne steps out the hall first but then Rick is ready to get the first one and then they just take them down like only they can and it’s a great sight.

And Rick loves the sight of Richonne in action too the way he takes a moment to look at Michonne as they walk forward. I love that it's always clear Rick is invigorated by the fact that he and Michonne are a power couple. And again, the merging of the red and blue light as it comes together to make purple is great and gives TOWL a fresh different vibe than TWD. Seeing Richonne walk in the purple light just feels like they too have blended back into one again. 😌

gif cred: @nerd4music

And then that elevator...😏

Y’all, let me express some gratitude for this elevator right here. It gave us some absolute gold, honey. 😇

gif cred: @nerd4music

They approach the elevator and work together to get a walker out of the way. And then once they enter, Rick kicks the walker's arm, and Michonne, serving with her stance, realizes hey we have some time while this elevator goes down so naturally she looks over at Rick with that 'my man, my man, my man' look.

Then Michonne grabs the strap of Rick's backpack and pulls her into him and we can see him rushing into her just as the blood-stained elevator doors close. I love it. 😋 Look at frisky Michonne wanting a piece of her man right now lol. 🤭 Who can blame her?

gif cred: @msanonships

And when I first watched I thought that was gonna be it. Like they were just going to imply that they make out in the elevator. But no being a Richonne stan means being hella spoiled and so we actually get to see this all play out. 😊

They cut to Richonne making out inside the elevator and it’s just so good.❤️‍🔥 Also, it's funny how you’d never guess that Michonne was the one who initiated this the way Rick so quickly matches the energy and throws her against that wall. Rick can't quite be outhungered when it comes to Richonne kisses lol.

Like Michonne's always on the same page with that intense immense love but Rick's always going to be the more extra one by a little bit. Here for it. 😋

gif cred: @nerd4music

They were real into it in that elevator and had themselves another moanversation. I love that they are always on the same timing and both crazy enough to be so unconcerned with the fact that this building is about to come toppling down. Like they are just passionately present in this hot moment and it’s great. 👌🏽😋

Richonne are really and truly irresistible to each other and I love how their desire is always on display. And you can just tell Michonne loves Rick’s assertive affection as he practically consumes her and she slides her finger down his face. And as for Rick...he's addicted to his wife in the best way. 😊

gif cred: @kimwexlersponytail

Also, I always like seeing that “Failure is never an option” sign because I be needing that reminder in life and also it just feels like a thesis statement or something as to why Richonne is always able to win. When they refuse to fantasize about failing they always come out on top together. 👌🏽

So they manage to pull themselves off each other enough to run and kill more walkers and make it out of the building as they make a run for the vehicle. I remember in 2023 there were those set pics from this outdoor running moment and it felt so nice to now get to see what that all was from. Little did we know it was filmed for the greatest Richonne episode of all time. 🤩

gif cred: @nerd4music

With Richonne outside we continue to get insight into the destruction going on inside the apartment, including the death of the temp controller I believe. RIP, to the narrator of Richonne's ep 4 journey. 

And then Richonne make it to that yellow truck and let me tell you Richonne + cars is undefeated. 👌🏽 It’s always going to make for a golden moment and this one here of course is no exception. 😏

They run into the car and I adore the detail of Rick holding that book that Michonne said Judith would love. A whole FATHER. 😭🙌🏽 And this just goes to show that everything Michonne said to Rick when he had those walls up at the top of the ep was absolutely resonating with him even if he wasn’t fully letting on at first.

I mean, Rick always hangs on Michonne’s every word so of course everything she said stuck, especially about their children. (Also, it just hit me that that’s likely part of why Rick was thinking about getting a gift for RJ in the next episode since he knew they’re bringing the book as a gift for their daughter. 🥲)

gif cred: @ricksmarlene

So they get in the car but then Rick realizes there’s a slight complication as he tells Michonne it’s a “Stick shift.” I love the way Michonne looks at him and smiles when she realizes that means her little amputee cutie won't be able to drive this particular vehicle.

And y’all, since she has to drive that means Rick and Michonne have to switch seats. 😏 It's great how even a car being a stick shift can lead to Richonne gold, because this next moment is top tier. 🤩 Richonne stans, we ate good with TOWL, honey. 😇 Practically every second in this miniseries is rooted in Richonne’s romance. 🙌🏽

Also, I heard it was the episode's director Michael Slovis who had the idea for this next golden part, and I gotta take a moment to give Slovis his tens too. He did an outstanding job directing this Richonne love letter episode. 👏🏽💐

gif cred: @taiturner

So Rick and Michonne have to switch seats and they’re not gonna just get out of the car and do that - no, instead they attempt to just quickly climb over each other but, I’ve said it once I’ll say it 1000 times…Richonne are magnets. 🧲 So of course they couldn’t be that close to each other and not just start going to town again and making out. I love our hungry little couple that stays starving for each other. 😋

gif cred: @nat111love

When Michonne is on top of him you can see the determination on Rick’s face to turn this into something lol. And of course she’s on the same timing as they start making out. Like this building is really going to fall in mere seconds and they don’t give a damn. 🤭

They’re so happily distracted by their love and I’m here for it. They said that whole ‘love on each other as hard as we can while we can thing’ starts effective immediately. Also, only Richonne could make switching seats hot lol. 🔥

gif cred: @taiturner

Then it’s sweet to see the Roomba still going til it can’t go anymore. It’s resilient like Richonne. 

Also, it was really smart to put a sort of timer in the episode, and a high stakes timer at that, with the fact that the ep took place in a building on the verge of collapse. It's symbolic of how Richonne had to come the closest they’ve ever come to wondering if perhaps their relationship is on the verge of collapse as well. But of course like the Roomba that just won’t quit, they emerge from the building together and stronger. Richonne isn't the building, they’re the Roomba.

gif cred: @worldbeyondz

And then y’all. Y’ALL. You already know what I’m about to address. It is now wonderfully canon to know 🗣 MICHONNE CALLS RICK 'BABY.'

gif cred: @nat111love

I know I was previously in the camp that heard Michonne call Rick 'baby' earlier in the bedroom scene but that one I didn't hear on my first watch. This 'baby' right here in this blessed yellow truck tho - undeniably clear. And so great. 🤩

They cut to the two still making out like it’s the only thing on the agenda, but then Michonne knows that it actually is coming down to the wire with the building about to fall. So she whispers to Rick, “Baby, I gotta drive.” 🫠🤩🫠🤩🫠🤩

From “You want to drive?” to “Baby, I gotta drive.” What a journey. 😭🎁

I didn’t know how much I needed to hear Michonne call Rick 'baby' but when I heard it I was like oh I’ve needed to hear this all my life lol.

So y’all, can I happy dance one time? Because hearing Michonne call Rick 'baby' makes me ridiculously happy. 😋

Now whenever I see any pre-canon TWD moments between Rick and Michonne I just stop and think wow one day she’ll call that man her baby. 😭 Like that’ll just be their norm because the way she says it and the way he responds, it’s clear he’s used to that. It’s so sweet and fitting. 🥰

I know we often like to wonder about Richonne pet names and I think it’s so cute that she calls Rick baby because really that is her baby. When I first heard this, y'all, I rewound it so much to make sure I didn't just imagine it lol. It was perfect. 😇

(Also since this kissing moment wasn't scripted and it was something Slovis suggested they do while filming, I'm assuming that would mean the 'baby, i gotta drive' was improvised as well. If so, I love that these talented creatives know just what to do and say with these characters 🙌🏽😊)

And I love that Michonne has to remind him that she has to drive because if she didn’t Rick would have been down to make RJ #2 up in that car. Like he’s lost in her yet again while their making out and of course, the moaning has returned. The man can’t help it. 😊

This whole lovely kissing moment further proves that for Rick the world can wait when he’s with Michonne. And the way Michonne says the line you can tell that the only reason she’s stopping is cuz they literally need to go. If they didn’t have to book it out of here right now…she’d be down for whatever too. You already know. 😋

gif cred: @worldbeyondz

I love how Richonne’s favorite thing is kissing each other breathlessly and how they prove time and time again that the magnet thing might as well be literal. Also, the fact that they kiss during every phase of this exit - at the apartment door, in the elevator, and in the car. Real lovers are back. 😍

And they are never beating the adrenaline kink allegations, y’all. But I love how they, like us, are very cognizant of the fact that Richonne in fight mode is a sexy thing. 

And then I love that after she tells him 'Baby I gotta drive' they both laugh a little knowing how easily they get caught up. And then Rick is so refreshingly looser and more himself as he says, “Right. They made a stick shift electric car” and then he looks back and sees they left tanks of ethanol in the backseat.

gif cred: @taiturner

Let me repeat - The universe is a Richonner. 😋 The second Richonne got it together the universe was like here we’ll provide the fuel (and the food 🍜😉) and all the logistics.

I love how they both get excited learning the car is a hybrid. It reminds me when they were excited about those MREs in Say Yes. 

So then Michonne notes how they have to thank the innovators for the hybrid and how those people clearly thought they could do anything and Rick says, “Yep but we can. ‘We can make this whole world ours if we want to.’” Do you know how much of a loverboy you have to be to quote your wife’s words from a DREAM? 🫠 Most swoon-worthy thing ever and I’m so here for it. 🙌🏽

gif cred: @machonnes

I love that Rick is back to believing in Richonne. 🥰 Also I always laugh when I think back to when I first watched this because I remember just being like 'Aw he’s quoting her from the proposal dream ☺️' and then I gasped and was like 'oh that is a clear sign that he’s going to give her a ring in TOWL 🫢.' Like Rick quoting Dream Michonne in this car made me know for sure a wedding ring was coming cuz he's thinking about that particular '5 Pizzas & a Wedding Ring' dream. 👌🏽

I love seeing playful Rick again and Michonne brings that out of him so often and so naturally. And Michonne’s reaction is great when she looks at him like 'I agree but also...what??' I love that she affirms it tho saying, “Yes we can. That sounds like something I’d say.”

gif cred: @machonnes

And then Rick all contently says, “It is.” Y'all, i'm crying. 🥹 What a touching, lighthearted, and meaningful way to close out this episode's dialogue. 👏🏽

I love that Michonne knows she’d say that phrase and that Rick knows it full well too. He’s like baby, my dreams of you are extremely accurate, trust me. And the way he studies that woman of course they are. 😊

It’s just so special that those dreams at one point were all Rick really had of her and now here he gets to refer to them with the woman herself after she’s loved him back to life.

gif cred: @taiturner

As they get the car going there’s a little jump scare when a walker hits Rick’s window, and seeing them both jump and then be like okay let’s go - if they got any cuter my heart would not be able to take it lol. And the fact that Andy improvised that jumpscare reaction. Love it.

Rick and Michonne were just so back. Like they’re back to being the Richonne that’s playful, and flirty, and fully connected. A clear weight has been lifted off them and they're so in tune with each other again and it fills my heart with joy. 🥰

They drive and then it feels very poetic to see the building finally fall. I love the way Danai described the building as a cocoon that would determine if Richonne really can come out butterflies. And they soared out beautifully. 😭🦋

It also feels very symbolic of the way the walls Richonne had up around their hearts at the start of the episode have also officially fallen as they're back to being one in every way.

So having served its purpose of helping Richonne reconnect and bloom, the building could now come down. It’s almost like all the hard things they expressed and went through get to tumble down with the building as they head into a brighter horizon.

gif cred: @perryabbott

Having made it out just in time, Michonne watches the building fall from the rearview mirror and just smiles knowing she and Rick are finally back on track and on their way home like she's long been wanting.

gif cred: @machonnes

Then as Michonne smiles she has this loving look over to Rick and of course he’s already looking her way. 🥰 I love how his look over at her was such a loud and clear 'I love you.'

You just know that as he looks at her he knows he’s gonna be getting down on one knee with a ring the second he has a chance.

gif cred: @machonnes

And then the way he looks down with a smile. 😭 At this moment I really think ‘I’m so in love with her’ is the direct quote from his mind. That and “How’d I get so lucky finding you again.” 

gif cred: @machonnes

And Michonne can feel the love as she has her own 'I love you' smile at Rick and looks forward. That's the smile of a woman who knows good things can happen when you and your husband take a plunge out of a helicopter. 👌🏽

That’s also the smile of a writer who just knocked it all the way out of the park writing this brilliant episode. 🔥👏🏽

gif cred: @machonnes

And a surefire way to make me happy is to see Richonne happy, so I absolutely adore that this stunning episode ends with Richonne’s smiles. They’re together. They’re happy. They’re in love. All is well. 😌

As they drive off, I adore the Asibe Happy song they use. I love that it feels like a homage to Danai to have it be music from the motherland. And just the lyrics are so fitting saying We're happy/We're in love/They tried to come between us but they failed. The vibe is so different from TWD in a really cool way and it’s just a great choice. 👌🏽

It’s funny tho because my extra self had this song stuck in my head for a few days after the episode aired and despite it having a positive vibe I could not stop getting choked up when hearing it. 🥲 Like now for me the song represents Richonne overcoming and driving off into the sunset and it’s so beautiful and feels so much like a happily ever after ending that the music was constantly making me want to shed tears. 

gif cred: @coolpartytimefan

But while it could have easily felt like this was the end of the story and Richonne was driving off into the sunset for good as this masterful episode faded to black…we still weren’t done yet. 😌

TOWL still had two more episodes of Richonne gold to give us with some very wonderful developments in their relationship. 👌🏽

But before we head into the final two episodes of TOWL, let me just conclude the 'What We' posts by saying Wow. This is how you do a moving, meaningful, and masterful episode of television.

What Danai so thoughtfully created with this episode exceeded expectations and truly shined the brightest light on why Richonne is so very special. Why it’s my Roman Empire. Why it’s my favorite depiction of love of all time. 😍

Never have I written so much about one TV episode, but I knew I’d have to go all out for Episode 4 because it’s what this important experience deserves. Every emotion, every scene, every choice, was pure excellence. 👏🏽

Andy and Danai have some of their greatest performances ever and I love that this episode was so packed with riveting dialogue and so focused solely on the two fascinating characters of Rick and Michonne and their extremely compelling relationship. It really gave Andy and Danai the space to again solidify why they're the best in the business and why Richonne is the greatest TV couple of all. 👑

I’m so grateful to them for giving their all as the people who bring Richonne to life and to Danai for writing something so inspiring and exceptional. 🔥

I’ll thank her 1000 times for lovingly and diligently crafting a Richonne episode that is food for the soul and delves into love, pain, trauma, and triumph with such honesty, creativity, and care.

This franchise and fandom are so fortunate to have such an astronomically gifted actress and writer share her gifts this way. 💯

Episode 4 was immensely heartfelt, hot, humurous, healing and profoundly human. It'll stick with me forever. It's embedded in my heart and I wouldn’t have it any other way.🥹

It's not every day you get to see your favorite thing reach its peak of perfection but that's what this episode was for me - capturing the mesmerizing depth and beauty of Richonne at its absolute best. So I'll cherish this shining treasure of an episode always.👌🏽😌

[asidian]

Set breakdown time! Next up: Niko's room.

As before, I've circled the points of interest and numbered them to make them easier to talk about. Cool? Cool. Let's do this!

1: Niko's mom's name! This part is her and Niko's surname. The kanji are 佐々木.

佐 – sa, meaning help or aid

々 – an iteration mark. When you see this, basically it means "exactly what the last one said, one more time." So another sa meaning help or aid

木 – ki, meaning tree

It's really neat that they picked a last name for her that doubles down on her role in the narrative. Just like Niko is there to support and help other characters in whatever way they seem to need, her surname hammers it home by including 佐 not once but twice.

2: Riza (リザ) Niko's mother's given name. Somewhat odd here is that it's written in katakana and not kanji. Without getting sidetracked too much (you can pop over here to read more if you're interested) most Japanese people write their names in kanji.

Katakana seems like a bit of a strange choice here, unless a) Niko for some reason doesn't know the kanji for her own mother's name (weird, given that she's in high school) b) her mother is a foreigner (a possibility; foreigners usually write their names in katakana) c) the set designer/whoever prepped the letters didn't know the appropriate kanji for "Riza" (seems unlikely, given how accurate all the rest of this is) or d) some sort of personal habit. An interesting side note is that her letter to Niko also puts Niko's name in katakana.

3: Cutesy stationery, used for marking your place in a document or book

4: A cute blue purse!

5: Watermelon! Judging by the shiny material and placement near the other bag, I'm going to guess this is another purse

6: Niko's clothes :>

7: Pink luggage

8: Lots of instant noodles

9: A rice cooker

10: Rice vinegar

11: This girl LOVES her some plants

12: Probably food items…? The one on the right looks like it might be a five-pound bag of rice, but I don't recognize the brand

13: Lots of unwashed dishes

14: A toaster oven

15: Chopsticks

16: A cute octopus pillow. I think I saw someone mention that it's from Ikea :>

17: She often leaves dirty dishes sitting on the bedside table

18: A painting of what seems to be a skyscape

19: Brightly colored pillows

20: Metal art in the shape of a moon

21: A decorative window hanging

22: More plants :)

23: Candles

24: Her tv

25: Cute pens with pompoms on the end

26: Regular tape

27: A cute cat statue

28: Marble Pop Ramune, strawberry flavor. Ramune is a type of soda that's a popular festival drink in Japan. It's sealed with a  glass marble and you have to pop the marble down into the little catch basin before you can drink it.

29: Anime wall décor

30: Fruit jelly cups. In Japan, small gelatin based snacks like this are popular. They're tiny, about an inch tall, and you eat them in just one or two bites.

31: Niko's laptop. She has stickers on it

32: Washi tape! It's decorative Japanese tape, often with bright colors and patterns, used for crafting.

33: A lot of cute magnets, including the bunny one, which serves double-duty as a kitchen timer

34: Niko's grocery list. The only thing on here that's here because she wants it is strawberry ice cream. The rest of the items, licorice tea, manuka honey, and Epsom salts, are all natural remedies. She's been trouble-shooting how to get rid of the effects of the sprites. She knows she's sick, but not why

35: Cutesy craft supplies! Sequins, glitter, and pompoms

36: More washi tape!

37: Niko's manga collection. She is that particular brand of organizational mess that does not put her numbered volumes in order. She has made an exception for the series that makes a complete picture when you line them up, though

38: More plants :)

39: Manga posters! Issho is one of the series that she has on her shelf

40: A decorative jar

41: Little metal bird sculptures

42: What seems to be the only framed picture in her room. The angle is wrong to see what the photo is, but it's interesting that they added just one in here. Maybe it's her family…?

[dirtytransmasc]

so like... the arachkids have totally watched all of bluey together right? and it definitely started with the twins watching it together cause they needed some background noise during a particularly bad storm (they both hate thunder), put it on as a joke, but found themselves obsessed and eventually the whole crew joined in on binging it? and despite it becoming a group thing, Miles and Mylo have watched it all on their own at least twice because it's brotherly bonding time, don't judge them?

good, good, glad to see we all agree :) [I'm fucking delulu, don't mind me]

[askagamedev]

Vertical Slice Breakdown - Dragon Age Veilguard

It's been a few days since the Dragon Age Veilguard gameplay video was released. I posted a challenge for aspiring developers to identify as many specific features and systems as they could spot. My expertise is in gameplay, so that's where I will be focusing. Expertise on visuals like lighting, rendering, shaders, etc. should be directed elsewhere.

0:22 - In-Game Cinematic with moving cameras 0:30 - Seamless cinematic transfer to gameplay, quest tracking UI element, different walking speeds 0:36 - Interactable element with UI 0:43 - Camera movement - orbital motion, but likely not detachable 0:53 - Party member movement, including waiting for the player as part of an escort sequence 2:08 - Uninteractable NPC actors perform animations 2:13 - Scriptable terrain changes/destruction 2:18 - Scriptable interactions with multiple actors 2:29 - Uninterrupted conversations when transitioning from gameplay to in-game cinematic 2:39 - Context-specific traversal method with special traversal animation (balancing across a thin beam) 2:50 - Small sequence that is likely unloading the last area and loading in data for the next environment. Likely also locks players off from returning to the previous area. 3:22 - Conversation wheel with "personality" icons and paraphrased words 3:39 - Dynamic inventory in game cinematics, show player's items 3:46 - Scripted Player equipment change during cinematic 4:04 - Quest variables (e.g. player background) result in different NPC response 4:27 - Combat UI including current target (four red dots), Combat log 4:30 - Player can jump 4:33 - UI Melee danger indicator for incoming attacks - silver for enemy attacking, gold for shortly impending damage 4:35 - Player can dash/dodge 4:39 - Event log - Items/Loot notification 4:42 - Shooting UI including hit/miss indicator (red reticle), time scaling, arrow charging (rounded purple bar above arrow count), arrow refill cooldown 5:03 - Some kind of special charge/jumping attack 5:09 - XP gain UI, Quest objective completion UI, Quest objective map indicator UI 5:12 - Auto sheath weapons 5:15 - Potion use/Health recovery 5:18 - Recover potions from the environment 5:40 - Quest objective indicator change on approach 5:49 - Ranged attack danger indicator 5:51 - Defensive action (player reflects damage back on ranged attacker) 6:06 - Enemies can be knocked off edges when fatal 6:10 - Destructible objects in combat, can be scripted 6:16 - Some kind of "special" dodge skill with VFX, likely a rogue class skill 6:51 - Second context-specific traversal method (sliding down a slope) also likely a second "can't go back" type of lockoff 7:01 - Action/Command UI (party/self ability commands) 7:06 - Specific skill used, skill cooldown, enemy debuffed + UI (weakened), resource used (purple bar at bottom of screen) 7:07 - Quick use button mapping, likely for controller face buttons 7:09 - Resource bar refills on its own and on attack damage 10:47 - Different kinds of health bars (likely magical shield and armor) 11:59 - Boss UI with both magical shield and armor bars. Not sure what the number 4 there indicates 12:15 - Telegraphed danger zones projected onto the floor 12:22 - Quick recover timing event 14:45 - Conversation option for branching cinematic 14:51 - Follower approval UI event log 18:49 - Destructible object with health bar and UI highlighting

Each of these elements is something that would need to be designed and implemented by someone on the gameplay team working with UI, engineering, and art. See anything I missed? Which did you get?

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Got a burning question you want answered?

Short questions: Ask a Game Dev on Twitter

Long questions: Ask a Game Dev on Tumblr

Frequent Questions: The FAQ

[haggishlyhagging]

The more women are paid, the less eager they are to marry. A 1982 study of three thousand singles found that women earning high incomes are almost twice as likely to want to remain unwed as women earning low incomes. "What is going to happen to marriage and childbearing in a society where women really have equality?" Princeton demographer Charles Westoff wondered in the Wall Street Journal in 1986. "The more economically independent women are, the less attractive marriage becomes."

Men in the '80s, on the other hand, were a little more anxious to marry than the press accounts let on. Single men far outnumbered women in dating services, matchmaking clubs, and the personals columns, all of which enjoyed explosive growth in the decade. In the mid-80s, video dating services were complaining of a three-to-one male-to-female sex ratio in their membership rolls. In fact, it had become common practice for dating services to admit single women at heavily reduced rates, even free memberships, in hopes of remedying the imbalance.

Personal ads were similarly lopsided. In an analysis of 1,200 ads in 1988, sociologist Theresa Montini found that most were placed by thirty-five-year-old heterosexual men and the vast majority "wanted a long-term relationship." Dating service directors reported that the majority of men they counseled were seeking spouses, not dates. When Great Expectations, the nation's largest dating service, surveyed its members in 1988, it found that 93 percent of the men wanted, within one year, to have either "a commitment with one person" or marriage. Only 7 percent of the men said they were seeking "lots of dates with different people." Asked to describe "what concerns you the day after you had sex with a new partner," only 9 percent of the men checked "Was I good?" while 42 percent said they were wondering whether it could lead to a "committed relationship."

These men had good cause to pursue nuptials; if there's one pattern that psychological studies have established, it's that the institution of marriage has an overwhelmingly salutary effect on men's mental health. "Being married," the prominent government demographer Paul Glick once estimated, "is about twice as advantageous to men as to women in terms of continued survival." Or, as family sociologist Jessie Bernard wrote in 1972:

“There are few findings more consistent, less equivocal, [and] more convincing, than the sometimes spectacular and always impressive superiority on almost every index—demographic, psychological, or social—of married over never-married men. Despite all the jokes about marriage in which men indulge, all the complaints they lodge against it, it is one of the greatest boons of their sex.”

Bernard's observation still applies. As Ronald C. Kessler, who tracks changes in men's mental health at the University of Michigan's Institute for Social Research, says: "All this business about how hard it is to be a single woman doesn't make much sense when you look at what's really going on. It's single men who have the worst of it. When men marry, their mental health massively increases."

The mental health data, chronicled in dozens of studies that have looked at marital differences in the last forty years, are consistent and overwhelming: The suicide rate of single men is twice as high as that of married men. Single men suffer from nearly twice as many severe neurotic symptoms and are far more susceptible to nervous breakdowns, depression, even nightmares. And despite the all-American image of the carefree single cowboy, in reality bachelors are far more likely to be morose, passive, and phobic than married men.

When contrasted with single women, unwed men fared no better in mental health studies. Single men suffer from twice as many mental health impairments as single women; they are more depressed, more passive, more likely to experience nervous breakdowns and all the designated symptoms of psychological distress—from fainting to insomnia. In one study, one third of the single men scored high for severe neurotic symptoms; only 4 percent of the single women did.

-Susan Faludi, Backlash: the Undeclared War Against American Women

[radiokathryn-if]

DEMO ☯︎ FAQ ☮︎ DIRECTORY ♪

Nate Nicks has disappeared.

Why should you care? Do you?

You probably should, considering he's the face and host of your extremely popular radio show and you've just landed one of the biggest contracts of your careers.

You are a sound tech engineer and a damn good one at that, while Nate was the face you were the sound, usually your work is strictly behind the scenes, except for the odd occasion when you were needed on air. So when Nate goes missing and you're tasked with filling in his shoes you're practically thrown in at the deep end.

It only gets worse after a missing persons case becomes a murder case and the cast and crew of Radio Kathryn and FloNote Ent become the suspect pool...

RADIO KATHRYN is rated 18+ for explicit language, explicit sexual scenes and references, themes of death and blood, use of alcohol and drugs, physical abuse and violence. please check trigger warnings.

The setting of the 70s is purely for aesthetic and technology. Don't expect era—accurate racism or homophobia as it won't be included in this IF.

FEATURES ☯︎ [ Trigger Warnings ]

fully customise your MC! name, gender&pronouns (M/F/NB), appearance, personality

decide your on air persona──can you hack it in the limelight or will you crack under the pressure?

build your relations──do you get along with your fellow teammates? how about your fanbase? or your company?

+your radio teams backstory──how the four of you (Nate, José, Mica and yourself) got along, created the pirated radio show, how you got signed into legality, how everything went to shit... or not?

romance someone (or not)──featuring eight solo routes and two poly routes OR just enjoy the mystery and figure out a murder!

chose paths that affect the game──your choices matter, and the ending you may or may not get is dependent on them.

decide which kathryn is your mother──and your relationship with her. (Catherine, Kate, Cathy, Katherine or Rynnie)

CHARACTER BREAKDOWN ☮︎ [ RO Intros ]

The Man, The Myth, The Legend. [???]

“Nate Nicks” Nathan Nicholson──he/him. 28. Radio Kathryn's host and front man, adored by thousands. Complete arsehole but somehow it makes him endearing to others. Cocky son of a bitch that let fame get to his head... or is he? Nevertheless, he's missing now and you may have something to do with it.

think a mix between gauge burek and chris veres in druck (2019)

The Benefactor.

“Mr Robinson” Lionel Robinson──he/him. 42. The man who funded your radio show, the one who got you to where you are. Kind, calm and considerate, especially with Nate. But every one has a line to cross at some point and Mr Robinson is not someone to get angry.

think chad michael murray in sullivan's crossing (2023)

The Fiancé. [RO]

“Eva Vidal” Evangeline Vidal──she/her. 25. The woman who's been there from the beginning, your first listener, your first fan. You used to be closer but Nate sunk his teeth in her and pulled her away. You watched her steadily lose her glow and for someone engaged she seems quite jaded at the news of her missing fiancé.

think penélope cruz in vanilla sky (2001) or vicky christina barcelona (2008)

The Best Friend. [RO]

“Mica Hollens” Michael/a Hollens──he/him, she/her. your age (24─28). Your voice of reason in the chaos of life and Radio Kathryn's manager. Your support system and rock, even if they are a bit quick to jump the bullet in your honour. Mica has strong opinions and Nate has never been in their good books, but surely they wouldn't do anything to jeopardise your job.

think tanaya beatty in through black spruce (2018) or alex meraz in mine games (2012)

The Detective. [RO]

“Detective Han” Han Jimin──he/him or she/her. 30. The detective assigned to Nate's missing persons case. They are meticulous and goal oriented and their current goal is figuring you and your work family out. The more you resist the more they're intrigued and the more you help the more you unravel them.

think lee soohyuk in tomorrow (2022) or lee siyoung in sweet home (2020)

The Rival DJ. [RO]

“José Danger” Jose/phine Jeager──she/her or they/them. 26. Nate calls them the traitor─the defector. They used to be part of your team, a co-host with Nate in your beginning days. The two of them worked like magic until Nate was in demand more and José was kicked to the curb. You wonder if the festering grudge they left with is still there... and if it still extends to you.

think zazie beetz in deadpool 2 (2018) or wounds (2019)

The "Hater". [RO]

“Ji Han” Han Ji Young──he/him. 24. The younger brother of Detective Han. Ji Han is not a fan of Nathaniel Nicholson but he is a fan of the songs he plays─or rather the ones you play when he's absent. He's taken the utmost interest in his siblings case, suspiciously enough to become entangled in it more than anticipated.

think a mix of choi san (2022-23) and lee dohyun in 18 again (2020) or the glory (2022)

The "Fan". [RO]

“Fauve” Faye─Mauve Langham──she/her. 25. Fauve is a bit of a groupie, she can admit. She's not totally obsessed with Radio Kathryn, she reasons, she's just invested in the show and even more so in the people behind it. Fauve become more involved in the case of Nate Nicks than she's wanted, leaving you to wonder just what it is that keeps her going─even to the edge of insanity.

think a mix of imogen poots in need for speed (2014) and hayden panettiere in nashville (2012-18)

The Family Man. [RO]

“Mr Lewis” Jackson Lewis──he/him. 33. The night shift receptionist-slash-building coordinator. He usually brings his daughter to sit in on show recordings, seeing as she's got a bit of a crush on Nate─he's a no-bullshit kind of man but his soft spot is his daughter's puppy dog eyes. He just so happens to be the last person to see Nate before he disappeared and you can't help but get the feeling he's not being truthful in his statement about it.

think brian tyree henry in eternals (2021) or atlanta (2016-22)

The Question Mark. [???]

"Who?" ??? ???──unknown.

it'll be revealed later!

©️ bonnie berry 2023────@moretinyideas

──the polymances are between eva and ??? (eva???) as well as fauve and ji han (fauhan)!

──this is totally inspired by episode 2.8 of sister boniface "dead air" but other than the idea of a radio show called Radio Catherine there are no other similarities!

[sabertoothwalrus]

Dungeon Meshi Episode Breakdown Predictions

I know people have done this before but I didn’t feel like looking them up so I typed up my own

13. Thistle

14. Orcs

15. Dryads

16. Kabru

17. Laios learns magic/cockatrice

18. Shuro & Kabru’s party reach Laios’s party

19. CHIMERA FALIN!!!!!

20. chimera falin pt 2 Laios Gets Punched

21. Shapeshifter (BARK BOY BARK!!!)

22. IZUTSUMI!!!

23. Marcille’s nightmare

24. Ice golem & barometz

the nightmare seems like it’d be a better place to end the season, so maybe they’ll change the chronology of those last two eps?

-

Season 2

25. Canaries arrive/Golden Kingdom

26. Griffin

27. Changelings

28. Canaries enter the dungeon/giant mushroom/thistle & falin/kabru & mithrun fall

29. Changelings pt 2/ BICORN !!!!!!!!!!!!!

30. Dullahan

31. Succubus

32. Kabru & Mithrun

33. Phoenix

34. Rabbits

35. Curry

36. Thistle pt 1

37. Thistle pt 2

38. Canaries interrogation

39. Marcille dungeon lord & THAT GAYASS KABRU SCENE

40. That bit where they pretend to be parasites in the familiar to reach marcille

41. Doppelganger

42. Cunty Black Dress

43. Rescue Marcille

44. Lion stuff

45. Laios becomes a monster

46. Final battle

47. Help Me Eat My Sister :)

48. Dinnar

[penelopwgarcia]

hey if anyone here wants a mental breakdown just do this:

the clone wars: season 7 ep 09

revenge of the sith until 50:19

the clone wars: season 7 ep 10

revenge of the sith to 1:25:14

the clone wars: season 7 ep 11

revenge of the sith to 2:08:56

the clone wars: season 7 ep 12 to 19:42

revenge of the sith to end

the clone wars season 7 ep 12 to end

tales of the jedi ep 6

you're welcome